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Environmental Justice Advocates Say Climate Change isn’t a ‘White Thing’

NNPA NEWSWIRE — “Far too often it is our communities – Black and Brown communities – that are not prepared enough, resilient enough, or adaptive enough when climate disasters hit,” Mabson said. “We look at the devastating impacts from Hurricane Katrina, and more recently Hurricane’s Maria, Harvey, and Dorian, and we see communities that look like ours, nearly destroyed,” said Michelle Mabson, a staff scientist for the Healthy Communities Program at Earthjustice.

Published

6 years ago

October 7, 2019

Oakland Post

It is critical that African American, if they aren't already, become aware of all of the ways climate change shows up in their lives.

By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

The climate crisis is real.

From the devastating of extreme weather events made worse by climate change to the public health implications of increased pollution like heightened asthma attacks, communities are feeling the impacts of this crisis first and worst.

Experts said real solutions to the climate crisis is needed now to protect the long-term well-being of communities, and for future generations.

“With the Trump administration rolling back environmental and public health safeguards, I am deeply concerned that we are running out of time to do something about this crisis,” said Dana Swinney, a New York-based public relations expert who works with several green organizations across the country.

Information provided by Swinney’s firm noted additional climate crisis health impacts on African Americans, including:

Number of African Americans that report having asthma: 2.6 million
Black children are 4.5 times more likely to be hospitalized for asthma than white children
Black children are ten times more likely to die from asthma than white children.
The increased health burden of particulate air pollution on African Americans compared to the American population overall: 54 percent
Sixty-eight percent of African Americans live within 30 miles of a coal-fired power plant.
7 million African Americans live within a county that is home to a refinery.

“There is a familiar phrase that goes something like this: if you’re not at the table then you’re on the menu,” said Michelle Mabson, a staff scientist for the Healthy Communities Program at Earthjustice.

Mabson is also a volunteer chief advocacy officer for Black Millennials for Flint.

“Far too often it is our communities – Black and Brown communities – that are not prepared enough, resilient enough, or adaptive enough when climate disasters hit,” Mabson said.

“We look at the devastating impacts from Hurricane Katrina, and more recently Hurricane’s Maria, Harvey, and Dorian, and we see communities that look like ours, nearly destroyed,” she said.

“It is imperative for us to be at the table when decisions, like rebuilding and increasing adaptive community capacity, are discussed so we can get the resources we need to be prepared for the impacts from the next storm. Make no mistake, the next one is on its way, and we can no longer afford to react once it’s here – we’ve got to be prepared,” Mabson said.

African Americans must heavily engage in climate justice and environmental conversation taking place globally, said Heather McTeer Toney, the national field director at Mom Clean Airforce.

More than half of the African American population live in the south, where they’re four times more likely to be hit with catastrophic flood, hurricane or other extreme weather-related event, Toney said.

“As the impacts of climate change increase, more and more of our communities are devastated. Moreover, An NAACP study found that African American communities are subjected to air that is 40 percent more polluted than other communities,” Toney said.

“When combined with the health impacts such as asthma, cancer, and heart disease; addressing the climate crisis is vital to our continued existence and protection of our children’s future,” she said.

Toney added that it’s not too late to act.

“Climate action is the social justice movement of our time. African-Americans should demand action from state, local and federal leaders on climate action now,” Toney said.

“We must support 100 percent clean energy and require equity in policy that promotes a clean energy economy. We prepare for extreme weather emergencies by working with our churches and community organization to develop action plans for severe weather events,” she said.

Further, “we must talk about ways to become more resilient and sustainable in our home, churches, and schools. We must vote often and always for candidates that talk about climate action now. Our voices are necessary for this movement, and together we can ensure climate safety for generations to come,” Toney said.

Kim Noble, the director of operations for Green The Church, said environmental justice touches on many issues, including climate, the economy, health, social, and racial injustices.

African Americans learned about racism and injustices at an early age, and some know what being marginalized feels like, Noble said.

“We have folks in environmental justice communities that feel that way every day,” she said.

“When we’re having conversations about the environment, climate change, pollution, and climate policy, we have to include the people who are most impacted – our black and brown families,” Noble said.

“For far too long, our communities have been on the receiving end of the devastating impacts of climate change and pollution. For example, our communities tend to live near power plants and other types of polluting plants which emit toxic air into the environment. These are making our families sick,” she said.

Noble continued:

“It’s not that our communities are looking for homes located near power plants, but rather it’s a regular practice to place dirty emitters into communities of color and often in neighborhoods where low-income families live.

“That’s not fair. As a nation, we can do better. We know those clean energy solutions work. We need climate policy that supports 100 percent clean energy and cleans up the air so we can breathe. We also need policy that leads to good green jobs in our communities.”

