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B.B. King Estate Fight Looms for Family Group, Longtime Aide

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In this May 7, 2015, file photo, LaVerne Toney, center, arrives in Clark County Family Court in Las Vegas. Less than two weeks after blues legend B.B. King was laid to rest near his birthplace in the Mississippi Delta, a battle over his estate is moving from the headlines to the courthouse in Las Vegas. Attorneys for King’s designated executor, Toney, have filed documents in Nevada state court to fend off allegations that King family members were kept away in his dying days, that he was mistreated medically and that his money was siphoned off before he died May 14 at his Las Vegas home at age 89. (AP Photo/John Locher, File)

In this May 7, 2015, file photo, LaVerne Toney, center, arrives in Clark County Family Court in Las Vegas. Less than two weeks after blues legend B.B. King was laid to rest near his birthplace in the Mississippi Delta, a battle over his estate is moving from the headlines to the courthouse in Las Vegas. Attorneys for King’’s designated executor, Toney, have filed documents in Nevada state court to fend off allegations that King family members were kept away in his dying days, that he was mistreated medically and that his money was siphoned off before he died May 14 at his Las Vegas home at age 89. (AP Photo/John Locher, File)

KEN RITTER, Associated Press

LAS VEGAS (AP) — Just days after blues legend B.B. King was laid to rest near his birthplace in the Mississippi Delta, a battle over his estate is moving from the headlines to the courthouse in Las Vegas.

Attorneys for King’s designated executor, LaVerne Toney, have filed documents in a Nevada court to fend off allegations that King family members were kept away in his dying days, that he was mistreated medically and that his money was siphoned off before he died May 14 at his Las Vegas home at age 89.

“We’re asking the probate commissioner to approve (Toney) as executor and personal representative of the estate,” attorney Brent Bryson said Monday.

“The spurious and unjustified allegations made against Ms. Toney by Patty King, Karen Williams and Larissa Drohobyczer will be dealt with at a later time,” he added.

Among King’s 11 surviving adult children, Williams and Patty King have been most outspoken about the music icon’s care in his final days. Through their attorney, Drohobyczer, they accused Toney and B.B. King’s personal assistant, Myron Johnson, of poisoning him to hasten his death.

Toney and Johnson denied the claims, and Bryson dismissed them as ridiculous, defamatory and libelous.

But the allegation prompted an autopsy by the Clark County coroner the day after a King memorial at a Las Vegas funeral chapel. Results of toxicology tests are expected in several weeks. Police said there was no active homicide investigation.

King was buried May 30 at the B.B. King Museum and Delta Interpretive Center in Indianola, Mississippi.

Toney, who managed King’s road show business for 39 years and had power-of-attorney over his personal affairs, is the executor named in his will. She declined on Monday to comment. A King daughter, Riletta Mitchell, was second in line, but she died last September

Bryson said Monday the value of King’s estate was being tallied, but wasn’t expected to amount to the tens of millions of dollars suggested during Williams’ failed court bid to wrest guardianship from Toney a month ago.

One court document filed April 29 said one King bank account was believed to have had $5 million in May 2014, and his home was valued at $330,000. It said family members were unable to obtain updated figures or determine the value of King’s road show business or the rights and royalties from his music.

Drohobyczer has said she represents at least five of King’s children who refer to themselves as a family board. She said Monday she’ll file papers this week challenging Toney as executor, and didn’t want to comment before documents are filed.

Three daughters — Williams and Patty King, both of North Las Vegas, and Barbara King Winfree of Houston — declined to comment Monday about the upcoming probate hearing.

They’ve said previously that they want Toney out of the picture.

“We are the King family,” Patty King said. “We are fighting for the King estate.”

Son Willie King of Chicago didn’t immediately respond to messages.

Daughter Rita Washington, the fifth family board member, denied the fight to remove Toney is about money. She accused Toney of misleading family members about King’s finances and blocking them from visiting when King was dying.

“Dad died by himself,” Washington said. “If it was his wish not to let us see him in that condition, she still could have allowed us to visit him.”

In documents filed late Friday, Bryson provided an affidavit from one granddaughter who visited King the day before he died, and sworn testimonials from three doctors saying King was properly cared-for before he died in his sleep.

“Mr. King was able to smile, eat, laugh and watch westerns on television up until the time he fell asleep on May 13, 2015,” the court document said. It noted he never awoke.

King’s personal physician, Dr. Darin Brimhall, said drops that King’s daughters said they saw being administered to King in recent months were atropine, a drug commonly administered to people in hospice care to prevent respiratory congestion and difficulty swallowing.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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