#NNPA BlackPress
‘Spider-Man: Across the Spider-Verse’ Review
by Dwight Brown film critic for DwightBrownInk.com and NNPA News Wire (***1/2) Buckle up, Spider-Man fans. What feels like a barrage of one billion cartoon images is coming your way. Digital effects so massive and rapid-fire, your eyeballs will scream for mercy. The Oscar®-winning 2018 Spider-Man Into the Spider-Verse is a distant 2018 memory. Back […]
The post ‘Spider-Man: Across the Spider-Verse’ Review first appeared on BlackPressUSA.


by Dwight Brown film critic for DwightBrownInk.com and NNPA News Wire
(***1/2)
Buckle up, Spider-Man fans. What feels like a barrage of one billion cartoon images is coming your way. Digital effects so massive and rapid-fire, your eyeballs will scream for mercy.
The Oscar®-winning 2018 Spider-Man Into the Spider-Verse is a distant 2018 memory. Back then bug-bit, highschooler Miles-Morales (Shameik Moore) lived with his Puerto Rican mom Rio (Luna Lauren Velez) and African American, police officer dad Jefferson Davis (Bryan Tyree Henry) in Brooklyn.
He’d been mentored by OG Spider-Man Peter J. Parker (Jake Johnson) and befriended and smitten by Gwen Stacey (Hailee Steinfeld)—aka Spider-Woman. Miles and other folks banded together to fight what was evil. It was a challenging feat made easy to discern by Phil Lord and Rodney Rothman’s screenplay and expertly directed by Bob Persichetti, Peter Ramsey and Rodney Rothman.
That filmmaking team has turned over the reins to directors Joaquim Dos Santos, Kemp Powers and Justin K. Thompson. Phil Lord’s co-writing team now includes Christopher Miller and Dave Callaham. The difference is night and day. The ultra-contemporary dialogue sounds like kids on the street expounding on life, parents who don’t understand them and the ambivalent feelings they have for others. Multiple extraneous characters are piled on to the point of oversaturation, but are easy to tell apart, nonetheless. The plotline splinters in a various directions. Some fascinating. Some not. Still, what’s on view is astounding to see 99% of the time.
The Spot (Jason Schwartzman) is a villain who blames Miles for his deformed existence. The white ghost of a figure, with black spots on his body, seethes: “I’m going to take everything from you like you took everything from me!” Spider-Man’s clear assignment is to stop him. The waters ahead are muddied by a band of Spider-People from the Spider-Society. They’re led by Miguel O’Hara (Oscar Isaac), who wants to implement a different approach to saving the Multiverse. They clash. They clash big time. And nothing will thwart a mission like a bunch of narcissistic super-heroes disagreeing. Miles: “Everyone keeps telling me how my story is supposed to go. Nah. Imma do my own thing!”
The visuals kick ass. Quick, kinetic illustrations thrown at the screen like a series of colorful, pop art paintings. Special attention to shapes, shades, textures, layers and angles. An uncanny mixture of old-school drawings and futuristic animation. The action sequences thrill, too. Folks dangling from webs, gliding through the air. Fist fights, annihilations. More people, more superheroes. Jumbo-size, comic book words plastered on the footage. It’s a lot to absorb. Stunning to look at in the most ingenious ways. An assault on the senses. A good one. Makes you want to ask the film’s creators how many psychedelics or magic mushrooms they took before they dreamed up this fable. And if drugs weren’t involved, they all need psychiatric help!
Minus a few expository moments, it’s like an eclectic, staccato MTV video is blasted at you for 2h 20m (editor Mike Andrews). Or, like you just took a punch and are still seeing stars. The colors (art directors Dean Gordon and Araiz Khalid), costumes (Brooklyn El-Omar) and sets (Patrick O’Keefe) are stunning. The non-stop visual, digital, audio and animated effects are completely arresting. When Daniel Pemberton’s blaring musical score (driving bass and soaring strings) isn’t revving up emotions and energy, the most upbeat, neo-soul, funk, rock playlist is streamed, like it was culled from Spotify’s top ten: “Sunflower,” by Post Malone; “This is My Time,” by Lecrae; Familia,” by Nicki Minaj.
