By Navdeep Jassal
Post News Group Contributor

Navdeep Jassal, has been traveling in South Africa for the last five months and recently had the opportunity to review a play in Johannesburg. Presented by Africa Creations Production Company, the play reveals the nature of African indigenous spirituality.

“The Rise and Fall of the African Gospel: Nongqawuse” was created, written and directed by Mbongeni Moroke who was inspired by the historic events of 1856-7 and the miseducation that followed.

Though performed in the Xhosa language, with a few short excerpts in English for non-Xhosa speakers, I had the opportunity to speak with Moroke — who portrayed Mhlakaza, a sangoma (traditional healer) and father to Nongqawuse. This article is gleaned from our conversations.

The play is about two well-known historical figures for the Xhosa: Their young maiden prophetess, Nongqawuse, and South Africa’s first Black Christian Presbyterian minister, Tiyo Soga.

For background’s sake, it must be understood that according to African indigenous spirituality, cows are slaughtered to summon the ancestors’ protection. In 1856, cattle represented the primary measure of wealth among the Xhosa, and the word to the king from prophetess Nongqawuse that cattle should be killed to hide the wealth from the arriving Christian missionaries was shocking.

The message came in a time when the Xhosa nations’ strength and trust in its leadership had been eroding after a great king had been assassinated by Christian missionaries in the early 1800s following his betrayal by his own counsel and other Xhosa leaders.

That “negative aura persisted around the kings,” making for a continual threat to Xhosa unity, Moroke said.

And unity is key: According to South African spirituality, God the Creator cannot intervene in a divided nation; therefore, after the slaughter, the rising of the ancestors foreseen by Nongqawuse did not happen in the way it was expected.

Enter Tiyo Soga, the son of a chief counselor to the king who had turned away from Xhosa tradition and followed in his Christian mother’s footsteps. He eventually traveled to Scotland to study religion and theology and returned as a Christian evangelist.

By then, Xhosa society was divided like never before. The Christian missions became the sanctuary and refuge for the hordes of hungry, famished people — their grain silos empty, their cattle no more, and their land useless.

While 16-year-old Nongqawuse was labeled a false prophet and scapegoated, Soga and lesser-known Black individuals spread the new religion by white Christian missionaries throughout Xhosa land.

Moroke’s inspiration is a righteous one: The spirit of God the Creator existed before the Bible in

Africa and Moroke speaks from and uses the African indigenous spiritual lens in his work as playwright, director, actor, and musician, demonstrating that spirituality in ancient Africa was powerful.

Through entertainment, Moroke strives to re-educate Black South Africans on the value of their own history, valor and spirituality.

The opening scene takes place on Robben Island more than 100 years before Nelson Rolihlahla Mandela was a political prisoner there. Three broken Xhosa kings shed tears as white Christian missionaries locked them up, thus destroying their ability to provide spiritual guidance to their tribesmen and women.

In his signature style, the first scene becomes the final scene as well, but for nearly two hours, Moroke takes the audience through the events that led to the kings’ capture.

“There are three things which control the world: economics, politics and religion,” said Moroke. “When a nation is ruling well within these three sectors, that nation becomes the most powerful nation in the world. So, white Christian missionaries took charge in Africa in these three sectors and used religion through the Bible to destroy and rule us.

“Every generation has its mandate and the last generation had politics as its mandate,” Moroke said. “As someone representing the current generation, the mandate is to revisit indigenous and spiritual history and go back to the core problems which led to apartheid. I am trying to answer a question of this generation in terms of what went wrong, and why are we here after all the struggles and voting in 1994.”

Although I could not piece it all together due to language barriers and lack of context, as I sat in the audience, I knew what I was watching was very moving and powerful.

There were some audience members crying because the play resonated with their backgrounds as African people. And, for others, the play resonated in terms of family whether it was family disfunction or affection.

Two Xhosa people said that when the ‘king’ was coming onto the stage, they had a vision of that actual king coming. Another sangoma said she learned many things from Moroke’s character about the discipline of a sangoma.

For more information direct message Africa Creations on social media: Facebook Africa-Creations; Instagram @africa_creations; Twitter @Afric_Creations; or email africacreationsmail@gmail.com and watch YouTube videos @africacreations8130.

Mashudu Tshifularo: The First Middle-ear Transplant

For nearly 430 million globally, hearing loss is a disability. It is expected that by 2050, this number could rise to more than 700 million, according to the World Health Organization.

Prior to 2019, there was no known cure, treatment, or surgical procedure for deafness worldwide. On March 13 of that year, a team of surgeons led by Dr. Mashudu Tshifularo (1964–) using 3D technology, successfully pioneered the transplant of a patient’s middle ear to cure his deafness. The team was from the University of Pretoria Faculty of Health at the Steve Biko Academic hospital in Pretoria, South Africa.

