#NNPA BlackPress

COMMENTARY: SMU Perkins Five Black Trailblazers Changed Face of Campus, Part II

NNPA NEWSWIRE — In part II here, we discuss what happened concerning desegregation at Southern Methodist University (SMU) after the first five Black Perkins School of Theology students integrated the campus in 1952 then graduated in 1955.
The post COMMENTARY: SMU Perkins Five Black Trailblazers Changed Face of Campus, Part II first appeared on BlackPressUSA.

Published

3 years ago

November 29, 2022

admin

“I was just thinking…”

By Norma Adams-Wade, Founding Member of the National Association of Black Journalists, Texas Metro News Columnist

Anga Sanders Credit: Twitter

Irving Baker Credit: YouTube

William Shedrick Willis Credit: Howard University 1942 year book

In part II here, we discuss what happened concerning desegregation at Southern Methodist

University (SMU) after the first five Black Perkins School of Theology students integrated the campus in 1952 then graduated in 1955. In 2013, Scott Alan Cashion was a candidate for the Doctor of Philosophy degree in History at the University of Arkansas at Fayetteville. His doctoral research gives a fairly clear view of how SMU’s “lily-white” walls came down during the 1950s to 1970s when the school began to be more visibly integrated.

Here are some highlights of subsequent years gleaned from Cashion’s research:

Jerry LeVias and (Rt) coach Hayden Fry Credit: The Dallas Morning News

1955. The year that the first five Black students graduated from Perkins. They were John Elliot, James Hawkins, James Lyles, Negail Riley, and A. Cecil Williams as chronicled in Part I. That same year, trustees agreed to admit “qualified” Black students to evening classes at SMU’s Dedman School of Law. Ruby Braden Curl, who was about age 30-ish and had been a Dallas public elementary school teacher for about nine years, became that first Black Dedman student. Records indicate Curl left after about one year.
1956 -1959. A few other Black law school students apparently came and went, seemingly one at a time, but none apparently graduated before leaving.
1960. According to Cashion’s research, Richard A. Strecker enrolled in the law school and in 1964 earned what was then a Bachelor’s Law degree, later titled a Juris Doctor (J. D.) Law degree. Also, it was the 1960s before SMU had Black students in all of its undergraduate colleges, and most other Texas colleges had a few Black students in small numbers.
1961. The SMU student body at large started pressuring the administration, and Methodist Church that traditionally controlled it, to admit undergraduate Black students. There also was at least one sit-in at University Pharmacy supporting efforts to improve health care services for Blacks.
1962. SMU fully desegregated its undergraduate program and hired head football coach Hayden Fry – later a major force in integrating the Mustangs football team.
1964. SMU further desegregated athletics, faculty, and student organizations, the year following the 1963 assassination of Pres. John Kennedy in Dallas.
1966. Martin Luther King Jr. spoke on campus on March 17, 1966, after receiving a friendly invitation from the then all-white Student Senate. He was the first national civil rights leader to speak on campus. But citywide, his reception was cold, including from some local Black ministers.
1968-1969. Black activism arrived on campus when Black students organized a non-violent group that began protests in 1969. Anga Sanders was a standout activist leader and one of 33 Black students who formed the Black League of Afro-American and African College Students (BLAACS). The group presented demands during a meeting with SMU Pres. Willis Tate and did a sit-in outside Tate’s office. BLAACS helped change a racist environment that included an annual fraternity-sponsored mock slave auction complete with a giant Confederate flag and costumes during Old South Week on campus.
1969. Irving Baker of New York and New Jersey was hired as Pres. Tate’s special assistant. Baker had been executive president at Bishop College. At SMU, he developed a new Afro-American Studies program and other diversity activities.
1970s. Black sororities and fraternities arrived at SMU. Previously, there were no Black social outlets on campus. 1978. Blacks entered campus-wide leadership when two Black males won the two top student government offices. David Huntley was elected President and Brett Ledbetter vice-president, both in run-offs. It was the first time in SMU history that the top two student officials were Black. I will face trouble if I attempt to call names of prominent Black SMU graduates through the years and to the present.