When the script isn’t selling bombastic, self-indulgent, big-picture visuals, it finds time to explore deep-seeded feelings. Heartfelt emotions between a teen boy and his worried parents. Between an angst-riddled adolescent girl and her struggling-to-understand single father (Shea Whigham). These moments are precious. Calming oases amid a stormy onslaught that’s as invigorating as it is exhausting. For the first 40 minutes of setup, the hurricane of hallucinations and fantasies are entertaining. But as the film rattles on, the younger moviegoers may stay more attentive than adults, who may become weary.
The entire cast conveys more drama with voices, tones and inflection than in-the-flesh actors could ever do in a live-action treatment. The new additions of Issa Rae, Daniel Kaluuya, Karan Soni, Jorma Taccone and Amanda Stenberg bring more life to the party.
It might be hyperbole to say that this state-of-the art animation is about as genius as it gets for the genre. But for kids, teens and twentysomethings, raised on MTV, comic books and TikTok, that isn’t an overstatement. It’s their truth. This is their holy grail. Their generation’s take on what a superhero parable should be. Zillions of images hurled at their eyeballs until they’re dizzy and in ecstasy.
In theaters June 2nd.
Trailer: https://www.youtube.com/watch?v=shW9i6k8cB0
Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com.
The post ‘Spider-Man: Across the Spider-Verse’ Review appeared first on Chicago Defender.
The post ‘Spider-Man: Across the Spider-Verse’ Review first appeared on BlackPressUSA.
#NNPA BlackPress
Chavis and Bryant Lead Charge as Target Boycott Grows
BLACKPRESSUSA NEWSWIRE — Surrounded by civil rights leaders, economists, educators, and activists, Bryant declared the Black community’s power to hold corporations accountable for broken promises.

By Stacy M. Brown
BlackPressUSA.com Senior National Correspondent
Calling for continued economic action and community solidarity, Dr. Jamal H. Bryant launched the second phase of the national boycott against retail giant Target this week at New Birth Missionary Baptist Church in Atlanta. Surrounded by civil rights leaders, economists, educators, and activists, Bryant declared the Black community’s power to hold corporations accountable for broken promises. “They said they were going to invest in Black communities. They said it — not us,” Bryant told the packed sanctuary. “Now they want to break those promises quietly. That ends tonight.” The town hall marked the conclusion of Bryant’s 40-day “Target fast,” initiated on March 3 after Target pulled back its Diversity, Equity, and Inclusion (DEI) commitments. Among those was a public pledge to spend $2 billion with Black-owned businesses by 2025—a pledge Bryant said was made voluntarily in the wake of George Floyd’s murder in 2020.“No company would dare do to the Jewish or Asian communities what they’ve done to us,” Bryant said. “They think they can get away with it. But not this time.”
The evening featured voices from national movements, including civil rights icon and National Newspaper Publishers Association (NNPA) President & CEO Dr. Benjamin F. Chavis Jr., who reinforced the need for sustained consciousness and collective media engagement. The NNPA is the trade association of the 250 African American newspapers and media companies known as The Black Press of America. “On the front page of all of our papers this week will be the announcement that the boycott continues all over the United States,” said Chavis. “I would hope that everyone would subscribe to a Black newspaper, a Black-owned newspaper, subscribe to an economic development program — because the consciousness that we need has to be constantly fed.” Chavis warned against the bombardment of negativity and urged the community to stay engaged beyond single events. “You can come to an event and get that consciousness and then lose it tomorrow,” he said. “We’re bombarded with all of the disgust and hopelessness. But I believe that starting tonight, going forward, we should be more conscious about how we help one another.”
