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OPINION: ‘Dilbert’ Creator’s New Anti-Woke Strategy—’You Are A Hate Group!’

Adams use of a conservative poll as justification to make racist statements against Blacks is more than a little ridiculous. It’s also a little sad because Adams sounded serious. Adams used a poll from Rasmussen Reports that showed 53% of Black Americans agreed with the statement that it’s “OK to be white.”

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Emil Guillermo is a journalist, commentator and storyteller. See him at www.amok.com.
Emil Guillermo is a journalist, commentator and storyteller. See him at www.amok.com.

I confess, I haven’t seen Scott Adams’ Dilbert comic strip in ages. Who even gets a newspaper that carries it anymore? Alas, after this week, Dilbert is as dead as a dodo.

Hallelujah.

Adams use of a conservative poll as justification to make racist statements against Blacks is more than a little ridiculous. It’s also a little sad because Adams sounded serious.

Adams used a poll from Rasmussen Reports that showed 53% of Black Americans agreed with the statement that it’s “OK to be white.”

That statement, “OK to be white,” has a history of being associated with white supremacy movements, according to the Anti-Defamation League.

So, Adams asked aloud on his YouTube video, if 53% of Blacks in the poll were good with the statement about whites, what about the others who weren’t sure?

Adams said the 47% who disagreed or weren’t sure, made the conclusion clear to him.

Blacks were a hate group!

He wasn’t joking.

Adams concluded in a video rant, “The best advice I would give to white people is to get the hell away from Black people.”

Adams was justifying segregation. From a falsely accused hate group in his mind —Blacks.

And he seemed adamant. “Just get away,” he said. “Because there’s no fixing it.”

Does he mean there’s no fixing Clarence Thomas? Because I believe that.

Still, the only fixing needed seems to be Adams’ warped perception.

Just seems like quite a leap to extrapolate all that he does from a simple public opinion poll.

But Adams seems to be showcasing an emerging tactic of the anti-woke, pro-white movement.

Just call your enemy a “hate group.”

It gives white supremacists in their minds the leverage of moral superiority. Imagine, a group that hates more than they do?

This is pro-fascist, pro-white logic in action. It’s worked for Fox News and Trump, so far. We’ll see how long it lasts after the Dominion Voting machines defamation suit against the conglomerate. Adams is simply showing how easy it is to call your enemy a hater.

Fortunately, sane people see it for what it is. Newspapers that have been carrying Adams for decades are cancelling ‘Dilbert.’

Not that Adams seems to care about losing business or money. He has enough. After more decades creating a newspaper panel strip about a workplace dullard in a far from diverse and sensitive worksite, it may be that Adams was just looking for a way to go down with a bang, a way to say goodbye, as his strip was becoming more and more irrelevant.

And Adams only seems to be implying a half-hearted first amendment argument. Probably because it falls flat. No one stopped Adams from saying what he wanted to on his video. Besides, free speech laws apply to government business not to the private corporate world Adams deals in. Businesses have a right not to work with self-declared public racists. Nothing wrong there.

So, Adams was either bored with Dilbert, or he was just modeling behavior for the other male and female Ken/Karen-types, conservative whites who feel threatened by a diverse America, not just of Blacks but the entire BIPOC community.

Adams was the role model with the hot take: it’s OK to hate a hate group.

These are the sentiments of a paranoid anti-Woke crowd. Maybe Dilbert wants to run for office?

I really had to think hard the last time I even saw the Dilbert comic strip. I couldn’t recall if I’d ever seen a person of color in any Dilbert panel cartoon? Sadly, you can still get away with segregation in the comic strips. But sure enough, the first Black character in Dilbert, was Dave the engineer in 2022.

He’s much darker than Dilbert and in his introduction, Dave delivers the punchline, “I identify white.”

And I’m positive it wasn’t a matter of affirmative action, but of merit. Still, Dave needed the help of a white man. Adams had to draw it.

And maybe that’s the point. Dilbert, a white drone in a diverse work force, may have run out of funny things to say — that weren’t racist. In a work force of aggrieved whites quietly quitting, Adams had to go out loudly.

Adams’ rant was a nostalgic cry not for a brighter, optimistic America, but for the way things used to be in the 1950s. Only with faster computers. And decent Wi-Fi.

