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Ahead of Supreme Court Oral Arguments, Rep. Waters Leads House in Affirming the Civil Rights Act of 1866 & its Section 1981

NNPA NEWSWIRE — “Since their inception, the Civil Rights Act of 1866 and Section 1981 of the Act have made it unlawful for any citizen to be denied equal rights and equitable treatment on the basis of race; protected people of color from discrimination when forming business contracts; and provided a legal pathway for those who have been racially discriminated against to seek justice.”

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Congresswoman Maxine Waters (D-CA), Chairwoman of the House Financial Services Committee.

WASHINGTON – Ahead of the first day of oral arguments in the Supreme Court case Comcast Corp. V. National Association of African American-Owned Media (NAAOM), Congresswoman Maxine Waters (CA-43) led her colleagues in introducing a resolution that affirms the vital role that the Civil Rights Act of 1866 – particularly Section 1981 of the Act – has played in prohibiting discrimination on the basis of race or ethnicity when making and enforcing business contracts.

Should Comcast Corporation, the plaintiffs in the case, prevail at the Supreme Court, it will be nearly impossible for entrepreneurs, innovators, and creators of color who have been victims of racial discrimination to bring forth lawsuits and have their rights protected and enforced in a court of law. Congresswoman Waters’ resolution that makes clear that the U.S. Congress strongly opposes this, and any other attack, on equal rights protections for people of color and marginalized groups under the Civil Rights Act of 1866. 

“More than a century after the passage of the Civil Rights Act of 1866, it is absolutely outrageous that one of the largest media companies in the world would have the audacity to petition the U.S. Supreme Court to hear arguments in a case that undermines this vital law,” said Congresswoman Maxine Waters. “Nearly ten years ago when Comcast sought to merge with NBC Universal, both companies were forced, under pressure from my efforts in Congress and the FCC, to commit to credible diversity and inclusion initiatives as a condition for the merger. Today, they are seeking to effectively destroy one of our nation’s oldest civil rights statutes dating back to Reconstruction. In doing so, Comcast is opening the flood gates to discrimination in business contracts with no legal remedy or recourse. Those of us who know our history, understand all too well the harmful impact this could have on future generations of entrepreneurs and creators of color. I am proud to lead my colleagues in a resolution that makes clear that any and all assaults on civil rights protections for Americans – particularly people of color and other marginalized groups – will not be tolerated by the U.S. Congress.”

In the aftermath of the Civil War, African Americans suffered through a tumultuous integration. They were systematically and routinely subject to laws, such as the Black Codes, which were designed to restrict African American’s freedom and keep formerly enslaved persons from thriving in society. In response, Congress enacted the Civil Rights Act of 1866.

Since their inception, the Civil Rights Act of 1866 and Section 1981 of the Act have made it unlawful for any citizen to be denied equal rights and equitable treatment on the basis of race; protected people of color from discrimination when forming business contracts; and provided a legal pathway for those who have been racially discriminated against to seek justice.

Congresswoman Waters’ resolution is supported by Reps. Karen Bass (CA-37), Andre Carson (IN-7), Yvette Clarke (NY-9), Danny Davis (IL-7), Al Green (TX-9), Sheila Jackson Lee (TX-18), Barbara Lee (CA-13), and Bennie Thompson (MS-2), and acknowledges the history and significance of the Civil Rights Act of 1866 and Section 1981 of the Act, and their integral role as a key pillar of civil rights jurisprudence.

Throughout her career in public service, Congresswoman Waters has been a leading advocate for diversity and inclusion in the media. Her years-long efforts during the Comcast-NBC Universal merger review – which included holding congressional hearings, urging the Federal Communications Commission (FCC) to extend the public comment period, filing comments on behalf of independent minority producers, directors, and writers, and leading the congressional efforts to ensure that the terms of the merger included voluntary commitments and proposals for media diversity – led to the creation of four independently minority-owned channels: Sean “Diddy” Combs’ Revolt, Magic Johnson’s Aspire, Robert Rodriguez’s El Rey, and Constantino “Said” Schwarz’s BabyFirst Americas television networks.