He added, “We can attain and gain a lot more ground even during this period if we turn to each other rather than turning on each other.” Other speakers included Tamika Mallory, Dr. David Johns, Dr. Rashad Richey, educator Dr. Karri Bryant, and U.S. Black Chambers President Ron Busby. Each speaker echoed Bryant’s demand that economic protests be paired with reinvestment in Black businesses and communities. “We are the moral consciousness of this country,” Bryant said. “When we move, the whole nation moves.” Sixteen-year-old William Moore Jr., the youngest attendee, captured the crowd with a challenge to reach younger generations through social media and direct engagement. “If we want to grow this movement, we have to push this narrative in a way that connects,” he said.
Dr. Johns stressed reclaiming cultural identity and resisting systems designed to keep communities uninformed and divided. “We don’t need validation from corporations. We need to teach our children who they are and support each other with love,” he said. Busby directed attendees to platforms like ByBlack.us, a digital directory of over 150,000 Black-owned businesses, encouraging them to shift their dollars from corporations like Target to Black enterprises. Bryant closed by urging the audience to register at targetfast.org, which will soon be renamed to reflect the expanding boycott movement. “They played on our sympathies in 2020. But now we know better,” Bryant said. “And now, we move.”
#NNPA BlackPress
The Department of Education is Collecting Delinquent Student Loan Debt
BLACKPRESSUSA NEWSWIRE — the Department of Education will withhold money from tax refunds and Social Security benefits, garnish federal employee wages, and withhold federal pensions from people who have defaulted on their student loan debt.

By April Ryan
Trump Targets Wages for Forgiven Student Debt
The Department of Education, which the Trump administration is working to abolish, will now serve as the collection agency for delinquent student loan debt for 5.3 million people who the administration says are delinquent and owe at least a year’s worth of student loan payments. “It is a liability to taxpayers,” says White House Press Secretary Karoline Leavitt at Tuesday’s White House Press briefing. She also emphasized the student loan federal government portfolio is “worth nearly $1.6 trillion.” The Trump administration says borrowers must repay their loans, and those in “default will face involuntary collections.” Next month, the Department of Education will withhold money from tax refunds and Social Security benefits, garnish federal employee wages, and withhold federal pensions from people who have defaulted on their student loan debt. Leavitt says “we can not “kick the can down the road” any longer.”
Much of this delinquent debt is said to have resulted from the grace period the Biden administration gave for student loan repayment. The grace period initially was set for 12 months but extended into three years, ending September 30, 2024. The Trump administration will begin collecting the delinquent payments starting May 5. Dr. Walter M. Kimbrough, president of Talladega College, told Black Press USA, “We can have that conversation about people paying their loans as long as we talk about the broader income inequality. Put everything on the table, put it on the table, and we can have a conversation.” Kimbrough asserts, “The big picture is that Black people have a fraction of wealth of white so you’re… already starting with a gap and then when you look at higher education, for example, no one talks about Black G.I.’s that didn’t get the G.I. Bill. A lot of people go to school and build wealth for their family…Black people have a fraction of wealth, so you already start with a wide gap.”
According to the Education Data Initiative, https://educationdata.org/average-time-to-repay-student-loans It takes the average borrower 20 years to pay their student loan debt. It also highlights how some professional graduates take over 45 years to repay student loans. A high-profile example of the timeline of student loan repayment is the former president and former First Lady Barack and Michelle Obama, who paid off their student loans by 2005 while in their 40s. On a related note, then-president Joe Biden spent much time haggling with progressives and Democratic leaders like Senators Elizabeth Warren and Chuck Schumer on Capitol Hill about whether and how student loan forgiveness would even happen.
#NNPA BlackPress
VIDEO: The Rev. Dr. Benjamin F. Chavis, Jr. at United Nations Permanent Forum on People of African Descent
https://youtu.be/Uy_BMKVtRVQ Excellencies: With all protocol noted and respected, I am speaking today on behalf of the Black Press of America and on behalf of the Press of People of African Descent throughout the world. I thank the Proctor Conference that helped to ensure our presence here at the Fourth Session of the […]

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