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COMMENTARY: There They Go Again – Gut or Shutdown DEI Initiatives

CINCINNATI HERALD — Erasure of African American and Native American history justifies the opposition to DEI initiatives. It denies the need to correct the imbalance resulting from generations of a privileged/marginalized social construct. If there is no cause, there is no effect, there is no need to take institutional corrective measures.
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By Rev. Norman Franklin | Herald Guest Columnist

Does America have a race problem? Is systemic racism permeating every fiber of the socioeconomic, sociopolitical institutions of America? Are race-based theories, particularly the Critical Race Theory, liberal extremism, or is it a reality that remains unacknowledged – the big grey elephant always in the room?

Answers trending from conservative Republican majorities grant us some perspective. Racism does not exist. And if history is properly presented, it never existed.

Gov. Ron DeSantis (R.Fla.) signed into law a bill that bans initiatives on diversity, equity and inclusion. He viewed them as discriminatory practices. This was in April 2023. In May, Gov. Greg Abbot (R.Tx.) followed suit with legislation that shuttered all DEI initiatives. A June 2023 SCOTUS decision gutted Affirmative Action.

A July Harvard Business Review article, “Why Companies Can – and Should- Recommit to DEI in the Wake of the SCOTUS Decision” debunks a myth.    African Americans have been the face of Affirmative Action. The article by Tina Ople and Ella F. Washington, reveals that White women benefited the greater from Affirmative Action policies.

America has a proclivity for scapegoating African Americans. Ronald Reagan’s fictitious Cadillac Welfare Queen pictured Blacks as milking the Welfare System. When in fact, Whites were the greater number on the welfare rolls.

Diversity, Equity and Inclusion (DEI) is the latest boogeyman. DEI is about promoting awareness of our differences, addressing structural inequalities, and creating an environment of community and respect for human differences and social identities.

Opponents portray an ominous goal of DEI.

More than 20 states have a combined 50 bills pending or signed into law that restrict or eliminate DEI programs. They purport to protect First Amendment free speech and shield potential employees and students from coercive practices. They are forced to align with divisive, discriminatory policies of DEI initiatives, they assert.

Legislators take the floor and pontificate destruction to our democratic system of government. Some draw analogies to Marxism and Communism. There is no mention of the centuries long system of chattel slavery or the decades of codified discrimination that fostered the inequities that must be righted.

According to Acts 17:26, God made every nation and people from one bloodline. “And He has made from one blood every nation of men to dwell on the face of the earth.”

But we are different. We were made that way. We process our experiences differently and come up with perspectives influenced by our experiences. In our nation of Christian leadership, this “great melting pot” of democracy, those differences should not erect invisible fences that keep us opposed to the goodwill of one another. The truth should tear down the fences and set us free.

We cannot deny the interconnectedness of the past and the present. We cannot deny America’s history and its imprint on the discord in our society, the imbalance in our economy, and the ambiance of conflicted dysfunction in government – state and federal.

Conservative legislatures move to prohibit the inclusion of African/African American history in academic curriculum. Native American history is equally shunned.

African American history and Native American history is American history; however, the amalgamated and comfortable version legislators prefer castrates our experiences and insults our heritage.

The genesis of the opposition is that Whites should not experience guilt when learning about history. That’s a misappropriation of guilt. Knowledge of the past bears no guilt; it could lead to shame, and shame spurs corrective action to ensure that mistakes are not repeated.

Erasure of African American and Native American history justifies the opposition to DEI initiatives. It denies the need to correct the imbalance resulting from generations of a privileged/marginalized social construct. If there is no cause, there is no effect, there is no need to take institutional corrective measures.

When the seats of government — the legislative and the executive branches – rests in the hands of one ideological movement, unrestrained by the weakness of opposition, legislative measures born out of the simmering angst of decades of feigned “go along” with social correctives are pushed through that roll back the progress towards the more perfect union.

The legislative body is comfortable with the imbalance of power and inequalities of society. They wield the sphere of authority over the marginalized.

The African American could feel a sense of betrayal; but we felt the sting of ingratitude when we returned from the battlefields in Europe and the Pacific Theater. Our red blood soaked into foreign soils, but many were denied access to the GI benefits that fueled postwar prosperity.

Those who govern are the descendants of those who enslaved us; they deny the inhumanity of this immoral and unjust system.

Those who govern are the generations of those who codified Black Codes and Jim Crow Laws into a social construct that devalued Black life and castrated their dignity.

These are the progeny, the sons and daughters of those who have benefited from systemic injustice but deny that inequality permeates every fiber of the social construct of America. It’s all they have known; it feels so normal. They can feel justified in the unjust laws they legislate; they can feel comfortable in the rollback of corrective measures. They can see no wrong in ending DEI initiatives.

As the Ronald Reagan, the quintessential Republican, said during a presidential debate. “There you go again.”

Editor’s Note: The views expressed in this commentary piece do not necessarily the express the opinions of The Cincinnati Herald.

The post, “There they go again – gut or shutdown DEI initiatives” appeared first on The Cincinnati Herald .

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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