As a result of her legislative efforts and commitment to media diversity and inclusion, Congresswoman Waters has been recognized by many of the nation’s leading media organizations and coalitions for journalists and communities of color, including the National Newspaper Publishers Association (NNPA), National Association of Black Journalists (NABJ), and the National Hispanic Media Coalition (NHMC).

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PRESS ROOM: New AARP Pennsylvania Poll: Black Voters 50+ Say Social Security, Inflation, and Medicare Will Influence 2024 Vote

NNPA NEWSWIRE — “With inflation and the rising costs of living squeezing all Pennsylvania households, Black voters 50+ are clearly looking for leaders with a plan,” said Bill Johnston-Walsh, AARP Pennsylvania State Director.  “Candidates would be wise to listen to their opinions and concerns if they want to win in November.”
The post PRESS ROOM: New AARP Pennsylvania Poll: Black Voters 50+ Say Social Security, Inflation, and Medicare Will Influence 2024 Vote first appeared on BlackPressUSA.

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AARP Pennsylvania’s first 2024 election survey shows that candidates should pay close attention to Pennsylvanian voters ages 50 and older and highlights the priorities and concerns of Black voters ages 50 and older that will likely influence the outcome of the 2024 elections. Seventy-nine percent of Black voters in Pennsylvania are extremely motivated to vote this year. When asked about the issues that are important as they decide whom to vote for this November, older Black voters cited Social Security (92% say extremely or very important), Medicare (89%), policies to help seniors live independently at home as they age (87%), the cost of prescription drugs (86%) as key issues. Social Security and Medicare emerged as their top priority issue in their vote for Senate this year, with nearly twice as many Black voters 50+ choosing Social Security and Medicare as any of the other dozen issues tested.

“With inflation and the rising costs of living squeezing all Pennsylvania households, Black voters 50+ are looking for leaders with a plan,” said Bill Johnston-Walsh, AARP Pennsylvania State Director.  “Candidates would be wise to listen to their opinions and concerns if they want to win in November.” Among Black voters 50+, President Joe Biden (D) leads former President Donald Trump (R) by a large margin: 84% to 8%. In the race for U.S. Senate, Senator Bob Casey (D) leads Dave McCormick 87% to 7%.

Other key takeaways include:

  • 96% of Black voters 50+ say they are more likely to vote for a candidate for the U.S. Senate who advocated making sure workers get the Social Security they paid for through a lifetime of hard work.
  • Four of the five issues measured as cost concerns are important to many Black voters 50+: health care/prescription drugs, utilities, food, and housing; and
  • 58% of Black voters 50+ are worried about their financial situation including 63% of women. Health care/prescription drugs and housing are the biggest cost concerns.
  • 66% of Black voters 50+ and 73% of Black voters 65+ say Social Security is or will be a major source of their income.

AARP commissioned the bipartisan polling team of Fabrizio Ward & Impact Research to conduct a survey. The firms interviewed 1,398 likely Pennsylvania voters, which includes a statewide representative sample of 600 likely voters, with an oversample of 470 likely voters aged 50 and older and an additional oversample of 328 Black likely voters aged 50 and older, between April 24-30, 2024. The interviews were conducted via landline, cellphone, and SMS-to-web. The margin of sampling error for the 600 statewide samples is ±4.0%; for the 800 total sample of voters 50+ is ±3.5%; for the 400 total sample of Black voters 50+ is ±4.9%.

View the full survey results at aarp.org/PApolling.

For more information on how, when, and where to vote in Pennsylvania, visit aarp.org/PAVotes.

The post PRESS ROOM: New AARP Pennsylvania Poll: Black Voters 50+ Say Social Security, Inflation, and Medicare Will Influence 2024 Vote first appeared on BlackPressUSA.

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Calif. Anti-Sex Trafficking Advocates Discuss Competing Bills, Strategies

OAKLAND POST — “It is time to send a thorough message that if you seek to buy a child for sex, you will pay the highest criminal penalties in this state,” said the Rev. Shane Harris, a San Diego-based activist, former foster youth and founder of the Peoples Association of Justice Advocates, (PAJA), a national civil rights organization and policy think tank. Harris, who was speaking at a rally at the State Capitol earlier this month, was speaking in support of Senate Bill 1414, authored by Sen. Shannon Grove (D-Bakersfield), which calls for people who buy sex from minors to be punished with a felony. The punishment includes a two-year prison sentence and a $25,000 fine.
The post Calif. Anti-Sex Trafficking Advocates Discuss Competing Bills, Strategies first appeared on BlackPressUSA.

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By Bo Tefu, California Black Media | The Oakland Post

Advocates from across California are challenging state officials and community leaders to support legislation that provides resources and services for survivors and victims of human trafficking, as well as assistance as they transition back into civil society.

Some of those advocates are also calling for more effective state policy to curtail trafficking, a crime that has an outsized impact on Black children, particularly girls.

According to the FBI, a report covering a two-year period found Black children accounted for 57% of all juvenile arrests for prostitution. In addition, 40% of sex trafficking victims were Black and 60% of those victims had been enrolled in the foster care system.

“It is time to hold the perpetrators who take advantage of our children accountable,” said the Rev. Shane Harris, a San Diego-based activist, former foster youth and founder of the Peoples Association of Justice Advocates, (PAJA), a national civil rights organization and policy think tank.

“It is time to send a thorough message that if you seek to buy a child for sex, you will pay the highest criminal penalties in this state,” added Harris who was speaking at a rally at the State Capitol earlier this month. Harris was speaking in support of Senate Bill 1414, authored by Sen. Shannon Grove (D-Bakersfield), which calls for people who buy sex from minors to be punished with a felony. The punishment includes a two-year prison sentence and a $25,000 fine.

Harris said the PAJA is the only civil rights organization in the state that supports SB 1414.

Harris urged other Black-led groups who favor anti-trafficking legislation more focused on criminal justice reforms (as opposed to stiffer penalties), to “join the movement.”

Many of those civil rights groups fear that SB 1414 could lead to the incarceration of more Black youth.

Those sentiments were echoed in a panel discussion organized by Black women advocates on April 26 to examine the cause and effects of human trafficking in California’s Black communities. The virtual event was hosted by the Forgotten Children, Inc, a faith-based nonprofit that advocates for survivors and victims of human trafficking through anti-trafficking campaigns and initiatives.

Panelists shared the psychological impact of sexual exploitation on youth and children in the long term.

Author and educator Dr. Stephany Powell shared statistics and information revealing that African American women and girls are the most trafficked nationwide.

Powell, who serves as the senior advisor on law enforcement and policy at the National Center on Sexual Exploitation said that national data indicates that sex trade survivors are disproportionately women of color. She stated that male survivors often go unnoticed because boys rarely report trafficked crimes.

Powell said that decriminalizing prostitution in California could increase human trafficking. She argued that Senate Bill 357, authored by Sen. Scott Wiener (D-San Francisco), which was signed into law in 2022 and legalized loitering for prostitution, caused a surge in street-level prostitution.

Panelist and psychologist Dr. Gloria Morrow shared opposing views on decriminalizing prostitution. She said that decriminalizing prostitution could help survivors gain access to state resources and support.

Despite opposing views, Powell and Morrow agree that the Black community needs resources and educational programs to address human trafficking.

The post Calif. Anti-Sex Trafficking Advocates Discuss Competing Bills, Strategies first appeared on BlackPressUSA.

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The TINA TURNER Musical Reveals Trials and Triumphs

THE OKLAHOMA EAGLE — The 1993 movie “What’s Love Got to Do with It” portrayed the relationship between Ike and Tina Turner as abusive before their breakup. Ike was also said to victimize Tina, as she shared in a 2018 interview with Oprah Winfrey. But Deon Releford-Lee, the actor who plays Ike in the Broadway musical, says there is more to Ike’s story than is told on screen. In preparing for the part, the Broadway actor searched for the triggers that made Ike who he was known to be.  
The post The TINA TURNER Musical Reveals Trials and Triumphs first appeared on BlackPressUSA.

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By Kimberly Marsh | The Oklahoma Eagle

According to Tulsans who knew him and the actor who plays him in the musical Tina, The Tina Turner Musical, Ike Turner may have had multiple sides to his personality. However, the Ike Turner the public has seen is a violent man.

The arc of Tina Turner’s career is well-known. Although Ike’s story is lesser known, he had a powerful influence on Tina’s life and career. They had a family together, and he witnessed Tina rise to superstardom.

Naomi Rodgers performing ‘What’s Love Got to Do with It?” as Tina Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy for MurphyMade.

Naomi Rodgers performing ‘What’s Love Got to Do with It?” as Tina Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy for MurphyMade.

The 1993 movie, “What’s Love Got to Do with It,” portrayed the relationship between Ike and Tina Turner as abusive before their breakup. Ike was also said to victimize Tina, as she shared in a 2018 interview with Oprah Winfrey. But Deon Releford-Lee, the actor who plays Ike in the Broadway musical, says there is more to Ike’s story than is told on screen. In preparing for the part, the Broadway actor searched for the triggers that made Ike who he was known to be.

Ike is part of the musical until the breakup and the start of Tina’s solo career in the second act. Because of the problematic themes of domestic violence, the musical is recommended for ages 14 and older.

Naomi Rodgers performed “Proud Mary” as Tina Turner and the cast of the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

Naomi Rodgers performed “Proud Mary” as Tina Turner and the cast of the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

Ike Turner 

In an interview with The Oklahoma Eagle, Releford-Lee said playing Ike Turner was a healing experience for him. While “villains” have challenging roles, Releford-Lee said it is liberating in some respects, and he embraces the challenge.

“I have a wealth of knowledge of difficult things to play. My focus is to do as much…research as possible to figure out who this human was, what happened in his path, and what maybe led him to the places to do some of the horrible things he did. Not to excuse their behavior because it’s deplorable, right? We don’t just walk around hating people, throwing them around, forcing them, and manipulating them to do things,” Releford-Lee said. He described Ike’s aggressive behavior, especially with his wife.

Channeling that aggressive hyper-masculine energy takes a toll but also frees Releford-Lee to be softer, more feminine, more free, and more in touch with his emotions off-stage. Having played many villains in the past, he said he learned to become “Okay with my ugliness because that ugliness is in all of us.”

“Ike was a Black man who wrote music and was one of the fathers of Rock ‘n’ Roll but never received the credit,” Releford-Lee said. As Tina took center stage and became the superstar she was, Ike was overlooked.

Zurin Villanueva performed as Tina Turner and Garrett Turner as Ike Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

Zurin Villanueva performed as Tina Turner and Garrett Turner as Ike Turner in the North American touring production of “TINA – THE TINA TURNER MUSICAL.” Photo by Matthew Murphy and Evan Zimmerman for MurphyMade.

“Those are the things that I focus on to help ground me in the (character) because being rejected for being Black, being talented, being othered, is something that I can connect to.”

Tulsa Connections 

In an article published in June 2023 following Tina’s death, The Oklahoma Eagle Editor Gary Lee reflected on the days when the Ike and Tina Revue came to Tulsa and performed at the Big Ten Ballroom. The Ike and Tina Revue was a Big Ten headliner several times in the 1960s, and they performed together until their 1976 divorce.

Tulsa musician and radio personality Bobby Eaton Jr. knew them both and witnessed much of what was happening around them on the road. Eaton recently held a launch party for his new band, Eaton Out.  During the performance, he recounted working with Ike and Tina Turner as the youngest guy in the band. Eaton said he appreciated Ike as a band leader, a musician/composer, and a businessman who showed him the ropes in the industry. But Eaton acknowledged that the relationship was not easy.

“Tina was there, and a lot of fights and a lot of crazy stuff went on back in those days, but at the same, I couldn’t wait to get away because they had too much drama going on.”

Singer Michelle Love, a/k/a Sweet Randi Love, became an Ikette in 1993 and knew him during the last decade of his life when he revived his career as a frontman. She joined the band despite being familiar with the tumultuous relationship Tina described.

“We were more like a family unit. When it came to work, though, he was a real hard ass. I don’t want to say it like that. But you know what I mean? He was serious when it came to work. As far as that goes, he didn’t play any games because he was like, this is me on stage, and it represents me.

“After the Tina stuff, Ike was self-conscious…about every little thing that he did because he had already gotten kind of a bad rap behind the movie. So, he was a real stickler as far as that goes,” Love said, “But when it was time for everybody to go home and we were calming down, Ike was just a big old teddy bear. Honestly, he was really. I think a lot of what he went through, you know, in the past team as well, had a lot to do with his insecurities. During the Jim Crow days, he went through quite a bit. So, there’s a lot that people don’t know about him. As far as his background story goes, I’m not trying to take away from Tina’s background story because she has a story to tell, but it might explain why he was the way he was.”

Ike was released from prison in 1991 after serving 18 months for drug offenses. Cocaine was his drug of choice, and it flowed freely, in large quantities, around him. Ike’s drug addiction relapse in 2004 led to his drug overdose in 2007.

Love has returned to Tulsa and continues to sing and perform with Sweet Randi Love and The Love Thang band.

About Deon Releford-Lee 

Releford-Lee attended Fayetteville State University in North Carolina, an HBCU. At the university, he studied dance and theater. He began working professionally when he was still not old enough to play certain roles, portraying more mature characters. Although getting attention was difficult, he worked his way from ensemble to lead roles. A move to New York City followed, leading to his current role as Ike.

Deon Releford-Lee plays Ike Turner in the TPAC production TINA: The Tina Turner Musical.

Releford-Lee plays Ike full-time every night but has two understudy actors for this incredibly physical and emotional role.  A self-described Bohemian, Releford-Lee’s personality is very different from Ike’s, and he is shocked when audience members have no idea who he is when the cast goes out to greet them.

Following a night onstage, he does breathwork to unwind and get out of character, which can take about 15 minutes to exit.

“I realized that when I’m feeling anxious, it’s mostly because physically I’m not breathing at all. I’m holding my breath, so I’m just reminding myself to breathe. I’m someone who doesn’t leave the theater right away. I just kind of sit there for a bit, take off my costume, take off my wig, put my jewelry on, put my own clothes back on, and just kind of sit and listen to music, and then move on.”

Releford-Lee said people will learn a little more through Ike’s backstory, how the industry treated him, and why he was the way he was.

“And in the same breath, you’re also seeing him being manipulative and hurtful. And the audience is kind of on his side in one second, and then the very next second, betrayed by him.

“I love the moment where Tina and Ike first meet because you see them laughing, you see them enjoying each other. It’s one of the only times of fun between them. And I think that’s beautiful. I love watching Tina discover herself in the second act.”

Celebrity Attractions describes “Tina-The Tina Turner Musical” as the inspiring journey of a woman who broke barriers and became the Queen of Rock ‘n’ Roll. “Set to the pulse-pounding soundtrack of her most beloved hits, this electrifying sensation will send you soaring to the rafters.” Tina Turner won 12 Grammy Awards and her live shows were seen by millions, with more concert tickets sold than any other solo performer in music history. Featuring her songs, “Tina–The Tina Turner Musical” is written by Pulitzer Prize-winning playwright Katori Hall and directed by the internationally acclaimed Phyllida Lloyd.  

The post The TINA TURNER Musical Reveals Trials and Triumphs first appeared on BlackPressUSA.

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