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Ferguson Mulls Removing Brown Shrine from Middle of Street

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A car passes two makeshift memorials to Michael Brown Tuesday, May 5, 2015, near where the unarmed, black 18-year-old was shot and killed last August by white Ferguson, Missouri, Police Officer Darren Wilson. The 9-month-old shrine in the middle of the road, marking the spot were Brown fell dead, has been hallowed symbol of a new civil rights movement over race and policing _ and to others, now more of an eyesore and a road hazard. The city, Brown's family and a Washington-based mediator are grappling with the thorny question of whether to remove or replace it and risk further inflaming racial tensions. (AP Photo/Jim Salter).

A car passes two makeshift memorials to Michael Brown Tuesday, May 5, 2015, near where the unarmed, black 18-year-old was shot and killed last August by white Ferguson, Missouri, Police Officer Darren Wilson. (AP Photo/Jim Salter).

Jim Suhr and Alan Scher Zagier, ASSOCIATED PRESS

 
FERGUSON, Mo. (AP) — To some, a makeshift shrine in the middle of the Ferguson street where Michael Brown was killed last summer is a hallowed symbol of a new civil rights movement over race and policing. To others, it has served its purpose and is now more of an eyesore and a road hazard.

Within hours of Brown’s Aug. 9 shooting death by a white police officer, people began placing stuffed animals, candles and other tributes in the middle of Canfield Drive, where the unarmed black 18-year-old’s body lay for about four hours before it was removed.

The shrine stretches several yards down the center of the two-lane road that bisects a housing complex, and city leaders are grappling with the thorny question of whether to remove or replace it and risk further inflaming racial tensions in the 21,000-resident St. Louis suburb, which is two-thirds black. Another section of the shrine sits along the curb a few yards away.

“It’s a very sensitive topic,” says Janie Jones, a black, Washington-based mediator who says she has been working behind the scenes with Ferguson municipal leaders and the Brown family on how to clear out the memorial without agitating the black community.

“It represents a community’s cry for justice — not just for Michael Brown, but for people all over the world,” Jones told The Associated Press on Monday. “The city has some serious decisions to make going forward.”

Brown’s killing by Officer Darren Wilson, who left Ferguson’s police force after a grand jury decided not to charge him, touched off weeks of sometimes-violent demonstrations and a national “Black Lives Matter” movement that only gained momentum with the subsequent police killings of unarmed black men in other U.S. cities.

Although Wilson wasn’t charged, the U.S. Justice Department released a scathing report citing racial bias and racial profiling in the Ferguson Police Department and in a profit-driven municipal court system that frequently targeted blacks.

Ferguson Mayor James Knowles III, while appreciative of the memorial’s status as a nexus of protests and prayers, said it is now a public safety issue that comes with “any time you leave items in the middle of the roadway.” Knowles, who is white, pointed to last Christmas Day, when an unidentified motorist — whether intentionally or accidentally — plowed through the shrine. Neighbors and Brown supporters swiftly cleaned up the damage and rebuilt the site.

Now, Knowles said, “the city would like it moved,” adding that “we’re working on getting a buy-in with the family and community” to make it happen. He said no decisions have been made and there isn’t a deadline to decide the matter.

During a Ferguson City Council meeting last month — the first since city elections tripled black representation on the governing board that had been largely white — Jones proposed replacing the shrine with a permanent dove-shaped marker embedded in the street.

That would “take a very tragic situation and use it as a teachable moment to encourage community healing and symbolize the unity that is very much needed,” said Jones, president and CEO of the Joint Council on Policy and Social Impact. “The way we deal with this memorial is how we move forward in Ferguson, because that memorial represents the best and the worst of Ferguson.”

Jones said Brown’s mother wants a portion of the road where the memorial rests carved out and repaved because “she feels like her son’s blood is still in the streets.”

Jeff Small, a Ferguson city spokesman, said discussions about the memorial’s fate likely would go the city’s traffic commission comprised of various Ferguson residents and newly elected Councilwoman Ella Jones, who did not return telephone messages seeking comment for this story.

The Brown family’s attorney, Benjamin Crump, also did not reply to messages seeking comment.

Debate about the memorial’s fate comes as Brown’s parents are pressing a wrongful-death lawsuit against the city of Ferguson, Wilson and the former police chief. Dorian Johnson, who was with Brown at the time of the shooting, also sued those same parties last week, accusing Wilson of being the aggressor who used excessive force and “acted with deliberate indifference or with reckless disregard” for Johnson’s rights.

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Follow Alan Scher Zagier on Twitter at https://twitter.com/azagier.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Activism

Ann Lowe: The Quiet Genius of American Couture

Lowe was born in Clayton, Alabama, into a family of gifted seamstresses. Her mother and grandmother were well-known dressmakers who created exquisite gowns for women in the area. By the time Lowe was a young girl, she was already showing extraordinary talent — cutting, sewing, and decorating fabric with a skill that far exceeded her age. When her mother died unexpectedly, Lowe – only 16 years old then – took over her mother’s sewing business, completing all the orders herself.

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Photos courtesy of National Archives.
Photo courtesy of National Archives.

