Black History

COMMENTARY: Study Linking Relaxers to Cancer is “Fake News”

Civil rights attorney Ben Crump says manufacturers have “aggressively misled Black women to increase their profits.” He recently filed a lawsuit on behalf of a client who contracted uterine cancer after using chemical hair straightening products sold by L’Oréal USA. Cheryl Morrow, daughter of Black haircare legend Dr. Willie L. Morrow delivered this letter to Crump and his co-counsel.

Published

1 year ago

November 20, 2022

Oakland Post

Cheryl Morrow, daughter of Black haircare legend Dr. Willie L. Morrow.

By Cheryl Morrow | Special to California Black Media

A major study by the National Institute of Health (NHI) found that women who received hair relaxer treatments at least four times a year had a three times greater risk of uterine cancer. A previous study found a 30% increased risk of breast cancer.

Manufacturers are currently facing lawsuits across the country, because, according to the plaintiffs, they failed to warn them about the cancer risks associated with exposure to toxic chemicals in products.

Cheryl Morrow, daughter of Black haircare legend Dr. Willie L. Morrow delivered this letter to Crump and his co-counsel, and it reads:

“I am the daughter of the greatest textured [hair] beauty scientist in the history of the world, and a legatee of the only industrial revolution for American-born Africans. It is my opinion, American-born Africans represent the greatest human ascent in the modern civilized world as well as in human history.

“Enough is enough.” The exploitation of Black health for profit is ENOUGH!

The latest study of relaxers being linked and making Black women three times more susceptible to uterine cancer is simple junk research. This is an attack. I am taking the NIH study as an attack on our legacy.

What researchers seem to be missing, is that out of all the so-called corrosive salon treatments all races of women receive, relaxers are the one that carry the least amount of processing time. This simply means that researchers have not taken this into consideration, the time exposure factor.

Ben Crump and attorney Diandra Zimmerman, along with their client Jenny Mitchell, blindly filed this lawsuit while being grossly ill-informed.

If you, Attorney Crump want to chase a lawsuit because you think L’Oréal has deep pockets and money to blow just to save its face, I will push to encourage them not to do so. This will cast a stain on an ethical industry and will be an atrocity for an industry that has built enormous wealth and power for Black America.

I will not allow the propaganda machine’s random research to destroy and wither our industrial juggernaut with false concern and hidden agendas. This is fake news and junk research at its best.

I am all for research as my late father Willie Morrow, the greatest scientific mind in the history of beauty science, we’ve had always blazed the trail toward safe innovation for the Black haircare industry. The language attorney Crump and his co-counsel are using is reckless and feckless.

Black hair care is not predatory, and it sickens me to receive countless calls from my peers having to defend our profession from layperson idiocy and bloodthirsty lawyers.

Having spent 19 years in New York City, I have also devoted expertise in this area. This is not about me defending the giant beauty conglomerate L’Oréal — Lord knows I have had my issues with corporate run beauty companies, but food for thought here; the lack of state governed cosmetology boards addressing the scientific aspects of hair and scalps of textured hair Americans and the distinct way it grows and thrives, it just goes to show that all hair (textures) aren’t the same after all.

The apathetic way in which state boards and state policy makers focus on minor issues like cultural styling, which falls under the First Amendment freedom of expression clause, doesn’t deter discrimination from occurring. However, junk research is more sinister. It is about affecting economic bottom lines.

I will not have this happen!

Hair straightener (relaxer), or better known as lye, is a plantation concoction and was originally a Black man’s thing called the Konkaline aka “The Conk” trend.

This was formulated, mixed in the kitchens on plantations and slave camps of America. This was created by Africans on plantations due to our native-born styling implements not accompanying us to the Western world.

Having served as an expert witness in many Black haircare litigations for defendants, relaxers fall under the FDA’s category of depilatories.

This means it is a dissolver and not a penetrator. The nature of high alkaline pH treatments doesn’t interact with skin as you would like them to, nor do they work like most industry professionals, state board officials and chemists have educated us to believe they do.

This is the ignorance my father Willie L. Morrow tried to combat in 1982, but his efforts fell on deaf ears. Correcting this malfeasance is most urgent.

Every state board in the United States should also be sued if you want to go the lawsuit route. To be frank, because the consumer also has a home-based version and buys it at their own discretion, like tap faucet water, your eagerness to pick up on the NIH’s study that is not conclusive is beneath the oath you took when you became an attorney, my dear sir.

I have, and am willing, to educate all Americans and all adjacent professional industries that will join me in making beauty safer. We are a proud industry, with high ethics and I do not appreciate this assassination of Black haircare.

My father would be a soldier in this attack. We have worked countless years and have amassed the most extensive and invaluable texture enhancement scientific data in the industry to date. Black haircare is leading in this regard. Our research is rooted in Afro-textured [hair] science, these findings are sound research that show a different picture on the overall health risks for Black women who relax.

We do have a lot of work to do, however. My legacy will be to return Black haircare to its glory era, the one that I grew up in, the industry that has and should continue to make Black America economically sovereign to create its own version of the American dream.

