Arts and Culture
‘Architect to the Stars,’ Paul R. Williams Helped Define L.A.’s Building Style
Among his many remarkable buildings are the opulent Saks Fifth Avenue building in Beverly Hills and the flying saucer–shaped Theme Building at the Los Angeles International Airport (as co-designer). He also oversaw additions to the Beverly Hills Hotel in the 1950s. In addition to stores, public housing, hotels, and restaurants, he designed showrooms, churches, and schools.
By Tamara Shiloh
Paul Revere Williams (1894-1980) was an African American architect noted for his mastery of a variety of styles and building types and for his influence on the architectural landscape of Southern California.
In more than 3,000 buildings over the course of five decades, mostly in and around Los Angeles, he introduced a sense of casual elegance that came to define the region’s architecture. His work became so popular with Hollywood royalty that he was known as the “architect to the stars.”
Williams, the second of two children, was born in 1894, shortly after his parents moved to Los Angeles from Memphis, Tenn. Both his parents died by the time he was four years old, and Williams was reared by a family friend while his brother lived with a different family.
Because his foster mother quickly recognized his talent, Williams received a solid education and followed his dream to become an architect, though there were few African American architects at the time.
His architectural aspirations remained uppermost in his thoughts. He attended the Los Angeles atelier of the Beaux-Arts Institute of Design (1913–16) and was certified as an architect in 1915.
While attending a program for architectural engineering at the University of Southern California from 1916-1919, he took a series of low-paying jobs at several architectural firms to learn as much as he could.
He learned about landscape architecture while working with Wilbur D. Cook and got his first taste of designing on a palatial scale at the firm of Reginald D. Johnson. From 1920 to 1922, he worked for John C. Austin (with whom he later collaborated), turning his attention to designs for large public buildings.
In 1921, Williams received a license to practice architecture in California and accepted his first commission from Louis Cass, a white, former high school classmate.
A year later, at age 28, Williams founded his own business, Paul R. Williams and Associates, and in 1923 he became the first African American member of the American Institute of Architects. He later was licensed to practice in Wash., D.C. (1936), New York (1948), Tennessee (1960), and Nevada (1964).
His designs for suburban and country estates incorporated Mediterranean, Spanish Revival, and English Tudor themes, a blend of styles that strongly appealed to California residents at mid-century. No matter what their stylistic elements, his houses were impeccably designed down to the smallest detail, and they were airy, sun-filled, and graceful.
As Williams’ reputation grew, he received commissions to design houses for such Hollywood stars as Lon Chaney, Lucille Ball, Frank Sinatra, Bill (‘Bojangles’) Robinson, Barbara Stanwyck, Cary Grant, Humphrey Bogart and Lauren Bacall and Anthony Quinn.
Among his many remarkable buildings are the opulent Saks Fifth Avenue building in Beverly Hills and the flying saucer–shaped Theme Building at the Los Angeles International Airport (as co-designer). He also oversaw additions to the Beverly Hills Hotel in the 1950s. In addition to stores, public housing, hotels, and restaurants, he designed showrooms, churches, and schools.
After 1950, when Modernism and its most-predominant architectural manifestation, the International Style, began to hold sway, Williams was seen as an architect of traditional (that is, old-fashioned) designs.
His gift for accommodating eclectic tastes while obeying sound design principles was seen as a drawback. But public taste eventually came full circle, and Williams-designed homes, especially, were again in demand in the early 21st century.
Williams wrote a number of articles, notably “I Am a Negro” (1937) for The American Magazine, and two books, “The Small Home of Tomorrow” (1945) and “New Homes for Today” (1946). In 1953, he was awarded the NAACP Spingarn Medal. Many awards and honors followed, both during and after his lifetime.
Sources: https://www.npr.org/2012/06/22/155442524/a-trailblazing-black-architect-who-helped-shape-l-a
Arts and Culture
African American Historic Ties to Blue Jeans Revealed in Indigo-Dyeing Workshop at Black-Eyed Pea Festival
Oakland-based artist Reshawn Goods, also known as Bushmama, will host a hands-on workshop that connects present-day blue jeans to the skills of enslaved Africans at the 9th Annual Black-Eyed Pea Festival on Sept. 14 at Marston Campbell Park at 17th and West streets. Indigo is a plant that is cultivated in a number of places around the world, including India and and Africa. Indigo dyes were introduced in America as a result of the Trans-Atlantic Slave Trade. Many of the enslaved African people knew how to propagate indigo to create dye from the plant.
By Daisha Williams
Oakland-based artist Reshawn Goods, also known as Bushmama, will host a hands-on workshop that connects present-day blue jeans to the skills of enslaved Africans at the 9th Annual Black-Eyed Pea Festival on Sept. 14 at Marston Campbell Park at 17th and West streets.
