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La Russa, Blue, Campaneris, McGwire, and Haas, Jr. to be Inducted into Athletics Hall of Fame

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OAKLAND, Calif. – Baseball Hall of Famer Tony La Russa; Cy Young and MVP award winner Vida Blue; six-time All-Star Bert “Campy” Campaneris; Athletics all-time home run leader Mark McGwire; and former A’s owner Walter A. Haas, Jr. will be enshrined in franchise history forever as members of the 2019 class of the Athletics Hall of Fame, the Club announced today. The class will be honored during a pregame ceremony on Saturday, Sept. 21 when the A’s host the Texas Rangers.

Tony La Russa managed the A’s for 10 seasons from 1986 to 1995 and, under his guidance, won four American League West titles, three consecutive AL Pennants from 1988 to 1990, and the World Championship in 1989. La Russa won 798 games during his tenure with the A’s, which are the most in Oakland history and second only in Athletics history to Connie Mack’s 3,582. When he was hired to manage the A’s on July 7, 1986, his first action was to name Dave Stewart as his starting pitcher that day at Boston. The A’s acquired Dennis Eckersley the following season and, under La Russa’s watch, the modern-day closer was born. The A’s won an Oakland-record 104 games in 1988 and La Russa was named AL Manager of the Year, an honor he would garner again in 1992. He was elected to the National Baseball Hall of Fame in 2014.

No pitcher in Oakland history has struck out more batters (1,315) or started more games (262) than Vida Blue. Drafted by the Kansas City A’s in 1967, Blue made his Major League debut in 1969 just eight days before his 20th birthday.  He tossed a no-hitter in 1970 and then burst onto the national scene in 1971 when he won both the American League Cy Young Award and Most Valuable Player Award as a 21-year-old. Blue set Oakland records with 301 strikeouts and a league-leading 1.82 ERA while compiling a 24-8 record. He was the starting pitcher for the AL in the All-Star Game that year and again in 1975.  Vida won 20 games in 1973 and 22 in 1975 and pitched nine seasons with the A’s from 1969-77. He also holds Oakland career records for complete games (105), shutouts (28) and innings pitched (1945.2).

The Athletics all-time leader in games played (1,795) and hits (1,882), Bert “Campy” Campaneris played 13 seasons for the A’s, including four in Kansas City (1964 to 1967) and nine in Oakland (1968 to 1976). When you trace the roots of the A’s three straight World Championships from 1972 to 1974, it all began on April 25, 1961, when the Kansas City A’s signed a 19-year-old Cuban named Dagoberto Campaneris. Campy made his Major League debut on July 23, 1964 and homered twice in his first game.  He famously played all nine positions in a nine-inning game on Sept. 8, 1965. Campaneris hit .353 in the 1974 World Series and was a six-time All-Star. He stole 649 bases in his career and led the American League in steals six times, including four straight years from 1965 to 1968.

The A’s all-time home run king with 363, Mark McGwire played 12 seasons with Oakland from 1986-97. He broke the Major League record for home runs by a rookie with a league leading 49 in 1987 and was named American League Rookie of the Year. McGwire was tabbed to his first of an Athletics-record nine All-Star Games that year, including six straight from 1987 to 1992. The A’s reached the Postseason four times with McGwire, highlighted by a World Championship in 1989. He earned the American League Gold Glove for first basemen in 1990 and set Oakland records with 52 home runs and a .730 slugging percentage in 1996. In addition to home runs, McGwire holds Oakland career records for RBI (941), extra base hits (563), and slugging percentage (.551).

The A’s may never have been Rooted in Oakland had Walter A. Haas, Jr. not purchased the team following the 1980 season. Haas owned the club for 15 years from 1981 to 1995 and during that time the A’s won five American League West titles, three AL Pennants, and the 1989 World Championship. The A’s set a franchise record for attendance in Haas’ first season by drawing 1.3 million fans, a record that would be broken four more times, topping out at 2.9 million in 1990. But Haas will be remembered just as much for what went on off the field, beginning with a commitment to the community. Haas stayed in the background while bright young innovators such as Walter J. Haas, Roy Eisenhardt, Sandy Alderson, and Andy Dolich grew the A’s reputation to one of the best in baseball.

The group joins Baseball Hall of Famers Dennis Eckersley, Rollie Fingers, Rickey Henderson, Catfish Hunter, and Reggie Jackson; 1989 World Series MVP Dave Stewart; and former A’s owner Charlie Finley in the Athletics Hall of Fame. The A’s annually induct a class that is voted on by a committee.

