It was in the sanctuary of St. James A.M.E. Church in Tennille, Ga. that John McHenry Boatwright (1928–1994) developed a passion for music. He was seven years old at the time and a natural piano player. 

     Boatwright was the youngest son of Levi and Lillie Boatwright. His father was a switchman in Tennille’s rail yards. He found himself out of work when the Great Depression struck in 1929. Boatwright’s mother helped to support the family by working as a cook in a private home.

   The people around young Boatwright who’d experienced his gift knew that his talent would go unrecognized if he stayed in the South. So, his older sister invited him to live with her. By age 12, he’d abandoned familiar surroundings for opportunities in Boston.

    As time progressed, his talent exploded. Young Boatwright would soon face the conundrum of finishing high school or playing jazz music. His choice was the latter, yet he wouldn’t allow his education to suffer. He completed his high school studies at night.

    He later attended the New England Conservatory of Music. To afford the tuition fees, he worked as a cab driver, elevator operator, and at other odd jobs. Throughout those times, Boatwright focused on developing and training his voice. Near the close of his studies there, the voice became his major. In order to support these lessons, he tutored other students in the art of singing. Boatwright received a bachelor’s of music degree ‘sin 1950 and a bachelor of music in voice in 1954 from the conservatory. 

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    After his 1956 debut in Boston, he sang the lead role in Clarence Cameron White’s “Ouanga,” presented by the National Negro Opera Foundation at the Metropolitan Opera House. In 1958, he made his operatic debut with the New England Opera Theater in the role of Arkel in Debussy’s “Pelleas et Melisande.” His performance led to an invitation to sing with the New York Philharmonic Orchestra.

    Boatwright later created the central role in the 1966 premiere of Gunther Schuller’s “Visitation.” He repeated the role at the Metropolitan Opera. He also performed the role of Crown in the first complete stereo recording of Gershwin’s “Porgy and Bess” with the Cleveland Orchestra.

    As a member of the Hamburg Opera in Germany, he sang the lead in the 1967 premiere of Gunther Schuller’s Visitation. In 1969, he took part in the premiere performance of Dave Brubeck’s “The Gates of Justice.”
    Making numerous appearances as a recitalist, he sang for several presidents at the White House. This included his performance during President Jimmy Carter’s 1977 inauguration.

    Boatwright was the recipient of several music prizes, among them are two Marian Anderson Awards and first place in the National Federation of Music Clubs competition.
    For many years Boatwright taught voice at Ohio State University. At his death in 1994, he was a professor emeritus at the university’s school of music. He was buried in Bronx, N.Y.

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