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Black community radio boosts local artists

THE WEEKLY CHALLENGER — Local musicians are gaining exposure on south St. Pete’s own WBPU 96.3 FM, also known as “Black Power 96.” The station’s weekly Local Going Global contest invites listeners to vote for their favorite local artist.

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By The Weekly Challenger

ST. PETERSBURG — Local musicians are gaining exposure on south St. Pete’s own WBPU 96.3 FM, also known as “Black Power 96.” The station’s weekly Local Going Global contest invites listeners to vote for their favorite local artist.

Hundreds of votes are counted each week, most from St. Pete residents, but also from listeners as far away as New York and Colorado who tune in through the station’s mobile app and web stream. Local Going Global shows how a small community radio station can help local artists find a big audience.

Local Christian/gospel rapper BLA (Bruce Loves the Almighty) was the first contest winner. He writes rhymes and produces his own tracks. He is a husband to his lovely wife Tessa, cuts hair, sings in two choirs and serves as Bethel Metropolitan’s Sunday School department superintendent under the direction of Rev. Dr. Ricky L. Houston. He performed on the Black Power 96 soundstage at St. Petersburg’s MLK Day this year.

BLA said his music “offers a lyrical message inspired by God over sultry melodic tunes with the low-frequency bass rumble of today’s popular trap songs.” He relates the gospel message to everyday personal struggles.

“Every day another person is dealing with pain in some way, shape or form whether it be the pangs of addiction, homelessness, a lack of self-identity or just a genuine need to hear the truth,” he said. “We should also acknowledge God when things are going well for us, too.”

Next up was local performing group, the GBT Babies. Aprincea, 10, Zy’cariah “Princess Zy,” 8, and Daegeana, 10, are cousins whose parents were local St. Petersburg rap artists. GBT was the name of the group their parents were a part of: Gutta Beezy, now known as Aprincea’s father, Josh (aka Hot Wheels), and Tank, Zy’cariah’s mom, Quaniesha.

GBT Babies also performed on MLK Day at Black Power 96.3’s Free Da Mic event. Last month they traveled to St. Louis to perform at a conference of the African National Women’s Organization where they were enthusiastically received. Under the tutelage of their manager, “Cheese,” GBT Babies’ original songs such as “Why U Mad?” and “No More Bullying” bring a positive message with a catchy beat.

Another winner of the Local Going Global contest was V.O.C.A.L.E. (Voices on Christ and Lyrical Expressions). This local group combines elements of praise and a variety of genres including gospel, R&B, hip-hop, jazz, spoken word and neo-soul to create, as they say “music that touches on the problems that many people face every day and the remedy to those problems, which is our Lord and Savior Jesus Christ.”

V.O.C.A.L.E. members Manuel Allen (spoken word artist AKA Finale), vocalist Jaylissa Golden (Lady Jay) and vocalist Larry Young (Deacon Soul) write their own songs. Finale is an ordained minister born in Cincinnati and raised in Chicago. Lady Jay was born and raised in St. Petersburg, where she follows in the footsteps of her mother and grandmother who sang in the church choir. Deacon Soul was born and raised in Detroit, where he was inspired to sing while listening to his mother rehearse with her R&B and gospel groups.

Crunkcoco has held Black Power 96’s Local Going Global title for four consecutive weeks. Born Courtney Fraser in St. Pete, he gained popularity on YouTube when he posted videos shot with a school camera in the classroom.

His “Who You Finna Try” video went viral, and he has since appeared in Cristol’s music video and on “WorldStarHipHop” 12 times. He’s been on “Upload with Shaq,” truTV, as well as on BET’s “106 & Park,” MTV’s “Ridiculousness” and on “The List.”

The free-spirited Crunkcoco is known for his over-the-top dancing in which he puts his extreme flexibility on display, often wrapping one arm around his head. He has been on stage with K. Michelle and Cardi B, City Girls and Da Brat.

“I’m cool with celebrities Cardi B, Safaree, Nicki Minaj, K. Michelle and Trina,” said Crunkcoco, who just released a new single called “Like That” featuring Heather Marie.

Winners of Black Power 96’s Local Going Global contest are announced on the air Fridays at 5 p.m. Their songs get placed into heavy rotation on the airwaves and they receive promotion through the station’s website and mobile app along with an award certificate.

The contest is the brainchild of Black Power 96 DJ Eddie “Florida Blind Boy” Maultsby, whose gospel show airs Monday, Wednesday and Friday from 7-9 a.m. DJ Eddie is well-known throughout St. Pete for his years playing guitar and singing on the streets and for his stint on the airwaves of the now-defunct WRXB.

DJ Eddie volunteers at Black Power 96 as assistant station manager and can be heard at many times throughout the week bringing local updates and popular music.

“We are a station of the people,” he said. “I wanted to connect with the people and the artists. I didn’t know this contest would be so popular, but I’m very happy to help the community to get connected.”

Themba Tshibanda, Black Power 96’s station manager, said: “The black community is powerful when we come together. Our talent should belong to us and Black Power 96.3 FM radio is ensuring that our community is heard here in St. Pete and around the world so that artists like these can make music that serves our people and they don’t feel forced to cater to those who mean our community no good.”

Local artists are invited to submit their songs for broadcast on the station through the website at www.blackpower96.org.

Volunteers are needed to help with office work, community outreach, voice work and audio production. Training is available. For more information, call 727-914-3614 or visit the station during business hours at 1245 18th Ave. S, St. Petersburg.

Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

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Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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Books

BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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