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FILM REVIEW: Black Films Thrive at Sundance Film Festival 2022
NNPA NEWSWIRE — At the last minute, due to Omicron concerns, the 2022 Sundance Film Festival morphed from an in-person and virtual event to a purely digital experience. Thanks to streaming, Black filmmakers and Black films were on center stage all over the world. Check them out…
The post FILM REVIEW: Black Films Thrive at Sundance Film Festival 2022 first appeared on BlackPressUSA.
By Dwight Brown, NNPA Newswire Film Critic
At the last minute, due to Omicron concerns, the 2022 Sundance Film Festival morphed from an in-person and virtual event to a purely digital experience. Thanks to streaming, Black filmmakers and Black films were on center stage all over the world. Check them out…
Aftershock (***)
According to WHO, the U.S. ranks 60th on the list of countries with the lowest maternal mortality ratio. The Population Reference Bureau cites, “Black women are three times more likely to die in pregnancy postpartum than white women.” Directors Paula Eiselt and Tonya Lewis Lee’s illuminating documentary breaks down the contributing factors and possible solutions for maternal mortality in the aftermath of two specific women’s deaths. Shamony Gibson and Amber Rose Isaac both died after labor and a grassroots movement for birth justice and equity, in their honor, is heroically launched by Omari Maynard and Bruce McIntyre, the fathers of their children. The courageous dads, like shamans, guide you through the perils and needs for a change in obstetric care from pregnancy to births, to aftercare.
Systemic issues (hospitals profit more from risky, fast-buck C-Sections than slow vaginal births), disparities, root causes and communication errors are revealed. Notably a job once done by black slave midwives is now the domain of white male OB-GYNs. Watching the consciousness-raising support groups of widowed Black men is as inspiring as a thousand Million Man Marches. Very solid doc filmmaking instincts reflect an empowering movement born from painful experiences. The revolution in pre- and postnatal care for Black women will be Instagrammed, Twitted, Facebooked…
Descendant (***1/2)
A yearning for a definitive history is the driving force of this heart-warming doc. The Cotilda schooner was the last American slave ship to bring Africans to the U.S. The imprisoned captives from Benin arrived in Mobile Alabama in 1860. The Black descendants of that ship settled in Africatown, which has since been parceled away by public domain highway projects, a lumber yard and other businesses. Still the proud residents keep their history alive, orally, passing on info, names and dates to future generations who become historians and record keepers.
Director Margaret Brown captures the spiritual experiences of these chosen Alabamians. She films their interviews just as a white journalist and white owner of a mechanic’s shop decide to look for the ship that was burned by its owner Timothy Meaher and hidden in neighboring swamps.
Brown’s chronicling of this hunt and what it means to the heirs of the Cotilda’s last passengers is never obtrusive. Her style is reminiscent of the grassroots doc Something in the Water. Culture, history, reckoning and reparations all add a richness that makes the film emotionally compelling. Grainy footage of the ship’s last survivor Cudjo Lewis, as filmed by author Zora Neale Hurston in the 1930s, is as astounding to see as an heir of Meaher’s showing up for a ship discovery ceremony. These stalwart descendants of slavery save their culture and history. Their tenacity and courage prevail in a very illuminating way.
Emergency (**)
In Weekend at Bernie’s, three white guys tooled around with a dead body in a mildly funny one-joke movie. In this similarly premised college life satire, the laughs aren’t as easy. African American director Carey Williams and Mexican American screenwriter KD Davila’s spoof delves into the hazards of Black life at a predominately white school. Kunle (Donald Elise Watkins, The Underground Railroad) is a brilliant pre-med student. His loosely wired, vape-smoking buddy Sean (RJ Cyler, The Harder They Fall) is a devil-may-care pothead. They intend to go on a legendary party circuit bender, but before their first beer pong, they discover a drunk, unconscious white blonde (Maddie Nichols) on their living room floor. A Latino roommate Carlos (Sebastian Chacon) is oblivious. The trio tries get the cataleptic girl to safety, which takes them down a deep rabbit hole of mishaps.
What’s on view is a very shallow attempt at exploring racism that turns into nothing more than a trivial excuse for comic debauchery. The very young black hip-hop influenced dialogue is the film’s strongest element. Stagnant dialogue-heavy scenes thwart most good intentions. Watkins and Cyler exhibit a Harold and Kumar chemistry that would feel better in another movie. There’s just enough story and humor here for a SNL skit. Not much more. Trying to make serious points in a pointless film is a worthless endeavor.
