Arts and Culture
Black S.F. Francisco Ballet Dancer Angela Watson Appears in Oakland Premiere of Film on Misty Copeland
On Friday, Sept. 29 at 7 p.m. at Oakland Paramount Theatre, Oakland Ballet Company and Life in Motion Productions will present the Oakland premiere of “Flower,” a short film starring and produced by international ballet trailblazer Misty Copeland.

By Carolyn Evans
On Friday, Sept. 29 at 7 p.m. at Oakland Paramount Theatre, Oakland Ballet Company and Life in Motion Productions will present the Oakland premiere of “Flower,” a short film starring and produced by international ballet trailblazer Misty Copeland.
Without using dialogue, the film provides an artistic impression of the homeless, unhoused and worsening medical conditions of a community of Black and Brown people bombarded by the impacts of gentrification.
A highlight of the event will be a live performance featuring Angela Watson, a Black ballerina from the Oakland-Bay Area who is the newest member of the San Francisco Ballet Company and appears courtesy of Tamara Rojo, its new artistic director.
Watson’s invitation to perform at the premiere of “Flower” at the behest of the Oakland Ballet Company is a measure of her formidable talent and a sign of respect among professionals in ballet.
Like Misty Copeland, whose rise to become a principal dancer at American Ballet Theatre, Watson is part of the changing face of ballet as more Black ballerinas take their places in dance companies all over the country and abroad.
In 2015, Copeland ascended into the pantheon of principal dancers at the American Ballet Theatre. Since then, Black ballerinas have been blazing new trails.
Watson’s journey to becoming a ballerina began at Oakland’s Shawl-Anderson Dance Center, then Oakland Ballet Company School followed by Oakland School for the Arts where she first received formal ballet technique training at age 12 by OSA School of Dance artistic director Reginald Ray Savage and ballet master Alison Hurley (both now retired).
In 2016, Watson accepted a full scholarship offer to train with SF Ballet School, the first American classical ballet school and danced the lead role of Clara in “The Nutcracker” for the next two seasons as a pre-professional SFBS David Palmer Student Scholar.
This is when Watson, then only 14, and Copeland first crossed paths sharing experiences of the uphill climb in becoming ballerinas. Continuing her journey up the ranks of the school, Watson earned a spot in the coveted 2021 SFBS International Professional Training Program.
She advanced to apprentice the year after and in 2023 she was promoted and became the only Black ballerina to advance as a member of the main company in the corps de ballet. Watson is the only African American holding a spot in the corps and was promoted alongside five Asian ballerinas.
Black women are quietly shattering stereotypes and scaling the ranks of predominantly white ballet companies. Among others, these include: Olivia Boisson, New York City Ballet; Michaela DePrince and Chyrstyn Fentroy, Boston Ballet; Precious Adams, English National Ballet; Jasmine Perry, soloist, Los Angeles Ballet; Francesca Hayward, principal dancer, The Royal Ballet; Awa Joannais, Paris Opera Ballet; Nicole Zadra, Hong Kong Ballet; Katlyn Addison, Ballet West and Dara Holmes, Joffrey Ballet.
In joining the list of trailblazers changing the face of ballet, Watson became the first Black ballerina to join the San Francisco Ballet since Kimberly Braylock in 2013.
Braylock retired seven years later just before the shutdown brought on by the pandemic. These women have inspirational ballerina tales that must be shared, because, as Misty Copeland proves, there is power in visibility.
Watson also debuted a new work, “Reciprocity,” with music by award-winning Christopher Willis, a major motion picture composer who was among Watson’s artistic collaborators as a SFB Helgi Tómasson Choreographic Fellow in 2022.
“Reciprocity” captivated the audience last year at San Francisco Ballet School’s (SFBS) annual spring dance festival and gala at the Yerba Buena Center for the Arts/Blue Shield of California Theatre that supports funding for SFBS scholarships and other school activities that promote diversity, equity, and inclusion efforts.
Watson also has a long history of participating in many other charitable activities, including KTVU’s One Warm Coat, Oakland Elizabeth House, and St. Mary’s Senior Shelter.
As a member of SFBS/SFB, Watson has danced a number of roles.