The patient, a 35-year-old man, suffered hearing loss after a car accident caused his inner ear what was thought to have been permanent damage. Tshifularo recreated the bones that make up the inner ear, replacing the damaged ones. The one-and-a-half-hour surgery, performed through endoscopy, was the first-ever transplant of the middle ear that allowed a deaf man to hear.

During Tshifularo’s first doctorate studies, he focused on conductive hearing loss and through this, came up with the idea of using 3D technology to recreate any of the inner ear bones that may be damaged, restoring a patient’s hearing. While studying at the University of Pretoria, he forayed into the use of 3D printing technology.

Today, 3D technology has proved to be extremely useful and needed in the medical industry.

“By replacing only the ossicles (three bones in either middle ear) that aren’t functioning properly, the procedure carries significantly less risk than known prostheses and their associated surgical procedures,” Tshifularo told Radio Nigeria during a post-surgery interview. “The technique could be the cure for hearing defects irrespective of the patient’s age.”

Tshifularo added that the patient’s hearing will be restored immediately, “but since they will be wrapped in bandages, only after two weeks, when they are removed, will they be able to tell the difference.”

Tshifularo grew up as a herdsman in the rural village of Mbahela outside Thohoyandou, in Venda, South Africa. By age 13, he knew he would be a medical doctor. After attending the Mbilwi Secondary School, he began training in medicine at the University of Natal. In 1990, he began working as a practicing physician at Tshilidzini Hospital and in 1995 became a professor and began heading the Department of Otorhinolaryngology (ear, nose and throat) at the University of Pretoria.

In 2000, he was appointed as the youngest and only Black professor of ENT in South Africa. Tshifularo is also the senior pastor and founder of the Christ Revealed Fellowship Church near Pretoria. He has also authored several books in this ministry.

“People like me never arrive,” Tshifularo said. “After climbing one mountain we want to climb another one. If I was easily satisfied, I would have never achieved all the breakthroughs in my life.”

Learn how three young men took their place among the 5% of Black U.S. doctors in “Pulse of Perseverance,” by Pierre Johnson, Maxime Madhere, and Joseph Semien.

Post News Group Staff

Washington, DC – Congresswoman Barbara Lee applauded President Biden for announcing that the United States will host the Global Fund’s Seventh Replenishment Conference on Sept. 19, 2022 in New York City. The United States is proud to be a founding contributor of, and the largest single donor to, the Global Fund, having contributed nearly $20 billion since 2002.

Founded in 2002, the Global Fund to Fight AIDS, Tuberculosis and Malaria (Global Fund) is a unique financing mechanism that relies on a dynamic partnership among governments, the private sector, and civil society to fight HIV/AIDS, tuberculosis (TB), and malaria in ways that contribute to strengthening health systems.

“Over the last two decades, the Global Fund has maintained strong bipartisan support in Congress,” said Congresswoman Lee. “Since the United States became the first country to pledge to it in 2001, the Global Fund partnership has saved over 44 million lives from the three deadliest infectious diseases before COVID-19 arose — AIDS, TB and malaria. Hosting the next Replenishment will speed the world’s progress toward ending these epidemics, while showing U.S. commitment to preventing future pandemics.

“This has been a top priority of mine spanning decades. We must invest in programs like the Global Fund and PEPFAR, which have saved countless lives, contributed to reducing health inequities and protecting human rights and health services for those around the world. As we continue to fight our current public health emergencies and prepare for those in the future, gatherings like the Replenishment Conference are crucial. I applaud President Biden for reaffirming the United States leadership in the fight for an AIDS-free generation.”

President Biden’s FY 2023 budget includes a request for $2 billion for the Global Fund intended to be a first part of a total U.S. $6 billion three-year Seventh Replenishment pledge, to save lives and continue the fight against HIV/AIDS, tuberculosis, and malaria. The Global Fund raises funds ahead of each three-year grant cycle at replenishment conferences when donors formally pledge their intended contributions. The Seventh Replenishment Conference will raise funds to be used in the 2023-25 grant cycle.

Congresswoman Lee was inspired by her predecessor, Congressman Ron Dellums, to establish the framework for the Global Fund. She worked closely with Republican Congressman Jim Leach to get H.Res.3519, the Global AIDS and Tuberculosis Relief Act of 2000, through the Banking Committee, which was eventually signed by President Bill Clinton in 2000. The legislation was later championed at the United Nations by Secretary General Kofi Annan.

Congresswoman Lee is a member of the House Appropriations Committee and Chair of the Subcommittee on State and Foreign Operations. She serves as Co-Chair of the Steering & Policy Committee, former Chair of the Congressional Black Caucus, Chair Emeritus of the Progressive Caucus, Co-Chair of the Congressional Asian Pacific American Caucus Health Task Force, and Co-Chair of the Pro-Choice Caucus. She also serves as Chair of the Majority Leader’s Task Force on Poverty and Opportunity. As a member of the House Democratic Leadership, she is the highest-ranking Black woman in the U.S. Congress.