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Interactive Comprehensive Map Shows Thousands of Lynchings Thoughout American History

NNPA NEWSWIRE — “Before this website, it was impossible to search the web and find an accurate scope of the history of American lynching. The names have always been kept safe but distant, in old archives and scholarly books and dissertations. This site leaves the record open for all Americans, especially high school students who want to learn more than what their textbook has to say,” the site’s authors wrote.

Published

7 years ago

November 6, 2019

Oakland Post

The map, which users can view based on region, also reveals the lynchings of Latinx people, Asians, Italians and Native Americans.

By Stacy M. Brown, NNPA Newswire Senior Correspondent
@StacyBrownMedia

In the century following the Civil War, as many as 5,000 people of color were murdered by mobs who believed in the cause of white supremacy.

On average, mobs killed nine people per month during the 1890s. Over the next 20 years, seven people each month were victims of lynch mobs.

The figures are all according to an interactive map project that tracks the history of lynching in America – state-by-state.

The map is called “Monroe Work Today.”

It is named after a black sociologist, who put together much of the information that details lynchings from 1835 to 1964, the period covered in the map’s data set.

Information found on the map reveals that black men were the most lynched group of people among the documented victims, usually due to mob violence after criminal accusations.

The map, which users can view based on region, also reveals the lynchings of Latinx people, Asians, Italians and Native Americans.

Monroe Nathan Work lived from 1866 to 1945, and the interactive map is called a rebirth of one aspect of his work.

Work was compelled to document every known lynching that was happening in the United States.

“You might already be familiar with what lynching is, and this website will examine it more,” the website’s authors write. “Of course, it starts with an act of injustice: by sentencing someone outside the law with no process or trial. Even worse, at the turn of the century, the methods of lynching had become commonplace, fueled by hatred — and unspeakably cruel. It was Mr. Work’s meticulous recordkeeping that preserves the names that are now an important part of our history.”

Work was known to love sociology for its search for the facts.

According to his biography on the website, sociology enabled Work to demonstrate how African Americans actually lived, in comparison to racist stereotypes.

For example, his work, “A Half Century of Progress,” compares the years 1866 to 1922. Despite enduring slavery and violence prior to 1866, by 1922 black people had increased literacy rates by 70 percent and vastly improved economically. The number of homes owned by black people grew from 12,000 in 1866 to 650,000 in 1922, just 62 years later. In aggregate, black people’s wealth grew by 750 percent, increasing from $20 million to $1.5 billion.

“Before this website, it was impossible to search the web and find an accurate scope of the history of American lynching. The names have always been kept safe but distant, in old archives and scholarly books and dissertations. This site leaves the record open for all Americans, especially high school students who want to learn more than what their textbook has to say,” the site’s authors wrote.

The website provides an education on the definition of lynching.

It doesn’t always mean hanged from a tree.

“There were many ways that a mob could take the life of a victim they were after. Yes, many people died by hanging, but others were killed from a hail of gunshots, dragged to death behind a vehicle, and some were burned alive. Sometimes, the mob would do all of these things to a single person,” the authors wrote.

A victim usually was accused of something. Thus, lynching wasn’t a random attack. Many times, it was utterly trivial and not a crime at all, like talking back to a white person or daring to file a lawsuit.

Some lynchings that were rationalized as defending a women’s honor — a white woman — were actually covering up what were at the time, forbidden relationships. Newspaper articles from the period reveal the flimsy reason was a black man found “hiding under the bed.”

Whatever the charge, it was never allowed to take its course in court. An angry group broke into the jail, pulled the person out, and executed him or her outside the law. Sometimes victims were tortured for a crowd’s amusement.

Some lynchings went far beyond mere murder. They included dark and brutal tortures to a person’s eyes, fingernails, genitals, orifices. People were set afire, or bones were crushed, bodies mutilated, and sometimes cut into pieces. The person died in agony. This kind of cruelty served as a lesson of terror to everyone else who might challenge the status quo.

Further, onlookers showed no signs of guilt for participating.

Many lynchings gathered a large crowd of spectators, like a carnival, and the lynching might be prolonged until more spectators could arrive. For example, the lynching of Sam Hose in 1899 in Georgia caused the railroad to run extra trains to let more people come right after Sunday church. Many photographs exist today because they were taken as proud souvenirs and postcards.

Lynching began as a form of self-appointed justice in local communities in the 1800s, when townspeople made grave accusations first but never bothered to gather the proof. Then as the 1870s turned into the ’80s and onward, lynching became adopted as a terrorist tactic by white supremacists. When slavery was abolished, and as settlers continued to arrive on the West coast, there were very real crusades to change the United States to a place only for whites.

In the South, a mythology arose that lynching was the only way to protect their “gentle women” against a crime wave of rapes. Similarly, in 1933, the Governor of California publicly praised the lynching of one kidnapper by people on the street. He promised to pardon anyone who might be prosecuted for participating in the mob, according to the website authors.

“God made the white into a man and implanted within his breast that determination to always be supreme among races of men,” read an October 29, 1920 article in the Okaloosa News-Journal in Florida. “This is why the white man of the South, standing out boldly tells civilization: ‘I am a white man! I will rule!’ Were he to do otherwise, he would be a renegade to his race.”

To view the map, click here.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

2 weeks ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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2 weeks ago

May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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