Art

Baltimore Times Publisher Joy Bramble Immortalized in Wax

WASHINGTON INFORMER — Joy Bramble, publisher of The Baltimore Times, was recently immortalized in wax for her 30-plus years of providing a Black media outlet. Bramble was honored with a proclamation from the Maryland House and Senate before the unveiling of a wax figure in her name at the National Great Blacks in Wax Museum in Baltimore.

Published

5 years ago

May 6, 2019

Eunice Moseley Special to The Informer

By Eunice Moseley, Special to The Informer

Joy Bramble, publisher of The Baltimore Times, was recently immortalized in wax for her 30-plus years of providing a Black media outlet.

Bramble was honored with a proclamation from the Maryland House and Senate before the unveiling of a wax figure in her name at the National Great Blacks in Wax Museum in Baltimore.

“I was surprised and honored,” Bramble said of the proclamation and unveiling. “The reason is what we’ve been able to accomplish with The Baltimore Times.”

As their first employee in 1986, I was a witness and full participant in those accomplishments. Bramble started The Baltimore Times with the blessing and help from her husband Rev. Peter Bramble, an Episcopal priest. I was straight out of college as a telecommunications major working at WEBB Radio as a paid intern when I was hired by Joy Bramble.

The Baltimore Times, when it changed from a monthly publication to a weekly, became the largest-circulated Black-owned newspaper in Maryland. It grew to have three sister publications — The Annapolis Times, The Prince George’s County Times and The Baltimore County Times. It was the first company to offer community events in Baltimore that provided free services with its Housing Expo (onsite pre-approvals), Health Expo (free health care screenings), Men’s Expo (free health care screenings) and Women’s Expo (free seminars).

“My whole life has been like magic,” said Bramble, a native of Montserrat. “I’ve never been afraid to try things. If that doesn’t work you move on. Set an example and keep trying.”

But Bramble didn’t start off in the states as a newspaper publisher. She began as an educator in the Baltimore City school system and even owned a lucrative corner store before deciding she wanted to saturate the city with “positive stories about positive people,” the motto for her newspaper.

“Someone broke into the store and I was afraid and decided to close it,” she said about her corner store venture.

As far as her role as a teacher, she said, “I feel if I am not making a difference I have to do something else. I found out how hard it was teaching in Baltimore schools. I knew that I wasn’t fulfilling my potential and that was not for me.”

Bringing “positive stories about positive people” and providing free community services to Baltimore city residents to help save lives and people’s homes was where she was able to fulfill her potential.

“Taking chances and learning,” Bramble told me of how she grew her newspaper. “And the people I’ve come in contact with. I made a difference in their lives, set an example. Look at you! You are a prime example.”

Bramble is talking about all the achievements I have made with her blessing and because of her urging. I came to The Baltimore Times because I love writing, but she saw that I could make a great salesperson. So we made a deal: she would let me write for the newspaper if I sold ads for her. She was right — I became the highest-paid salesperson at the newspaper.

My love for writing resulted in a position as entertainment editor at the newspaper. I am now a syndicated entertainment columnist with over 1/4 million readers a week nationwide. At one point as her business manager, she urged me in the strongest way to be her promotions director and because of it, I helped spearhead The Baltimore Times community event projects. The events garnered the newspaper recognitions from the city for serving the community with events held annually. Each of the four events raked up thousands of dollars in extra venue for the newspaper.

Bramble allowed me to learn all these skills on the job by not limiting me and by urging me. I was able to open up my own business, a public relations/business service company. She did not mind me moonlighting after work as long as I did my job at the newspaper. I founded “Uplifting Minds,” a free entertainment conference event for the newspaper, in 1999 to reach young readers — the fifth event.

In 2000, Bramble granted my request for ownership of the event and as “Uplifting Minds II” I took the free entertainment conference annually to communities in Baltimore, Los Angeles, Atlanta and Houston. I am only one of many employees Joy Bramble has helped in this way.

“Life is a challenge — I like challenges,” she said. “Someone tells me I can’t do something — I find a way. The statue will be unveiled at the State House. I’m getting a proclamation from the Senate and the House and the statue will be unveiled afterward at The Great Blacks in Wax.”

Moseley’s The Pulse of Entertainment column has an estimated weekly readership of over 250,000.

This article originally appeared in the Washington Informer.

Eunice Moseley Special to The Informer

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Art

Marin County: A Snapshot of California’s Black History Is on Display

The Marin County Office of Education, located at 1111 Las Gallinas Ave in San Rafael, will host the extraordinary exhibit, “The Legacy of Marin City: A California Black History Story (1942-1960),” from Feb. 1 to May 31, 2024. The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

Published

1 week ago

April 16, 2024

Oakland Post

Early photo of Marin City in the exhibit showing the first department store, barber shop, and liquor store. (Photo by Godfrey Lee)

By Post Staff

The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

All will have the opportunity to visit and be guided by its curator Felecia Gaston.

The exhibit will include photographs, articles and artifacts about the Black experience in Marin City from 1942 to 1960 from the Felecia Gaston Collection, the Anne T. Kent California Room Collection, The Ruth Marion and Pirkle Jones Collection, The Bancroft Library, and the Daniel Ruark Collection.

