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Felecia Gaston Publishes New Book on Marin City

Felecia Gaston, the founder and director of Performing Stars of Marin, and The Marin City Historical and Preservation Society, will be promoting her new book, “a brand new start…this is home – The Story of World War II Marinship and the Legacy of Marin City.” Gaston will be in conversation with Cheryl Popp on Tuesday, April 25 at 6:00 p.m. at Sausalito Books by The Bay, 100 Bay St. in Sausalito.

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Cover of book, left, and portrait of Felecia Gaston, right, at the Bartolini Gallery. Photo courtesy of Felecia Gaston.
Cover of book, left, and portrait of Felecia Gaston, right, at the Bartolini Gallery. Photo courtesy of Felecia Gaston.

By Godfrey Lee

Felecia Gaston, the founder and director of Performing Stars of Marin, and The Marin City Historical and Preservation Society, will be promoting her new book, “a brand new start…this is home – The Story of World War II Marinship and the Legacy of Marin City.”

Gaston will be in conversation with Cheryl Popp on Tuesday, April 25 at 6:00 p.m. at Sausalito Books by The Bay, 100 Bay St. in Sausalito.

“A brand new start…this is home” is a commemorative book for the Marin City 80 celebration, and includes “historical images, excerpts of oral histories, archival news, headlines and documents that have been previously published,” said Gaston.

It reveals the untold stories, experiences, and what the Black people in Marin City had endured for 80 years, and highlights the community’s dignity, character, and pride from the 1940s to the present.

The book also talks about the “influences and infringements from outsiders who have historically and continue to impose their vision for the community…and portrays the strength and tenacity of local advocates who wanted to decide their destiny,”

The book begins by casting back to the original inhabitants, the Coast Miwok Indians to the Azorean Portuguese of Southern Marin, Japan’s attack on Pearl Harbor leading to the United States entry into WWII, the Bechtel Corporation’s contract to build the Liberty ships, and the people from near and far who did the work.

Gaston writes about the Marin Housing Authority building temporary homes in 1942, the beginning of a community in Marin City, outside developers, the Ku Klux Klan’s cross burning in Marin City, what the Marin Civic Center was proposing for the future of the land in Marin City in 1952, and how people such as Supervisor Vera Schultz, Mary Summers, Aaron Green, Lawrence Livingston, Jr., Lawrence Halprin, and John Carl Warnecke help to plan and shape Marin City.

The book references Marin City’s Black business owners from 1950s to the present, a professional sports archive, local entertainment groups, and individual entertainers such as George Duke, Tupac Amaru Shakur, Rap Group 51.50 Illegally Insane, and Evard “Avar the Star” Auxila.

The book narrative continues with the legacy of the Black Panthers in Marin City, Geronimo Pratt, the Marin City Community Festivals from 1975 to 1989, the Blues, the Jazz & Soul Festivals in The Park from 1998 to 2012, the Tuskegee Airmen and Veterans’ Day Celebrations, George “Rocky” Graham Park of 2015, Golden Gate Village in 2017, and the Trump Caravan, coronavirus pandemic, George Floyd protests, and the U.S. Census in 2020.

Gaston writes that Marin City community has tackled the “interconnected issues of systemic racism, housing inequity, gentrification, the collapse of the middle class, and (its) resilience.”

She says that after celebrating Marin City’s 80th birthday, now is time introduce the Marin City Historical and Preservation Society in order to recognize her legacy, preserve her history and “contribute to the community’s growing vitality, richly deserved by the many residents who have invested deeply in this unique historical enclave.”

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Activism

Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

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From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.
From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.

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