Included in her resume are featured roles in ‘The Nutcracker,” “Cinderella,” “Swan Lake,” “La Sylphide,” “Giselle,” “Don Quixote,” “Symphony in C” and other SFB programs.
During 2024, which will be new artistic director Rojo’s inaugural season, expect to see Watson perform in programs including “Nutcracker” (Dec. 13-30); “Mere Mortals” (Jan. 26-Feb. 1); “British Icons” (Feb. 9-15); “Swan Lake” (Feb. 23-Mar. 3); “A Midsummer Night’s Dream” (Mar. 12-23)” “next@90 encores” (Apr. 2-13); and “Dos Mujeres” (Apr. 4-14).
Tickets for Oakland premiere of “Flower” are available at www.oaklandballet.org/flower
Tickets for SFBallet Nutcracker and 2024 Season lineup available at www.sfballet.org
Activism
Juneteenth: Celebrating Our History, Honoring Our Shared Spaces
It’s been empowering to watch Juneteenth blossom into a widely celebrated holiday, filled with vibrant outdoor events like cookouts, festivals, parades, and more. It’s inspiring to see the community embrace our history—showing up in droves to celebrate freedom, a freedom delayed for some enslaved Americans more than two years after the Emancipation Proclamation was signed.

By Wayne Wilson, Public Affairs Campaign Manager, Caltrans
Juneteenth marks an important moment in our shared history—a time to reflect on the legacy of our ancestors who, even in the face of injustice, chose freedom, unity, and community over fear, anger, and hopelessness. We honor their resilience and the paths they paved so future generations can continue to walk with pride.
It’s been empowering to watch Juneteenth blossom into a widely celebrated holiday, filled with vibrant outdoor events like cookouts, festivals, parades, and more. It’s inspiring to see the community embrace our history—showing up in droves to celebrate freedom, a freedom delayed for some enslaved Americans more than two years after the Emancipation Proclamation was signed.
As we head into the weekend full of festivities and summer celebrations, I want to offer a friendly reminder about who is not invited to the cookout: litter.
At Clean California, we believe the places where we gather—parks, parade routes, street corners, and church lots—should reflect the pride and beauty of the people who fill them. Our mission is to restore and beautify public spaces, transforming areas impacted by trash and neglect into spaces that reflect the strength and spirit of the communities who use them.
Too often, after the music fades and the grills cool, our public spaces are left littered with trash. Just as our ancestors took pride in their communities, we honor their legacy when we clean up after ourselves, teach our children to do the same, and care for our shared spaces.
Small acts can inspire big change. Since 2021, Clean California and its partners have collected and removed over 2.9 million cubic yards of litter. We did this by partnering with local nonprofits and community organizations to organize grassroots cleanup events and beautification projects across California.
Now, we invite all California communities to continue the incredible momentum and take the pledge toward building a cleaner community through our Clean California Community Designation Program. This recognizes cities and neighborhoods committed to long-term cleanliness and civic pride.
This Juneteenth, let’s not only celebrate our history—but also contribute to its legacy. By picking up after ourselves and by leaving no litter behind after celebrations, we have an opportunity to honor our past and shape a cleaner, safer, more vibrant future.
Visit CleanCA.com to learn more about Clean California.
#NNPA BlackPress
IN MEMORIAM: Legendary Funk Pioneer Sly Stone Dies at 82
Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

By Stacy M. Brown
BlackPressUSA.com Newswire
Sylvester “Sly” Stewart—known to the world as Sly Stone, frontman of the groundbreaking band Sly and the Family Stone—has died at the age of 82.
His family confirmed that he passed away peacefully at his Los Angeles home surrounded by loved ones, after battling chronic obstructive pulmonary disease (COPD) and other health complications.
Born March 15, 1943, in Denton, Texas, Stone moved with his family to Vallejo, California, as a child. He began recording gospel music at age 8 with his siblings in a group called the Stewart Four. By his teenage years, he had mastered multiple instruments and was already pioneering racial integration in music—an ethos that would define his career.
In 1966, Sly and his brother Freddie merged their bands to form Sly and the Family Stone, complete with a revolutionary interracial, mixed-gender lineup.
The band quickly became a commercial and cultural force with hits such as “Dance to the Music,” “Everyday People,” and “Thank You (Falettinme Be Mice Elf Agin)”—all penned by Stone himself.
