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FILM REVIEW: Aquaman

NNPA NEWSWIRE — “Heard, Kidman, Morrison and Abdul-Mateen are consistently interesting to watch and elevate their scenes. However, the actor of the hour is Jason Momoa. His version of Aquaman is that of a complete badass superhero who displays the right balance of self-doubt and flat out bravura. At 6’4”, with a lion-like mane and beard, he is fun to watch.”

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By Dwight Brown NNPA News Wire Film Critic

For DC comic book fans, there is good news and bad news. First the negatives and then the positive reasons why Aquaman may still make a dent in the box office, even if it isn’t perfect.

What’s lacking: The special effects (visual effects supervisor Kelvin McIlwain) aren’t exceptional. Visions of Arthur/Aquaman (Jason Momoa, Game of Thrones, Conan the Barbarian) and his ally/love interest Mera (Amber Heard, North Country), a warrior/princess, swimming through waters frantically from emergency to emergency are cheesy looking CGI. Demons from the ocean and sea monsters look run-of-the-mill. There’s nothing new, nothing to shout about, nothing that defies imagination.

The technique that director James Wan (The Conjuring, Saw and Furious 7) and his production team use to make the characters look like they are floating in water, is odd and sometimes annoying. Their hair floats like they are below the sea, but they don’t look wet. Interior scenes of submarines, homes, etc. look like backlot sets. And not to be petty, but whoever decided that Mera’s cranberry red hair should look like a cheap wig bought at a Halloween store, didn’t do the actress any favors.

What’s just OK: Rupert Gregson-Williams’ (Wonder Woman) dense musical score fills up some empty space. Clocking in at 2H 23M, the footage doesn’t test patience, which affirms the editor’s (Kirk M. Morri, The Conjuring, Furious 7) taste in pacing. The array of colors by art directors Bill Booth (Thor: Ragnarok) and Desma Murphy (Terminator Salvation) is easy on the eye. However, viewers may wish the entire tech team had decided to make this an art/adventure film, something as visually captivating as Yimou Zhang’s Hero or Ridley Scott’s Prometheus. The underwater location could have been a hotbed of stunning visuals, but that potential is never fully realized.

David Leslie Johnson-McGoldrick (Wrath of the Titans) and Will Beall (Gangster Squad) have created a script that conjures the origin story for the latest version of Aquaman. (Note: The original dates back to 1941; the modern incarnation started in 2011). They set up characters who have rivalries and bad blood that goes way back in time:

Years ago, the underwater Queen of Atlantis, Atlanna (Nicole Kidman), fled her kingdom and her body washed up on a rocky Maine shoreline. A lighthouse keeper named Tom (Temuera Morrison, Once Were Warriors) brought her and her trident weapon back to his home. They fell in love and eventually had a hybrid child, with both land and sea traits. At some point, Atlanna got captured and taken back to her home. Tom raised their son, who grew up to be a fine, but rebellious young man, Arthur (Momoa).

As an adult, Arthur/Aquaman became a crime fighter with incredible powers: super strength, impenetrable skin, an ability to swim faster than a missile and able to communicate with marine life. He misses his mom and hates the kingdom of Atlantis for taking her away. A sea dweller named Mera comes to warn him of an impending invasion from the underwater world that will bring the wrath of the seven seas to people on earth. As heir to the throne, the crimefighter must decide if he is willing to save the world.

What’s cool: The flip side of Arthur’s life is the netherworld of Atlantis, where his half-brother Orm (Patrick Wilson, Fargo, Angels in America) reigns. The mean nasty Aryan-looking sibling is eager to point out, “I am the pure blood.”  Words like mongrel and half-breed are hurled at Arthur. The premise for the war is that earth is polluting waters, poisoning children and deserves carnage. These contemporary themes give the film a very topical, 21st century agenda.

Adding entertaining characters, who are decently or well-played by an eclectic cast, helps too: Willem Dafoe plays Vulko, council to the Atlantean throne; Yahya Abdul-Mateen (The Greatest Showman) storms through scenes as a vengeful pirate, while Michael Beach (If Beale Street Could Talk) plays his dad; and Dolph Lundgren (Creed II, Rocky IV) portrays the rival King Nereus.