Art

Misty Copeland Shapes Ballet’s Tomorrow

THE POSITIVE COMMUNITY — Misty Copeland will curate the 2026 Joyce Ballet Festival, a two-week event in New York City from August 4-16. This role allows her to influence the future of ballet by showcasing a wide range of dancers, choreographers, and companies. The festival will present both established and contemporary works, blending classical traditions with new artistic expressions.

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Misty Copeland at the 2026 Met Gala, wearing fashion in theme of "Costume Art" Date 4 May 2026, 19:39:21

This summer, Misty Copeland will step into a different kind of spotlight. Instead of taking center stage as a dancer, she will help determine what audiences see onstage as curator of the 2026 Joyce Ballet Festival. Taking place August 4 through August 16 at The Joyce Theater in New York City, the two-week celebration will bring together dancers, choreographers and companies representing a broad spectrum of ballet. The festival gives Copeland an opportunity to share not only her appreciation for ballet’s traditions, but also her vision for its future.

Copeland understands better than most how powerful a ballet stage can be. Her historic career with American Ballet Theatre changed the conversation about representation in one of the world’s most traditional performing arts. When she became the company’s first Black woman to reach the rank of principal dancer, her achievement carried significance far beyond a personal milestone. It gave young dancers of color a new image of what was possible and challenged the industry to reconsider who belonged at the center of ballet.

That history informs the perspective she brings to the festival. Copeland has spent much of her career moving between performance, mentorship, advocacy and storytelling. Her curatorial role allows her to bring those interests together by creating a program that does not treat ballet as a museum piece. Instead, the festival presents dance as an evolving language capable of carrying classical traditions into new cultural and artistic territory.

Audiences will encounter a mixture of established works and contemporary creations during the festival. Classical ballet vocabulary will share space with choreography that pushes dancers toward different physical, emotional and theatrical possibilities. The result is intended to give audiences a broader understanding of the art form while demonstrating that tradition and innovation do not have to be competing forces.

The lineup also provides an opportunity to see dancers from different artistic environments. Performers connected to organizations including American Ballet Theatre, New York City Ballet, Paris Opera Ballet, Houston Ballet, Dance Theatre of Harlem and Complexions Contemporary Ballet are among those represented in the festival. Each company carries its own history and artistic identity, making their participation part of a larger conversation about the many ways ballet can be performed and interpreted.

The presence of Dance Theatre of Harlem is particularly meaningful within the larger story of Copeland’s career and the evolution of Black representation in ballet. Founded during a period when opportunities for Black dancers were severely limited, the company helped demonstrate that excellence and classical training could flourish in a Black cultural environment. Its legacy continues to influence dancers and audiences, making its connection to a festival curated by Copeland especially resonant.

The program also reaches beyond a single definition of contemporary ballet. Choreographers with different backgrounds and artistic philosophies contribute to an evening that can move from recognizable classical structures to works shaped by modern dance, theater, popular culture and new approaches to movement. That diversity reflects a generation of artists who increasingly see ballet not as a rigid vocabulary but as a foundation from which they can explore.

For New York audiences, the festival offers something that is increasingly valuable: the opportunity to experience outstanding dancers in an intimate setting. The Joyce is known for presenting dance in a theater where audiences can see movement and artistry up close. That environment can make a familiar ballet work feel newly personal while allowing experimental pieces to communicate with unusual immediacy.

Copeland’s role as curator also sends a message about the importance of artistic leadership. The people who select performers and choreography help determine which stories receive attention and which artists receive opportunities. By bringing a range of voices into the festival, Copeland is using that responsibility to broaden the conversation around ballet. Her choices can introduce audiences to artists they may not otherwise encounter while encouraging longtime ballet followers to look at the form from a different perspective.

The 2026 Joyce Ballet Festival ultimately arrives at an important moment for the art form. Ballet is carrying centuries of tradition into an era defined by changing audiences, broader representation and increasingly adventurous choreography. Copeland’s festival reflects that transition. For two weeks in August, The Joyce will become a meeting place for the familiar and the unexpected—a celebration of where ballet came from and a preview of where it may be going. And with Misty Copeland helping shape the conversation, the future of ballet promises to be as expansive as the dancers who are defining it.

Based on reporting by The Positive Community.



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Community

As Part of Your Back-to- School Checklist, Vaccinate

POST NEWS GROUP — Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable.

