Black History

AI-Generated Rapper Controversy Spotlights the Need for More Blacks in Tech

While A.I. technology is making massive strides, it is still limited to processing massive amounts of data based on parameters set by the programmer, according to Josh Lovejoy at Google’s Privacy and Data Protection Office. Consequently, A.I. is not an independent entity but an extension of its creators and thus inherits their biases.

Published

4 years ago

September 17, 2022

Oakland Post

Media watchers say FN Meka is modeled after rap artists like Lil Pump and Travis Scott and was voiced by real-life rap artist Kyle the Hooligan.

Aldon Thomas Stiles | California Black Media

Almost as quickly as it began, the music industry may have seen the end of the infamous Artificial Intelligence (A.I.) rapper referred to as “FN Meka”, a computer-generated character being widely condemned for appropriating Black culture and saying the N-word.

The A.I. rapper was developed by Anthony Martini and Brandon Le, co-founders of Factory New, a Metaverse media company. Some critics claim that the creators who are not Black are trivializing Black art and the Black experience, tantamount to what some are calling “digital Blackface.”

“In many ways, digital Blackface is an example of … the ‘digital afterlife of slavery’ and Jim Crow, where you have real people and virtual characters engaging in a kind of machine-automated minstrelsy that disrespects and disregards the artistry and production value that goes into the creation of Black culture,” Dr. Faithe J. Day, Assistant Professor of Black Studies at the University of California Santa Barbara (UCSB), told California Black Media.

Media watchers say FN Meka is modeled after rap artists like Lil Pump and Travis Scott and was voiced by real-life rap artist Kyle the Hooligan.

Kyle the Hooligan says that he will be suing the company responsible for the A.I. rapper. The Houston-based artist says he had not been paid for his work and he wasn’t aware that his voice had been sold to Capitol Music Group (CMG) until he saw it in the news.

CMG terminated its contract with Factory New less than two weeks after they signed it amid the controversy surrounding the A.I. artist’s lyrical content and depiction of rap culture.

One of the A.I. rapper’s questionable lyrics is in the song ‘Moonwalkin’. It says “boom, police on my back, hot pursuit (Skrr)/ Know that they mad that this A.I. gettin’ [inaudible],” along with several uses of the N-word.

The A.I. project attracted more criticism when Factory New posted on its Instagram account an animated video depicting the program’s avatar on the ground being assaulted by police.

The post’s caption read: “POLICE BRUTALITY?? What Should I Do ?!?! This Guard keeps beating me w/ his BATON because I won’t snitch. I ain’t no RAT. Life in Prison is so Depressing…. I wish I could get out so I could start making music again.”

CMG issued a formal apology for its involvement with Factory New saying, “CMG has severed ties with the FN Meka project, effective immediately. We offer our deepest apologies to the Black community for our insensitivity in signing this project without asking enough questions about equity and the creative process behind it.”

Martini suggested that critics of his A.I. rapper have taken a hypocritical stance.

“If you’re mad about the lyrical content because it supposedly was A.I., why not be mad about the lyrical content in general?” Martini was quoted saying to the New York Times.

Prof. Day found that comparison grossly oversimplifies what some people are concerned about.

“In the case of FN Meka, comparing what an A.I. [character] does to what an artist does is a false equivalency and misses the point of why so many people are upset about the representation of this A.I. rapper,” Day said. “The real issue is that FN Meka is an example of what Adam Clayton Powell called ‘high-tech Blackface’ and what more recently has been called ‘Digital Blackface’, a phenomenon that we have seen for decades in video games, chat rooms, and social media.”

Day said there is an extensive history in music and entertainment of appropriating Black culture without compensating the African American originators of various art forms.

“Due to the fact that within America and the Western world, there is a history of those in power freely benefitting from the cultural and material production of BIPOC individuals, it only makes sense that the same ethos would continue in the digital realm,” Day said.

“And, in this case, the popularity of FN Meka and other virtual artists might make it easier for creative industries to forgo actually increasing the diversity and inclusion of their artists’ roster and production teams in favor of creating their own caricatures of Blackness, or any other combination of identities,” Day continued.

Martini is no longer associated with the FN Meka project and Factory New. In his announcement, he sided with Kyle the Hooligan.

“In the past few days, I’ve learned of Kyle the Hooligan’s experience with Meka which is deeply at odds with my core values. I believe that artists must always be at the center of the creative process and must be compensated fairly,” Martini stated.

“In addition, while it is important to stay aware of racist A.I., we also have to think about intersectionality and the fact that A.I. isn’t just racist, it can also be sexist, homophobic, transphobic, classist, and many other things that speak to the fact that oppression acts in a matrix,” Day said.