Indigo is a plant that is cultivated in a number of places around the world, including India and Africa.
Indigo dyes were introduced in America as a result of the Trans-Atlantic Slave Trade. Many of the enslaved African people knew how to propagate indigo to create dye from the plant. Indigo was used to dye clothes throughout all of West Africa, often referred to as blue gold. Wearing these clothes was a symbol of wealth. The Yoruba of Benin, the Manding of Mali, and the Hausa of Kano were renowned for indigo processing and dyeing.
According to Goods, the Europeans liked the colors that this dye produced and made slaves continuously produce it. Another crop that they cultivated was cotton, still something used for much of our clothing today.
When talking about the historical significance of indigo for Black Americans Goods said, “Slaves at that time were given a ration of clothes once a year… this cloth was very coarse and harsh to the skin. So, one slave decided to dip their clothes in the indigo vat and this was the early beginnings of what denim became to be. People will say that Levi Strauss created jeans, but we created jeans.”
At Goods’ workshop, attendees will be able to use cotton, indigo, and denim to create patches that resonate with them that will be used to form a family quilt. This fun and free craft has a lot of historical significance.
“When you go to school you learn about slaves, but you don’t learn about where they came from or what they brought with them,” said Bushmama. “That’s not part of the narrative… we brought so much with us, and that part is not shared. I feel that if we knew how powerful we were it would help us to elevate. That would help to dismantle white supremacy.”
Bush has been creating ever since she was young. Her first exhibition was in 1994 and was also where she sold her first piece. Since then, she has continued using art to create awareness within the Black community.
Before the counterculture of the 1960s, dungarees weren’t even sold in department stores but rather Army-Navy and hardware stores. They were really cheap but sturdy and only made in men’s sizes. Eventually, blue jeans began to be used by designers and became fashion statements that can cost hundreds of dollars.
Many Black Americans are unfamiliar with this history, and with conservative pushback against things like Critical Race Theory, many pieces of history like this are left untold.
That’s why having workshops like these is so important, it shines a light on the parts of history that have been hidden in the shadows while empowering the Black community by connecting them to their roots.
Arts and Culture
Chef Wanda Blake Honors Black Culture Through Food at Black-Eyed Pea Festival
Chef Wanda Blake, a legacy food ambassador for Farms to Grow, Inc., will honor the history of Black farmers and Black cuisine by creating a food altar for this year’s annual Black-Eyed Pea Festival on Sept. 14 at Marston Campbell Park at 17th and West streets. Blake is a chef who incorporates history and culture into her foods, using her awareness of Black history to enrich both the body and the mind. With this in mind, Blake’s altar will highlight red foods and their significance to the Black community.
By Daisha Williams
Chef Wanda Blake, a legacy food ambassador for Farms to Grow, Inc., will honor the history of Black farmers and Black cuisine by creating a food altar for this year’s annual Black-Eyed Pea Festival on Sept. 14 at Marston Campbell Park at 17th and West streets.
Blake is a chef who incorporates history and culture into her foods, using her awareness of Black history to enrich both the body and the mind. With this in mind, Blake’s altar will highlight red foods and their significance to the Black community.
Red is associated with the blood shed during slavery and that blackness and pain are often intertwined with one another.
The practice of eating red foods and drinks for Juneteenth and other gatherings was popularized in Texas, which may have been influenced by Yoruba and Congo cultures. Red symbolizes spiritual power and transformation in both of these cultures.
Blake says that things like “red drink” are examples of the ancestors’ ability to find value in the things around them. “Red drink” was a type of hibiscus tea, sweetened with honey. Hibiscus is now known to be hydrating, and helps with high blood pressure, blood sugar and menstrual cramps.
Like black-eyed peas, watermelon is part of Black history as it was cultivated in Africa. And, according to Wikipedia, red velvet cake — an iconic dessert — may “have origins in 1911 when Rufus Estes, a formerly enslaved person and chef, incorporated a recipe for a sweet velvet cake in his cookbook.”
The color red also has ties to enslaved ancestors beyond food. There are tales of African people being lured to slave ships using red cloth, which was a rarity and highly prized. such as. Red handkerchiefs were considered powerful objects.
Blake learned to cook the way many Black women do, from her mom, and later from aunties and grandmothers as well. Food, family, and culture are so intertwined with each other, and Blake never forgets that when navigating her career. This explains her strong ties between food and culture.
As she’s taken recipes into her own hands, she has added her own creativity into. For example, at previous Black-Eyed Pea Festivals, she has created many different black-eyed pea dishes, including a hummus-like dip, chili, pies, and hoppin’ john pasta.
