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It’s Blues Sunday at Art + Soul Main Stage

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Oakland’s beloved 19th an­nual Art+ Soul festival, held in the heart of the downtown area on July 27 and 28, will feature a range of musical talent on its stages. A family fun event, it will include a dance contest, marketplace of artisans and food for every appetite, from down-home barbecue to world class fusion cuisine.

Oakland welcomes home two-time Grammy® winner Fantastic Negrito who co-head­lines along with Grammy® winning R&B artist Estelle.

A newly established Emerg­ing Artists Stage dedicated to the late Victor McElhaney will feature artists on both days.

There will be hundreds of handcrafted art and artifacts at the festival’s annual Artisan Marketplace; a huge Family Fun Zone jam-packed with in­teractive arts, carnival, bouncy houses and more; scores of food vendors cooking up ev­erything; plus beer, wine and specialty cocktails featuring Effen Vodka, a festival sponsor (21 & over).

Last week in the Post, we featured the events of Sat. July 27. This week we focus on the performers and activities of the last day of the festival, July 28, with all blues all day on the main stage.

Fantastic Negrito

Fantastic Negrito headlines the blues stage on Sunday July 27. Photo courtesy Art+Soul.

When you listen to Fantastic Negrito, you’re invited to hear the story of life after destruc­tion. Each song is a real story about a musician from Oakland who experienced the highs of a million-dollar record deal, the lows of a near-fatal car ac­cident, and is now in the midst of a rebirth that took him from the streets of Oakland to the Grammy® stage.

While playing on the streets of Oakland in 2014, Fantastic Negrito won the inau­gural NPR Tiny Desk contest. In 2016, he released his debut album, ‘The Last Days of Oak­land,’ which went on to win a Grammy® for Best Contem­porary Blues Album. And this year he won his second Gram­my® in the same category, for his critically acclaimed release ‘Please Don’t Be Dead.’

West Coast Blues Society

Firing up the stage for Oak­land’s newest Blues star will be the West Coast Blues Soci­ety annual festival showcase with veteran musicians Ira Walker, Fillmore Slim, Wil­lie G., Terrible Tom, Bobby Young, Jock Shock, and Karl Bracy; Oakland Blues Divas featuring Baby Bee, De Jeana, Margie, Xymphoni, and Ear­nestine; as well as a tribute to the legendary Johnny “Guitar” Watson.!

Jazz Mafia Returns!

Jazz Mafia brought it to the 2018 festival with an eclec­tic, rousing lineup of top local talent, and this year promises to be another amazing show. The jazz collective’s stage will come alive with Heaviest Feather featuring TNT (Trance Thompson, Tym Brown & Na­taly Wright), Jazz Mafia Bay Revue – a 10-piece band fea­turing guest vocalists/MCs in­cluding Tiffany Austin, Mani Draper, Ryan Nicole, Deuce Eclipse, Aima the Dreamer, and Dakini Star; Jazz Mafia Choral Syndicate directed by Trance Thompson ─ a 20-piece All-Star Funk/Soul/ Gospel Chorus, plus Hive, a group of vocalists/music edu­cators making music with just their voices and some crazy sound effects. DJ Lady Fingaz.

Art + Soul Oakland 2019 takes place in down­town Oakland Saturday, July 27 and Sunday, July 28, from noon to 6 p.m., centered in Frank H. Ogawa Plaza. Advance tickets are available for purchase online for just $12 Adults and $6 Se­niors (65 & older). Save even more with two-day tickets available through advance purchase only. At the door, admission will be $15 Adults and $9 Seniors (65 & older). Ages 18 and under enjoy free admission (no ticket required).

Destined 2 Dance Dance Company will perform on the dance stage by City Hall. Web site photo.

Art + Soul Oakland 2019 is Northern California’s most accessible festival with direct service via both BART’s 12th Street City Center station and AC Transit, in addition to $5 parking in the adjacent City Center West Garage, 12th Street at Martin Luther King Jr., Way. Free attended bicy­cle parking will be available (please bring your own lock).