The current election cycle is crucial for several reasons, said Kerene N. Tayloe, an environmental justice and clean energy solutions advocate for WE ACT.

The election presents a great chance to mobilize votes for candidates who are not climate deniers and understand the need to address environmental justice, she said.

“We must become active at the local level where so many decisions about land development and water infrastructure, for instance, are decided,” Tayloe said.

“We should also be keenly aware of how the demand for energy efficiency, renewable and clean energy can create jobs right in our communities. We must lead in the creation of solutions to ensure that the benefits flow creating opportunities for economic development.”

Tayloe said caring about the climate is not a “white thing.”

It is critical that African American, if they aren’t already, become aware of all of the ways climate change shows up in their lives, she said.

“Those record hurricanes, storms, flooding, extreme heat, and bitterly cold days that we are experiencing are because of climate change. In addition to climate change, for far too long black and brown communities have been the sacrifice zones for wealthier and frankly whiter communities,” Tayloe said.

“It is not a coincidence that our communities are disproportionately the location of dangerous toxic facilities and are adjacent to the busiest highways. All of these systemic problems impact our health, our property value, and the ability to gain economic independence,” she said.

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Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

Published

1 week ago

March 24, 2026

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By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM). “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.

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Grief, Advocacy, and Education: A Counselor Reflects on Black Maternal Health

SAN DIEGO VOICE & VIEWPOINT — Last month healthcare leaders, birth workers, and community members gathered to honor the legacy of Charleston native Dr. Janell Green Smith, a nurse-midwife and doctor of nursing practice who died in January from childbirth complications. She had participated in more than 300 births and specialized in helping Black women give birth safely.

Published

1 week ago

March 24, 2026

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By Jennifer Porter Gore | Word-In-Black | San Diego Voice and Viewpoint

In 2024, the number of U.S. mothers who died as a result of pregnancy or childbirth dropped compared to 2023. But while slightly fewer Black mothers died that year, they still had three times the mortality rate of white women.

South Carolina’s rates of maternal deaths outpaced even the national rates. In fact, the state’s overall rate of maternal deaths between 2019 and 2023 was higher than all but eight states and the District of Columbia.

Last month healthcare leaders, birth workers, and community members gathered to honor the legacy of Charleston native Dr. Janell Green Smith, a nurse-midwife and doctor of nursing practice who died in January from childbirth complications. She had participated in more than 300 births and specialized in helping Black women give birth safely.

Her death shocked the community and her colleagues who are determined to address concerns about Black maternal health. The event also covered the importance of protecting mental health during grief and of men’s role in solving the maternal health crisis.

As both a therapist and a father, Lawrence Lovell, a licensed professional counselor and founder of Breakthrough Solutions, discussed ways the event’s attendees could process their grief over Green Smith’s death. He also shared ways male partners can advocate for women’s maternal health during pregnancy and childbirth.

Lovell spoke not just as a therapist but also as a father whose own family had briefly crossed paths with Green Smith. The event, he said, emerged organically from a moment of collective mourning.

Despite the grief, “it was still, like, a really beautiful event, a much-needed event, and it almost felt like we were all giving each other a collective family hug,” says Lovell.

His connection to Green Smith, Lovell says, was brief but meaningful during his wife’s pregnancy with their second child. Green Smith was practicing at the same birthing center where they had their child. She began practicing in Greenville a short time later.Even that short connection carried significance for Lovell, given the small number of Black maternal health professionals.

Lovell did not initially plan to become a mental health practitioner; he chose the career path after graduating from college, when someone suggested he consider psychology. His interest deepened when he noticed how few Black men work in mental health.

“Being Black man and playing football in college, there weren’t a lot of people that look like me talking about mental health,” says Lovell. “[I wanted] to give people that look like me an opportunity to work with someone that looks like them.”

Working with Expectant and New Parents

Lovell often counsels couples preparing for parenthood by, helping partners understand what a successful pregnancy, childbirth, and postpartum recovery look like. That often means helping women manage postpartum depression.

As a man, Lovell says, it’s “humbling” that a woman “just trusts me enough to work with me through their pregnancy or their postpartum recovery.”

In his work, Lovell has noticed how few men understand pregnancy before they experience it with their partner. Because early pregnancy symptoms are often invisible, he says, men may underestimate how much support a mom-to-be actually needs.

“Sometimes they may not realize they don’t know much about pregnancy and what to expect in those three trimesters,” Lovell says. “I tell a lot of the men that just because you can’t see [she’s pregnant] doesn’t mean that she won’t appreciate your intense support in that first trimester.”

