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Cob Structures House Kitchen, Clinic, Shower, in West Oakland Homeless Community

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A community kitchen, clinic, toilet and shower made out of cob and wood sit under the 880 Freeway within a homeless community west of Wood Street in West Oakland on April 18.

Members of three organizations – Artists Building Communities, Essential Food and Medicine, and Living Earth Structures – have built a kitchen, clinic, free store, stage, toilet, oven, and shower with and for a homeless community near Wood Street in West Oakland.

Made out of wood covered in brown cob, the structures that house these facilities seem almost as natural extensions of the earth upon which they sit. Empty wine bottles serve as windows, and old discarded clothes serve as insulation. Sculpted images of trees decorate the structures’ surfaces and succulent plants sprout along the perimeters of their roofs. 

Winding stone pathways connect the structures and are bordered by little gardens of herbs, greens, and flowers. The kitchen has a stove, sink with running water, shelving full of bread, and a refrigerator full of food. Herbs and emergency medical supplies fill the clinic. The shower’s water runs hot. 

The project is called Cob on Wood. It sits on land owned by, west of Wood Street, and under the 880 freeway. 

A community of homeless residents lives near Cob on Wood, surrounding the site. Advocates and some residents estimate the population of that community to be about 100 people. The area west of Wood Street in West Oakland that the community lives in does not receive regular sanitation service from the City of Oakland, and much of it is densely packed with abandoned vehicles and garbage. 

With regular maintenance by those living inside and outside of the homeless community, the Cob on Wood site looks different from its surroundings, like a rose that grows out of a crack in the concrete.

“This was built through relationships with the community and came out of requests from the community,” said Xochitl Bernadette Moreno, co-founder of Essential Food and Medicine (EFAM).

EFAM started building relationships with Wood Street residents early in the COVID-19 pandemic by giving them juice, soups, and natural medicines made from local produce. Artists Building Community (ABC) also started early in the pandemic, when Annemarie Bustamante and some of her neighbors living in The Vulcan Loft apartments in East Oakland started building small wooden homes for homeless Oakland residents. 

ABC has expanded now to include volunteers throughout the area, and they have built several of their homes in the Wood Street community. But the structures at Cob on Wood-look different from ABC’s homes. 

ABC and EFAM came together to contract with Miguel Elliot of Living Earth Structures to guide the building of Cob on Wood structures using cob. The group benefited from Elliot’s experience of building cob structures for over 25 years in a variety of settings and locations, including parts of Central and South America, Africa, and Asia.

While the groups have followed Elliot’s construction guidance, they also followed nearby homeless residents’ service requests, whose first request was a kitchen. Elliot’s cob construction made the kitchen safe from catching fire, as the cob is fireproof. 

Such precautions were necessary. Oakland’s fire department responded to almost 1,000 fires in homeless communities during fiscal years 2018-19 and 2019-20.

LeaJay Harper, who has lived in the Wood Street community for over seven years, now restocks the kitchen every few days and also cooks for herself and other residents.

“It’s been a challenge trying to keep food in the kitchen because people are definitely using it,” said Harper. “It’s made it so that folks who didn’t have the facilities at their own space to cook can have hot food every single day. A lot of people are gaining weight, which is a good thing.”

Harper works and meets closely with ABC and EFAM to plan food pickups. Other homeless residents have taken on roles in the community as well. A resident named Lydia, who lives in an RV near the community and is knowledgeable about medicinal uses of herbs, is the community clinic liaison. She helps spread information about ways residents can use the clinic’s herbs. 

Raquel, a teenager who lives with her family in the Wood Street community, helps with outreach to inform other residents about Cob on Wood services and events. Another teenager, Sequoia, who used to live on Wood Street, is also part of Cob on Wood’s outreach team.

“I think being part of [Cob on Wood] is really amazing,” Sequoia said. “Most of my life I was homeless and being able to give back to the community now that I’m not on the streets means a lot to me.”

The idea for the community started in September of last year, and construction started in December. The project has been growing. These days, Moreno says about 50 people meet online on Wednesdays to formally plan and maintain the project. 

On Sundays, the group meets more informally on site for construction, site maintenance, a pizza party, and an open mic. The vast majority of people involved with the project still live outside of the Wood Street community, but the word is spreading. 

Cob on Wood volunteers go into the Wood Street community and hand out flyers about the project. On Sunday, April 18, they hosted an Earth Day celebration called “What’s Your Medicine?” with food, DJs, dance, and musical performances. 

At least 100 people showed up to the event. One Wood Street resident who lives in a self-made home said he had never heard of Cob on Wood before but followed the sound of the music and found it.

 Ashel Seasunz Eldridge, who co-founded EFAM, and performed at the Earth Day celebration with his band, Dogon Lights, said that Cob on Wood seeks to build on work that Wood St residents already are doing. During the Earth Day celebration, when Cob on Wood had a Town Hall to discuss how the project could sustain itself and better serve the community, five Wood Street residents took the lead, speaking to each other and the crowd through a PA system. 

Those residents have been meeting weekly in another part of the Wood Street community.

“We were inspired by the meetings people were already having,” said Eldridge. “We thought, why not bring that to the town hall.”

One topic Wood Street residents spoke about was defending themselves and other people experiencing homelessness from displacement. It was something Cob on Wood organizers found pertinent, as they worry that the site, which sits on CalTrans owned land, could face displacement from that state agency.

A recent article in the San Francisco Chronicle cites CalTrans spokesperson RocQuel Johnson as claiming the agency plans to clear “abandoned vehicles and liter” from CalTrans land near Wood Street in May and June, claiming similar actions were executed on April 12 and  April13. 

