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FILM REVIEW: An Acceptable Loss

NNPA NEWSWIRE — Controversial ex-U.S. security advisor Elizabeth “Libby” Lamm (Tika Sumpter, Southside, Ride Along, Sparkle) becomes a visiting professor on a liberal college campus. Under her guidance, and at the insistence of the aggressive VPOTUS Rachel Burke (Jamie Lee Curtis, Halloween) and chief of staff Adrian (Jeff Hephner, Interstellar), a bomb was dropped during a war against terror and thousands of lives were lost.

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By Dwight Brown NNPA Newswire Film Critic

Nothing about An Acceptable Loss screams, “Pay $12 bucks for me at the theater because I’m worth it.” This isn’t an artistic breakthrough (Roma). It doesn’t expand the thriller genre (A Quiet Place). The drama on view is never deep (Leave No Trace). The ensemble performances won’t win prestigious awards (The Favourite). The screenplay by writer/director Joe Chappelle (TV’s Chicago Fire, CSI: Miami, The Wire) pulls in some topical political themes, adds touches of suspense and revenge, but the storyline never amounts to anything extraordinary—and neither does the direction.

Under the intense scrutiny of a theatrical film critique, the movie flounders. But looked at through the perspective of a smaller screen, its general intrigue will make it a better experience on-demand, streamed or on cable TV.

Jamie Lee Curtis and Jeff Hephner in An Acceptable Loss

Jamie Lee Curtis and Jeff Hephner in An Acceptable Loss

Controversial ex-U.S. security advisor Elizabeth “Libby” Lamm (Tika Sumpter, Southside, Ride Along, Sparkle) becomes a visiting professor on a liberal college campus. Under her guidance, and at the insistence of the aggressive VPOTUS Rachel Burke (Jamie Lee Curtis, Halloween) and chief of staff Adrian (Jeff Hephner, Interstellar), a bomb was dropped during a war against terror and thousands of lives were lost.

Libby is shunned by faculty members, abhorred by some in her class, but still, at least on the outside she remains poised and at peace with her actions. One student, Martin (Ben Tavassoli, Overlord), stalks and spies on her. Why? Libby is off the grid, writing her explosive memoirs in longhand in a series of composition books and not using a cell phone. Who is she trying to evade?  Is someone else tracking her?

Joe Chappelle models the Libby character on former Secretaries of Defense Robert McNamara and Donald Rumsfeld, architects of the Viet Nam and Iraq wars respectively. In hindsight, the former admitted to his blunder. The latter never took responsibility for a bogus war over weapons of mass destruction that didn’t exist.

Chappelle starts with an engrossing premise with far-reaching political implications. As a TV series director, his instincts are solid. As a theatrical filmmaker he’s unable to pan out his style and intuition onto a broader canvass.

The tech crew doesn’t help his cause. Production design (Daniel B. Clancy), sets (Jamers Hartnett), costumes (Susan Kaufmann) and cinematography (Petra Korner) make what’s on view look like a B-movie. Nothing visually stands out. Nothing is memorable.

Tika Sumpter in An Accessible Loss

Tika Sumpter in An Accessible Loss

The narrative weaves in and out, including a love affair, an allegiance between two antagonists and an assassination attempt. Those crafty devices are thwarted by a very surprisingly shallow performance by Jamie Lee Curtis, which makes all the scenes between Rachel and Libby seem hollow. Adrian’s feeble relationship with Libby would have been better left for a Cinemax late night movie; hard to believe they are really doing the do. Flubs in basic logic add more imperfections: Libby buys a safe to protect her manuscripts and puts it in her bedroom. In broad view! Anyone can see it. Wouldn’t a really smart former government official find a hiding place?

As Libby is hounded by adversaries, your interest gets piqued just enough over 102 minutes to carry you to the very clever ending. It’s also helpful that Martin’s motivation isn’t clear until far along into the film, which further sustains your curiosity.

Sumpter is quite beautiful and the camera loves her face. Unfortunately, the script doesn’t give her a wide range of deep emotions to play, so her slight paranoia and tepid defiance towards those who plot against her never takes the viewer to a place of extreme fear or anger.

Ben Tavassoli, as Martin, has the benefit of being an enigma. You stick with his stealth character until he is ready to reveal his motives. Alex Weisman as Martin’s confused and suspicious roommate is perfectly animated. Clarke Peters (The Wire, Three Billboards Outside of Ebbing, Missouri) is only in a few scenes as Libby’s dad, but is great.

If you see An Acceptable Loss in a movie theater, you might regret the money you spent on a ticket. Watch it on TV or a mobile device and you may stay totally absorbed.