Blake is the legacy food ambassador for Farms to Grow Inc. Farms to Grow is a nationwide 501c3 nonprofit organization that works with Black farmers, and other farmers who struggle due to systemic oppression such as Indigenous people, Latinx people and other minority groups. Their goal is to keep underserved farmers able to grow and produce food not just now, but for future generations as well.
Blake holds the title of ‘Legacy Food Ambassador’ for consciously integrating culture into her meals, as well as keeping an awareness about cultural food security. Blake was born in Lewisville, Ark., and then moved to San Francisco, first studying at City College of San Francisco.
The 9th Annual Black-Eyed Pea Festival takes place on Sat. Sept. 14 at Marston Campbell Park at 17th and West in West Oakland. Free and family friendly, take BART, the bus or car service and bypass parking. See you there.
Arts and Culture
Oakland Celebrates Black August: A Month of History, Healing, and Heart
Black August is a month that celebrates everything that Oakland stands for including block parties, movie nights, and other community events. Building Opportunities for Self Sufficiency’s (BOSS) annual Black August Block Party took place on Aug. 31 at Oakland City Hall. Eastside Arts Alliance hosted a movie night with the Oakland chapter of the Malcom X Grassroots Movement on Aug. 30 at their cultural center at 2277 International Blvd.
By Daisha Williams
Black August is a month that celebrates everything that Oakland stands for including block parties, movie nights, and other community events.
Building Opportunities for Self Sufficiency’s (BOSS) annual Black August Block Party took place on Aug. 31 at Oakland City Hall. Eastside Arts Alliance hosted a movie night with the Oakland chapter of the Malcom X Grassroots Movement on Aug. 30 at their cultural center at 2277 International Blvd.
Black August celebrates Black independence and liberation. The month gained its title because San Quentin prisoner George Jackson and Jonathan P. Jackson were killed in August of 1971 and 1970 respectively. Jonathan Jackson was killed in an attempt to kidnap a judge in Marin County and George Jackson was targeted in a prison uprising These brothers were instrumental figures in the Revolutionary Prison Movement and fought for freedom, costing them their lives.
The ways that people celebrate Black August differ, and even here in the Bay there are many different ways people honor of Black August.
BOSS is a local organization dedicated to helping disadvantaged people achieve health and self-sufficiency since 1971. The main way they do this is by trying to help the unhoused population in the Bay Area, fighting mass incarceration. They also have a trauma recovery center in East Oakland, focusing on healing some of the traumas that are part of the Black community.
This is the fourth year of BOSS’s annual block party. The event has been growing each year with fewer than 100 people present the first year and around 400 in 2023. This year they expected 400-500 people to attend.
In the second year, BOSS augmented the celebration with a “Black Market.” This is a market exclusively for Black vendors, at no cost to them, to boost economic empowerment in the Black community, one of the fundamental ideals of Black August, according to Satia Frazier-North the organizer of the BOSS Block Party.
“The foundation for Black August is art, culture, political education, and economic empowerment. We think that all of those pieces are important to the healing of the community that we serve,” Satia Frazier-North.
This year, the block party included an artists’ zone, a wellness zone which had free blood pressure screenings, performances by many Oakland musicians, poets, and rappers, as well as a food truck. The first 250 people got free food.
The Oakland branch of the Malcom X Grassroots Movement and Eastside Arts Alliance hosted a screening of the 1980 movie “Attica.” This film tells the story of one of the largest prison riots this country has ever seen which began on Sept. 9, 1971. This movie about resistance was followed by a community discussion.
The Malcom X Grassroots Movement (MXGM) is an organization dedicated to protecting the rights of Afrikan people through empowerment and education. Some of their principles include a demand for reparations, opposition to genocide anywhere in the world, and an end to gender and sexual oppression.
More than movie nights and block parties, Black August acknowledges the power that descendents of the African diaspora have shown in the face of oppression.
One notable historical event that occurred during August was the start of the Haitian Revolution on Aug. 14, 1791, brought on by the largest and most successful slave revolt in history. Haiti then became the first country to be governed by previously enslaved peoples.
The Nat Turner Rebellion took place in Virginia on Aug. 21, 1831. After receiving a sign from God, Turner killed his slave master and the slave master’s family. Then he led a group of other enslaved people to kill their oppressors. These acts of violence made it clear to white people that Black people were not timid or docile, that there will be consequences for the ways that they were treated.
Black August observations are not all deadly serious or in the distant past. Most recently the Montgomery Riverfront Brawl in Alabama took place on Aug. 5, 2023. It will likely not be the last of Black August’s notable dates because as long as people are silenced, they will rise up.
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