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Film Review: ‘Fast & Furious 7’

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Ludacris, Michelle Rodriguez and Tyrese GIbson co-star in 'Fast & Furious 7.'

Ludacris, Michelle Rodriguez and Tyrese GIbson co-star in ‘Fast & Furious 7.’

By Dwight Brown
NNPA Film Critic

Walking into a theater to see the latest Fast & Furious episode is like saying hello to an old, well-oiled friend. Great and familiar cast, excellent script, superb production values and the direction is tight as a drum. Can’t say this is the best film of the franchise, because so many of them have been excellent. But it’s easily the most daring. Fasten your seat belts and test the airbags. This one accelerates real fast.

Deckard Shaw (Jason Statham), a British black ops assassin, has a bug up his butt. Dominic Toretto (Vin Diesel) and his crew killed his brother and he is out for revenge. First stop is the office of CIA agent Luke Hobbs (Dwayne Johnson), where Shaw and Hobbs get into a fight that leaves the hulky agent broken. Next Shaw sends his blessings in the guise of a bomb to Dominic, his pal Brian (Paul Walker), his lady Mia (Jordana Brewster) and their kid. Kaboom!

Dom seeks answers. A government operative (Kurt Russell) has a plan. If Dom and his “family” hunt down a beta device called a Gods Eye, which is capable of tracking down anybody through aggregated surveillance cameras and audio feeds—even from cell phones, he’ll let them use it to catch Shaw. Says the operative, “It’s like a tracking device on steroids.” Says its inventor, Ramsey (Nathalie Emmanuel), “it uses every camera eye and audio device in this hemisphere.” And off they go, into battle. Dom and his crew and their vehicles. To the mountains of Eastern Europe, to Japan, the Middle East and L.A.

Director James Wan (Saw and The Conjuring) steps up to the camera along side cinematographers Marc Spicer and Stephen F. Windon (Fast & Furious 6) and displays an exceptional dexterity for car chases, fistfights and brawls. He uses a lot of close ups, and that filmmaking strategy drags you into the characters, their actions and the movie. With the aide of editors Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri and Christian Wagner, he assembles adrenalin-pumping footage that is near perfectly paced for 140 minutes.

The action sequences are spellbinding. Cars jump out of planes, roll down mountains, are pummeled by missiles and skid through buildings. The car crew jumps out of moving trucks onto cars, drive super charged classic cars and evade gunshots. Punches are thrown, tire irons swung and machine guns are wielded around like toys. There is a precision to the proceedings that is astounding, invigorating and over the top.

Screenwriter Chris Morgan, who penned four previous chapters, knows the drill. Personal drama (there are some awkward sentimental moments that linger too long), romance (Diesel and Michelle Rodriguez rekindle the love story between Dom and Letty), intrigue, revenge, evil doings, retribution and the final fight and chase scenes. He doesn’t let the characters evolve much, compared to the originally one conjured by Gary Scott Thompson in 2001. He’s more faithful to their personalities, relationships and group dynamics. There are millions of fans waiting for whiney Roman (Tyrese Gibson) to crack jokes and Tej (Ludacris) to have a tech solution for a problem, and Morgan doesn’t disappoint.

The direction, production elements and writing wouldn’t mean a thing if the cast wasn’t on their game, and they are. They’ve aged; fuller faces, softer muscles, and maybe they’ve slowed down a step or two. Diesel is laconic, strong, the alpha. Johnson has his customary bravura. Rodriguez has that perfect blend of strong Latina and vulnerable woman. Statham is a worthy villain. Kurt Russell is a welcome addition. If you didn’t know that Paul Walker had passed, you couldn’t guess from what’s on view that his work, stand-ins, his brother and movie magic filled out his entire role in the movie. It’s easy to see that this film is a homage to his spirit.

It’s hard to say this is the best action film every made, but worth that debate.

This spring when you walk into your theater to see Fast & Furious 7, you will walk out thinking you just saw the first blockbuster event movie of the summer – only it isn’t summer yet.

Wanna go for a ride?

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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Arts and Culture

San Jose Jazz Fest ‘24: Fun, Food and an Unforgettable Frankie Beverly Farewell

SAN JOSE — The sounds of summer echoed through the heart of town during the 3-day-long San Jose Jazz Summer Fest 2024, held Aug. 9 – 11. Multiple stages hosted a variety of iconic performers such as Incognito; local favorites like Tia Carroll; and trailblazers such as Herbie Hancock. Guests enjoyed dozens of vendors featuring art, gifts, and clothing. Tasty bites included flame-grilled barbeque, seafood and a variety of desserts

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Frankie Beverly performing at the San Jose Jazz Summer Fest 2024. Photo Courtesy of Frankie Beverly.
Frankie Beverly performing at the San Jose Jazz Summer Fest 2024. Photo Courtesy of Frankie Beverly.

By Carla Thomas 

SAN JOSE — The sounds of summer echoed through the heart of town during the 3-day-long San Jose Jazz Summer Fest 2024, held Aug. 9 – 11.

Multiple stages hosted a variety of iconic performers such as Incognito; local favorites like Tia Carroll; and trailblazers such as Herbie Hancock.

Guests enjoyed dozens of vendors featuring art, gifts, and clothing. Tasty bites included flame-grilled barbeque, seafood and a variety of desserts.

Oakland entrepreneur Ava Carrie and several friends said it was great to get out, enjoy the sun and hear great music. “This is a wonderful festival and just a great time with friends,” said Carrie.