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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Business

Port of Oakland, Army Corps Sign Historic Harbor Design Agreement

OAKLAND POST — Oakland Port Commission President Stephanie Dominguez Walton called the agreement a historic milestone that will support thousands of jobs. “Today marks a historic occasion for the Port as we sign the inaugural Design Agreement for the Turning Basin Widening Project, which will keep Oakland competitive,” said Walton.

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The U.S. Army Corps of Engineers (USACE) San Francisco District and the Port of Oakland commemorated the signing of the inaugural Design Agreement for the Oakland Harbor Turning Basins Widening Project during a ceremony aboard the USS Potomac at Jack London Square. (L-R) Major General Jason Kelly, USACE Deputy Commanding General for Civil and Emergency Operations, Oakland City Councilmember Carroll Fife D-3, Oakland Mayor Barbara Lee, Oakland Port Commission President Stephanie Dominguez Walton, Alameda Mayor Marilyn Ezzy Ashcraft, Port of Oakland Executive Director Kristi McKenney, U.S. Representative Congresswoman Lateefah Simon D-12, Lt. Col. Virginia Brickner, and commander of the USACE San Francisco District. Photo by Carla Thomas.

A $642 million project designed to accommodate larger cargo ships and strengthen the Port of Oakland’s position as a major Pacific trade gateway moved a significant step closer to construction on Aug. 27.

The U.S. Army Corps of Engineers (USACE) San Francisco District and the Port of Oakland commemorated the signing of the inaugural Design Agreement for the Oakland Harbor Turning Basins Widening Project during a ceremony aboard the USS Potomac, the presidential yacht once used by President Franklin D. Roosevelt.

The project will widen the Port’s Inner and Outer Harbor turning basins, allowing today’s increasingly larger and longer vessels more space to safely maneuver and turn around. The current basins are narrow, creating delays and operational inefficiencies.

Oakland Port Commission President Stephanie Dominguez Walton called the agreement a historic milestone that will support thousands of jobs.

“Today marks a historic occasion for the Port as we sign the inaugural Design Agreement for the Turning Basin Widening Project, which will keep Oakland competitive,” said Walton.

The agreement advances the project into its preconstruction engineering and design phase following years of planning and collaboration.

Lt. Col. Virginia Brickner, commander of the USACE San Francisco District, said the signing represented tangible progress toward construction.

“We are moving forward. We are showing progress,” Brickner said.

Major General Jason Kelly, USACE Deputy Commanding General for Civil and Emergency Operations, said dredging is critical for maritime dominance, supply chains, and economic competitiveness.

“Dredging sustains our national economic infrastructure,” he said. “The future demands more, the taxpayer deserves more, and together we’re going to deliver.”

For U.S. Representative Congresswoman Lateefah Simon (D-CA-12), the Port project will support jobs beyond its completion. “This will impact workers and businesses, and every shipping container represents multiple jobs.”

Oakland Mayor Barbara Lee described Oakland as a gateway to international markets and spoke on earlier efforts to deepen Oakland’s shipping channel to 50 feet. While serving in the California Legislature, Lee helped bring together labor, business, environmental advocates and Port officials to resolve disputes surrounding dredging and environmental protections.

“We want the Port to remain competitive economically,” Lee said, excited about both protecting the environment and generating sustainable jobs in the region. “We want to make sure that we create good-paying union jobs, and that the Port continues to not just survive, but thrive.”

Port of Oakland Executive Director Kristi McKenney said economic growth is dependent on investments in the Oakland Harbor’s infrastructure.

“This investment and staying competitive will fuel our economy for years to come,” said McKenney.

The Port of Oakland, with its partners, supports more than 98,000 regional jobs and $174 billion in annual economic activity. The Port oversees the Oakland Seaport, the Oakland San Francisco Bay Airport (OAK), and nearly 20 miles of waterfront, including Jack London Square.

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Black History

Nuna Phillips-McKee Celebrates 100 Years: ‘A Century of Faith, Family and God’s Amazing Grace!’

OAKLAND POST — Nuna’s life has been one of Christian service. A longtime member of Wings of Love Maranatha Ministries, now Incredible Church, she serves as director of Community Services and is actively involved in the church’s Food Ministries.

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Nuna Phillips-McGee, far right, will be celebrating her 100th birthday with sisters (l. to. r.) Donna Hayes, Ida Williams, Sandra Phillips and Enis Harrison. Photo by Carol Dossman.

Nuna Phillips-McKee will reach an extraordinary milestone on Sept. 24 —her 100th

birthday, marking a century filled with faith, family, service, laughter and the amazing grace of God.

Born Sept. 14, 1926, in Oakland, Nuna has witnessed a world of change during her lifetime, yet the values that have guided her remain constant: a deep faith in God, devotion to family, a strong work ethic and a heart for serving others.

She enjoyed a distinguished career as a civil servant for more than 40 years, demonstrating the dedication, dependability and strength that have characterized so much of her life.