Day is still optimistic about the future of artificial intelligence as more Black and other minority-led projects become a reality, such as NeuroSpeculative AfroFeminism (NSAF) from Hyphen Labs, a global team of women of color doing pioneering work encompassing art, technology, and science.

“By drawing on both speculative and liberatory approaches to art and design, I believe that there are many artists that are poised to build a more diverse and justice-oriented future within, and outside of, the creative industries by using technology and artificial intelligence for social good,” Day emphasized.

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Black History

IN MEMORIAM: The Rev. Leon “Sonny” Clark, Longtime Orange County Pastor and Community Leader, Dies at 72

Rev. Leon William “Sonny” Clark, the longtime pastor of New Spirit Baptist Church in Santa Ana and a prominent faith and community leader in Orange County, passed away on September 9 at the age of 72. Born in Bennettsville, South Carolina, Clark was a U.S. Navy veteran who dedicated his life to service. He served various Southern California churches before leading New Spirit Baptist Church for over 22 years, extending his work into counseling, mentoring, and civic engagement, and supporting the African American community. To learn more about his life and contributions, read more.

Published

9 hours ago

September 28, 2026

Post News Group

The Rev. Leon “Sonny” Clark. File photo.

By Bo Tefu, California Black Media

Rev. Leon William “Sonny” Clark, longtime pastor of New Spirit Baptist Church in Santa Ana and a respected faith and community leader in Orange County, died Sept. 9. He was 72.

Born Oct. 2, 1953, in Bennettsville, South Carolina, Clark was a U.S. Navy veteran who later built a life of service centered on family, faith, ministry, and community.

Clark began his formal ministry at Metropolitan Baptist Church in Altadena in 1978. After acknowledging his call to ministry in 1980, he preached his first sermon and went on to serve churches throughout Southern California, including Second Baptist Church in Riverside, Mount Vernon Baptist Church in Rubidoux, Antioch Missionary Baptist Church in Pomona, and Friendship Baptist Church in Yorba Linda.

In November 2003, Clark was called to lead New Spirit Baptist Church in Santa Ana, where he served as pastor for more than 22 years. His work extended beyond the pulpit through counseling, mentoring, civic engagement, and efforts to strengthen Orange County’s African American community.

Clark served on the Orange County Heritage Council and supported efforts to preserve and celebrate African American history and culture. He helped organize the Orange County Black History Parade and Unity Festival, served on the Interfaith Committee and the Orange County Transit Authority, and served as president of the Orange County Ministers Conference.

In 2024, the City of Santa Ana recognized Clark for his contributions to the community. He also received the Orange County Southern Baptist Association Hall of Faith Award and was previously honored as Pastor of the Year by the Orange County Heritage Council.

Clark is survived by his wife, Andrea Joyles Clark; six children, Shawn Williams, Le Ondra Clark Harvey, Kyla Coward, Joshua Clark, Marissa Clark and Ashley Clark; grandchildren and great-grandchildren; siblings; extended family; and the New Spirit Baptist Church congregation.

A wake will be held Thursday, Oct. 1, from 4 to 8 p.m. at New Spirit Baptist Church, 701 S. Sullivan St. in Santa Ana, with a remembrance service from 5 to 6:30 p.m.

A Celebration of Life will be held Friday, Oct. 2, at Friendship Baptist Church, 17145 Bastanchury Road in Yorba Linda. Viewing begins at noon, followed by the service at 1 p.m.

Burial will take place Monday, Oct. 5, at 10:15 a.m. at Riverside National Cemetery.

Clark often shared a guiding principle that shaped his ministry: “Start where you are. Use what you have. Do what you can.”

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Black History

Remembering Chauncey Bailey as Student Journalists Face Threats to Truth-Telling

Nearly two decades ago, Oakland Post reporter and editor-in-chief Chauncey Bailey was tragically murdered for investigating a crooked business. His assassination shocked the journalism world and is remembered as student journalists today face increasing threats and censorship. A former classmate of Bailey and chair of the Student Press Law Center notes a significant rise in calls from students seeking legal advice amid a hostile environment. This situation highlights the importance of protecting young journalists and their pursuit of truth. Read more to learn about Bailey’s legacy and current challenges facing student press.

Published

10 hours ago

September 27, 2026

Post News Group

By Steven A. Holmes Special to The Post

It is nearly 20 years since Chauncey Bailey, a crusading journalist, was murdered

on an Oakland street corner, gunned down to prevent him from writing stories about a

crooked business.

I hope people remember Bailey, a reporter and editor-in-chief for the

Oakland Post, the city’s Black newspaper. He had already written several articles about

the problems of a business called Your Muslim Bakery and was working on another

when the bakery’s owner ordered an employee to kill Bailey.