The names include those who in later years sailed through relatively unscathed and those who in early years faced either isolation or gut punch racism, such as star football player Jerry LeVias. He was emotionally rejected by his own team members in the 1960s and spit on and harassed by some opposing players and students. But the roll call of Black SMU and Perkins graduates, faculty and administrators would be impressive. Lessons were learned along the way, although the current #BlackAtSMU project indicates that students and alumni still are seeking improvements. I wish them well.

1965 was an especially busy civil rights year, nationally and at SMU. Here are some highlights:

SMU and then all-Black Bishop College collaborated that January and allowed 25 Bishop Students to take undergraduate classes that Bishop did not offer.
The ’65 Watts riots happened in California.
Dr. Martin Luther King Jr. witnessed President Lyndon Johnson sign the ’65 Voting Rights Act.
SMU Coach Hayden Fry recruited football star wide-receiver Jerry LeVias from Beaumont who became the first Black in Southwest Conference history to earn an athletic scholarship. LeVias also excelled academically and graduated in Spring ’69 near the top of his class. Despite Fry’s moral support, LeVias experienced cruel rejection and racist acts from teammates and the public, yet he excelled anyway.
Anga Sanders, a stand-out SMU activist freshman during LeVias’ 1966 sophomore year reflected on that time: “I’d have to say that our tenure was characterized more by benign neglect than anything else. We were an invisible minority, and little if any thought was given to our feelings about or response to (bigoted) things that were simply accepted at SMU.”
The invisible minority she was referring to were black students who were not involved with sports teams. She said she never received any of the ridicule that was aimed at LeVias, nor did she recall any other black student mentioning threats like those made against the pioneer Black football star.
The main reason was because Anga Sanders, and the other 132 black students at the time, were never put on as visible a stage as the Mustang football team.
Also in 1965, William Shedrick Willis, born in Waco and grew up in Dallas, became the first Black to join SMU’s faculty in the Sociology and Anthropology department. Part of his time, the Howard University grad also taught at Bishop College. Willis gave up his Bishop duties and in 1967 became a part-time SMU assistant professor. That same year he advanced to full-time, then in 1968 became an associate professor with tenure. Four years later in 1972 he resigned after negative experiences with other faculty and enduring his comparatively lower salary despite his heavier class load.

Norma Adams-Wade, is a proud Dallas native, University of Texas at Austin journalism graduate and retired Dallas Morning News senior staff writer. She is a founder of the National Association of Black Journalists and was its first southwest regional director. She became The News’ first Black full-time reporter in 1974. norma_ adams_wade@yahoo.com.

The post COMMENTARY: SMU Perkins Five Black Trailblazers Changed Face of Campus, Part II first appeared on BlackPressUSA.

admin

Posts by admin

Up Next

OP-ED: The Time is Now for Increasing Diversity in American Media Ownership

Don't Miss

November 28 | Governance at the Neighborhood Level | The Conversation with Al McFarlane

admin

Click to comment

#NNPA BlackPress

2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

AutoNetwork helps serious car shoppers inspect any new vehicle online before walking into a dealership. I’m Roosevelt — I’ve been reviewing cars and shaping digital car buying and credit union auto leasing since before YouTube car reviews existed.
You’ll find detailed walkaround reviews, POV test drives, and buyer-focused breakdowns covering comfort, space, features, and real-world value.
How to use the channel:

Watch the walkaround of the car you’re considering
Visit AutoNetwork.com for the full review
Check CouponsOffersAndDeals.com for current dealer specials
Walk in already knowing what you want — and what it should cost

Live talk show “AutoNetwork Reports” — Thursdays 3:00 PM ET.
AutoNetwork.com
CouponsOffersAndDeals.com
Affiliate disclosure: some links earn a small commission at no cost to you and help support the channel. Insta360 is one of those partners.

Oakland Post

Posts by Oakland Post

#NNPA BlackPress

Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

2 weeks ago

May 3, 2026

admin

Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

admin

Posts by admin

#NNPA BlackPress

OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

2 weeks ago

May 3, 2026

admin

A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

Excerpt:

Photo Captions:

Website Tags and SEO Keywords:

Twitter (X) Tags and Handles: