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Black S.F. Francisco Ballet Dancer Angela Watson Appears in Oakland Premiere of Film on Misty Copeland

On Friday, Sept. 29 at 7 p.m. at Oakland Paramount Theatre, Oakland Ballet Company and Life in Motion Productions will present the Oakland premiere of “Flower,” a short film starring and produced by international ballet trailblazer Misty Copeland.

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Angela Watson is among several Black ballerinas blazing new trails in ballet companies across the country, Europe and Asia. Courtesy photo.
Angela Watson is among several Black ballerinas blazing new trails in ballet companies across the country, Europe and Asia. Courtesy photo.

By Carolyn Evans

On Friday, Sept. 29 at 7 p.m. at Oakland Paramount Theatre, Oakland Ballet Company and Life in Motion Productions will present the Oakland premiere of “Flower,” a short film starring and produced by international ballet trailblazer Misty Copeland.

Without using dialogue, the film provides an artistic impression of the homeless, unhoused and worsening medical conditions of a community of Black and Brown people bombarded by the impacts of gentrification.

A highlight of the event will be a live performance featuring Angela Watson, a Black ballerina from the Oakland-Bay Area who is the newest member of the San Francisco Ballet Company and appears courtesy of Tamara Rojo, its new artistic director.

Watson’s invitation to perform at the premiere of “Flower” at the behest of the Oakland Ballet Company is a measure of her formidable talent and a sign of respect among professionals in ballet.

Like Misty Copeland, whose rise to become a principal dancer at American Ballet Theatre, Watson is part of the changing face of ballet as more Black ballerinas take their places in dance companies all over the country and abroad.

In 2015, Copeland ascended into the pantheon of principal dancers at the American Ballet Theatre. Since then, Black ballerinas have been blazing new trails.

Watson’s journey to becoming a ballerina began at Oakland’s Shawl-Anderson Dance Center, then Oakland Ballet Company School followed by Oakland School for the Arts where she first received formal ballet technique training at age 12 by OSA School of Dance artistic director Reginald Ray Savage and ballet master Alison Hurley (both now retired).

In 2016, Watson accepted a full scholarship offer to train with SF Ballet School, the first American classical ballet school and danced the lead role of Clara in “The Nutcracker” for the next two seasons as a pre-professional SFBS David Palmer Student Scholar.

This is when Watson, then only 14, and Copeland first crossed paths sharing experiences of the uphill climb in becoming ballerinas. Continuing her journey up the ranks of the school, Watson earned a spot in the coveted 2021 SFBS International Professional Training Program.

She advanced to apprentice the year after and in 2023 she was promoted and became the only Black ballerina to advance as a member of the main company in the corps de ballet. Watson is the only African American holding a spot in the corps and was promoted alongside five Asian ballerinas.

Black women are quietly shattering stereotypes and scaling the ranks of predominantly white ballet companies. Among others, these include: Olivia Boisson, New York City Ballet; Michaela DePrince and Chyrstyn Fentroy, Boston Ballet; Precious Adams, English National Ballet; Jasmine Perry, soloist, Los Angeles Ballet; Francesca Hayward, principal dancer, The Royal Ballet; Awa Joannais, Paris Opera Ballet; Nicole Zadra, Hong Kong Ballet; Katlyn Addison, Ballet West and Dara Holmes, Joffrey Ballet.

In joining the list of trailblazers changing the face of ballet, Watson became the first Black ballerina to join the San Francisco Ballet since Kimberly Braylock in 2013.

Braylock retired seven years later just before the shutdown brought on by the pandemic. These women have inspirational ballerina tales that must be shared, because, as Misty Copeland proves, there is power in visibility.

Watson also debuted a new work, “Reciprocity,” with music by award-winning Christopher Willis, a major motion picture composer who was among Watson’s artistic collaborators as a SFB Helgi Tómasson Choreographic Fellow in 2022.

“Reciprocity” captivated the audience last year at San Francisco Ballet School’s (SFBS) annual spring dance festival and gala at the Yerba Buena Center for the Arts/Blue Shield of California Theatre that supports funding for SFBS scholarships and other school activities that promote diversity, equity, and inclusion efforts.

Watson also has a long history of participating in many other charitable activities, including KTVU’s One Warm Coat, Oakland Elizabeth House, and St. Mary’s Senior Shelter.

As a member of SFBS/SFB, Watson has danced a number of roles.

Included in her resume are featured roles in ‘The Nutcracker,” “Cinderella,” “Swan Lake,” “La Sylphide,” “Giselle,” “Don Quixote,” “Symphony in C” and other SFB programs.