Adams and Dilbert deserve what they’re getting.

If they wanted to be cancelled, I’m more than happy to oblige.

Emil Guillermo is a journalist, commentator and storyteller. See him at www.amok.com.

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Activism

Oakland Post: Week of April 24 – 30, 2024

The printed Weekly Edition of the Oakland Post: Week of April 24 – 30, 2024

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Oakland Post: Week of April 17 – 23, 2024

The printed Weekly Edition of the Oakland Post: Week of April 17 – 23, 2024

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Commentary

Opinion: Surviving the Earthquake, an Eclipse and “Emil Amok.”

Last Friday, a 4.8 magnitude earthquake shook New York City, reported as the “biggest earthquake with an epicenter in the NYC area since 1884” when a 5.2 quake hit. A bit bigger. The last quake similar to Friday’s was a 4.9 in 1783.Alexander Hamilton felt it — 241 years ago. That’s why New Yorkers were freaking out on Friday. They were in the room where it happens.

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In New York City, the eclipse was about 90 percent visible. Good enough for me. Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.
In New York City, the eclipse was about 90 percent visible. Good enough for me. Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.

By Emil Guillermo

I’m a Northern Californian in New York City for the next few weeks, doing my one-man show, “Emil Amok, Lost NPR Host, Wiley Filipino, Vegan Transdad.”

I must like performing in the wake of Mother Nature.

Last Friday, a 4.8 magnitude earthquake shook New York City, reported as the “biggest earthquake with an epicenter in the NYC area since 1884” when a 5.2 quake hit. A bit bigger. The last quake similar to Friday’s was a 4.9 in 1783.

Alexander Hamilton felt it — 241 years ago.

That’s why New Yorkers were freaking out on Friday. They were in the room where it happens.

And it just doesn’t happen that often.

Beyonce singing country music happens more frequently.

When I felt New York shake last week, it reminded me of a time in a San Francisco TV newsroom when editors fretted about a lack of news an hour before showtime.

Then the office carpeting moved for a good ten seconds, and the news gods gave us our lead story.

On Friday when it happened in NYC, I noticed the lines in the carpeting in my room wiggling. But I thought it was from a raucous hotel worker vacuuming nearby.

I didn’t even think earthquake. In New York?

I just went about my business as if nothing had happened. After living near fault lines all my life, I was taking things for granted.

Considering the age of structures in New York, I should have been even more concerned about falling objects inside (shelves, stuff on walls) and outside buildings (signs, scaffolding), fire hazards from possible gas leaks, and then I should have looked for others on my floor and in the hotel lobby to confirm or aid or tell stories.

Of course, as a Californian who has lived through and covered quakes in the 4 to 6 magnitude range, I tried to calm down any traumatized New Yorker I encountered by taking full responsibility for bringing in the quake from the Bay Area.

I reassured them things would be all right, and then let them know that 4.8s are nothing.

And then I invited them to my consoling post-Earthquake performance of “Emil Amok, Lost NPR Host…”

It was the night of the eclipse.

ECLIPSING THE ECLIPSE

In New York City, the eclipse was about 90 percent visible. Good enough for me.  Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.

For example, did you know the first Filipinos actually arrived to what is now California in 1587? That’s 33 years before the Pilgrims arrived in America on the other coast, but few know the Filipino history which has been totally eclipsed.

I was in Battery Park sitting on a bench and there was a sense of community as people all came to look up. A young woman sitting next to me had a filter for a cell phone camera.  We began talking and she let me use it. That filter enabled me to take a picture of the main event with my iPhone.

For helping me see, I invited her and her boyfriend to come see my show.

Coincidentally, she was from Plymouth, Massachusetts, near the rock that says the year the Pilgrims landed in 1620.

In my show she learned the truth. The Pilgrims were second.

History unblocked. But it took a solar eclipse.

Next one in 2044? We have a lot more unblocking to do.

If you’re in New York come see my show, Sat. April 13th, 5:20 pm Eastern; Fri. April 19, 8:10 pm Eastern; and Sun. April 21st 5:20 pm Eastern.

You can also livestream the show. Get tickets at www.amok.com/tickets

About the Author

Emil Guillermo is a journalist and commentator. He does a mini-talk show on YouTube.com/@emilamok1.  He wishes all his readers a Happy Easter!

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