Arts and Culture
Día de los Muertos Festivities in Oakland Bring in Crowds of Celebrants
On Oct. 22, the Oakland Museum of California (OMCA) held its annual celebration at 10th and Fallon streets while the Unity Council held a street festival on International Boulevard and Fruitvale Avenue last Sunday. Coinciding with Halloween, Día de los Muertos, or Day of the Dead, dates back to traditions established by the indigenous peoples of America that fused, over time, with the Catholic beliefs brought by Spanish conquistadors.
By Eva Ortega and
Magaly Muñoz,
Post Staff
In a haze of incense smoke, flickering candles and bright orange marigolds, Oakland outdid itself with two weekends of Día de los Muertos observances that were both solemn and festive.
On Oct. 22, the Oakland Museum of California (OMCA) held its annual celebration at 10th and Fallon streets while the Unity Council held a street festival on International Boulevard and Fruitvale Avenue last Sunday.
Coinciding with Halloween, Día de los Muertos, or Day of the Dead, dates back to traditions established by the indigenous peoples of America that fused, over time, with the Catholic beliefs brought by Spanish conquistadors.
Though it has primarily Mexican roots, it is also celebrated in parts of Bolivia, Ecuador, Guatemala, and other countries.
Its components are also recognized as part of the Intangible Cultural Heritage of Humanity by the United Nations.
As they performed the ancient dance of the dead, the fragrant smoke of copal wafted over the Ollin Anahuac Traditional Aztec Dance group who were the stars of the opening ceremony at the Oakland Museum’s 29th Annual Día de los Muertos Community Celebration.
Despite wind and light rain, a sizeable crowd came out to view altars created by local groups, including students from Bret Harte Middle School, Richmond High School and Black Girls Excellence from Montera Middle School.
A variety of performances also took place throughout the day, including by award-winning artist Gabriela Sepúlveda and notable poets Tino V. H., Jr., Briana Victoria Leung and Camila Elizabet Aguirre Aguilar.
Aguilar captivated listeners with an emotional performance dedicated to Vanessa Guillen, the 20-year-old army soldier whose 2020 murder sparked protests across the country.
“Oral storytelling is in our blood, and we’ve practiced this for hundreds, thousands of years,” Aguilar said. “When we have youth murdered that are indigenous to this content…women, it is important that we call attention to the powers and structures that cause [violence] and that we continue with the traditions of resistance and honoring the dead.”
While rain had depressed the numbers at the Oakland Museum celebration, the sun was bright on Sunday in the Fruitvale for “Blooming Resistance,” the 28th such Día de los Muertos Festival.
The street was covered with brightly colored streamers and flowers and lined with vendors and informational booths.
Altares with photos and ofrendas could be seen at every corner of the festival. Many had personal notes from family, favorite foods of the deceased loved one and symbols that represent them.
Iliana Vasquez, who was hired by The Unity Council to help organize the event, expected a larger crowd than previous years and hoped to attract more than the usual 100,000 attendees.
“For me, the community is my main focus. I hope they’re there to have a good time with their families,” Vasquez said.
Food vendors crowded the streets, selling tacos, fruit, aguas frescas and most notably pan de muerto or ‘bread of the dead.’ This sweet bread is meant to resemble bones and is a vital part in the offerings used for the altars. It is used to lure souls to visit their loved ones.
Another staple in Día de los Muertos is the cempazúchitl, or marigold flowers that adorn the altars.
Rocio Plate was one of the many vendors who sold the marigolds, but instead of just selling them as a simple bouquet, she fashioned them into crosses and crowns and bunched them up into vases.
Resident Robert Berger says cultural events such as the one at OMCA are what brought him to Oakland almost a decade ago. He and his partner also attend the festival in Fruitvale every year.
“It’s what creates hope for the future amidst a lot of turmoil and it’s really what brought us to Oakland in the first place, being so eclectic, diverse and enriching,” Berger said. “If you don’t participate in them, you’re really missing out on a lot.”
Those who have missed both of Oakland’s Día de los Muertos events can still view OMCA’s “In Remembrance of Our Ancestors” installation that showcases how Día de los Muertos emerged as the holiday many recognize today. It will run until Nov. 26.
Eva Ortega is part of the Community Media journalism class at San Francisco State University.
Arts and Culture
Oakland Architect William ‘Bill’ Coburn, 80
William (“Bill”) Pierce Coburn, longtime Oakland architect who helped Oakland and Berkeley preserve its architectural heritage, passed away on July 24. He was 80 years old.
By Michele Lamont
Special to The Post
William (“Bill”) Pierce Coburn, longtime Oakland architect who helped Oakland and Berkeley preserve its architectural heritage, passed away on July 24. He was 80 years old.
Coburn was born on May 10, 1944, in Melrose, Massachusetts, to Frank and Rachel Coburn. He received a Bachelor of Fine Arts from the Massachusetts College of Arts in 1966, and a master’s in architecture from Harvard School of Design in 1971.
In 1978, Coburn opened his own firm in Berkeley and eventually moved to West Oakland. He was passionate about the City of Oakland and found his calling in preserving Oakland’s architectural heritage. He spent many years as a professor of Architecture and Design at UC Berkeley as well as instructing at international universities in India and Hong Kong. Bill mentored many young architects from India, helping them to jump-start careers in the US.
Coburn’s process and design became a rare craft in the industry as he drafted entire home designs by hand without using any digital software. Many of his clients felt the drawings were more a work of art than just a blueprint. Many of his drawings are recorded in the UC Berkeley Architectural Archives.