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Black History

Matthew Henson: Explorer Extraordinaire

Matthew Henson, a trailblazing explorer who overcame countless obstacles to leave an incredible mark on history. Born on August 8, 1866, in Charles County, Maryland, his journey is a testament to the power of determination and the spirit of adventure.

Published

1 day ago

April 17, 2024

Oakland Post

Matthew Henson (File Photo)

By Tamara Shiloh

Henson’s life began amidst the backdrop of post-Civil War America, where opportunities for African Americans were scarce. From a young age, he possessed an insatiable curiosity about the world beyond his small town. At the age of 12, he embarked on a journey that would change the course of his life forever when he joined a merchant ship as a cabin boy.

His most famous expedition was his journey to the Arctic with renowned explorer Robert E. Peary. In 1887, Henson joined Peary’s crew as a seaman and quickly proved himself to be invaluable with his skills as a navigator and craftsman. Over the course of several expeditions, Matthew endured extreme cold, treacherous terrain, and grueling conditions as he and Peary sought to reach the elusive North Pole.

In 1908–09, Peary set out on his eighth attempt to reach the North Pole. It was a big expedition, with Peary planning to leave supplies along the way. When he and Henson boarded their ship, the Roosevelt, leaving Greenland on August 18, 1909, they were joined by a large group. This included 22 Inuit men, 17 Inuit women, 10 children, 246 dogs, 70 tons of whale meat, blubber from 50 walruses, hunting gear, and tons of coal.

In February, Henson and Peary left their anchored ship at Ellesmere Island’s Cape Sheridan, along with the Inuit men and 130 dogs. They worked together to set up a trail and supplies along the way to the Pole.

Peary picked Henson and four Inuit people to join him in the final push to the Pole. However, before they reached their destination, Peary couldn’t walk anymore and had to ride in a dog sled. He sent Henson ahead to scout the way. In a later interview with a newspaper, Henson recalled being in the lead and realizing they had gone too far. The group turned back, and Henson noticed his footprints helped guide them to their destination. At that location, Henson planted the American flag.

Henson’s legacy extends far beyond his expeditions to the Arctic. He shattered racial barriers in the world of exploration and inspired countless individuals, regardless of race, to dream big and pursue their passions. In 1937, he was finally recognized for his achievements when he was inducted into The Explorers Club, an organization dedicated to promoting scientific exploration and field research.

Matthew Henson died in the Bronx, New York, on March 9, 1955, at the age of 88.

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Art

Marin County: A Snapshot of California’s Black History Is on Display

The Marin County Office of Education, located at 1111 Las Gallinas Ave in San Rafael, will host the extraordinary exhibit, “The Legacy of Marin City: A California Black History Story (1942-1960),” from Feb. 1 to May 31, 2024. The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

Published

3 days ago

April 16, 2024

Oakland Post

Early photo of Marin City in the exhibit showing the first department store, barber shop, and liquor store. (Photo by Godfrey Lee)

By Post Staff

The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

All will have the opportunity to visit and be guided by its curator Felecia Gaston.

The exhibit will include photographs, articles and artifacts about the Black experience in Marin City from 1942 to 1960 from the Felecia Gaston Collection, the Anne T. Kent California Room Collection, The Ruth Marion and Pirkle Jones Collection, The Bancroft Library, and the Daniel Ruark Collection.

It also features contemporary original artwork by Chuck D of the Rock and Roll Hall of Fame group Public Enemy, clay sculptures by San Francisco-based artist Kaytea Petro, and art pieces made by Marin City youth in collaboration with Lynn Sondag, Associate Professor of Art at Dominican University of California.

The exhibit explores how Marin City residents endured housing inequities over the years and captures the history of plans to remove Black residents from the area after World War II. Throughout, it embodies the spirit of survival and endurance that emboldened the people who made Marin City home.

Felecia Gaston is the author of the commemorative book, ‘A Brand New Start…This is Home: The Story of World War II Marinship and the Legacy of Marin City.’ Thanks to the generous contribution of benefactors, a set of Felecia’s book will be placed in every public elementary, middle, and high school library in Marin.

In addition, educators and librarians at each school will have the opportunity to engage with Felecia in a review of best practices for utilizing the valuable primary sources within the book.

“Our goal is to provide students with the opportunity to learn from these significant and historical contributions to Marin County, California, and the United States,” said John Carroll, Marin County Superintendent of Schools.

“By engaging with Felecia’s book and then visiting the exhibit, students will be able to further connect their knowledge and gain a deeper understanding of this significant historical period,” Carroll continued.

Felecia Gaston adds, “The Marin County Office of Education’s decision to bring the Marin City Historical Traveling Exhibit and publication, ‘A Brand New Start…This is Home’ to young students is intentional and plays a substantial role in the educational world. It is imperative that our community knows the contributions of Marin City Black residents to Marin County. Our youth are best placed to lead this transformation.”

The Marin County Office of Education will host an Open House Reception of the exhibit’s debut on Feb. 1 from 4 p.m. – 6 p.m.. All school staff, educators, librarians, and community members are encouraged to attend to preview the exhibit and connect with Felecia Gaston. To contact Gaston, email MarinCityLegacy@marinschools.org