Heard, Kidman, Morrison and Abdul-Mateen are consistently interesting to watch and elevate their scenes. However, the actor of the hour is Jason Momoa. His version of Aquaman is that of a complete badass superhero who displays the right balance of self-doubt and flat out bravura. At 6’4”, with a lion-like mane and beard, he is fun to watch. Humor and joy permeate his performance. Yet when he is on the attack you know he can slay demons. Momoa has established himself as a movie star who can take top billing on a film and keep moviegoers in their seats. If they ever recast Jack Reacher, he’d be perfect.

As Arthur’s mission to save the world comes to a head, the costumes the superhero wears, from tattoos and jeans, to T-shirts and black leather vests build to a crescendo with a stunning gold, bumpy warriors shirt and black gloves and boots with fins. That vision, with lights and water cascading over him and a superpower trident in his fist, radiates star quality. This kind of astonishing imagery should have been the crux of the film, but it isn’t.

Is there anything hugely wrong with Aquaman? Not really. Is this a missed opportunity? Yes. The Hawaiian lead actor makes this project unique. Casting him gave this superhero motion picture a chance to stand out from the pack. Movie goers are looking for action films that are off the beaten path. If Wonder Woman and Black Panther can knock it out of the park, there is absolutely no reason why this film wasn’t genius and innovative from beginning to end.

On the name alone, Aquaman should pull hordes of viewers into the theater. The question is, “Will they come back again and again and make this film a megahit even if it’s imperfect?

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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Black History

Oakland Observes Black August with Block Parties, Film Showings, Workshops

POST NEWS GROUP — Beginning in 1979 in San Quentin State Prison, the Black Guerrilla Family called for the remembrance of political prisoner George Jackson and his brother Jonathan Jackson who were assassinated in the early 1970s. George Jackson was considered a political prisoner in that it was the anti-Black justice system that led to his incarceration for armed robbery with a sentence of one year-to-life in 1960.

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George Jackson wrote two books: “Soledad Brother,” and “Blood in My Eye” before her was killed in an attempt to escape prison on Aug. 21, 1971.

Study. Train. Fast. Fight.

These are the four tenets of Black August, a month dedicated to commemorating the sacrifices of political prisoners and Black revolutionaries in the struggle for Black liberation.

Observers are urged to study the history of the Black struggle for freedom, train their bodies for health and self-defense, fast to cleanse the mind, body, and spirit, and fight ongoing oppression alongside their communities and local political organizations.

Beginning in 1979 in San Quentin State Prison, the Black Guerrilla Family called for the remembrance of political prisoner George Jackson and his brother Jonathan Jackson who were assassinated in the early 1970s. George Jackson was considered a political prisoner in that it was the anti-Black justice system that led to his incarceration for armed robbery with a sentence of one year-to-life in 1960.

While in prison, George befriended fellow prisoner W.L. Nolen, who introduced him to the works of Karl Marx, Vladimir Lenin, Mao Zedong, and Frantz Fanon. This radicalization coupled with his experiences of violence while imprisoned led to him writing and publishing two books, “Soledad Brother” (1970), and “Blood in my Eye” (1972). In January of 1970, George and two other prisoners were charged with murdering a corrections officer at Soledad State Prison in Monterey County.

On Aug. 7, 1970, Jonathan Jackson burst into a Marin County courtroom armed with a shotgun to demand the freedom of the Soledad Brothers. He, along with the inmates he freed, was shot and killed while driving away. This involved one of the Black Panther Party’s most notable associates, Angela Davis, because the shotgun was registered in her name. She was later acquitted of charges of conspiracy, kidnapping, and murder in 1972.

On Aug. 21, 1971, George Jackson was assassinated by a corrections officer after attempting to escape and free other inmates. As a result, there were uprisings and protests within prisons all over the country that year, calling forth resistance against racial oppression and mass incarceration.

Since its outset, Black August has evolved across the country, taking many forms to honor this history and embody the four tenets.

In Oakland, the upcoming Black August Experience, hosted by Youth Alive! and the East Oakland Boxing Association (EOBA), is a free, family-friendly event celebrating the legacy of Black August. Activities include free food and drinks, a kids’ activity zone, interactive workshops, live cooking and boxing demonstrations, and more.

