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Lawyer: Second Autopsy Shows Officers Shot Man from Behind

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Agapita Montes-Rivera, second from left, the mother of Antonio Zambano-Montes, is comforted following the funeral for her son Wednesday, Feb. 25, 2015, at St. Patrick's Catholic Church in Pasco, Wash. Zambrano-Montes' Feb. 10 death in the agricultural city of Pasco has sparked protests and calls for a federal investigation. Police killed the unarmed man who spoke little English after he allegedly threw rocks at officers. (AP Photo/The Tri-City Herald, Andrew Jansen)

Agapita Montes-Rivera, second from left, the mother of Antonio Zambano-Montes, is comforted following the funeral for her son Wednesday, Feb. 25, 2015, at St. Patrick’s Catholic Church in Pasco, Wash. Zambrano-Montes’ Feb. 10 death in the agricultural city of Pasco has sparked protests and calls for a federal investigation. Police killed the unarmed man who spoke little English after he allegedly threw rocks at officers. (AP Photo/The Tri-City Herald, Andrew Jansen)

NICHOLAS K. GERANIOS, Associated Press

SPOKANE, Wash. (AP) — An independent autopsy of an unarmed Mexican man killed by police in Washington state shows he was shot as many as seven times — including twice from behind — contradicting earlier statements from authorities, an attorney for the man’s family said Thursday.

The second autopsy was commissioned by lawyer Charles Herrmann, who is representing Antonio Zambrano-Montes’ estranged wife and two daughters.

Its findings came a day after a spokesman for a special unit investigating the Feb. 10 shooting said five or six bullets struck Zambrano-Montes, but none from behind.

“Our report differs sharply with statements made by local law enforcement authorities,” Herrmann said in a statement.

Zambrano-Montes, a 35-year-old Mexican immigrant, was shot after throwing rocks at officers. His death has prompted calls for a federal investigation, along with a series of demonstrations in Pasco, an agricultural center with 68,000 residents about 130 miles southwest of Spokane.

A Seattle pathologist, Dr. Carl Wigren, performed the independent autopsy Feb. 20. Herrmann released a portion of the report Thursday.

“The report reflects a total of as many as seven rounds striking Zambrano,” the attorney said. It also found entry wounds on the back of the victim’s right arm and one buttock, he said.

The independent autopsy determined the Pasco orchard worker also was shot in the face, stomach, chest, arm and scrotum, according to a diagram provided by Herrmann.

At a news conference Wednesday, Kennewick Police Sgt. Ken Lattin was clear that preliminary results of the official autopsy showed Zambrano-Montes was not hit anywhere on the back of his body. That would indicate Zambrano-Montes was not shot while running from officers with his back turned.

Dr. Sig Menchel performed the official autopsy days after the shooting.

Lattin is a spokesman for the regional law enforcement task force examining the shooting. On Thursday, he referred questions to county Prosecutor Shawn Sant, who did not immediately return a telephone message from The Associated Press.

The final medical examiner’s report is not yet finished, but could be done within a month, Lattin said Wednesday.

He said investigators have determined three officers fired a total of 17 shots. Police have not said how many shots each officer fired, or whether bullets from all three officers struck Zambrano-Montes.

Lattin said the autopsy results showed Zambrano-Montes was shot five or six times, but “there were no shots in the back.”

The afternoon of Feb. 10, Zambrano-Montes was throwing rocks at passing vehicles and later at responding officers, authorities say.

Video taken by a witness shows the man running from officers. As the officers draw closer, he stops and faces them. Multiple pops are heard, and he falls, twisting, to the ground as the pops continue.

Lattin said officers fired stun guns at least twice but failed to stop Zambrano-Montes before using their weapons. The officers felt threatened, police said.

Zambrano-Montes’ death at a busy intersection has sparked two weeks of protests in Pasco, where more than half the residents are Hispanic but few are members of the power structure or police force.

Additional protests are planned for Saturday.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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