Their album “Stand!” (1969) and live performances—most notably at Woodstock—cemented their reputation, blending soul, funk, rock, gospel, and psychedelia to reflect the optimism and turmoil of their era.
Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.
As the 1970s progressed, Stone confronted personal demons. His desire to use music as a response to war, racism, and societal change culminated in the intense album “There’s a Riot Goin’ On” (1971). But drug dependency began to undermine both his health and professional life, leading to erratic behavior and band decline through the early 1980s.
Withdrawn from the public eye for much of the 1990s and early 2000s, Stone staged occasional comebacks. He was inducted into the Rock & Roll Hall of Fame in 1993, received a Lifetime Achievement Award from the Grammys in 2017, and captured public attention following the 2023 release of his memoir “Thank You (Falettinme Be Mice Elf Agin)”—published under Questlove’s imprint. He also completed a biographical screenplay and was featured in Questlove’s documentary “Sly Lives!” earlier this year.
His influence endured across generations. Critics and historians repeatedly credit him with perfecting funk and creating a “progressive soul,” shaping a path for racial integration both onstage and in the broader culture.
“Rest in beats Sly Stone,” legendary Public Enemy frontman Chuck D posted on social media with an illustrative drawing of the artist. “We should thank Questlove of the Roots for keeping his fire blazing in this century.”
Emmy-winning entertainment publicist Danny Deraney also paid homage. “Rest easy Sly Stone,” Deraney posted. “You changed music (and me) forever. The time he won over Ed Sullivan’s audience in 1968. Simply magical. Freelance music publicist and Sirius XM host Eric Alper also offered a tribute.
“The funk pioneer who made the world dance, think, and get higher,” Alper wrote of Sly Stone. “His music changed everything—and it still does.”
Sly Stone is survived by three children.
Activism
Oak Temple Hill Hosts Interfaith Leaders from Across the Bay Area
Distinguished faith leaders Rev. Ken Chambers, executive director the Interfaith Council of Alameda County (ICAC); Michael Pappas, executive director of the San Francisco Interfaith Council; and Dr. Ejaz Naqzi, president of the Contra Costa County Interfaith Council addressed the group on key issues including homelessness, food insecurity, immigration, and meaningful opportunities to care for individuals and communities in need.

Special to the Post
Interfaith leaders from the Bay Area participated in a panel discussion at the annual meeting of communication leaders from The Church of Jesus Christ of Latter-day Saints held on Temple Hill in Oakland on May 31. Distinguished faith leaders Rev. Ken Chambers, executive director the Interfaith Council of Alameda County (ICAC); Michael Pappas, executive director of the San Francisco Interfaith Council; and Dr. Ejaz Naqzi, president of the Contra Costa County Interfaith Council addressed the group on key issues including homelessness, food insecurity, immigration, and meaningful opportunities to care for individuals and communities in need.
Chambers, said he is thankful for the leadership and support of the Church of Jesus Christ Latter-Day Saints’ global ministry, which recently worked with the interfaith congregations of ICAC to help Yasjmine Oeveraas a homeless Norwegian mother and her family find shelter and access to government services.
Oeveraas told the story of how she was assisted by ICAC to the Oakland Post. “I’m a Norwegian citizen who escaped an abusive marriage with nowhere to go. We’ve been homeless in Florida since January 2024. Recently, we came to California for my son’s passport, but my plan to drive for Uber fell through, leaving us homeless again. Through 2-1-1, I was connected to Rev. Ken Chambers, pastor of the West Side Missionary Baptist Church and president of the Interfaith Council of Alameda County, and his car park program, which changed our lives. We spent about a week-and-a-half living in our car before being blessed with a trailer. After four years of uncertainty and 18 months of homelessness, this program has given us stability and hope again.
“Now, both my son and I have the opportunity to continue our education. I’m pursuing cyber analytics, something I couldn’t do while living in the car. My son can also complete his education, which is a huge relief. This program has given us the space to focus and regain our dignity. I am working harder than ever to reach my goals and give back to others in need.”
Richard Kopf, communication director for The Church of Jesus Christ in the Bay Area stated: “As followers of Jesus Christ, we embrace interfaith cooperation and are united in our efforts to show God’s love for all of his children.”
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