Honk for Jesus. Save Your Soul (**)
“Where’s Tyler Perry when you need him?!” Pastor Lee Curtis Charles (Sterling K. Brown) and his wife Trinitie (Regina Hall) run a Southern megachurch named Wander to Greater Paths. The place is near empty. Why? Evidently a preacher man being caught up in a sex scandal drives congregations away. But the duo is charting a comeback, even if it requires standing at the side of a road with placards begging for parishioners and humiliating themselves while being filmed.
The Ebo twins (writer-director Adamma Ebo, producer Adanne Ebo) start with a promising parody that descends unto a two-character thud. The dearth of solid narrative and consistent comedy leaves Brown and Hall stranded. The twins frame shots well, but don’t know how to milk moments or sustain scenes with biting verbal or physical humor. Brother Brown’s interpretation of a clueless, smarmy minister is glorious (Can I get an amen?!). Sister Hall perfectly finds the nuances of the put-upon wife (Praise be.). Funniest scene is when they drive a Cadillac Esplanade singing to a rap song, cursing and screaming like gangstas. Pity the film runs out of gas. Madea would have known what to do. Looks low budget. Feels low rent. Jesus wept.
jeen-yuhs: A Kanye Trilogy (***)
Ten minutes into this lively documentation of 21-year-old Kanye West the unsettling contrasts between this hopeful, humble adolescent and his embittered and inflated persona these days is quite jarring. Chicago public access TV host Coodie chronicled West’s pilgrimage from Chicago to New York in the late ‘90s as he tried to transition from music producer to superstar rapper. Fuzzy-looking footage reveals all. Consider Coodie’s homage to be more like a home movie/travelogue with famous people (Damon Dash, Pharrell) than a typical doc. No video tricks. No gimmicks. No mounds of news footage, interviews etc. Just largely an unfiltered look at West fighting for a record deal at hop-hop’s holy grail, Roc-A-Fella Records.
The most touching scenes are West and his wise, nurturing schoolteacher mother who wants him to remain humble: “You can stand on the ground with your head in the air at the same time.” The most awkward scenes are watching Jay-Z, RR’s CEO, keep Kanye at bay: he wants the milk (West’s “jeen-yuhs” producing) but not the cow (Kanye as a rapper). The fly-on-the-wall filmmaking lets you cavort with family, friends, adversaries, mentors and hangers-on. Discovering West’s middle-class background explains his early brand of rap and its often-spiritual elements, which are evidenced in the making of his classic hit “Jesus Walks.” West, with no gangsta cred whatsoever, was on a mission: “I’m gonna bridge the gap to hip-hop.” And he did, with a verve and naiveté that was reflected on his smiling face. Luckily, Coodie documented the good old days, or no one would believe the 1990’s West and the 2022 Ye were the same people.
Master (*1/2)
If you’re going to examine racism through the prism of a horror movie, and exploit that social ill, you’d better have all your dead bodies lined up just right. This Get Out knockoff does not. Jasmine (Zoe Renee) is a first-year student at the nearly all white Ancaster College. Gail (Regina Hall) is the new dean of students, aka Master. Both experience the slights and mockery whites can put on token Blacks. In addition, Jas’s room is haunted. Cue the ghosts, creaky noises, weird nightmares and freaky images.
Mariama Diallo’s script and direction attempt to bait audiences’ attention with racist tropes (nooses, cross burnings, racial epithets). Cheapening those real-life traumas peaks in a scene when a rap song comes on at a nearly all-white dance party and white kids surround Jas chanting the “N” word lyrics at her. The constant repulsion without any redemption or payoff is an unforgivable buzz kill. Even through the misguidance, Hall’s presence shines like the North Star. Unoriginal. Derivative. Lackluster. If you’re going to mess with the horror movie genre recipe you have to do it with better ingredients. Diallo does not.
Nanny (**1/2)
African immigrant stories often possess an innate appeal. In this instance, Senegalese writer/director Nikyatu Jusu’s odd mixture of horror, thriller, romance and muddled family drama has the opposite effect. Aisha (Anna Diop), a twentysomething from Senegal, leaves her young son behind to find work in New York. A white couple (Michelle Monaghan and Morgan Spector) hires her to tend to their young daughter Rose (Rose Decker). The wealthy spouses are lax with pay, Aisha loses communication with her son and weird visions of a boy in rain haunt her.
Supernatural aspects and cryptic images have no context for 90 minutes of this 97-minute motion picture. Regardless of the iffy narrative choices, Jusu and cinematographer Rina Yang make a very attractive film that displays their excellent taste in staging, composition, angles, lighting, etc. Scenes look fresh and modern. The director also excels at depicting a love story between Aisha and an understanding doorman (Sinqua Walls, American Soul). Jusu shows great promise as a director. Even a genre-messy film can’t hide her talent.
We Need to Talk About Bill Cosby (***)
Really?! Is there some explosive secret about the shamed comedian that has yet to be revealed? Stand-up comic turned documentarian W. Kamau Bell thinks so. To make his case, he assembles an exhaustive array of talking heads (Roland Martin), comedians (Hannibal Buress), rape crisis counselors and even a journalist who investigates date rape drugs. Cosby’s well-publicized fall from ’60s TV pioneer (I, Spy), to 1980s/’90s quintessential all-American boob tube daddy (The Cosby Show), to convicted, imprisoned felon is meticulously charted. Victim after victim exposes his pattern of drugging, assaults and rapes. The black community’s initial ambivalent feelings are pondered. His hypocritical jabs at young black men while he’s molesting women are documented too.
Two hours of this in-your face negativity is more than enough. Four one-hour segments are overkill. Too many clips of Fat Albert. Too much faux indignation over stupid stuff like Cosby playing an obstetrician on The Cosby Show. The barrage of info will test your patience. Also, watching folks hypothesize as they sit on expensive leather coaches, dressed like fashionistas and lit like they’re in a fashion shoot is off-putting. But credit Bell for his inventive style. Incriminating words dance across the screen and victims are noted on a horizontal calendar that pinpoints Cosby’s crimes from the ‘60s, ‘70s, ‘80s and 90s. Plus, Bell’s insights into black culture, history and the TV industry are thorough and sometimes profound.
Indicting rapists like Cosby is fair game and newsworthy. But many viewers may wish the second two hours of this doc were spent teaching women how to beware of predatory situations, detect rapists, self-defense, report incidents and find supportive aide (e.g., rape crisis centers). We have talks with our sons about encounters with police. Why don’t we have talks with our daughters about dealing with people like him? Bell and this doc had a chance to be an advocate for rape victims and provide a public service. It’s a missed opportunity that would have given the series some depth.
There wouldn’t be a President Obama without a Bill Cosby. There wouldn’t be 60+ rape victims without a Bill Cosby. It’s an ugly paradox now captured on film.
For more information about the annual Sundance Film Festival go to: https://www.sundance.org/festivals/sundance-film-festival/about.
Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.
The post FILM REVIEW: Black Films Thrive at Sundance Film Festival 2022 first appeared on BlackPressUSA.
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A Nation in Freefall While the Powerful Feast: Trump Calls Affordability a ‘Con Job’
BLACKPRESSUSA NEWSWIRE — There are seasons in this country when the struggle of ordinary Americans is not merely a condition but a kind of weather that settles over everything.
By Stacy M. Brown
Black Press USA Senior National Correspondent
There are seasons in this country when the struggle of ordinary Americans is not merely a condition but a kind of weather that settles over everything. It enters the grocery aisle, the overdue bill, the rent notice, and the long nights spent calculating how to get through the next week. The latest numbers show that this season has not passed. It has deepened.
Private employers cut 32,000 jobs in November, according to ADP. Because the nation has been hemorrhaging jobs since President Trump took office, the administration has halted publishing the traditional monthly report. The ADP report revealed that small businesses suffered the heaviest losses. Establishments with fewer than 50 workers shed 120,000 positions, including 74,000 from companies with 20 to 49 workers. Larger firms added 90,000 jobs, widening the split between those rising and those falling.
Meanwhile, wealth continues to climb for the few who already possess most of it. Federal Reserve data shows the top 1 percent now holds $52 trillion. The top 10 percent added $5 trillion in the second quarter alone. The bottom half gained only 6 percent over the past year, a number so small it fades beside the towering fortunes above it.
“Less educated and poorer people tend to make worse mistakes,” John Campbell said to CBS News, while noting that the complexity of the system leaves many families lost before they even begin. Campbell, a Harvard University economist and coauthor of a book examining the country’s broken personal finance structure, pointed to a system built to confuse and punish those who lack time, training, or access.
“Creditors are just breathing down their necks,” Carol Fox told Bloomberg News, while noting that rising borrowing costs, shrinking consumer spending, and trade battles under the current administration have left owners desperate. Fox serves as a court-appointed Subchapter V trustee in Southern Florida and has watched the crisis unfold case by case.
During a cabinet meeting on Tuesday, Trump told those present that affordability “doesn’t mean anything to anybody.” He added that Democrats created a “con job” to mislead the public.
However, more than $30 million in taxpayer funds reportedly have supported his golf travel. Reports show Kristi Noem and FBI Director Kash Patel have also made extensive use of private jets through government and political networks. The administration approved a $40 billion bailout of Argentina. The president’s wealthy donors recently gathered for a dinner celebrating his planned $300 million White House ballroom.
