Activism
COMMENTARY: Artworks Capturing Political Chaos Rejected by Billboard Companies
People For the American Way will use billboards and social media to bring the censored artwork to Georgia voters and to people around the country who care about the issues that are at stake in this year’s elections.
By Ben Jealous
Art can be a powerful tool for social change. Sometimes that threatens people in power.
Right now, some of America’s greatest artists are contributing their time and creative talents to remind voters in Georgia what is at stake in this year’s elections. And a couple of national billboard companies are refusing to let People For the American Way share some of those images with voters.
The Georgia billboards are part of a multimedia campaign to remind voters—especially Black men—why Republican candidates Brian Kemp and Herschel Walker are the wrong choices in this election. Georgia is ground zero for attacks on our democracy by MAGA extremists with agendas calculated to stop progress.
The billboard campaign is designed to expose hard truths to voters in a way that makes these attacks real—and motivates people to vote. “As artists, we can create art that addresses the ills of systems that devastate the fabric of our families, our communities, and our nation,” says renowned multimedia artist Carrie Mae Weems. “Artistic expression can inspire people to channel their energy into voting for a better future for everyone.”
The billboard campaign is also part of a broader long-term project to engage artists in making political and social change. As a longtime civil rights leader, I know that there is a long lineage of artists whose music, poetry, spoken word, and visual arts have helped energize our great social justice movements.
Weems and other artists participating in this campaign have taken their place in that honorable history. They include Victoria Cassinova, Shepard Fairey, Alyson Shotz, Deborah Kass, and Cleon Peterson.
Shotz, whose art depicts the attack on the U.S. Capitol by people trying to prevent a peaceful transfer of power after Trump lost the 2020 election, notes that art played a crucial role in the national mobilization to defeat fascism in the 1940s. “Now this task is upon us again, to fight the power of authoritarians and conspiracists, racists and nativists and fear-mongers,” she says. “It falls to us, We the People, to save democracy, through our actions, through our art, through our votes.”
Art can speak to our hearts. That’s part of its power to provoke thought, emotion, and action. And that is why censorship is often a weapon wielded by those who fear art’s motivating power.
“The personal and political chaos in our world is a direct result of the violence against human beings in the name of power,” says Peterson, whose art installations depicting white supremacist gun violence and attacks on reproductive choice were rejected by billboard owners. “The art for these billboards depicts the rawness and the terror of those struggles and I hope it’s enough to move the people of Georgia to action in this midterm election.”
Kass contributed an installation that includes the faces of five far-right Supreme Court justices—a clear reminder that the courts and all the rights that depend on a fair and independent judiciary to uphold them—are at stake in this election.
People For the American Way will use billboards and social media to bring the censored artwork to Georgia voters and to people around the country who care about the issues that are at stake in this year’s elections.
There is no doubt that art expressing the harsh realities people face in their daily lives can be jarring. But that is no reason to turn away.
“There’s a short line between the intense reactions to the art depictions and the urgency that we carry to the ballot box,” says my colleague Svante Myrick, executive director of People For the American Way. “If this artwork offends you, wait to see what happens if you don’t vote.”
Ben Jealous serves as president of People For the American Way and Professor of the Practice at the University of Pennsylvania. A New York Times best-selling author, his next book “Never Forget Our People Were Always Free” will be published by Harper Collins in January 2023.
Activism
Oakland Post: Week of April 24 – 30, 2024
The printed Weekly Edition of the Oakland Post: Week of April 24 – 30, 2024
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Activism
Oakland Post: Week of April 17 – 23, 2024
The printed Weekly Edition of the Oakland Post: Week of April 17 – 23, 2024
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Oakland Schools Honor Fred Korematsu Day of Civil Liberties
Every Jan. 30, OUSD commemorates the legacy of Fred Korematsu, an Oakland native, a Castlemont High School graduate, and a national symbol of resistance, resilience, and justice. His defiant stand against racial injustice and his unwavering commitment to civil rights continue to inspire the local community and the nation. Tuesday was “Fred Korematsu Day of Civil Liberties and the Constitution” in the state of California and a growing number of states across the country.
By Post Staff
Every Jan. 30, OUSD commemorates the legacy of Fred Korematsu, an Oakland native, a Castlemont High School graduate, and a national symbol of resistance, resilience, and justice.
His defiant stand against racial injustice and his unwavering commitment to civil rights continue to inspire the local community and the nation. Tuesday was “Fred Korematsu Day of Civil Liberties and the Constitution” in the state of California and a growing number of states across the country.
One OUSD school is named in his honor: Fred T. Korematsu Discovery Academy (KDA) elementary in East Oakland.
Several years ago, founding KDA Principal Charles Wilson, in a video interview with anti-hate organization “Not In Our Town,” said, “We chose the name Fred Korematsu because we really felt like the attributes that he showed in his work are things that the children need to learn … that common people can stand up and make differences in a large number of people’s lives.”
Fred Korematsu was born in Oakland on Jan. 30, 1919. His parents ran a floral nursery business, and his upbringing in Oakland shaped his worldview. His belief in the importance of standing up for your rights and the rights of others, regardless of race or background, was the foundation for his activism against racial prejudice and for the rights of Japanese Americans during World War II.
At the start of the war, Korematsu was turned away from enlisting in the National Guard and the Coast Guard because of his race. He trained as a welder, working at the docks in Oakland, but was fired after the bombing of Pearl Harbor in 1941. Fear and prejudice led to federal Executive Order 9066, which forced more than 120,000 Japanese Americans out of their homes and neighborhoods and into remote internment camps.
The 23-year-old Korematsu resisted the order. He underwent cosmetic surgery and assumed a false identity, choosing freedom over unjust imprisonment. His later arrest and conviction sparked a legal battle that would challenge the foundation of civil liberties in America.
Korematsu’s fight culminated in the Supreme Court’s initial ruling against him in 1944. He spent years in a Utah internment camp with his family, followed by time living in Salt Lake City where he was dogged by racism.
In 1976, President Gerald Ford overturned Executive Order 9066. Seven years later, the 9th Circuit Court of Appeals in San Francisco vacated Korematsu’s conviction. He said in court, “I would like to see the government admit that they were wrong and do something about it so this will never happen again to any American citizen of any race, creed, or color.”
Korematsu’s dedication and determination established him as a national icon of civil rights and social justice. He advocated for justice with Rosa Parks. In 1998, President Bill Clinton gave him the Presidential Medal of Freedom saying, “In the long history of our country’s constant search for justice, some names of ordinary citizens stand for millions of souls … To that distinguished list, today we add the name of Fred Korematsu.”
After Sept. 11, 2001, Korematsu spoke out against hatred and discrimination, saying what happened to Japanese Americans should not happen to people of Middle Eastern descent.
Korematsu’s roots in Oakland and his education in OUSD are a source of great pride for the city, according to the school district. His most famous quote, which is on the Korematsu elementary school mural, is as relevant now as ever, “If you have the feeling that something is wrong, don’t be afraid to speak up.”
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