Commentary

Commentary: Affirmative Action’s Death Knell Now Loud and Clear

Was the Manhattan DA Alvin Bragg — the man who could make history as the first prosecutor to indict a former president — an affirmative action recipient? Why would anyone ask that? But we know it’s the kind of slight all people of color face. After the incredulous ask, “What are you doing here?”

Published

2 months ago

April 3, 2023

Oakland Post

And now that he’s on the verge of history, the man who is the possible perp of the moment, one Donald Trump, can only denigrate Bragg in accepted racist code, calling him a “Soros-backed animal.

By Emil Guillermo

Was the Manhattan DA Alvin Bragg — the man who could make history as the first prosecutor to indict a former president — an affirmative action recipient?

Why would anyone ask that?

But we know it’s the kind of slight all people of color face. After the incredulous ask, “What are you doing here?”

Bragg grew up in Harlem on what is known as “Strivers’ Row,” where accomplished African Americans lived in good homes that matched their high status.

And yet, Bragg also knows what it’s like to be stopped by police just for being a person of color.

He also knows what it’s like to graduate from Harvard College and Harvard Law School.

And now that he’s on the verge of history, the man who is the possible perp of the moment, one Donald Trump, can only denigrate Bragg in accepted racist code, calling him a “Soros-backed animal.”

Trump’s reference to wealthy financier George Soros makes him anti-Semitic as well as anti-Black.

That’s how racist code has evolved.

And now Trump, by virtue of his Supreme Court appointments, is responsible for another evolution — the end of the ability to use “affirmative action” to flog an innocent person of color. That’s because in a few months, the high court is expected to end affirmative action at Harvard and essentially all institutions of higher education.

Since a SCOTUS review last October, there’s been little news as we all hope against hope that a tool for equity and equality isn’t negated by the conservative court.

The silence was broken this past week, when the New Yorker Magazine published excerpts from the trial that had been previously sealed.

The most damning thing revealed was a joke, an assessment of one male Filipino American Harvard applicant, written on official Harvard admissions stationery.

Jose is said to be the son of a farmworker killed by a tractor, who now supports his family of 14 while working as a cancer researcher AND playing football as a 132-pound defensive lineman (incredible considering his slight build). But he played at such a high level that not only was he named California Class AAA Player of the Year, he’s had an offer from the Rams of the NFL.

And let’s not give too much credence to the Nobel Prize he’s won.

“After all, they gave one to Martin Luther King, too,” the admission’s assessment reads. “No doubt just another example of giving preference to minorities.”

Far from an instant admit as a young man bound for greatness, Jose is dismissed as an Asian American likely to go pre-med and become a doctor. Ho-hum.

It’s funny in a gallows humor sort of way, and ready for use by either side of the affirmative action debate.

If you’re for it, it drips with the absurdity of the process.

If you’re against it, well, doesn’t this just ring with institutional racism?

But it’s a joke, essentially like an April Fools’ prank, written by an Asian American (Thomas Hibino) who at the time worked at the Department of Justice’s Office for Civil Rights. Hibino, now retired, wrote it in 2012 to jokingly goad his lunch buddy, William Fitzsimmons, the dean of Admissions at Harvard.

And it was so good even Fitzsimmons appears to have been fooled by it.

That’s not exactly a smoking gun to sink affirmative action. But it does reveal a chummy relationship between the regulator (Hibino) and the regulated (Harvard/Fitzsimmons).

And now it looks more like a decorative “final nail” in the Harvard Affirmative Action case —as if one needs any more nails than six conservative justices.

The unsealing of the trial materials is like a death knell that has broken the silence.

I was wondering about it as I finished up my theatrical projects in New York City this past weekend. In Ishmael Reed’s satire, “The Conductor,” one of the roles I played (besides a Brown Tucker Carlson-type) was Ed Blum, the man spearheading the anti-affirmative action group suing Harvard.

My Blum part is just an off-stage voiceover, but one person in the audience, who spoke to Ed Blum recently, asked me who the person was who did a perfect Ed Blum?

The person didn’t know it was me, a Filipino American Harvard graduate.

Which brings me to the other project, “Emil Amok: Lost NPR Host Found Under St. Marks,” where I tell stories of my Filipino American experience in the white mainstream of media and Harvard.

I invited several Harvard classmates from decades ago to attend my performances. Doctors, lawyers, an Academy Award nominee.

One of them told me he was ashamed about those days when we were brought together through Harvard’s admissions process.

“I just assumed you were like me,” said the white New Yorker, who was admitted to Harvard under the ‘legacy’ policy, which gives some preference to children of alumni.

Later, in an email he expressed this: “I shouldn’t have been so solipsistic and blithely assuming. I should have been more sensitive and curious. That aside, it was incredibly moving and meaningful to be let in now and to have a better sense of who you are.”

It only took 45 or so years for the real magic of affirmative action to happen.

And it did happen before SCOTUS is likely to kill it off.

###
NOTE: I will talk about this column and other matters on “Emil Amok’s Takeout,” my AAPI micro-talk show. Listen LIVE most days @ 2 p.m. PST. On Facebook; my YouTube channel; and Twitter. Catch the recordings on www.amok.com.

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Oakland Post: Week of May 31 = June 6, 2023

The printed Weekly Edition of the Oakland Post: Week of May 31 = June 6, 2023

Published

3 days ago

June 2, 2023

Oakland Post

The printed Weekly Edition of the Oakland Post: Week of May 31 = June 6, 2023

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Activism

Community Opposes High Rise Development That Threatens Geoffrey’s Inner Circle

City Council chambers were full for the May 17 Planning Commission hearing, and almost all the 40 speakers who had signed up to make presentations talked about the importance of the Inner Circle as part of Oakland and Geoffrey Pete as a stalwart community and business leader who has served the city for decades.

Published

7 days ago

May 30, 2023

Oakland Post

Geoffrey Pete went to City Hall to appeal the city Planning Commission’s approval of the high-rise development that threatens the closure of his 44-year historic cultural mecca. Photo by Jonathan ‘Fitness’ Jones.

By Ken Epstein

An outpouring of community supporters – young, old, jazz lovers, environmentalists and committed Oakland partisans – spoke out at a recent Planning Commission hearing to support Geoffrey Pete and his cultural center – The Inner Circle – an historic Oakland landmark whose future is threatened by a proposed skyscraper that out-of-town-developer Tidewater Capital wants to build in the midst of the city’s Black Arts Movement and Business District (BAMBD).

The speakers argued passionately and persuasively, winning the sympathy of the commissioners, but were ultimately unsuccessful as the Commission unanimously approved the high-rise to be built either as a residential building or office tower on Franklin Street directly behind Geoffrey’s building.

Mr. Pete has said he would appeal the decision to the City Council. He has 10 days after the hearing to file an appeal on the office building. His appeal on the residential tower has already been submitted.

Mr. Pete said the Planning Department still has not published the boundaries of the BAMBD. “Tidewater’s applications and subsequent applications should not be approved until the Planning Department fully acknowledges the existence of the BAMBD,” he said.

“This (proposed) building poses a grave danger to the historic (Inner Circle) building next to it, arguably Oakland’s most meaningful historic building,” Pete said.

“We’re here to advocate for what’s best for the African American district and community that has gotten no representation, no advocacy, as of yet,” he said. “The (commission) is guilty, the City of Oakland is guilty, and Tidewater is guilty.”

One of the first speakers was Gwendolyn Traylor, known as Lady SunRise, who directly addressed the developers.

“With all due to respect to your business, it’s not a need of this community. I would like to ask you to reconsider the location …What is being (promised) here does not add to the healing of this community,” she said.

Naomi Schiff of the Oakland Heritage Alliance emphasized that Geoffrey’s Inner Circle is a treasure of Oakland’s history.

“Our first concern is the integrity of the historic district, in particular the former Athenian-Nile Club, now Mr. Pete’s equally historic venue, which has been the location of a great number of important community events,” she said. “It would not be OK with us if the integrity of the building were damaged in any way, no matter how much insurance (the developer bought) because it is very difficult to repair a historic building once it’s damaged.”

The Inner Circle was previously owned and operated by the Athenian-Nile Club, one of the Bay Area’s largest all-white-male exclusive private membership club, where politicians and power brokers closed back-room deals over handshakes and three martini lunches.

Cephus “Uncle Bobby X” Johnson pointed out that commissioners and the city’s Planning Department have “acknowledged that you went through the entire design review process without even knowing that the Black Arts Movement and Business District existed.”

The district was created in 2016 by City Council resolution. “At the heart of the opposition to this building is the desire to further the legacy of local Black entertainment and entrepreneurship exemplified by businesses like Mr. Pete’s … a historical landmark and venue (that serves) thousands of people who listen to jazz and other entertainment and hold weddings, receptions, and memorial services,” said Uncle Bobby.

This development is taking place within a context in which the “Black population in Oakland has decreased rapidly … because of the city’s concentration on building houses that are not affordable for people who currently live in Oakland,” he said.

John Dalrymple of East Bay Residents for Responsible Development said, “This project will result in significant air quality, public health, noise, and traffic impacts. He said the city has not adequately studied the (unmitigated) impacts of this project on the Black Arts Movement and Business District.

