Arts and Culture

Día de los Muertos Festivities in Oakland Bring in Crowds of Celebrants

On Oct. 22, the Oakland Museum of California (OMCA) held its annual celebration at 10th and Fallon streets while the Unity Council held a street festival on International Boulevard and Fruitvale Avenue last Sunday. Coinciding with Halloween, Día de los Muertos, or Day of the Dead, dates back to traditions established by the indigenous peoples of America that fused, over time, with the Catholic beliefs brought by Spanish conquistadors.

Published

6 months ago

November 7, 2023

Magaly Muñoz

A community altar including framed photos of the deceased among marigolds and candles at the Oakland Museum on Oct. 22, 2023. Photo by Eva Ortega

By Eva Ortega and
Magaly Muñoz,
Post Staff

In a haze of incense smoke, flickering candles and bright orange marigolds, Oakland outdid itself with two weekends of Día de los Muertos observances that were both solemn and festive.

On Oct. 22, the Oakland Museum of California (OMCA) held its annual celebration at 10^th and Fallon streets while the Unity Council held a street festival on International Boulevard and Fruitvale Avenue last Sunday.

Coinciding with Halloween, Día de los Muertos, or Day of the Dead, dates back to traditions established by the indigenous peoples of America that fused, over time, with the Catholic beliefs brought by Spanish conquistadors.

Though it has primarily Mexican roots, it is also celebrated in parts of Bolivia, Ecuador, Guatemala, and other countries.

Its components are also recognized as part of the Intangible Cultural Heritage of Humanity by the United Nations.

As they performed the ancient dance of the dead, the fragrant smoke of copal wafted over the Ollin Anahuac Traditional Aztec Dance group who were the stars of the opening ceremony at the Oakland Museum’s 29^th Annual Día de los Muertos Community Celebration.

Despite wind and light rain, a sizeable crowd came out to view altars created by local groups, including students from Bret Harte Middle School, Richmond High School and Black Girls Excellence from Montera Middle School.

A vintage car becomes the site for an ofrenda at “Blooming Resistance,” the Unity Council’s 28th Día de los Muertos Festival on Oct. 29, 2023. Photo by Magaly Muñoz.

A variety of performances also took place throughout the day, including by award-winning artist Gabriela Sepúlveda and notable poets Tino V. H., Jr., Briana Victoria Leung and Camila Elizabet Aguirre Aguilar.

Aguilar captivated listeners with an emotional performance dedicated to Vanessa Guillen, the 20-year-old army soldier whose 2020 murder sparked protests across the country.

“Oral storytelling is in our blood, and we’ve practiced this for hundreds, thousands of years,” Aguilar said. “When we have youth murdered that are indigenous to this content…women, it is important that we call attention to the powers and structures that cause [violence] and that we continue with the traditions of resistance and honoring the dead.”

While rain had depressed the numbers at the Oakland Museum celebration, the sun was bright on Sunday in the Fruitvale for “Blooming Resistance,” the 28^th such Día de los Muertos Festival.

The street was covered with brightly colored streamers and flowers and lined with vendors and informational booths.

Altares with photos and ofrendas could be seen at every corner of the festival. Many had personal notes from family, favorite foods of the deceased loved one and symbols that represent them.

Iliana Vasquez, who was hired by The Unity Council to help organize the event, expected a larger crowd than previous years and hoped to attract more than the usual 100,000 attendees.

“For me, the community is my main focus. I hope they’re there to have a good time with their families,” Vasquez said.

Food vendors crowded the streets, selling tacos, fruit, aguas frescas and most notably pan de muerto or ‘bread of the dead.’ This sweet bread is meant to resemble bones and is a vital part in the offerings used for the altars. It is used to lure souls to visit their loved ones.

Another staple in Día de los Muertos is the cempazúchitl, or marigold flowers that adorn the altars.

Rocio Plate was one of the many vendors who sold the marigolds, but instead of just selling them as a simple bouquet, she fashioned them into crosses and crowns and bunched them up into vases.

Resident Robert Berger says cultural events such as the one at OMCA are what brought him to Oakland almost a decade ago. He and his partner also attend the festival in Fruitvale every year.

“It’s what creates hope for the future amidst a lot of turmoil and it’s really what brought us to Oakland in the first place, being so eclectic, diverse and enriching,” Berger said. “If you don’t participate in them, you’re really missing out on a lot.”

Those who have missed both of Oakland’s Día de los Muertos events can still view OMCA’s “In Remembrance of Our Ancestors” installation that showcases how Día de los Muertos emerged as the holiday many recognize today. It will run until Nov. 26.

Eva Ortega is part of the Community Media journalism class at San Francisco State University.

Magaly Muñoz

A graduate of Sacramento State University, Magaly Muñoz’s journalism experience includes working for the State Hornet, the university’s student-run newspaper and conducting research and producing projects for “All Things Considered” at National Public Radio. She also was a community reporter for El Timpano, serving Latino and Mayan communities, and contributed to the Sacramento Observer, the area’s African American newspaper.

Muñoz is one of 40 early career journalists who are part of the California Local News Fellowship program, a state-funded initiative designed to strengthen local news reporting in California, with a focus on underserved communities.

