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AUTO REVIEW: 2019 Mazda CX-3

NNPA NEWSWIRE — The CX-3 was rated at 27 mpg in the city, 32 mpg on the highway and 29 mpg combined. I stopped to gas up a few miles before I crossed into Indiana. I didn’t have a full tank of fuel when I left and the smaller the vehicle the smaller the gas tank; 11.9 gallons on the all-wheel-drive version, which is what I had.

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By Frank S. Washington, AboutThatCar.com

CHICAGO – The 2019 Mazda CX-3 is a small crossover. It was so small it could do a good imitation of a big hatchback. We drove one to Chicago to scope out the auto show.

On the way we encountered ice and sleet, then rain and then something akin to fog. The point is Mazda’s CX-3 handled it all relatively well.

It was powered by a 2.0-liter four-cylinder engine that made 148 horsepower and 146 pound-feet of torque. It was mated to a six-speed automatic transmission with a manual shift mode and a sport mode. You don’t want to use the latter on an Interstate. It burns more gasoline because of the higher revolutions due to the gearing.

The CX-3 was rated at 27 mpg in the city, 32 mpg on the highway and 29 mpg combined. I stopped to gas up a few miles before I crossed into Indiana. I didn’t have a full tank of fuel when I left and the smaller the vehicle the smaller the gas tank; 11.9 gallons on the all-wheel-drive version, which is what I had.

The power was adequate. I didn’t run away from anybody but I was not trying to. This Mazda CX-3 cruised nicely. I set the adaptive cruise control at 76. When I needed to pass, the CX-3 responded smartly.

Overall, the CX-3 handled well. But this drive was not much of a test. The run from Detroit to here is basically flat and straight with a few rises and gentle curves as I-94 dipped around the southern end of Lake Michigan.

The bottom line was the utility vehicle went where I steered it without any exertion on my part. It handled well too. But again this interstate was not very challenging. However, there was some wind noise as well as road nose depending on the road surface.

On highway trips, even short ones like this four-hour drive, music is critical to an interesting trip rather than a boring ride. I used the CX-3’s satellite radio for most the trip. But towards the end I used the Bluetooth connection to stream from my phone and its Pandora app.

Mazda made some incremental changes to the CX-3 but they did not alter the KODO design language that is curved fenders over the wheel wells, a long hood and a short rump.

But they did give the CX-3 a new grille, a new color for the Grand Touring trim line which I had, black piano exterior accents, chrome accents, LED taillights and 18-inch alloy wheels.

Inside the CX-3 got an electronic parking brake as standard with auto hold, a reconfigured center console that was a bigger than the old one, a new rear-seat arm rest, a front passenger seat manual lifter, red vent surrounds and high gloss piping.

I was impressed with some of the equipment. The 2019 CX-3 had a power driver’s seat. It also had adaptive cruise control, adaptive LED headlights, heated front seats and a heated steering wheel.

The CX-3 Grand Touring was stuffed with stuff. It had blind spot monitoring, advanced smart city brake, lane departure warning, keyless entry and push button start stop and rear cross traffic alert. There was also a moon roof.

It was just a few years ago that this sort of equipment was exclusive to luxury vehicles.

The seats had been redesigned, they were comfortable and supportive. My only quibble so far was that there didn’t look like there was that much room in the rear.

I spent most of my time here traveling along Lake Shore Drive. It is a wolf in sheep’s clothing. It looks like a boulevard in some places when it is actually a rally racecourse in disguise.

The lanes are narrow, after decades they installed a low separator between north and south bound traffic. Hit it at the right (make that the wrong) angle and you’re going to sail over it into oncoming traffic. The curves are abrupt. And if you pay more attention to the lake than you do the pavement, you’ll end up in the water or on the beach.

This is no place for amateurs, drivers must be experienced at acceleration, braking and steering. You go into a sharp curve too fast you’ll end up in the wrong lane. The road surface is very good but there are some dips that can disrupt your equilibrium. In a phrase, it is a great drive.

Three of us were going to attend the Charity Preview for the auto show here in the CX-3. I told the person who would likely be in the back seat that it was kind of close and she refused so we took her sister’s car.

I had checked the rear seat when I returned to the Motor City and she was right. There was plenty of headroom but legroom was lacking. And that was after I moved the front passenger seat forward a bit.

However, I was pleasantly surprised. The CX-3 had a decent cargo space: 9.6 cu. ft. with the rear seats up and 41.7 cu. ft. with them folded.

The instrument layout as with most Mazda products was clean. It had tri-dial climate controls. Most of the other equipment could be controlled from the touch infotainment screen and the mouse on the center console.

As tested it was $29,625, which at first I thought was a little pricey. But then I went back over the CX-3 equipment and thought that it is a small crossover with plenty of stuff. Things like all-wheel-drive, a heated steering wheel, blind spot monitoring and lane departure alert made it well worth the price.

Frank S. Washington is editor of AboutThatCar.com

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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