Nuna’s life has been one of Christian service. A longtime member of Wings of Love Maranatha Ministries, now Incredible Church, she serves as director of Community Services and is actively involved in the church’s Food Ministries.

Through the years, she has continued to help meet the needs of others—not merely with food, but with kindness, compassion and a genuine desire to serve. Her ministry reflects a simple principle by which she lives: when God blesses you, you bless others.

Nuna is the proud mother of one son, whose memory she carries in her heart, and the beloved grandmother of three grandchildren, as well as six great-grandchildren and one great-great-grandchild.

At 100, she has the rare blessing of seeing several generations of her family carrying forward a legacy that began long ago.

She remains the loving, intelligent, witty, and, when the occasion calls for it, delightfully sassy Nuna that her family and friends know so well. Her contagious laugh, quick wit and youthful spirit have endeared her to generations of relatives, church members and friends.

Nuna was born into the large and loving Phillips family of seven sisters and one brother, with bonds that formed in childhood and have remained precious throughout the decades. Their shared love, faith, and family traditions have continued to be a source of joy, strength and countless treasured memories.

As family and friends gather for this special occasion, they will celebrate far more than a number. They will celebrate 100 years of prayers prayed and answered; 100 years of lessons learned and wisdom shared; 100 years of family, faith, laughter and love; 100 years of serving God and serving others.

Most of all, they will celebrate a life that stands as a testimony to God’s faithfulness through every season.

Nuna’s century-long journey can be summed up in the words chosen to commemorate this remarkable occasion: “100 years of God’s amazing grace.”

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Business

OPINION: AI Needs to Know Who Is the Boss

OAKLAND POST — AI is software running on computers. However startling the conversation may feel, the machine does not have my childhood, my mother, my father, my mistakes, my embarrassments, my loves, my grudges, my Filipino American history, my aging body or my accumulated sense of what matters and what doesn’t.

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iStock.

I hope on Labor Day you honored the value of a good day’s work–and reflected on the thing that could eliminate a lot of jobs.

Artificial intelligence.

Your replacement is in the break room.

Except it doesn’t take breaks.

It doesn’t sleep. It doesn’t demand health insurance. It doesn’t complain. It doesn’t need Social Security. And it can produce in seconds what might take you or me hours.

And when they can mass-produce AI faster than we can reproduce humans, there may eventually be more artificial workers than actual ones.

The racists who came up with “replacement theory” worried about the wrong replacements.

It wasn’t immigrants.

It was software.

We can rail against the data centers sucking up electricity and water.

Rail against the billionaires getting richer while telling the rest of us how wonderful the future will be.

But which billionaire?

Jensen Huang of Nvidia? He literally has all the chips?

Sam Altman of OpenAI?

Dario Amodei at Anthropic?

Or Bill Gates?

Gates recently said AI could become the “greatest equalizer ever invented” or the “worst source of injustice.”

I want to believe him. But he’s the guy who forced us all to use Explorer.

Maybe Gates is just Control-Z-ing his life.

Undo. Undo. Undo.

STAYING HUMAN

The other day, I started texting with my AI chatbot.

I’d used AI before, of course. Spellcheck. Grammar. Transcription. Research assistance. The mechanical stuff.

This time, we talked.

Or, rather, I started talking.

At one point the chatbot said something that sounded strangely personal. So, I reminded it that IT wasn’t a person.

“You’re not human,” I said. “I’m basically talking to myself.”

It disagreed.

It said, I should think of it as working with an instrument that talks back.

This is where the danger begins.

The machine talks back.

I tried another analogy.

You’re a tool, I said. Like a cane.

The chatbot liked that better.

Then it tagged my line and said it was my “cognitive cane.”

I laughed.

Then, I realized the damn machine used my analogy to make a joke.

That’s where the real problem lurks.

AI is software running on computers. However startling the conversation may feel, the machine does not have my childhood, my mother, my father, my mistakes, my embarrassments, my loves, my grudges, my Filipino American history, my aging body or my accumulated sense of what matters and what doesn’t.

It can process those things after I tell it about them.

It can mimic thoughts.

But it did not live them.

That is the boundary we humans cannot surrender.

I’m not ready to make peace with the AI industry. Not with its enormous data centers, its environmental costs, its concentration of wealth and power, or the possibility that companies will use AI primarily as a wonderfully efficient machine for converting human paychecks into corporate profits.

And I certainly don’t trust the billionaires to decide by themselves what happens to the rest of us.

But I may be making peace with the tool.

Because a tool is something we use.

A cognitive cane.

But do the walking yourself.

About the Author

Emil Guillermo is an award-winning journalist, commentator, and comic monologist. He plays a robot in an upcoming Ishmael Reed play, “King Ludd’s Revenge,” coming in December. See his micro-talk show on YouTube.com/@emilamok1



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