By Navdeep Jassal
Post News Group Contributor

Navdeep Jassal, has been traveling in South Africa for the last five months and recently had the opportunity to review a play in Johannesburg. Presented by Africa Creations Production Company, the play reveals the nature of African indigenous spirituality.

“The Rise and Fall of the African Gospel: Nongqawuse” was created, written and directed by Mbongeni Moroke who was inspired by the historic events of 1856-7 and the miseducation that followed.

Though performed in the Xhosa language, with a few short excerpts in English for non-Xhosa speakers, I had the opportunity to speak with Moroke — who portrayed Mhlakaza, a sangoma (traditional healer) and father to Nongqawuse. This article is gleaned from our conversations.

The play is about two well-known historical figures for the Xhosa: Their young maiden prophetess, Nongqawuse, and South Africa’s first Black Christian Presbyterian minister, Tiyo Soga.

For background’s sake, it must be understood that according to African indigenous spirituality, cows are slaughtered to summon the ancestors’ protection. In 1856, cattle represented the primary measure of wealth among the Xhosa, and the word to the king from prophetess Nongqawuse that cattle should be killed to hide the wealth from the arriving Christian missionaries was shocking.

The message came in a time when the Xhosa nations’ strength and trust in its leadership had been eroding after a great king had been assassinated by Christian missionaries in the early 1800s following his betrayal by his own counsel and other Xhosa leaders.

That “negative aura persisted around the kings,” making for a continual threat to Xhosa unity, Moroke said.

And unity is key: According to South African spirituality, God the Creator cannot intervene in a divided nation; therefore, after the slaughter, the rising of the ancestors foreseen by Nongqawuse did not happen in the way it was expected.

Enter Tiyo Soga, the son of a chief counselor to the king who had turned away from Xhosa tradition and followed in his Christian mother’s footsteps. He eventually traveled to Scotland to study religion and theology and returned as a Christian evangelist.

By then, Xhosa society was divided like never before. The Christian missions became the sanctuary and refuge for the hordes of hungry, famished people — their grain silos empty, their cattle no more, and their land useless.

While 16-year-old Nongqawuse was labeled a false prophet and scapegoated, Soga and lesser-known Black individuals spread the new religion by white Christian missionaries throughout Xhosa land.

Moroke’s inspiration is a righteous one: The spirit of God the Creator existed before the Bible in

Africa and Moroke speaks from and uses the African indigenous spiritual lens in his work as playwright, director, actor, and musician, demonstrating that spirituality in ancient Africa was powerful.

Through entertainment, Moroke strives to re-educate Black South Africans on the value of their own history, valor and spirituality.

The opening scene takes place on Robben Island more than 100 years before Nelson Rolihlahla Mandela was a political prisoner there. Three broken Xhosa kings shed tears as white Christian missionaries locked them up, thus destroying their ability to provide spiritual guidance to their tribesmen and women.

In his signature style, the first scene becomes the final scene as well, but for nearly two hours, Moroke takes the audience through the events that led to the kings’ capture.

“There are three things which control the world: economics, politics and religion,” said Moroke. “When a nation is ruling well within these three sectors, that nation becomes the most powerful nation in the world. So, white Christian missionaries took charge in Africa in these three sectors and used religion through the Bible to destroy and rule us.

“Every generation has its mandate and the last generation had politics as its mandate,” Moroke said. “As someone representing the current generation, the mandate is to revisit indigenous and spiritual history and go back to the core problems which led to apartheid. I am trying to answer a question of this generation in terms of what went wrong, and why are we here after all the struggles and voting in 1994.”

Although I could not piece it all together due to language barriers and lack of context, as I sat in the audience, I knew what I was watching was very moving and powerful.

There were some audience members crying because the play resonated with their backgrounds as African people. And, for others, the play resonated in terms of family whether it was family disfunction or affection.

Two Xhosa people said that when the ‘king’ was coming onto the stage, they had a vision of that actual king coming. Another sangoma said she learned many things from Moroke’s character about the discipline of a sangoma.

For more information direct message Africa Creations on social media: Facebook Africa-Creations; Instagram @africa_creations; Twitter @Afric_Creations; or email africacreationsmail@gmail.com and watch YouTube videos @africacreations8130.

c.2023, Dafina, $28.00, 256 pages

By Terri Schlichenmeyer

A good building starts with a substantial foundation.

No matter where you go from there, that base is an opening action, an announcement, a public sign of things to come. Whether it’s a new home for humans, hoopties, heirlooms, or the future site of industry or ideas, the foundation is the start of something exciting. In a new business and as in the new book, “Black Founder” by Stacy Spikes, it needs to be solid.

With high school graduation on the horizon, Stacy Spikes was itching to move.