His murder shocked the journalism world that found the idea of an American

reporter killed for doing his job unfathomable. For me, the shock and sadness were also

personal.

I knew Bailey. In the mid-1970s we were classmates in the Michelle Clark Memorial

Foundation program, the precursor to the Institute for Journalism Education Summer

Program. A program, backed by the Ford Foundation, that provided intensive training

for fledgling minority journalism students and then placed them in jobs at newspapers

and television stations.

I’m reminded of Bailey and that program when I visit the East Bay at the end of

September to discuss the future of student journalism. To me, the visit will not only

evoke memories of Bailey. It will also be an opportunity to hone strategies to protect and

support student journalists who are under attack today, maybe not in the way that took away Chauncey Bailey, but an attack, nonetheless.

Spurred by the hostility toward the free press emanating out of Washington, high

school and college journalists are facing a barrage of censorship and harassment from

school administrators and local officials.

The 24-hour hotline staffed by the Student Press Law Center (SPLC), the non-profit I chair, has seen a 35% increase in calls from student journalists seeking legal advice on censorship, libel and copyright issues during the past two years, as well as a tripling in the number of complaints of harassment, including threats of firing, of faculty advisors.

I am not suggesting today’s national climate is as dangerous as the murderous

intentions of Yusef Bey IV, the man who ordered Bailey’s assassination. But the

harassment of student journalists does kill something else. It can destroy the desire of

student journalists to continue their growth to become professional news gatherers and

producers – something the country will always need.

It is that professional maturation that I’m reminded of when I think back on Chauncey

Bailey.

Truth be told, when we were classmates back in 1974 Bailey was the class clown,

known more for his sardonic wit than his writing or reporting talent. I have vivid

memories of Bailey sitting at his desk in the back of the room regaling us with sarcastic

comments. Sure, he was funny.

And he didn’t exhibit the level of reporting skills of our other classmates such as Milton Coleman who went on to be the Deputy Managing Editor of the Washington Post or Alexis Scott who for years has run the Atlanta Daily World.

After a series of reporting jobs in Hartford, Connecticut, Detroit, Michigan, and Oakland, Bailey had risen in talent and skill to helm this very newspaper. A tip from a source led Bailey to look into the possibility that Bey was running Your Muslim Bakery into bankruptcy. Word that Bailey was working on that story filtered back to Bey who ordered the journalist killed.

On August 2, 2007, Bailey was shot three times at point-blank range as he walked to work.

So, when I think of my trip to the East Bay my thoughts go to journalism’s past

represented by Chauncey Bailey’s sacrifice and what the staff and the board of SPLC

can do to secure the current and future work of student journalists.

Steven A. Holmes is a former Pulitzer Prize-winning journalist. His novel “Black Messiahs” was published in May this year.

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Black History

In Wake of Death on Doorstep, Williams Chapel Baptist Church Calls for Better Care, Funding for Unhoused

An unhoused individual was found deceased on the steps of Williams Chapel Baptist Church in East Oakland at approximately 6:30 a.m. Monday. The church, located at 1410 10th Ave., extended condolences to the individual’s family, noting the tragedy reflects a broader crisis. Williams Chapel Baptist Church provides shelter and referral services, working with West Side Missionary Baptist Church. They call for increased funding and collaboration to expand services for unhoused individuals. Read more to learn about the church’s efforts and the call for solutions.

Published

10 hours ago

September 27, 2026

Post News Group

Oakland Police and emergency vehicle arrive to Williams Chapel Monday morning. Courtesy photo.

By Special to The Post

Church extends condolences to individual’s family and loved ones

At approximately 6:30 a.m. Monday, an unhoused individual was found deceased on the steps of Williams Chapel Baptist Church, located at 1410 10th Ave. on the corner of 10th and International in East Oakland.

The individual appears to have come to the church seeking safety and may have needed medical support. We extend our deepest condolences and prayers to the individual’s family and loved ones.

This tragedy reflects a broader crisis affecting unhoused individuals and families throughout the Bay Area. Too many people are living without reliable shelter or timely access to medical care, mental health support, and other essential services. Limited funding and insufficient resources continue to leave vulnerable people without the help they need.

Williams Chapel Baptist Church, a member of the Interfaith Council of Alameda County, works alongside West Side Missionary Baptist Church to provide safe-haven overnight parking, tiny-home emergency shelter, and wraparound referral services to the unhoused.

With funding, both East and West Oakland sites can increase to full capacity and extend to other congregations, creating more safe places for people living on the streets to seek shelter, support, and connection to services.

We invite government agencies, nonprofit organizations, interfaith communities, businesses, and neighbors to join us in this work. By working together with compassion and purpose, we can develop meaningful solutions and help more people experiencing homelessness receive care, stability, and dignity.