The fellowship program places journalism fellows throughout the state in two-year, full-time reporting positions.

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Magaly Muñoz

A graduate of Sacramento State University, Magaly Muñoz’s journalism experience includes working for the State Hornet, the university’s student-run newspaper and conducting research and producing projects for “All Things Considered” at National Public Radio. She also was a community reporter for El Timpano, serving Latino and Mayan communities, and contributed to the Sacramento Observer, the area’s African American newspaper. Muñoz is one of 40 early career journalists who are part of the California Local News Fellowship program, a state-funded initiative designed to strengthen local news reporting in California, with a focus on underserved communities. The fellowship program places journalism fellows throughout the state in two-year, full-time reporting positions.

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Arts and Culture

Richmond Preps for Full Weekend of Cinco de Mayo Festivities

Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival. The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.

Published

5 days ago

May 4, 2024

Oakland Post

Scene from the 2023 Cinco de Mayo parade from Richmond to San Pablo. Photo courtesy The Richmond Standard.

By Mike Kinney

The Richmond Standard

Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival.

The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.

The parade’s Grand Marshall this year will be community organizer Diego Garcia, owner of Leftside Printing.

The festivities continue Sunday with the Cinco de Mayo Festival along 23rd Street, which last year drew over 100,000 people, according to the 23rd Street Merchants Association. This year’s festival will again run from 10 a.m. to 5 p.m. between the intersections of Rheem Avenue and Clinton Avenue. It will feature two entertainment stages, one sponsored by La Raza 93.3 FM at 23rd and Rheem, and another sponsored by Radio Lazer FM at 23rd and Clinton.

Both events are important for the city and the region’s Latino community.

San Pablo Mayor Genoveva Calloway, who co-chairs the parade alongside John Marquez, president of the Contra Costa Community College District Board of Trustees, says Saturday’s festivities are about bringing the Richmond and San Pablo communities together in unity.

“This truly connects the spectators and people in the parade as one,” Calloway said. “The parade showcases the real communities of Richmond and San Pablo – our nonprofits, schools, horse riders, classic cars and trucks, our local businesses. All of these people represent the heartbeat of our community.”

Rigo Mendoza, vice president of the 23rd Street Merchants Association, said that at its heart, Richmond’s Cinco de Mayo Festival celebrates the date the Mexican army’s victory over France at the Battle of Puebla on May 5, 1862.

But John Marquez started up the popular festival to bring the community together and also to exhibit the community’s businesses and culture to visitors, Mendoza said. The gathering was also a way to promote peace in the community.

Oakland Post

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Art

Mario Van Peebles’ ‘Outlaw Posse’ Screened at Oakland’s Grand Lake Theatre

Published

5 days ago

May 4, 2024

Oakland Post

Film director Mario Van Peebles, who also stars in “Outlaw Posse,” appeared at a press conference held at RBA Creative on MacArthur Boulevard hosted by the Oakland International Film Festival. Photo By Carla Thomas.

By Carla Thomas

The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago. Filmmaker Van Peebles shared his passion for independent artistry and producing projects with his son, Mandela, who also starred in the film, along with Whoopi Goldberg and Cedric the Entertainer. Next week, The Post will publish an in-depth interview featuring Peebles’ reflections on his work, future projects, and continuing his father’s legacy and Rhodes on her grandfather, a real-life cowboy.

Oakland Post

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Arts and Culture

Kedrick Armstrong: New Music Director for the Oakland Symphony

The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director. In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.

Published

3 weeks ago

April 20, 2024

Oakland Post

Kedrick Armstrong is the new music director for the Oakland Symphony. Photo credit Scott Chernis.

By Post Staff

The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director.
In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.

Armstrong is the successor to previous music director and Conductor Michael Morgan, who passed away in 2021 after a 30-year tenure at the Symphony.

Armstrong will open the Oakland Symphony 2024-2025 season on October 18.

Armstrong, who is 29 and hails from Georgetown, South Carolina, is currently the creative partner and principal conductor of the Knox-Galesburg Symphony.

The Chicago Tribune has praised Armstrong for his ability to “simply let the score speak for itself.” He enjoys a wide range of repertoire, spanning early music to premiering new works, using his joy and curiosity for all music to cultivate understanding and collaboration within diverse communities.
“I am deeply honored and grateful for the opportunity to serve as the new music director of the Oakland Symphony,” Armstrong said. “As a Black conductor, I find it humbling to stand on the shoulders of both Michael Morgan and Calvin Simmons,” the most recent and the first African American music directors of the Symphony, respectively.

Armstrong led three programs at the Symphony between 2022 and early 2024, which showcased his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.
On his Oakland Symphony subscription debut on Feb. 16, Armstrong led the world premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.

Armstrong was selected unanimously by the Oakland Symphony’s board of directors and musicians after an extensive two-year search. “The search committee was overwhelmed by Kedrick’s scholarship and curiosity about all kinds of music, from classical and jazz to gospel and hip-hop,” said. Dr. Mieko Hatano, executive director of the Oakland Symphony. “We are thrilled to have him join us at the Oakland Symphony.”