Festival goer Cin-Dee said she flew in from Virginia to celebrate her birthday in the Bay Area. She was saddened that she missed Frankie Beverly’s farewell tour that kicked off in March when he performed in her area on the east coast, capping a 50-year career. When Cin-Dee noticed Maze would feature Beverly in the line up at the San Jose Jazz Festival, in a tribute to him, she made sure to cut short her touring of Santa Cruz to not miss the performance on Sunday evening.  “I am so happy to be here and have this opportunity to see Frankie with Maze,” she said, dancing to the music. “This is really special and it’s great to see Frankie on stage and hear my favorite songs.”

Maze performed favorites in tribute to Beverly while introducing their new lead singer, Tony Lindsay. During the last stretch of the concert, Beverly performed, “Happy Feelings,” and “I Wanna Thank You.” The performance was emotional for Beverly as the audience stood up and danced during the entire performance, capturing the historic moment on their cell phones.

Maze was founded by Beverly in 1970 in Philadelphia and was recognized by Marvin Gaye when they relocated to the Bay Area in 1971. The group went on to earn nine gold albums between 1977 and 1993 with mega hits such as “Happy Feelin’s” and “Before I Let Go.” Beverly, known for his soulful baritone voice, wrote hit after hit during his five-decade career. Beverly said he was initially inspired by the pacesetting R&B doo-wop group Frankie Lymon and the Teenagers.

Performances at the San Jose Jazz Summer Fest also included the John Santos Sextet, the San Jose Jazz High School All Stars, Faye Carol, Delfaeyo Marsalis and the Uptown Jazz Orchestra, David Benoit Quartet, Andre Thierry Accordion Soul, Ayo Brame, The Family Stone, and the Spanish Harlem Orchestra.

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Activism

Oakland Post: Week of September 11 -17, 2024

The printed Weekly Edition of the Oakland Post: Week of September 11 – 17, 2024

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Activism

Jaylen Brown and Jason Kidd’s $5 Billion Plans

On Aug. 9, in downtown Oakland at Oakstop, a co-working and event space, dozens of journalists and broadcasters convened to hear an historic announcement from NBA icon Jason Kidd and NBA All Star and Finals MVP Jaylen Brown. The duo told the world that they have joined forces to raise an ambitious $5 billion dollars to empower underserved and marginalized communities. The week prior, Brown set the goal in motion by creating the Boston XChange in preparation to do the same in the Bay Area as the Oakland XChange.

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NBA All Star and 2024 Finals MVP Jaylen Brown, Oakland XChange's founder Trevor Parham, Boston XChange board member Riz Shah, and NBA icon Jason Kidd at Oakstop in Oakland announcing the creation of XChange Oakland and a commitment to raise $5 billion dollars to empower marginalized communities across the nation. Courtesy of Oakland Xchange.
NBA All Star and 2024 Finals MVP Jaylen Brown, Oakland XChange's founder Trevor Parham, Boston XChange board member Riz Shah, and NBA icon Jason Kidd at Oakstop in Oakland announcing the creation of XChange Oakland and a commitment to raise $5 billion dollars to empower marginalized communities across the nation. Courtesy of Oakland Xchange.

By Carla Thomas

On Aug. 9, in downtown Oakland at Oakstop, a co-working and event space, dozens of journalists and broadcasters convened to hear an historic announcement from NBA icon Jason Kidd and NBA All Star and Finals MVP Jaylen Brown.

The duo told the world that they have joined forces to raise an ambitious $5 billion dollars to empower underserved and marginalized communities. The week prior, Brown set the goal in motion by creating the Boston XChange in preparation to do the same in the Bay Area as the Oakland XChange.

“True systemic change requires collaboration, shared vision, and collective impact. By working with community partners, thought leaders, and cultural influencers, our goal is to cultivate a powerful network of support and innovation,” shared Brown.

Through the new nonprofit XChange enterprises in Boston and Oakland and his sphere of influence, Brown has set his intentions in motion jumpstarting a path toward generational wealth and cultivating cultural innovation in underserved and underrepresented communities. Designed to provide opportunities at the intersection of business and culture, Brown says the XChange will use a place-based strategy to drive solutions for better cities, integrating real estate development, business education, technology, and cultural competency to foster economic growth.

Chapters in Boston (BXC) and Oakland (OXC) will serve as organizing hubs, utilizing commercial real estate to empower underserved communities.

Kidd says he was inspired by Brown’s concept and the two have committed millions of dollars from their own fortunes to kick off the venture. Kidd and Brown, both Oakland natives, see a bright future for their hometown.

“We welcome anyone that is willing to make a commitment to the future and health of the community and put it on a path toward generational sustainability,” said Kidd, during the press conference.

“The racial wealth gap is not limited to Boston — It’s a national issue, affecting Oakland and cities throughout the country, revealing how some groups are better positioned to make critical investments in their futures that benefit their families and communities,” said Kidd.

Kidd has also made significant philanthropic contributions to his hometown, such as funding the Willie Keyes Recreation Center in West Oakland.

The XChange will create and showcase scalable and repeatable models for shared real estate ownership and impact investments to facilitate asset building for sidelined community members that can be adopted across the country. They will engage professional athletes, business leaders, philanthropists, and influencers who are passionate about solving wealth inequality in the cities they love, using a replicable model that maximizes impact while uplifting existing organizations working to bridge the wealth gap.

“Using this strategy, The XChange presents an opportunity for individual cities to tailor the model to the unique needs and strengths of their communities, replicating and refining it for optimal impact,” said the Oakland XChange’s founder Trevor Parham.

“Place based strategies are important for unifying and revitalizing underserved communities and our lived experiences inform market insights and social solutions that help foster sustainable economic development. I’m proud of Oakstop’s track record for community-led social impact and our synergy with the Boston XChange.”

Boston XChange board member Riz Shah was also on hand along with local politicians, Caroll Fife, Rep. Barbara Lee (D-CA-12), and Lateefah Simon, candidate for U.S Congress. They all shared their excitement for the new venture.

For more information visit:  www.oaklandxchange.org

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