“This project is an example of what developers are being allowed to do when they don’t have to follow the law, and they don’t have to be sensitive to our city’s culture and values,” he said. The commission should “send a signal today that we will no longer be a feeding ground for the rich.”

Prominent Oakland businessman Ray Bobbitt told commissioners, “Any decision that you make is a contribution to the systemic process that creates a disproportionate impact on Black people. Please do yourself a favor, (and) rethink this scenario. Give Mr. Pete, who is a leader in our community, an opportunity to set the framework before you make any decision.”

Though the City Council created the BAMBD, the 2016 resolution was never implemented. The district was created to “highlight, celebrate, preserve and support the contributions of Oakland’s Black artists and business owners and the corridor as a place central historically and currently to Oakland’s Black artists and Black-owned businesses.”

The district was intended to promote Black arts, political movements, enterprises, and culture in the area, and to bring in resources through grants and other funding.

Activism

Emil Guillermo: ‘Strong Like Bamboo’ Stories of AAPI Resilience at Oakland Asian Cultural Center

The name from the project came from the husband and partner of Nancy Wang, a psychotherapist as well as an ASIA member and a founder of Eth-Noh-TEC, Robert Kukuchi-Yngoho, who came up with ‘Strong Like Bamboo.’ “There’s an ancient anecdote that a single bamboo piece can be bent and eventually broken,” said Kukuchi-Yngoho. “But when you put together many bamboos, they are strong like iron. As Asian Americans that’s who we are as a community.”

Published

1 week ago

May 27, 2023

Oakland Post

Oakland Asian Cultural Center, 388 9th St, Oakland, CA 94607

By Emil Guillermo

During the pandemic, I was in a group of Asian American storytellers based in the Bay Area on a weekly Zoom call when six Korean American women were killed in what has come to be known as the Atlanta Spa killings in March of 2021.

From that point on, the storytellers of Asian American Storytellers in Action (ASIA) realized we all had stories of discrimination and hate worth sharing.

The group’s discussion through the pandemic has resulted in “Strong Like Bamboo: Stories of Resilience for Healing in the Era of Anti-AAPI Violence,” a community event Sunday May 28 at the Oakland Asian Cultural Center from 2:00 p.m.-5:00 p.m.

“I asked myself ‘how do we heal?’ How do we respond to the crises we’re going through,” said Nancy Wang, a psychotherapist as well as an ASIA member and a founder of Eth-Noh-TEC, a storytelling theater based in San Francisco.

“I thought it would be great to gather to hear other people’s stories about discrimination they have experienced but came through it somehow as an inspiration for others to also find solace and support and strength in dealing with what’s going on.

“We all need to know we’re not alone,” she added. “That we have each other and we have allies.”

The name from the project came from Nancy’s husband and partner Robert Kukuchi-Yngoho, who came up with “Strong Like Bamboo.”

“There’s an ancient anecdote that a single bamboo piece can be bent and eventually broken,” said Kukuchi-Yngoho. “But when you put together many bamboos, they are strong like iron. As Asian Americans that’s who we are as a community.”

The free, three-hour event will feature storytelling from six professional storytellers (including yours truly) and others from the national AAPI community like Alton Takiyama Chung from Portland, Ore., MJ Kang from Los Angeles, and Linda Yemoto from the Bay Area.

Afterward, Russell Jeong, professor of Ethnic Studies at San Francisco State, will lead a group discussion of the stories. Jeong is also the co-founder of #StopAAPIHate which recorded more than 14,000 instances of self-reported hate transgressions during the pandemic.

Some say it was the remarks of former President Donald Trump scapegoating Asians for the spread of the virus that led to the violent reaction toward AAPI.

The audience will then break into groups where people can share their stories.

The afternoon will also include two short movies on the Asian American experience. The event closes with a reflective song by Kukuchi-Yngoho, and a number by a well-known group of rappers made up of senior women known as the Follies.

I look forward to sharing my stories and hope to see you all at the free event.

JOIN IN PERSON:
Date: Sunday May 28th, 2022
Time: 2:00-5:00 pm PDT
Where: Oakland Asian Cultural Center, 388 9th St, Oakland, CA 94607
Register to attend this Free live, in-person event: https://www.eventbrite.com/e/strong-like-bamboo-tickets-509561551317
*Recording of the live event will be made available for those unable to attend.

– or –

JOIN ON ZOOM:
This event will be livestreamed on Zoom and recorded, same date and time!
To register for the live virtual event on Zoom, please visit:
https://us02web.zoom.us/meeting/register/tZwpceyrpjIoHtGozoJo7reCVDGg2PRXkGKi#/registration
*Our Zoom links have not worked in past emails, so let us know if our long link doesn’t work.

If you have any questions, please reach out to contact@ethnohtec.org.

The program is funded in part by the California Arts Council.