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Berkeley Public Health recommends families catch up on immunizations before the new school year begins 

Parents, check that your children return to school up to date on vaccinations. If necessary, schedule a visit with your family’s doctor or with the City of Berkeley’s Immunization Clinic to catch up.

Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable. 

Families are encouraged to:

If your child doesn’t have a health care provider, you may be able to access free vaccinations through the City of Berkeley’s Immunization Clinic. Make an appointment by calling (510) 981-5350, emailing phmailbox@berkeleyca.gov, or booking online.

See what shots are required for pre-kindergarten or TK-12th grade, and check that your kids have all their recommended vaccines.

FREE VACCINE CLINICS AUG. 4-13

Children without health insurance or whose insurance doesn’t cover vaccines can get them for free:

City of Berkeley Immunization Clinic
West Berkeley Family Wellness Center
1900 Sixth St.

Hours: Tuesdays–Thursdays, 9 a.m.–3 p.m. 
Closed 12 p.m.–1 p.m.

Make an appointment between Aug. 4–6 or Aug. 1113 for back-to-school vaccine clinics:

Children 18 years and under are eligible for free City vaccines if they are:

  • Medicaid-eligible
  • Uninsured
  • Underinsured (insurance does not cover vaccines)
  • American Indian or Alaska Native

If you are unsure whether you or your child is up to date, the City of Berkeley Vaccination Clinic can help review records and provide recommended vaccines.

FAMILY WELLNESS RESOURCES

Vaccines are just one of the many public health services you can access at the West Berkeley Family Wellness Center. The center is home to the Women, Infants, and Children program, nutrition support, case management services, and a variety of family support services, plus free classes throughout the year.

Vaccinations aren’t just for kids. Throughout adult life, everyone should keep up with their vaccination needs. See recommended vaccines for adults

Get a healthy start to the school year. Check your child’s vaccinations. Make an appointment with your doctor or get free vaccines at the City clinic.

VACCINE INFORMATION AND FAMILY RESOURCES

Get trusted information about the City of Berkeley by bookmarking berkeleyca.govsubscribing to our newsletter, and following us on Bluesky and Instagram.

Continue Reading

Community

As Part of Your Back-to- School Checklist, Vaccinate

POST NEWS GROUP — Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable.

Published

on

IStock.

Berkeley Public Health recommends families catch up on immunizations before the new school year begins 

Parents, check that your children return to school up to date on vaccinations. If necessary, schedule a visit with your family’s doctor or with the City of Berkeley’s Immunization Clinic to catch up.

Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable. 

Families are encouraged to:

If your child doesn’t have a health care provider, you may be able to access free vaccinations through the City of Berkeley’s Immunization Clinic. Make an appointment by calling (510) 981-5350, emailing phmailbox@berkeleyca.gov, or booking online.

See what shots are required for pre-kindergarten or TK-12th grade, and check that your kids have all their recommended vaccines.

FREE VACCINE CLINICS AUG. 4-13

Children without health insurance or whose insurance doesn’t cover vaccines can get them for free:

City of Berkeley Immunization Clinic
West Berkeley Family Wellness Center
1900 Sixth St.

Hours: Tuesdays–Thursdays, 9 a.m.–3 p.m. 
Closed 12 p.m.–1 p.m.

Make an appointment between Aug. 4–6 or Aug. 1113 for back-to-school vaccine clinics:

Children 18 years and under are eligible for free City vaccines if they are:

  • Medicaid-eligible
  • Uninsured
  • Underinsured (insurance does not cover vaccines)
  • American Indian or Alaska Native

If you are unsure whether you or your child is up to date, the City of Berkeley Vaccination Clinic can help review records and provide recommended vaccines.

FAMILY WELLNESS RESOURCES

Vaccines are just one of the many public health services you can access at the West Berkeley Family Wellness Center. The center is home to the Women, Infants, and Children program, nutrition support, case management services, and a variety of family support services, plus free classes throughout the year.

Vaccinations aren’t just for kids. Throughout adult life, everyone should keep up with their vaccination needs. See recommended vaccines for adults

Get a healthy start to the school year. Check your child’s vaccinations. Make an appointment with your doctor or get free vaccines at the City clinic.

VACCINE INFORMATION AND FAMILY RESOURCES

Get trusted information about the City of Berkeley by bookmarking berkeleyca.govsubscribing to our newsletter, and following us on Bluesky and Instagram.

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