It also features contemporary original artwork by Chuck D of the Rock and Roll Hall of Fame group Public Enemy, clay sculptures by San Francisco-based artist Kaytea Petro, and art pieces made by Marin City youth in collaboration with Lynn Sondag, Associate Professor of Art at Dominican University of California.

The exhibit explores how Marin City residents endured housing inequities over the years and captures the history of plans to remove Black residents from the area after World War II. Throughout, it embodies the spirit of survival and endurance that emboldened the people who made Marin City home.

Felecia Gaston is the author of the commemorative book, ‘A Brand New Start…This is Home: The Story of World War II Marinship and the Legacy of Marin City.’ Thanks to the generous contribution of benefactors, a set of Felecia’s book will be placed in every public elementary, middle, and high school library in Marin.

In addition, educators and librarians at each school will have the opportunity to engage with Felecia in a review of best practices for utilizing the valuable primary sources within the book.

“Our goal is to provide students with the opportunity to learn from these significant and historical contributions to Marin County, California, and the United States,” said John Carroll, Marin County Superintendent of Schools.

“By engaging with Felecia’s book and then visiting the exhibit, students will be able to further connect their knowledge and gain a deeper understanding of this significant historical period,” Carroll continued.

Felecia Gaston adds, “The Marin County Office of Education’s decision to bring the Marin City Historical Traveling Exhibit and publication, ‘A Brand New Start…This is Home’ to young students is intentional and plays a substantial role in the educational world. It is imperative that our community knows the contributions of Marin City Black residents to Marin County. Our youth are best placed to lead this transformation.”

The Marin County Office of Education will host an Open House Reception of the exhibit’s debut on Feb. 1 from 4 p.m. – 6 p.m.. All school staff, educators, librarians, and community members are encouraged to attend to preview the exhibit and connect with Felecia Gaston. To contact Gaston, email MarinCityLegacy@marinschools.org

Oakland Post

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Activism

Alternative Outcome to Slayings by Police Explored in One-Man Play

BLACK MEN EVERYWHERE! is the explosive new one man play written, directed, and performed by Jinho “Piper” Ferreira. Set against the backdrop of a presidential election, the play explores how political and cultural leaders wield the myth of the dangerous Black man to manipulate the masses for personal gain. Piper penned the follow-up to his ground-breaking solo play, “Cops and Robbers,” after an impromptu cross-country Black history tour.

Published

2 months ago

February 16, 2024

Oakland Post

BLACK MEN EVERYWHERE! is the explosive new one man play written, directed, and performed by Jinho “Piper” Ferreira.

Special to The Post

What would happen if police officers who have gotten off for killing unarmed Black people started turning up dead?

Piper penned the follow-up to his ground-breaking solo play, “Cops and Robbers,” after an impromptu cross-country Black history tour.

“My wife and I had been talking about it for years,” Ferreira said. They had taken their three children to Brazil several times and West Africa but had yet to explore their history as Black people in this country. “It was Juneteenth last year and I realized we had a few weeks to make it happen, so we just jumped in the car and left” Piper said.

Three weeks later the family had seen everything from the African American Museum of History and Culture in Wash., D.C., to the phenomenally preserved Whitney Plantation in Louisiana. They’d stood outside of the balcony of the Lorraine Hotel where Dr. Martin Luther King Jr. was assassinated in Memphis, Tenn., walked across the Edmund Pettus Bridge in Selma, Ala., and paid their respects at the Africa Town cemetery – where the passengers of the Clotilda (the last known U.S. slave ship to smuggle captured Africans into this country) were buried near Mobile, Ala.

“We had the kids keep a journal of the trip and my wife and I took notes, but once we got back home, I knew I had to make the pen move,” he said.

Ferreira plays 21 characters in the 60-minute emotional roller coaster ride; personalities we all know. While brilliantly weaving in themes of revolution, treachery, and revenge, “Black Men Everywhere!” is surprisingly — more than anything else — a love story.

“I wrote the play for Black men and everyone who loves us,” Ferreira said. “The play is narrated by a sistah and performed in front of the deeply spiritual artwork of Nedra T. Williams, an Oakland priestess of Olokun. It’s called ‘Black Men Everywhere!’ but we don’t exist without the Black woman.”

For tickets, please go to: http://tinyurl.com/5dm3mhra

Oakland Post

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Art

City of Stockton Seeks Applications for Public Art Murals

The City of Stockton Arts Commission (SAC) has announced the opportunity for artist(s) and/or artist teams to apply to design and paint original artwork on City-owned property through a Public Art Mural Program. The deadline for applications is Friday, March 8, 2024, at 5 p.m. Applications and additional information are available online at www.stocktonca.gov/publicart.

Published

3 months ago

January 24, 2024

Oakland Post

The Public Art Mural Program incentivizes mural installations by providing city funding and the means of curating the City’s collection of murals.

City of Stockton

The deadline for applications is Friday, March 8, 2024, at 5 p.m. Applications and additional information are available online at www.stocktonca.gov/publicart.

The Public Art Mural Program incentivizes mural installations by providing city funding and the means of curating the City’s collection of murals.

This program has $50,000 in available funds for artist(s) and is also available for those who have already identified funds and would like to complete a mural project on city-owned property. Applications will be reviewed on a competitive basis and selected by the SAC.

To learn more about the Stockton Arts Commission (SAC) or qualifications and eligibility for Public Art Mural Program, please visit www.stocktonca.gov/publicart or call the Community Services Department at (209) 937-8206.