#NNPA BlackPress

Blacks Make up Majority of Inmates in Mississippi’s Debtors Prison

NNPA NEWSWIRE — An investigation led by The Marshall Project and the nonprofit Mississippi Today discovered that hundreds of Mississippi residents – the majority being black – were sentenced to the state’s little-known restitution center. “Basically, we discovered, Mississippi was running a modern-day debtors prison,” reporters Anna Wolfe and Michelle Liu,” wrote of their investigation.

Published

6 years ago

January 18, 2020

Stacy M. Brown

“It is a tragedy and absurdity that we still essentially have debtors prisons here in the United States of America,” Matt C. Pinsker, an adjunct professor of the Homeland Security & Criminal Justice Department at the L. Douglas Wilder School of Government and Public Affairs at Virginia Commonwealth University, told NNPA Newswire.

By Stacy M. Brown, NNPA Newswire Senior Correspondent
@StacyBrownMedia

Mississippi – a state described as having been suffocated by its history of racial prejudice – appears to be the only state where people are jailed while they work to pay off court-ordered debts.

An investigation led by The Marshall Project and the nonprofit Mississippi Today discovered that hundreds of Mississippi residents – the majority being black – were sentenced to the state’s little-known restitution center.

“Basically, we discovered, Mississippi was running a modern-day debtors prison,” reporters Anna Wolfe and Michelle Liu,” wrote of their investigation.

With Mississippi’s long and documented history of racism, the 14-month investigation found that African Americans are disproportionately punished – it’s infamous state penitentiary known as Parchman Farm was modeled after a slave plantation.

Black people are overrepresented at restitution centers, accounting for 49 percent of inmates, compared with 38 percent of the state’s population, the investigation found.

More than 60 percent of people in prison in Mississippi are black.

“The American legal system captures the poor and black and twists them in conundrums that punish them beyond any criminal act,” Attorney Kisha A. Brown, founder of Justis Connection, told NNPA Newswire.

“As a black person, we have less access to legal resources than our white counterparts, and this has dire consequences on our physical and financial security,” Brown stated.

The Mississippi investigation began on what Wolfe and Liu called an unlike tip: a woman in state prison was also working at McDonald’s – and not voluntarily.

The reporters then found Dixie D’Angelo, a woman with court-ordered debts of $5,000 because she damaged a friend’s car. “She had been sentenced to something called a restitution center, where she worked four different restaurant jobs to try to earn enough to pay off her debts and get out of jail,” they stated.

Ultimately, Wolfe and Liu found that hundreds of people were in similar situations.

They said they met with inmates and their employers across Mississippi, beginning at fast-food restaurants around Jackson, traveling to the Mississippi Delta and the Gulf Coast.

Half the people living in the centers had debts of less than $3,515. Though in arrears on fines and court fees, many didn’t need to pay restitution at all – at least 20 percent of the more than 200 people discovered in the investigation was convicted of drug possession.

However, inmates spent an average of nearly four months – and up to five years – at the centers, working at low-wage, and sometimes dangerous jobs, like slaughtering chickens or gutting catfish at processing plants.

Private citizens also hire them to work as handymen and landscapers at their homes.

Inmates found that their costs continued to balloon since they had to pay for room and board at the centers, transportation to their jobs, and medical care.

“They didn’t get paid much,” the investigators wrote in their report. “Between 2016 and 2018, workers at the centers made an average of $6.76 an hour in take-home pay.”

When inmates can’t get jobs, sometimes for medical reasons, they sit in the centers, accruing $330 a month in room and board costs, according to the investigators.

Further, just a quarter of all money earned by the inmates went to pay restitution, with the remainder going to the corrections department and the courts. In some cases, the courts added unrelated debts, such as child support. One man’s charge for meth possession turned into debt totaling $72,500, the investigation found.

Mississippi officials declined to comment.

“Debtors prisons are an effective way of collecting money – as is kidnapping,” Cliff Johnson, director of the MacArthur Justice Center at the University of Mississippi, told investigators.

“But there are constitutional, public policy and moral barriers to such regime,” he stated.

The American people “would be horrified if they knew of just how many laws still exist which send poor people to prison over their inability to pay fines, court costs, and related expenses,” Matt C. Pinsker, an adjunct professor of the Homeland Security & Criminal Justice Department at the L. Douglas Wilder School of Government and Public Affairs at Virginia Commonwealth University, told NNPA Newswire.

“It is a tragedy and absurdity that we still essentially have debtors prisons here in the United States of America,” Pinsker stated.

To view the full report, including the extensive data acquired by The Marshall Project and Mississippi Today, click here.

Stacy M. Brown

Posts by Stacy M. Brown

Up Next

Adidas Collaborates with Run-DMC for Commemorative Sneaker

Don't Miss

Inhumane Conditions, Violence and Death Represents Everyday Life at Mississippi’s Parchman Prison

Stacy M. Brown

Click to comment

#NNPA BlackPress

2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

AutoNetwork helps serious car shoppers inspect any new vehicle online before walking into a dealership. I’m Roosevelt — I’ve been reviewing cars and shaping digital car buying and credit union auto leasing since before YouTube car reviews existed.
You’ll find detailed walkaround reviews, POV test drives, and buyer-focused breakdowns covering comfort, space, features, and real-world value.
How to use the channel:

Watch the walkaround of the car you’re considering
Visit AutoNetwork.com for the full review
Check CouponsOffersAndDeals.com for current dealer specials
Walk in already knowing what you want — and what it should cost

Live talk show “AutoNetwork Reports” — Thursdays 3:00 PM ET.
AutoNetwork.com
CouponsOffersAndDeals.com
Affiliate disclosure: some links earn a small commission at no cost to you and help support the channel. Insta360 is one of those partners.

Oakland Post

Posts by Oakland Post

#NNPA BlackPress

Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

2 weeks ago

May 3, 2026

admin

Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

admin

Posts by admin

#NNPA BlackPress

OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

2 weeks ago

May 3, 2026

admin

A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

Excerpt:

Photo Captions:

Website Tags and SEO Keywords:

Twitter (X) Tags and Handles: