Arts and Culture
African American Historic Ties to Blue Jeans Revealed in Indigo-Dyeing Workshop at Black-Eyed Pea Festival
Oakland-based artist Reshawn Goods, also known as Bushmama, will host a hands-on workshop that connects present-day blue jeans to the skills of enslaved Africans at the 9th Annual Black-Eyed Pea Festival on Sept. 14 at Marston Campbell Park at 17th and West streets. Indigo is a plant that is cultivated in a number of places around the world, including India and and Africa. Indigo dyes were introduced in America as a result of the Trans-Atlantic Slave Trade. Many of the enslaved African people knew how to propagate indigo to create dye from the plant.

By Daisha Williams
Oakland-based artist Reshawn Goods, also known as Bushmama, will host a hands-on workshop that connects present-day blue jeans to the skills of enslaved Africans at the 9th Annual Black-Eyed Pea Festival on Sept. 14 at Marston Campbell Park at 17th and West streets.
Indigo is a plant that is cultivated in a number of places around the world, including India and Africa.
Indigo dyes were introduced in America as a result of the Trans-Atlantic Slave Trade. Many of the enslaved African people knew how to propagate indigo to create dye from the plant. Indigo was used to dye clothes throughout all of West Africa, often referred to as blue gold. Wearing these clothes was a symbol of wealth. The Yoruba of Benin, the Manding of Mali, and the Hausa of Kano were renowned for indigo processing and dyeing.
According to Goods, the Europeans liked the colors that this dye produced and made slaves continuously produce it. Another crop that they cultivated was cotton, still something used for much of our clothing today.
When talking about the historical significance of indigo for Black Americans Goods said, “Slaves at that time were given a ration of clothes once a year… this cloth was very coarse and harsh to the skin. So, one slave decided to dip their clothes in the indigo vat and this was the early beginnings of what denim became to be. People will say that Levi Strauss created jeans, but we created jeans.”
At Goods’ workshop, attendees will be able to use cotton, indigo, and denim to create patches that resonate with them that will be used to form a family quilt. This fun and free craft has a lot of historical significance.
“When you go to school you learn about slaves, but you don’t learn about where they came from or what they brought with them,” said Bushmama. “That’s not part of the narrative… we brought so much with us, and that part is not shared. I feel that if we knew how powerful we were it would help us to elevate. That would help to dismantle white supremacy.”
Bush has been creating ever since she was young. Her first exhibition was in 1994 and was also where she sold her first piece. Since then, she has continued using art to create awareness within the Black community.
Before the counterculture of the 1960s, dungarees weren’t even sold in department stores but rather Army-Navy and hardware stores. They were really cheap but sturdy and only made in men’s sizes. Eventually, blue jeans began to be used by designers and became fashion statements that can cost hundreds of dollars.
Many Black Americans are unfamiliar with this history, and with conservative pushback against things like Critical Race Theory, many pieces of history like this are left untold.
That’s why having workshops like these is so important, it shines a light on the parts of history that have been hidden in the shadows while empowering the Black community by connecting them to their roots.
Activism
New Oakland Moving Forward
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

By Post Staff
Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.
Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.
These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.
So, upward and onward with the movement of New Oakland.
Arts and Culture
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

By Terri Schlichenmeyer
Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages
Take care.
Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.
It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’
Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.
Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.
She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”
When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.
First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”
After their mother died of colon cancer, Rita’s lupus took a turn for the worse.
“Did she even stand a chance?” Davis wrote in her journal.
“It just didn’t seem possible that she, someone so full of life, could die.”
Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.
Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.
But don’t. Not quite yet.
In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.
This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.
Activism
Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.

By Barbara Fluhrer
I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.
I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.
Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing, just blessings. Pray for the best and deal with the rest.
Nobody is perfect, so forgive quickly and love easily!”
Lewis’ book “Detour to Straight Street” is available on Amazon.
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