Education about pregnancy and postpartum recovery, he says, can change how men support their partners.

Teaching Advocacy in the Delivery Room

Another major focus of Lovell’s counseling is preparing men to advocate for mothers during labor.

“Helping men understand what pregnancy looks like: what delivery is going to look like, and what are the realistic expectations that I should have of myself in postpartum,” he says.

Lovell encourages partners to be honest about their expectations for what will happen during delivery. He helps them prepare for the big day by discussing the birth plan and knowing how to quickly recognize problems. Clear communication, he says, prevents misunderstandings.

He regularly trains men to ask their partners detailed questions about their expectations during and after pregnancy. Advocacy in medical settings can be especially important and requires attention to details the mother may not be able to address.

“It’s always important to fine-tune things and truly understand what helps your partner feel most supported,” Lovell says. “Instead of guessing, you should ask.”

Lovell recalls a moment during the birth of his first child when he had to take that role.

During the delivery, “I felt like something wasn’t as sanitary as I’d like it to be,” he says. “I asked, ‘Hey, can you switch those out? Can you change your gloves?’”

Lovell has a succinct but powerful message he regularly shares with clients’ families, and he shared it with attendees at last month’s event.

“Just to believe women,” he says. “I’ve worked with different couples, and sometimes I’m not really sure that there’s enough empathy from the men.”

That includes how women express pain.

“If a woman says, ‘my pain is at a nine,’ just because how you would express yourself at a nine is different than how she’s expressing herself at [that level] doesn’t mean you shouldn’t believe her,” he says.

Empathy, he says, can change outcomes far beyond the delivery room.

“We’ve got to believe women when they’re talking about their experiences and their feelings and their pain,” he says. “I think there’s a lot that we can prevent if we empathize better.”

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Future of Florida’s Black History Museum in Limbo

JACKSONVILLE FREE PRESS — A proposal sponsored by Tom Leek, a Republican from Ormond Beach, has now passed the Senate in back-to-back legislative sessions. But the House version, filed by Kiyan Michael, a Jacksonville Republican, did not receive final approval in either year, effectively stalling the effort.

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1 week ago

March 24, 2026

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Jacksonville Free Press

Plans to establish a long-awaited Black history museum in Florida are once again on hold after legislation needed to advance the project failed to clear the state House for a second consecutive year, despite repeated approval in the Senate.

A proposal sponsored by Tom Leek, a Republican from Ormond Beach, has now passed the Senate in back-to-back legislative sessions. But the House version, filed by Kiyan Michael, a Jacksonville Republican, did not receive final approval in either year, effectively stalling the effort.

Under Florida law, identical or similar bills must pass both chambers before heading to the governor’s desk. Without House approval, the legislation has been unable to move forward, leaving the project in limbo. Long journey, contested location.

The proposed museum, formally known as the Florida Museum of Black History, has been years in the making, with lawmakers and community leaders framing it as a long-overdue institution to preserve and showcase the state’s African American heritage .A central point of contention has been the museum’s location. St. Augustine — widely recognized as the nation’s oldest city and a site deeply tied to both slavery and early Black history — emerged as the leading contender. Supporters argue the city’s historical significance makes it a natural home for the museum. However, competing interests and regional considerations have fueled debate, slowing consensus among lawmakers.

While the Senate-backed measure has consistently advanced, the lack of alignment in the House has underscored ongoing divisions about how and where the project should take shape.

The holdup in the Florida House appears to be less about opposition to the museum itself and more about a combination of procedural bottlenecks, unresolved structural issues, and lingering disagreements over how the project should be formalized and governed.

Despite the legislative setbacks, Republican Gov. Ron DeSantis has publicly voiced support for the museum. Speaking last month during the unveiling of a statue of abolitionist Frederick Douglass in St. Augustine, DeSantis said the project would move forward “one way or another,” signaling an intent to see the museum built regardless of legislative hurdles.

The anticipated museum has already cleared several hurdles. St. Johns County signed an agreement last year with Florida Memorial University to use the land that once housed its campus last year’s legislative session netted $1 million in funding for St. Johns County to work on planning and design for the museum. However, its anticipated that a million $3 million is needed.

Still, without statutory approval to finalize key components — including governance, funding mechanisms and site selection — the project remains largely conceptual.
With the House bill failing again, the timeline for the museum’s development is unclear. Lawmakers could revisit the proposal in the next legislative session, but any further delays risk pushing the project back several more years. Advocates warn that continued inaction could stall momentum for a museum many see as critical to telling a fuller, more accurate story of Florida’s past. For now, the effort remains paused — caught between political support at the top and legislative gridlock within the Capitol.