During an appearance on CNBC, Mark Zandi, an economist, warned that the country could face serious economic threats. “We have learned that people make many mistakes,” Campbell added. “And particularly, sadly, less educated and poorer people tend to make worse mistakes.”
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The Numbers Behind the Myth of the Hundred Million Dollar Contract
BLACKPRESSUSA NEWSWIRE — Odell Beckham Jr. did not spark controversy on purpose. He sat on The Pivot Podcast and tried to explain the math behind a deal that looks limitless from the outside but shrinks fast once the system takes its cut.
By Stacy M. Brown
Black Press USA Senior National Correspondent
Odell Beckham Jr. did not spark controversy on purpose. He sat on The Pivot Podcast and tried to explain the math behind a deal that looks limitless from the outside but shrinks fast once the system takes its cut. He looked into the camera and tried to offer a truth most fans never hear. “You give somebody a five-year $100 million contract, right? What is it really? It is five years for sixty. You are getting taxed. Do the math. That is twelve million a year that you have to spend, use, save, invest, flaunt,” said Beckham. He added that buying a car, buying his mother a house, and covering the costs of life all chip away at what people assume lasts forever.
The reaction was instant. Many heard entitlement. Many heard a millionaire complaining. What they missed was a glimpse into a professional world built on big numbers up front and a quiet erasing of those numbers behind the scenes.
The tax data in Beckham’s world is not speculation. SmartAsset’s research shows that top NFL players often lose close to half their income to federal taxes, state taxes, and local taxes. The analysis explains that athletes in California face a state rate of 13.3 percent and that players are also taxed in every state where they play road games, a structure widely known as the jock tax. For many players, that means filing up to ten separate returns and facing a combined tax burden that reaches or exceeds 50 percent.
A look across the league paints the same picture. The research lists star players in New York, Philadelphia, Chicago, Detroit, and Cleveland, all giving up between 43 and 47 percent of their football income before they ever touch a dollar. Star quarterback Phillip Rivers, at one point, was projected to lose half of his playing income to taxes alone.
A second financial breakdown from MGO CPA shows that the problem does not only affect the highest earners. A $1 million salary falls to about $529,000 after federal taxes, state and city taxes, an agent fee, and a contract deduction. According to that analysis, professional athletes typically take home around half of their contract value, and that is before rent, meals, training, travel, and support obligations are counted.
The structure of professional sports contracts adds another layer. A study of major deals across MLB, the NBA, and the NFL notes that long-term agreements lose value over time because the dollar today has more power than the dollar paid in the future. Even the largest deals shrink once adjusted for time. The study explains that contract size alone does not guarantee financial success and that structure and timing play a crucial role in a player’s long-term outcomes.
Beckham has also faced headlines claiming he is “on the brink of bankruptcy despite earning over one hundred million” in his career. Those reports repeated his statement that “after taxes, it is only sixty million” and captured the disbelief from fans who could not understand how money at that level could ever tighten.
Other reactions lacked nuance. One article wrote that no one could relate to any struggle on eight million dollars a year. Another described his approach as “the definition of a new-money move” and argued that it signaled poor financial choices and inflated spending.
But the underlying truth reaches far beyond Beckham. Professional athletes enter sudden wealth without preparation. They carry the weight of family support. They navigate teams, agents, advisors, and expectations from every direction. Their earning window is brief. Their career can end in a moment. Their income is fragmented, taxed, and carved up before the public ever sees the real number.
The math is unflinching. Twenty million dollars becomes something closer to $8 million after federal taxes, state taxes, jock taxes, agent fees, training costs, and family responsibilities. Over five years, that is about $40 million of real, spendable income. It is transformative money, but not infinite. Not guaranteed. Not protected.
Beckham offered a question at the heart of this entire debate. “Can you make that last forever?”
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FBI Report Warns of Fear, Paralysis, And Political Turmoil Under Director Kash Patel
BLACKPRESSUSA NEWSWIRE — Six months into Kash Patel’s tenure as Director of the Federal Bureau of Investigation, a newly compiled internal report from a national alliance of retired and active-duty FBI agents and analysts delivers a stark warning about what the Bureau has become under his leadership.
Six months into Kash Patel’s tenure as Director of the Federal Bureau of Investigation, a newly compiled internal report from a national alliance of retired and active-duty FBI agents and analysts delivers a stark warning about what the Bureau has become under his leadership. The 115-page document, submitted to Congress this month, is built entirely on verified reporting from inside field offices across the country and paints a picture of an agency gripped by fear, divided by ideology, and drifting without direction.
