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Bobby Brackins, Creating Music to Top the Charts



When talking with artist and songwriter Bobby Brackins, it’s natural for one to be in awe of his musical ingenuity.

He first entered the music scene with his 2010 hit “143” and has since penned Ray J’s “Hit it First”, Tinashe’s “2 On” and co-wrote Chris Brown’s “Loyal” with Ty Dolla Sign, among others. He has worked with an extended list of artists over his career, including Zendaya, Nicki Minaj, Trey Songz, Dev, and South Korean rapper and singer, CL.

While he continues to write record songs and collaborate with different artists, Oakland-bred Brackins is also bringing new music with his latest release, “My Jam.”

Featuring Jeremih and fellow Oakland native Zendaya, the song is for music lovers everywhere. In the colorfully vibrant video, they dance to the catchy beat in the tropical heat of Puerto Rico.

It’s about just singing the song that you love, Brackins told this writer.

“My Jam” follows up to his previous popular hit “Hot Box”, which features G-Eazy and Mila J. The rapper in recent months performed on tour with G-Eazy and has been promoting “My Jam” on music platforms around the nation.

Having created multiple hits both as a songwriter and rapper, Brackins shared that, for him, there’s no secret recipe to making big records – it all comes about naturally. He just wants to keep making good music.

“You never really know which one is going to be the big hit; the hits creep in the cuts,” he said, having recently earned a BMI Award for his songwriting on Chris Brown’s “Loyal”.

“I don’t need to be in a big, fancy studio. I like to be in a natural, comfortable environment, and that’s how great music is made,” Brackins said, having started writing “Loyal” at Ty’s apartment and created “2 On” at his old home studio.

“I want to keep [the fans] excited about the music. I just want to put out good music so people can gravitate towards it more and more,” Brackins added.

Having roots in Oakland, the artist says it’s great to see the city gaining recognition for its diversity and artist culture.

“I love Oakland. It’s one of the most diverse and creative places I’ve everbeen,” said Brackins.

He encourages young people to stay motivated.

“Oakland is such a great town of talented people…but it’s really easy to get caught up in the distractions. Stay motivated and know what you want to do, and try not to let the distractions get to you. Stay positive,” he said.

As for the chart-topping hits, “My Jam” and his other projects, Brackins is just getting started. “I’m grateful for everything but it’s still a lot of work to be done and a lot that I want to do – it’s all about building more,” he said.

Keep up with Bobby Brackins at


Jasmine Market Encourage Unity in Marin City

During the event, Jong Lee, Caitilin Damacion, and Tammy Lai discussed how to raise the awareness of the various ethnic groups to each other in Marin City. A mobile clinic provided free COVID-19 vaccines.



Top: The Jasmine Market at the St. Andrew Presbyterian Church. Bottom: Jong Lee, Caitilin Damacion, Tammy Lai (Photos by Godfrey Lee)

The First Marin City’s Jasmine Market was an inclusive, outdoor market celebrating Asian joy and intercultural solidarity in honor of Asian American Pacific Islander (AAPI) Heritage Month in May.

It was hosted by the Marin City Community Development Corporation (MCCDC) and was held at the St. Andrew Presbyterian Church in Marin City on May 28, 2021.

A Marin City Librarian read an AAPI story. Sammy Brionnes gave a musical performance. Natalie Nong performed a Spoken Word poem.

During the event, Jong Lee, Caitilin Damacion, and Tammy Lai discussed how to raise the awareness of the various ethnic groups to each other in Marin City. A mobile clinic provided free COVID-19 vaccines.

Lee is the director of Women’s Rights and Peace Bay Area, and a board member for the Asian American Alliance of Marin. She is involved in advocating for ethnic studies in the Marin County School District and is working to spread awareness of the “comfort women” from Korea and other Asian nations. These women were forced to serve as sexual slaves for Japanese soldiers during WWII.

Tammy Lai is the CEO at Foundation for Justice and Peace (

Damacion, who lives in the East Bay, is the Micro-Enterprise Program Manager at the MCCDC.

During the discussion, Lee says that God created people in his image. We need to treat people in the image of God.

Lee really wants to see Asians, especially women, integrate with the other minorities, such as Koreans, who can become culturally isolated, and spoke to the need to bridge and understand other ethnic groups. “We need to step forward to meet each other halfway, and to reach out to understand each other,” Lee said.

Lai says that we have this opportunity, as we question ourselves in this cultural landscape, to build bridges. Communities become healthier when its members take one step toward one another to understand, listen and to build something better together.

Damacion, who is Filipino and mixed-raced, feels very strongly about building connections that are positive and beneficial to a community. Through her work with the MCCDC, she will work to advance diversity in Marin City, and will shed a light on the beauty she sees in Marin City and how people in the community took care of each other for generations.

Lai’s family immigrated from China to America after the Chinese Exclusion Act was passed in 1882. Her family history has brought her a deeper awareness of her identity. It becomes important to carry these conversations forward and share them with others.