Bill’s love for his community seeps through every crack in the sidewalk, where he planted flowers to beautify the land. It spans generations, where he worked as an architect to keep the historic beauty of Oakland and Berkeley alive through his dedication to restoration projects.
Bill was an integral member of the Oakland Heritage Alliance as a subject matter expert on the history of many significant historical buildings and sites.
He was an instrumental contributor to the City of Berkeley by selecting buildings to be moved and placed in the Delaware Street Historic District in West Berkeley.
Recognized by the City of Oakland for his work in the reconstruction of West Oakland after the massive, tragic destruction caused by the devastating 1989 Loma Prieta earthquake, Bill volunteered countless hours of his time and skills as an architect to residents needing to rebuild their homes and their lives. He was a visionary designer contributing to the modern-day Mandela Parkway development, which is now a verdant artery of the community.
Bill’s dedication to community improvement is evident in nearly every Oakland neighborhood. Driving through the city, you will see trees he planted, houses and buildings he designed with his hands, and a community which is a little better than when he found it.
After becoming a newly graduated architect, Bill loaded his VW Minivan with his dog and a sleeping bag setting out on a journey to the West Coast. Little did he know he would find his calling in the City of Oakland where he saw the potential to build a better world.
The love he had for all of the people in his community was omnipresent, sharing all that he had to those who needed it. Bill and his wife, Subhashini (Sue), have led the First Presbyterian Church of Oakland’s Food Ministry program for over 20 years, guiding a team of 50 volunteers to deliver 15,000 meals a year to encampments, host special holiday events for the unhoused, and provide those in need with hot meals at the church each week.
He was a gracious father, husband and a very humble soft-spoken man. William Pierce Coburn passed away at 7:55 P.M. July 26 after a four-year battle with cancer. He is survived by his wife, Subhashini, and sons Rahul, Rajiv, and granddaughter Arjuna Rose.
A memorial service for Bill will be held at First Presbyterian Church of Oakland, 2619 Broadway, Sept. 7 at 11 a.m.
Arts and Culture
Join a Choir to Benefit the Hope Housing Community Land Trust
Come be a part of “United in Jubilation” Community Choir (UIJCC) to sing in a concert to benefit the Hope Housing Community Land Trust. The concert will take place on Saturday, Dec. 7, at 3 p.m. at the First Missionary Baptist Church, 501 Drake Ave., Marin City, CA 94965.
By Godfrey Lee
Come be a part of “United in Jubilation” Community Choir (UIJCC) to sing in a concert to benefit the Hope Housing Community Land Trust. The concert will take place on Saturday, Dec. 7, at 3 p.m. at the First Missionary Baptist Church, 501 Drake Ave., Marin City, CA 94965.
The UIJCC Choir, directed by Kevan Peabody, will be performing Negro Spirituals. Two selections will be sung in November for FMBC host church members. Local leaders have also expressed interest in having the choir sing two selections for the MLK 2025 celebration, and possibly during Black History Month. The Choir may also be invited to perform in other venues throughout Marin County.
Please attend a meeting at the FMBC, on Monday, Aug. 26 at 7 p.m. to meet each other, sing, and get rehearsal dates. Rehearsals will be held at FMBC on Mondays at 7 p.m.
No audition or dues will be required.
For information, call (415) 949-4908 or email: hopehousingofmarin.com
Arts and Culture
World Arts West Dance Festival Puts Culture and Joy Center Stage
The 45th World Arts West Dance Festival performance at Presidio Tunnel Tops opens with a joyous and colorful procession on Sept. 8. Kiazi Malonga from the Oakland-based group Fua Dia Kongo will lead over 100 cultural performers to the stage with Congolese dance and drum rhythms, setting the mood for an afternoon trip around the world through music and dance.
By Lisa Petrie
The 45th World Arts West Dance Festival performance at Presidio Tunnel Tops opens with a joyous and colorful procession on Sept. 8.
Kiazi Malonga from the Oakland-based group Fua Dia Kongo will lead over 100 cultural performers to the stage with Congolese dance and drum rhythms, setting the mood for an afternoon trip around the world through music and dance.
Now, in its third year with support from the Presidio as a partner, the 2024 theme Dance as Activism underscores the power of cultural dance to challenge societal norms, preserve heritage, and inspire social change. The broad range of performances will reflect both traditional and contemporary styles – reflecting the rich and diverse aesthetics of the Bay Area’s cultural dance community.
From Chinyakare Ensemble’s presentation of traditional dance from Zimbabwe and Southern Africa to Destiny Arts Youth Performance Company’s original modern show combining hip hop, theater and rap, dance as an art form can keep cultural narratives or see them evolve through a new generation. Thirteen groups will present performances from South Asia, the Middle East, Mexico, the Caribbean, China and the Philippines, with music from Eastern Europe and Eurasia by the women’s vocal ensemble Kitka.
Festival director Dr. Anne Huang is committed to giving these artists a platform to express their identities. She says: “Each performance is a coded blueprint for survival, resilience, and evolution. The festival is a testament to the power of social change through dance — more persuasive than shackles and guns, fear and violence.”
The World Arts West Dance Festival will be held Sunday, Sept. 8, 1pm – 4pm at The Presidio Tunnel Tops. Admission; FREE. Visit this page for more information and see the complete artist lineup. Watch a performance video here.
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