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Jay-Z 4:44 Tour More Than Hip Hop

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Oakland, CA – Jay-Z brought his 4:44 Tour through Oakland tonight and just like his past performances, he was simply outstanding. The icon, he stands alone commanding the crowd, needs no backup dancers or background singers. Just a mic and a band.

The stage was unlike any other, four huge video screens that come down from the ceiling and hang tilted in mid-air also connect into two screens that captured past and current music videos. Jay-Z doesn’t have to worry about anyone not being able to fully enjoy his concert.

The show began with “Kill Jay-Z”, No Church in the Wild” and “Lucifer”. The sellout crowd knew all the lyrics, but it was the intro to “Jigga My Ni**a” that brought the house down, an oldie but goodie followed by “Izzo (H.O.V.A)”.

Not many Hip Hop artists tell a story, over Jay-Z’s career he rose from the projects to stardom and each album told that part of his story. “On To The Next One”, Public Service Announcement” and “99 Problems” these lyrics came across the video screens:

“License and registration and step out of the car
“Are you carrying a weapon on you, I know a lot of you are”
I ain’t stepping out of shit, all my papers legit
“Well do you mind if I look around the car a little bit?”
Well my glove compartment is locked, so is the trunk and the back
And I know my rights so you goin’ need a warrant for that
“Aren’t you sharp as a tack? You some type of lawyer or something?
“Somebody important or something?”
Child, I ain’t passed the bar, but I know a little bit
Enough that you won’t illegally search my shit

In today’s world social media has captured many situations that have left our country divided on social issues. However, many of those in the black community have been dealing with the injustice of law enforcement for a long time. It was reintroduced and now we all are taking a stand.

“It’s not about disrespecting the flag, its about injustice. We should all be effected by what’s going on in the world today!”

Jay-Z throughout his performance touched on political issues involving police brutality, the civil rights movement and mental illness. he dedicated the “The Story of O.J.” to Dick Gregory and Muhammad Ali. That message along with good music separates Sean Carter from the rest.

But what’s a concert without some of his favorite hits, Jay-Z said referred to “Allure” off the Black Album as being his favorite joint. And despite the ongoing feud with Kanye West, Jay-Z couldn’t leave off one of their greatest hits, “Niggas In Paris” while featuring a few clips from their hit video “Otis” on the video screen.

To close Jay-Z did the New York anthem, “Empire State of Mind” but before that he played E40’s “Hyphy” just to let the fans know, he enjoys Oakland music. His last message was the best one to end the show:

“Believe in yourself, keep yourself around positive people. Love always trumps hate!”

And with that “Hard Knock Life”, another one of his hits which was probably the most jubilant performance. The message, anyone on earth facing hard times, can overcome with focus, determination and dedication. His story is motivating to so many.

Jay-Z ended the set with the song “Smile” dedicated to his own mother on his 4:44 album. Then “Numb/Encore” was dedicated to his late friend and artist Linkin Park’s Chester Bennington who committed suicide. He stated mental illness is a issue and always check on your friends and family at all times.

His ability further educate through music is the new generation of Hip Hop. Jay-Z cover over 25 songs in two hours and while doing so delivered powerful messages throughout his performance. The 4:44 Tour is more than Hip Hop, it’s a look into the future of Hip Hop.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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