Happening on Aug. 21 from 4-8 p.m. at the EOBA Patio, Carolyn Flynn, director of administration at EOBA, said the event, in its second year, will be an opportunity to engage with people in person through food, shared space, and education.

“We do regular classes in education, and those are ongoing programs that we offer, but we wanted to have [an opportunity] for our neighbors to utilize this space.” Combined with Youth Alive’s work in community violence prevention and youth leadership, this event surely aims to bring the Oakland community together to capture what Black August means today.

Here are additional Black August events happening in Oakland:

Forum and Community Discussion hosted by the Oakland Liberation Center, 1499 Fruitvale Ave., Aug. 14, 7 p.m.

“George Jackson/San Quentin” Screening hosted by Nostalgic for Nothing Cinema at Moments Co-Op, 410 13th St., Aug. 16, doors at 6 p.m., show at 6:30 p.m. (Masks required and scent-free)

Commemorating the Struggle, Building the Altar for Liberation: Black August at Bandung Books, 2269 International Blvd., Aug. 23rd, 1-5 p.m.

Building Opportunities for Self-Sufficiency (BOSS), will host “Black August: The Arc of Liberation” at Oakland City Hall on Sat. Aug. 29, from 11 a.m. to 3 p.m.

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Activism

Oakland Post: Week of August 12 – 18, 2026

The printed Weekly Edition of the Oakland Post: Week of August 12 – 18, 2026

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Commentary

COMMENTARY: Why Local School Tax Measure G1 Will Not Be on the November Ballot

POST NEWS GROUP — Measure G1 is the local tax measure that supports middle school teacher retention and the expansion of arts, music, and world language programs at both OUSD middle schools and charter middle schools. The current measure expires in 2029.

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iStock.

There has been considerable speculation recently about why Measure G1 will not appear on the November ballot and what that means for the Oakland Unified School District’s current budget.

I want to provide some clarity about what happened and, importantly, what did not happen.

Measure G1 is the local tax measure that supports middle school teacher retention and the expansion of arts, music, and world language programs at both OUSD middle schools and charter middle schools. The current measure expires in 2029.

Because these funds are important to our schools and to the continuity of these programs, the district initially intended to place a renewal initiative on the November ballot to provide greater early certainty about funding beyond the expiration of the current measure.

As part of that process, the Board scheduled a special meeting for the required public hearing on the ballot initiative. There has been some suggestion that this meeting was noticed only one day in advance. That is not accurate.

Public hearings of this nature are subject to specific notice requirements, and the meeting must be noticed at least two weeks before the hearing. In practice, the notice may appear even earlier depending on publication schedules. The notice for the Measure G1 public hearing was published in the Tribune on 7/24/2026 and 7/31/2026.

So, why wasn’t the Measure G1 paperwork ultimately filed?

After the Board approved placing the measure on the ballot, the next step required the Alameda County Superintendent of Schools to sign the necessary paperwork before it could be submitted to the Oakland City Clerk.

During that process, Alameda County Superintendent Alysse Castro raised concerns about potential litigation stemming from another court case unrelated to OUSD and about whether proceeding with the measure could expose the district or County to legal challenges. Superintendent Castro’s action is unprecedented and concerning. 

It is important to distinguish between the Board’s decision to pursue Measure G1 and the subsequent procedural and legal issues that arose. The Board did approve moving forward with the measure. The measure did not fail because the Board chose not to support it, nor was the public hearing improperly noticed.

The decision not to proceed with the November ballot was made in light of the County’s concerns about potential litigation and the County’s required approval process.

We also need to be clear about what this does, and does not, mean for OUSD’s current budget. The existing Measure G1 funds remain available through the expiration of the current measure in 2029. The immediate issue is the longer-term continuity of funding beyond that date, not the elimination of these resources from the current year’s budget.

Our responsibility as a Board is to protect the educational programs and services our students depend on while ensuring that our decisions comply with the law and protect the district from unnecessary legal and financial risk.

We will continue working to understand the County’s concerns, explore our options, and advocate for the resources our students deserve. Our middle school students, teachers, and school communities deserve stability, and continued investment in arts, music, world languages, and teacher retention—and that work remains a priority for Oakland Unified.

Jennifer Brouhard is a retired OUSD educator and is the current OUSD School Board President representing District 2.

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