Art + Soul Oakland 2019 is produced by Heart of the Town Events in association with the City of Oakland and Oakland Central.

For tickets and information, including the complete 2019 lineup, visit Art + Soul Oakland

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COMMENTARY: The National Protest Must Be Accompanied with Our Votes

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

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Dr. John E. Warren Publisher, San Diego Voice & Viewpoint
Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper. File photo..

By  Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper

As thousands of Americans march every week in cities across this great nation, it must be remembered that the protest without the vote is of no concern to Donald Trump and his administration.

In every city, there is a personal connection to the U.S. Congress. In too many cases, the member of Congress representing the people of that city and the congressional district in which it sits, is a Republican. It is the Republicans who are giving silent support to the destructive actions of those persons like the U.S. Attorney General, the Director of Homeland Security, and the National Intelligence Director, who are carrying out the revenge campaign of the President rather than upholding the oath of office each of them took “to Defend The Constitution of the United States.”

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

In California, the primary comes in June 2026. The congressional races must be a priority just as much as the local election of people has been so important in keeping ICE from acquiring facilities to build more prisons around the country.

“We the People” are winning this battle, even though it might not look like it. Each of us must get involved now, right where we are.

In this Black History month, it is important to remember that all we have accomplished in this nation has been “in spite of” and not “because of.” Frederick Douglas said, “Power concedes nothing without a struggle.”

Today, the struggle is to maintain our very institutions and history. Our strength in this struggle rests in our “collectiveness.” Our newspapers and journalists are at the greatest risk. We must not personally add to the attack by ignoring those who have been our very foundation, our Black press.

Are you spending your dollars this Black History Month with those who salute and honor contributions by supporting those who tell our stories? Remember that silence is the same as consent and support for the opposition. Where do you stand and where will your dollars go?

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Activism

Dorothy Lee Bolden: Uniting Domestic Workers

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

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Dorothy Lee Bolden. File photo.
Dorothy Lee Bolden. File photo.

By Tamara Shiloh

Her first experience with domestic work was at the age of nine. For $1.25 per week, Alabama-born Dorothy Lee Bolden (1923–2005), alongside her mother, washed soiled diapers for a White employer. Little did anyone know that this profession would spur Bolden to spearhead the movement for basic dignity and respect for generations of domestic workers.

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

It was Bolden’s experiences working as a domestic in 1940’s Atlanta that inspired her civil rights activism. A White female employer demanded that Bolden remain beyond her shift and wash dishes. Bolden refused. She was arrested and held in a county jail because “she was crazy.” There was no other reason for disobeying an order from a White person.

Bolden was never sentenced or institutionalized, but this event was the seed that grew into organization that would protect domestic workers across the United States: the National Domestic Workers Union of America.

Rosa Parks had made public transportation a major breeding ground for civil rights activism, so Bolden began organizing during the long bus rides her peers made to the wealthy neighborhoods. Many were fed up, working long hours for little pay, with little to no worker protections.

This organization of women would go on to fight for worker’s rights, create training programs, and teach workers to advocate for themselves. It was also important to Bolden to teach communication skills.

In the book Household Workers Unite, Bolden is quoted as saying: “You have to teach each maid how to negotiate… And this is the most important thing — communication. I would tell them it was up to them to communicate.”

But respect for Bolden’s activism was not shared by everyone. Although she consulted presidents Ford, Reagan, and Carter, she received several death threats from the Ku Klux Klan.

The New York Times reported that during the makings of an oral history project, Bolden said that “men claiming to be members of the KKK called her house and spoke about “whipping my behind,” but in coarser terms. “I told them any time they wanted to, come on over and grab it,” Bolden said during the interview. “It didn’t scare me, didn’t bother me. It made me angry. It made me determined to do what I had to do.”

Representative John Lewis of Georgia said that Bolden “spoke up, and she spoke out, and when she saw something that wasn’t fair, or just, or right, she would say something.”

The NDWU of America ran until the mid-1990s, but Bolden’s legacy lives on.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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