During 2024, which will be new artistic director Rojo’s inaugural season, expect to see Watson perform in programs including “Nutcracker” (Dec. 13-30); “Mere Mortals” (Jan. 26-Feb. 1); “British Icons” (Feb. 9-15); “Swan Lake” (Feb. 23-Mar. 3); “A Midsummer Night’s Dream” (Mar. 12-23)” “next@90 encores” (Apr. 2-13); and “Dos Mujeres” (Apr. 4-14).

Tickets for Oakland premiere of “Flower” are available at www.oaklandballet.org/flower

Tickets for SFBallet Nutcracker and 2024 Season lineup available at www.sfballet.org

#NNPA BlackPress

COMMENTARY: The National Protest Must Be Accompanied with Our Votes

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

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Dr. John E. Warren Publisher, San Diego Voice & Viewpoint
Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper. File photo..

By  Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper

As thousands of Americans march every week in cities across this great nation, it must be remembered that the protest without the vote is of no concern to Donald Trump and his administration.

In every city, there is a personal connection to the U.S. Congress. In too many cases, the member of Congress representing the people of that city and the congressional district in which it sits, is a Republican. It is the Republicans who are giving silent support to the destructive actions of those persons like the U.S. Attorney General, the Director of Homeland Security, and the National Intelligence Director, who are carrying out the revenge campaign of the President rather than upholding the oath of office each of them took “to Defend The Constitution of the United States.”

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

In California, the primary comes in June 2026. The congressional races must be a priority just as much as the local election of people has been so important in keeping ICE from acquiring facilities to build more prisons around the country.

“We the People” are winning this battle, even though it might not look like it. Each of us must get involved now, right where we are.

In this Black History month, it is important to remember that all we have accomplished in this nation has been “in spite of” and not “because of.” Frederick Douglas said, “Power concedes nothing without a struggle.”

Today, the struggle is to maintain our very institutions and history. Our strength in this struggle rests in our “collectiveness.” Our newspapers and journalists are at the greatest risk. We must not personally add to the attack by ignoring those who have been our very foundation, our Black press.

Are you spending your dollars this Black History Month with those who salute and honor contributions by supporting those who tell our stories? Remember that silence is the same as consent and support for the opposition. Where do you stand and where will your dollars go?

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Activism

Dorothy Lee Bolden: Uniting Domestic Workers

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

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Dorothy Lee Bolden. File photo.
Dorothy Lee Bolden. File photo.

By Tamara Shiloh

Her first experience with domestic work was at the age of nine. For $1.25 per week, Alabama-born Dorothy Lee Bolden (1923–2005), alongside her mother, washed soiled diapers for a White employer. Little did anyone know that this profession would spur Bolden to spearhead the movement for basic dignity and respect for generations of domestic workers.

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

It was Bolden’s experiences working as a domestic in 1940’s Atlanta that inspired her civil rights activism. A White female employer demanded that Bolden remain beyond her shift and wash dishes. Bolden refused. She was arrested and held in a county jail because “she was crazy.” There was no other reason for disobeying an order from a White person.

Bolden was never sentenced or institutionalized, but this event was the seed that grew into organization that would protect domestic workers across the United States: the National Domestic Workers Union of America.

Rosa Parks had made public transportation a major breeding ground for civil rights activism, so Bolden began organizing during the long bus rides her peers made to the wealthy neighborhoods. Many were fed up, working long hours for little pay, with little to no worker protections.

This organization of women would go on to fight for worker’s rights, create training programs, and teach workers to advocate for themselves. It was also important to Bolden to teach communication skills.

In the book Household Workers Unite, Bolden is quoted as saying: “You have to teach each maid how to negotiate… And this is the most important thing — communication. I would tell them it was up to them to communicate.”

But respect for Bolden’s activism was not shared by everyone. Although she consulted presidents Ford, Reagan, and Carter, she received several death threats from the Ku Klux Klan.

The New York Times reported that during the makings of an oral history project, Bolden said that “men claiming to be members of the KKK called her house and spoke about “whipping my behind,” but in coarser terms. “I told them any time they wanted to, come on over and grab it,” Bolden said during the interview. “It didn’t scare me, didn’t bother me. It made me angry. It made me determined to do what I had to do.”

Representative John Lewis of Georgia said that Bolden “spoke up, and she spoke out, and when she saw something that wasn’t fair, or just, or right, she would say something.”

The NDWU of America ran until the mid-1990s, but Bolden’s legacy lives on.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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