His hometown of Houston, Texas, had become “too small” to hold his dreams. Education was important in his family, but college held no interest to him either. Instead, he was going to Los Angeles to chase a career in music and movies.

He broke the news to his parents and, with $300 in his pocket, he drove northwest.

Once in California, Spikes quickly understood that he didn’t need a job, he needed several of them. Before he could get settled, though, he fell in with a bad crowd and was hospitalized to help him kick drugs and alcohol abuse.

He returned to a job he had working with a two-in-one company in Encino, making and packaging videos. The men he worked with mentored him; it was there that he learned the need to “go to extra lengths to meet [someone] in their field.”

Spikes took acting classes and absorbed as much as he could about old-time Black comedians. He built a recording studio in his home and learned to make album covers, which led him to a job at Motown, where he went into sales and learned how to make an impression. The “Black Godfather” taught him that it was possible to talk with anyone, Black or white, with honesty. And before he founded Urbanworld Film Festival and MoviePass, Motown helped him see that to succeed, “You didn’t need an army, just a small group of like-minded souls set on making a difference.”

Readers looking for a good business biography are in for a nice surprise when they read “Black Founder.” They’ll also get some entrepreneurial advice. It’s not bold-face or bulleted; you’ll have to look for it, but it’s in there.

“Transparency” is what author Stacy Spikes learned early, and it’s what he applies inside this book, which is refreshing. This isn’t a book about a meteoric rise; Spikes instead writes about setbacks, both personal and professional, and times of struggle. Readers can imagine a Parkour-like hustle that Spikes describes as he overcame seemingly catastrophic events and still landed with both feet; such tales serve to instruct as much as does the actual instruction.

Though it may seem to lag a bit — especially for older readers, or those who are unfamiliar with the businesses Spikes founded — “Black Founder” is entertaining enough to read for fun, with a side dish of instruction. Whether you’re ready to act now or you’re just finding your inner entrepreneur, to launch your idea, it’s a good base.

Here’s a rags-to-riches story for you: “Never Far from Home” by Bruce Jackson (Atria, $28) is the story of Jackson’s life. He was born in Brooklyn and lived his early life in public housing. At age ten, he was arrested for robbery (which he didn’t do) and he caught the attention of drug dealers. Knowing then that that wasn’t the kind of life he wanted, Jackson worked hard to overcome his background. His story is inspiring and awe-striking.

By cityofvallejo

THE VALLEJO ARTS FUNDING MICROGRANT APPLICATION PERIOD IS OPEN!

Applications Due February 28, 2023, 3:00 pm

The Vallejo Arts Fund (VAF) emerged from listening sessions and convenings with Vallejoans and is grounded in the belief that the city’s art is urgent and that resources need to be prioritized for communities that have historically been excluded from these types of funding opportunities.

The Vallejo Arts Fund (VAF) will distribute $500,000 to support arts & culture in Vallejo by beginning to address structural inequities that have impacted BIPOC artists, culture bearers, arts organizers, and their communities. The Fund seeks to support artistic and cultural work within the performing, visual, digital, and media arts, as well as traditional folk art and oral/written storytelling. VAF deeply values the healing aspects of all art for artists and their communities.

INDIVIDUAL ARTIST MICROGRANT APPLICATIONS ARE AVAILABLE NOW!

• Due Tuesday, February 28, 2023, 3:00 pm

Application and more information here.

PROGRAM GRANTS SUPPORTING YOUTH ARTS GRANTS, BIPOC-CENTERED ARTS AND CULTURAL PRACTICE GRANTS, ARTS CULTURAL SPACE GRANTS, AND NEXT LEVEL ARTIST GRANTS

• Due Saturday, March 18, 2023, at 3:00 pm.

Application and more information here.

Every Friday until March 17, 2023, 12:30 pm – 3:30 pm, a Vallejo Arts Fund team member will be available at LaDell’s Shoes to answer your questions in person.

The VAF ambassadors will also be holding events and oneon-one sessions to support Vallejo artists and culture bearers in submitting their applications for grant funding.

GOT QUESTIONS?

Email the VAF team members @ alison@3palmsgroup.com sermarinluna@3palmsgroup.com vafoutreachkerby@gmail.com vafoutreachmeja@gmail.com

Plant roots in Vallejo

This Saturday!

This is the best time of year to put native plants in the ground! Join the Vallejo Watershed Alliance on FEBRUARY 18 FROM 9-12, at Glen Cove Waterfront Park, along with the Solano Resource Conservation District, GVRD, and the Yocha Dehe Wintun Nation, to plant native grass and other plugs in the soft ground.

To RSVP, please email Info@ VallejoWatershedAlliance.org