The report’s authors write that they launched their inquiry after receiving troubling accounts from inside the Bureau only four months into Patel’s tenure. They describe their goal as a pulse check on whether the ninth FBI director was reforming the Bureau or destabilizing it. Their conclusion: the preliminary findings were discouraging.
Reports Describe Widespread Internal Distrust and Open Hostility Toward President Trump
Sources across the country told investigators that a large number of FBI employees openly express hostility toward President Donald Trump. One source reported seeing an “increasing number of FBI Special Agents who dislike the President,” adding that these employees were exhibiting what they called “TDS” and had lost “their ability to think critically about an issue and distinguish fact from fiction.” Another source described employees making off-color comments about the administration during office conversations.
The sentiment reportedly extends beyond domestic lines. Law enforcement and intelligence partners in allied countries have privately expressed fear that the Trump administration could damage long-term international cooperation according to a sub-source who reported those concerns directly to investigators.
Pardon Backlash and Fear of Retaliation
The President’s January 20 pardons of individuals convicted for their roles in the January 6 attack ignited what the report calls demoralization inside the Bureau. One FBI employee said they were “demoralized” that individuals “rightfully convicted” were pardoned and feared that some of those individuals or their supporters might target them or their family for carrying out their duties. Another source described widespread anger that lists of personnel who worked on January 6 investigations had been provided to the Justice Department for review, noting that agents “were just following orders” and now worry those lists could leak publicly.
Morale In Decline
Morale among FBI employees appears to be sinking fast. There were a few scattered positive notes, but the weight of the reporting describes morale as low, bad, or terrible. Agents with more than a decade of service told investigators they feel marginalized or ignored. Some are counting the days until they can retire. One even uses a countdown app on their phone.
Culture Of Fear
Layered over that unhappiness is something far more corrosive. A culture of fear. Sources say Patel, though personable, created mistrust from the start because of harsh remarks he made about the FBI before taking office. Agents took those comments personally. They now work in an atmosphere where employees keep their heads down and speak carefully. Managers wait for directions because they are afraid a wrong move could cost them their jobs. One source said agents dread coming to work because nobody knows who will be reassigned or fired next.
Leadership Concerns
The report also paints a picture of leaders unprepared for the jobs they hold. Multiple sources said Patel is in over his head and lacks the breadth of experience required to understand the Bureau’s complex programs. Some said Deputy Director Dan Bongino should never have been appointed because the role requires deep institutional knowledge of FBI operations. A sub-source recounted Bongino telling employees during a field office visit that “the truth is for chumps.” Employees who heard it were stunned and offended.
Social Media and Communication Breakdowns
Communication inside the Bureau has become another source of frustration. Sources said Patel and Bongino spend too much time posting on social media and not enough time communicating with employees in clear and official ways. Several told investigators they learn more about FBI operations from tweets than from internal channels.
ICE Assignments Raise Alarm
Nothing has sparked more frustration inside the FBI than the orders requiring agents to assist Immigration and Customs Enforcement. The reporting shows widespread resentment and fear over these assignments. Agents say they have little training in immigration law and were ordered into operations without proper planning. Some said they were put in tactically unsafe positions. They also warned that being pulled away from counterterrorism and counterintelligence investigations threatens national security. One sub-source asked, “If we’re not working CT and CI, then who is?”
DEI Program Removal
Even the future of diversity programs became a point of division. Some agents praised Patel’s removal of DEI initiatives. Others said the old system left them afraid to speak honestly because they worried about being labeled racist. The reporting shows a deep and unresolved conflict over whether DEI strengthened the organization or weakened it.
Notable Incidents
The document also details several incidents that have become part of FBI lore. Patel ordered all employees to remove pronouns and personal messages from their email signatures yet used the number nine in his own. Agents laughed at what they saw as hypocrisy. In another episode, FBI employees who discussed Patel’s request for an FBI-issued firearm were ordered to take polygraph examinations, which one respected source described as punitive. And in Utah, Patel refused to exit a plane without a medium-sized FBI raid jacket. A team scrambled to find one and finally secured a female agent’s jacket. Patel still refused to step out until patches were added. SWAT members removed patches from their own uniforms to satisfy the demand.
A Bureau at a Crossroad
The Alliance warns that the Bureau stands at a difficult crossroads. They write that the FBI faces some of the most daunting challenges in its history. But even in despair, a few voices say something different. One veteran source said “It is early, but most can see the mission is now the priority. Case work and threats are the focus again. Reform is headed in the right direction.”
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