By Tamara Shiloh

Ann Cole Lowe, born Dec.14, 1898, was a pioneering American fashion designer whose extraordinary talent shaped some of the most widely recognized and celebrated gowns in U.S. history.

Although she designed dresses for society’s wealthiest families and created masterpieces worn at historic events, Lowe spent much of her life in the shadows — uncredited, underpaid, yet unmatched in skill. Today, she is celebrated as one of the first nationally recognized African American fashion designers and a true visionary in American couture.

Lowe was born in Clayton, Alabama, into a family of gifted seamstresses. Her mother and grandmother were well-known dressmakers who created exquisite gowns for women in the area. By the time Lowe was a young girl, she was already showing extraordinary talent — cutting, sewing, and decorating fabric with a skill that far exceeded her age. When her mother died unexpectedly, Lowe – only 16 years old then – took over her mother’s sewing business, completing all the orders herself. This early responsibility would prepare her for a lifetime of professional excellence.

In 1917, Lowe moved to New York City to study at the S.T. Taylor Design School. Although she was segregated from White students and forced to work separately, she, of course, excelled, graduating earlier than expected. Her instructors quickly recognized that her abilities were far above the typical student, especially her skill in hand-sewing, applique, and intricate floral embellishment – techniques that would become her signature.

Throughout the 1920s and 1930s, she designed gowns for high-society women in Florida and New York, operating boutiques and working for prestigious department stores. Her reputation for craftsmanship, originality, and elegance grew increasingly. She was known for creating gowns that moved beautifully, featured delicate hand-made flowers, and looked sculpted rather than sewn. Many wealthy clients specifically requested “an Ann Lowe gown” for weddings, balls, and galas.

Her most famous creation came in 1953: the wedding gown worn by Jacqueline Bouvier when she married Massachusetts Sen. John F. Kennedy. The dress – crafted from ivory silk taffeta with dozens of tiny, pleated rosettes – became one of the most photographed bridal gowns in American history. Despite this achievement, Lowe received no public credit at the time. When a flood destroyed her completed gowns 10 days before the wedding, she and her seamstresses worked day and night to remake everything – at her own expense. Her dedication and perfectionism never wavered.

She eventually opened “Ann Lowe Originals,” her own salon on New York’s Madison Avenue. She served clients such as the Rockefellers, DuPonts, Vanderbilts, and actresses like Olivia de Havilland. Yet even with her wealthy clientele, she struggled financially, often undercharging because she wanted every dress to be perfect, even if it meant losing money.

Lowe’s contributions were finally recognized later in life. Today, her exquisite gowns are preserved in museums, including the Smithsonian National Museum of African American History and Culture and the Metropolitan Museum of Art.

In the last five years of her life, Lowe lived with her daughter Ruth in Queens, N.Y. She died at her daughter’s home on Feb. 25, 1981, at the age of 82, after an extended illness.

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Oakland Post: Week of December 10 – 16, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 10 – 16, 2025

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Alameda County

Seth Curry Makes Impressive Debut with the Golden State Warriors

Seth looked comfortable in his new uniform, seamlessly fitting into the Warriors’ offensive and defensive system. He finished the night with an impressive 14 points, becoming one of the team’s top scorers for the game. Seth’s points came in a variety of ways – floaters, spot-up three-pointers, mid-range jumpers, and a handful of aggressive drives that kept the Oklahoma City Thunder defense on its heels.

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Seth Curry is a point guard on the GSW team.Photo courtesy of the Golden State Warriors.
Seth Curry is a point guard on the GSW team.Photo courtesy of the Golden State Warriors.

By Y’Anad Burrell

Tuesday night was anything but ordinary for fans in San Francisco as Seth Curry made his highly anticipated debut as a new member of the Golden State Warriors.  Seth didn’t disappoint, delivering a performance that not only showcased his scoring ability but also demonstrated his added value to the team.

At 35, the 12-year NBA veteran on Monday signed a contract to play with the Warriors for the rest of the season.

Seth looked comfortable in his new uniform, seamlessly fitting into the Warriors’ offensive and defensive system. He finished the night with an impressive 14 points, becoming one of the team’s top scorers for the game. Seth’s points came in a variety of ways – floaters, spot-up three-pointers, mid-range jumpers, and a handful of aggressive drives that kept the Oklahoma City Thunder defense on its heels.

One of the most memorable moments of the evening came before Seth even scored his first points. As he checked into the game, the Chase Center erupted into applause, with fans rising to their feet to give the newest Warrior a standing ovation.

The crowd’s reaction was a testament not only to Seth’s reputation as a sharpshooter but also to the excitement he brings to the Warriors. It was clear that fans quickly embraced Seth as one of their own, eager to see what he could bring to the team’s championship aspirations.

Warriors’ superstar Steph Curry – Seth’s brother – did not play due to an injury.  One could only imagine what it would be like if the Curry brothers were on the court together.  Magic in the making.

Seth’s debut proved to be a turning point for the Warriors. Not only did he contribute on the scoreboard, but he also brought a sense of confidence and composure to the floor.

While their loss last night, OKC 124 – GSW 112, Seth’s impact was a game-changer and there’s more yet to come.  Beyond statistics, it was clear that Seth’s presence elevated the team’s performance, giving the Warriors a new force as they look to make a deep playoff run.

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