“We all have our stories and should be open to tell them. There is nothing new under human history so we should learn to share them. You become much closer to each other,” says Lee.

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African American News & Issues

Black Panther Mini Museum Free to BIPOC Juneteenth Weekend

Lisbet Tellefsen is the curator, Linnea Du is the editor, Otherwise provided design, and Art Kotoulas production.



Graphic courtesy West Oakland Mural Project.

The Mini Museum of the Black Panther Party @ The Mural opens on Juneteenth, June 19, 2021, at 831 Center St., Oakland, CA.  It’s open from 10:00 a.m. to 5:30 p.m.  Tickets for up to five people for a 30-minute tour can be purchased in advance by logging onto  Children under 12 are free as are BIPOC folks during Juneteenth weekend. Individual tickets can be purchased for $12.50.

Lisbet Tellefsen is the curator, Linnea Du is the editor, Otherwise provided design, and Art Kotoulas production.

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In Colorizing the Characters in ‘Hamilton,’ Playwright Lin-Manuel Miranda Whitewashes History

But he should also make sure we all know Hamilton was no hip-hop hero, just another founding slave holder. Miranda’s color change doesn’t change history, nor make it less distasteful.



Photo of Lin-Manuel Miranda as Alexander Hamilton courtesy of cinemablend

Is there any doubt that Ishmael Reed is Oakland’s writer of conscience and consequence?

He was my teacher in graduate school at Washington University in St. Louis, MO. From him I learned a number of truisms about writing. Like, for me, when in doubt, put in the Filipinos. Don’t take them out!  Another one was career advice. The more money you make, the less you get to say. Conversely, the less you make, the more you get to say. And that brings me to the topic of this column.

Lin-Manuel Miranda, the creator of “In the Heights,” opened the movie version of the musical last week. It’s a gushing hydrant of diversity. It should make a lot of money. But when I talked to him a few weeks back I wanted to talk about his other monster hit, “Hamilton,” where Miranda applied what I call a little affirmative action. He put the Black and the Brown actors in the white parts.

The Founding Fathers got “Hamiltoned.” Revolutionary?

“Well, it’s interesting,” he said. “The idea when I picked up the book was it’s an R&B hip-hop musical so, of course, Black and Brown actors would play those roles. As I’m reading the book the first time, I’m picturing which of my favorite hip-hop artists should play Hercules Mulligan or George Washington. They were always people of color, and the music reflects that…I was sort of more surprised that everyone was surprised when we finally came out.”

“I think it kicks open the door,” he added. “Why are we so literal when it comes to this stuff? And you know, I see Shakespeare with people of every ethnicity playing the roles. Why can’t that be the case with our founders? We know what they look like – they’re on our f***ing money. So, like, let’s move forward here. But I think once you see a show that has had the diversity that we have on stage, it’s very hard to go back to sort of these all-white productions because you’ve got to ask why, what stories aren’t we getting when you see that?”

You still have to ask what you’re getting. Miranda got comfortable enough to cuss and didn’t like the term “affirmative action.” But was he rehabbing Hamilton, making him and the others better than they were by applying the hip-hop beat?

It was the perfect opening to ask a question about Reed, the MacArthur ‘genius’ award-winning novelist, satirist, and playwright who last year wrote  “The Haunting of Lin-Manuel Miranda,” a play that takes Miranda to task for the failure to highlight the real history of Hamilton.

Hamilton and his in-laws, the Schuyler family, were slave owners.

Miranda may have given the actors some tone, but the historical soul remains the same. Just obscured. Reed sees Miranda as duped by the Hamilton biography by Ron Chernow, which Miranda used as the main source for his skin-deep musical that glosses over our racist founders.

“I think seducing thousands of children and even the inaugural poet Amanda Gorman into believing that Hamilton and the Schuyler girls were ‘ardent abolitionists,’ must rank as a cultural crime,” Reed said to me.

As I asked Miranda my question about Reed, the PR rep cuts in: “We are actually out of time.”

Then Miranda says, “I got a long schedule, sorry. Thank you.”

It would have been interesting to hear his answer, with “Hamilton” beginning a new tour in August.

But this is megabuck showbiz, and the PR juggernaut must go on.

So, Miranda wiggled his way out. He could have answered. I gave him a shot.

Then again, Miranda’s got this new property to sell that’s a lot more cleansing and joyful. “In the Heights” is the feel-good movie of the post-pandemic, you know. All the fire hydrants are gushing.

But he should also make sure we all know Hamilton was no hip-hop hero, just another founding slave holder. Miranda’s color change doesn’t change history, nor make it less distasteful.

In fact, the 2021 tour for “Hamilton” is coming to San Francisco, Sacramento and San Jose for multiple-week runs in August through October.

Will he come clean by then? Or come up with a new song? In the meantime, you should read Reed’s “The Haunting of Lin-Manuel Miranda.”  There’s no music to wash away the truth.

Emil Guillermo is a veteran Bay Area journalist and commentator. He vlogs at Twitter @emilamok

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