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KINGSTON’S 11 SERVING UP FINE JAMAICAN AND CALIFORNIA CUISINE

Kingston 11 has become both an electric and eclectic venue, using local and organic ingredients in its environmentally-friendly, and community-oriented restaurant. Its delicacies, as well as other dishes Nigel call ‘street foods,’ come from different cultures.

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Jerk Chicken/Bethanie Hines

Taste Jamaica! That’s the theme chef and owner Nigel Jones, who along with business partner Adrian Henderson, used when they opened their Kingston 11 Jamaican restaurant on 2270 Telegraph Avenue, Oakland, in 2013 after working as a pop-up diner spot at other cafes and community-kitchens throughout the East Bay.

A native of Jamaica, Nigel was born in Kingston 11, next to Bob Marley’s neighboring district of Kingston 12. His mother gave birth to him at age 15; although he was raised by his grandparents after his mother moved to the U.S., and his father went to England where many Jamaicans migrated at the time.

“I migrated to the U.S. in 1973 to be with my mother for the first time,” said Nigel. “When I came to California in 1989, I worked for Levi Strauss in San Francisco where I was Director of Operations for the Docker’s brand. I came to realize that San Francisco was labeled as one of the highest-rated cities per capita for restaurants in the U.S. However there were very few Jamaican restaurants in the City.”

“Although I was making good money at Strauss, I yearned to do something that would reflect my own community back to me. That’s when I decided to open a Jamaican restaurant.”

“With my Jamaican background, as it relates to food, and from what I learned from my grandmother who was a strong influence on me, it was time to gather my recipes, marry them together with French-cooking technical skills. That was the basic foundation of me becoming a self-taught chef. So I went to cooking camps to get some technical background in terms of culinary arts,” added Nigel.

“During my tenure at Strauss, it was fruitful and lucrative, but it really wasn’t my passion, and because of that, I needed to do something different.  When you have passion, you have an opportunity to succeed no matter what you do in life.  It’s hard to succeed if you don’t have passion which will help you to get through tough times and bumps in the road.”   

Kingston 11 has become both an electric and eclectic venue, using local and organic ingredients in its environmentally-friendly, and community-oriented restaurant. Its delicacies, as well as other dishes Nigel call ‘street foods,’ come from different cultures.

The restaurant’s signature dishes include its infamous jerk chicken and oxtails. The oxtails are served with Jasmine brown rice, coconut milk and red beans, resulting in a very healthy dish. Nigel takes a healthy approach in preparing meals, while taking into consideration the health issues of people of color who have compromised health conditions.

Throughout the pandemic, Kingston continued to operate, along with other food establishments to help feed people of color in the community. When schools closed down, Kingston teamed up with other restaurants to feed those kids who normally relied on school lunch programs.

“We have partnered with Ayesha and Steph Curry with their Eat, Learn and Play Foundation,” said Nigel. “Their foundation helps to ensure that kids and families are provided balance nutritional foods, as well as a good learning and playful environment.”

“Our association with the foundation has resulted in us providing meals every week to low-income families, and here it is a year later, and we are still providing meals for them.  Instead of focusing on ourselves to survive the pandemic, we’ve focused on our community to help it survive.”

The Eat, Learn and Play Foundation produce 3,000 meals per week for children and low-income families. Kingston, along with other local restaurants, provides at least 1,000 of those meals. 

“As we transition further in our reopening, we will continue to provide takeout service as well as dine-in,” said Nigel. “We have tables outside in front of the restaurant and a rear patio for dining as well.  The middle section of the restaurant will remain closed until we are able to maintain control of the flow of people, while also keeping them safe.” 

Kingston will continue to follow health and CDC guidelines as it begins to receive customers for indoor dining again. Staff is required to wear masks but patrons have the option to wear a mask or not based on their comfort level.

“Kingston offers opportunities for people of color, as well as white folks, to use our facilities for gathering such as graduations, private parties and special events so they can have access to Uptown Oakland, which sometimes can be very expensive.”

“Kingston reverberates with gaiety and laughter,” said Nigel. “It’s a major contribution to Oakland’s huge entertainment community and for us. We have space available for the artist community to share their arts and creativity.”

“On Thursday nights, we pay local bands come in and perform, but we don’t charge our customers to enjoy the music.  We are creating a network for local artists to be in front of the community so they can showcase their talents and afford them the opportunity to help get bookings at other locations.”  

Kingston II is “One Love,” as noted on its south interior wall. It’s a prominent community-oriented restaurant that serves people of all nationalities and cultures. For more information on Kingston 11, visit www.kingston11eats.com and Taste Jamaica!

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Oakland Post: Week of April 8 – 14, 2026

The printed Weekly Edition of the Oakland Post: Week of April 8 – 14, 2026

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Oakland Post: Week of April 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of April 1 – 7, 2026

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Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit. 

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By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM).  “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.

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