ABC founder Annmarie Bustamante was at the Wood Street homeless community on those days and claims CalTrans forced people to move themselves and their homes from the location they lived to an area more out of sight of a nearby street. 

Abandoned vehicles, Bustamante claims, were not removed from the Wood Street homeless community but were moved to a separate area still within that community. She said the operation did not remove trash but displaced people.

Although this reporter asked CalTrans about the April 12 and 13 operations, the agency did not respond. But Johnson told the SF Chronicle that “[Cob on Wood] structures were placed on state right of way without a permit or without safety inspections,” and added that “CalTrans is currently evaluating the best course of action and has no immediate plans to remove the structures.”

Cob on Wood organizers is unclear about whether CalTrans will remove their structures. The state agency cleared homeless people off their land in Oakland on Sept. 21 last year and late January this year. During the January operation, a group of advocates, 10 of whom carried colorful shields, defended the self-made home of two Oakland residents living on the land bordering Mosswood Park and the 580 Freeway. 

While nearly 20 of their neighbors cleared themselves from the CalTrans-owned land they were living on, the two residents never left the area, and their home was not dismantled. 

Bustamante, who was at the January CalTrans operation supporting eviction defense, is also prepared to defend Cob on Wood if necessary. Defending space through direct action is a topic of steady conversation among those involved with Cob on Wood.

“If CalTrans does try to displace us at Wood Street without allowing for other adequate resources, there’s gonna be a fight,” said Bustamante.

Cob on Wood wants to expand to include a sauna and small huts for homeless residents. They are seeking funds to help their project, to help pay for construction costs, materials and stipends for homeless residents who help with the project.

Readers can donate to their gofundme campaign.

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Arts and Culture

COMMENTARY: Black Music is the Sound of Black Freedom: Let Us Reclaim Both This Juneteenth

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

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Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.
Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.

By Wanda Ravernell

Black Music Month and Juneteenth are inextricably linked – Black music is the sound of our freedom.

From the plaintive moans of the enslaved Africans’ ‘sorrow songs,’ to the fields of Civil War battle where Black soldiers picked up abandoned bugles, to the upright piano played in juke joints on Saturday night and churches come Sunday morning, our ancestors’ innovation in the face of want, fear, degradation, and hopelessness has yielded genres of music imitated ’round the world.

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

In 2000, Congress made it official. In 2009, Pres. Barack Obama changed the name to African American Music Heritage Month and in 2023, Pres. Joe Biden changed it back to Black Music Month, two years after he declared Juneteenth a national holiday, the result of a movement led by Opal Lee.

Our ancestors battle for freedom over these last 400 years and the music that allowed them expression of their humanity deserved to be honored.

But we may be losing sight of the value of their sacrifices.

‘Sing a Song Full of the Faith That the Dark past Has Taught Us…’

Along with the long-known exploitation of Black musicians whose recordings were stolen by record companies, the commercialization of Juneteenth feels like another kind of theft.

I had never heard of Juneteenth until I moved to the Bay Area from my hometown of Philadelphia. I didn’t know it was one of many freedom festivals celebrated by descendants of enslaved people in the United States.

Emancipation Day was Jan. 1 in Pennsylvania, April 16 in Wash., D.C., May 20 in Florida, and Aug. 8 in Kentucky. But Juneteenth, June 19, has the most renown, known in Texas as the ‘colored peoples’ Fourth of July.’

It was marked by parades, beauty pageants, rodeos, backyard barbecues and church picnics.

Yes, church.

The formerly enslaved began the day praying in thanks for their freedom just as they had prayed for Jubilee – the day of freedom – when they had chains on their feet and hands. They ‘testified’ about their past suffering and how they had managed to overcome.

And they sang.

Although, we will not hold it this year, Omnira Institute’s Juneteenth Ritual of Remembrance recalled this part of Juneteenth with prayers in the languages of the African captives. In the middle of the ceremony, a soloist would lead us in singing “Many Thousand Gone” while we took turns reciting portions of the Emancipation Proclamation, the news of freedom that took more than two years to reach Texas – two months after the Civil War ended.

“Many Thousand Gone” was famously recorded by Black luminary Paul Robeson in 1947:

“No more auction block for me,

No more, no more

No more auction black for me

Many thousand gone.”

Other verses refer to the ‘pint of salt’ and the ‘driver’s lash,’ the realities of enslavement that they had survived.

‘Sing a Song Full of the Hope That the Present has Brought Us’

All of the genres of African American music have at their root songs like that, the essence being, as Stevie Wonder, wrote, “the joy inside our pain.” So Black music is not just music. It is our story, our history, our very strength.

During the Civil Rights Movement, which peaked 100 years after slavery ended, the people testified that it was the freedom songs – based on spirituals – that gave them the heart to march, face attack dogs, fire hoses, beatings, and shootouts with vigilantes.

The music reminded them that power was in the people. That music, our music, can do so again. We don’t have to accept the commodification of the products of our culture.

The power of those songs is showing a resurgence across the South as we battle again for the right to self-determination through the ballot box.

Those songs are the voices of our ancestors, voices forged in their blood, their sweat, their tears, joy and, above all, faith.  Those songs, those prayers live in our blood and our very breath.

This Juneteenth, let us reclaim those holy voices expressed in Black music for ourselves. It is our birthright. It can neither be bought nor sold.  No more. Never again.

Wanda Ravernell is the executive director of Omnira Institute, sponsor for 18 years of the Juneteenth Ritual of Remembrance and Oakland’s 11th Annual Black-Eyed Pea Festival, which will take place on Sept. 12.

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Activism

Oakland Post: Week of June 3 – 9, 2026

The printed Weekly Edition of the Oakland Post: Week of June 3 – 9, 2026

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#NNPA BlackPress

Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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