Arts and Culture

Paula Fass Comes Out of Retirement to Become The Magnes’ New Faculty Director

Published

5 years ago

June 13, 2019

When the powers that be came to Paula Fass to ask her to take over as the faculty director at UC Berkeley’s The Magnes Collection of Jewish Life and Art, it was a bit of a tough sell.

She’d retired in 2010 after 36 years teaching history at UC Berkeley, and while helping to steer the course at the campus’s Jewish archive, library and museum was tempting for the daughter of Holocaust survivors, she was looking forward to writing more books and spending much more time seeing her daughter and son and their families, all on the East Coast.

“Being retired, it was much easier to find the time to see my kids more, so that was a consideration,” Fass says. “And if I took the job, it was likely I wouldn’t be able to write any books for a while. I thought about it very hard.”

And Fass, who has published three books since retiring, thought maybe the job at The Magnes would be better off in someone else’s hands.

“That (outgoing faculty director) George Breslauer even approached me was a bit of a surprise. I thought there were others more qualified,” she says, “But after I was approached, the job seemed more and more appetizing. I wouldn’t have come out of retirement to do this if I didn’t think it was so important.”

Since taking over on May 3, she’s wound her way through a major conference — In Global Transit: Forced Migration of Jews and Other Refugees (1940s-1960s) — while learning the inner workings of the place from the curatorial staff. She’s met with donors and viewed the collection’s photos, paintings, writings, music and more.

“I won’t say I’m overwhelmed, but this is a very different experience from the retirement I had been experiencing,” Fass says. “This is a lush and spectacular collection, and trying to take it in all at once has been breathtaking.”

In taking over for Breslauer, Fass is facing some new challenges. Much of the job is about fundraising. She’s never done that, “But I’m ready to learn on the job,” she says.

“Paula has a great personal story to tell and a passion for our story,” Breslauer says. “I think she has a devotion to the mission. I have great confidence in her. I’m passing the reins, but I’m still here as an advisor if she needs that.”

Fass is the daughter of Holocaust survivors Bluma and Harry Fass. Both entered concentration camps with families; both emerged as sole survivors. Born in West Germany in a displaced person’s camp, Fass grew up in New York and taught at Rutgers before making her way to Berkeley four decades ago. Her 2009 book, Inheriting the Holocaust: a Second-Generation Memoir, is an exploration of how the daughter of concentration camp survivors came to understand her world.

She hasn’t spent her entire career in Judaica, however. She’s written about education, immigration and globalization and spent much of her career working on children’s history and children’s policy.

“Being the daughter of Holocaust survivors is a part of me, but not in any overt way,” Fass says. “Coming to The Magnes now gives me the opportunity to join in at a very important moment, when the resurgence of overt anti-Semitic voices is out there.

“The Magnes can become a very important instrument of counteraction to give a better, fuller picture of Jewish life. Judaism is a multiethnic community. There are Jews in India, South America and North Africa. There is a multiculturalism about the Jewish population that the U.S. should know more about. I’d like to give the public a better sense of Jewish life, the vitality and the continuity. Jews have been highly successful in the United States, but wrongfully have been seen as a symbol of colonialism.”

Francesco Spagnolo, curator at The Magnes, says “the time is right” for Fass to be making this move.

“Paula has a fantastic profile as a scholar and as a member of the UC Berkeley community,” Spagnolo, who collaborated with Fass on a lecture at The Magnes in 2017, says. “Because of her passions and her interest, she has a formidable record as a scholar, and her expectations are very good.”

“I’m genuinely looking forward to working with Francesco and with George,” Fass says. “I’m expecting to put a lot of effort and time into learning the ropes, and I know I’ll be able to depend on both of them a lot.”

And she expects to work closely with Chancellor Carol Christ, who was one of the first people Fass met at Berkeley in the mid-1970s.

Fass, with her history in children’s education, says she’d like to see The Magnes become “a spearhead for education.”

“I’d like to take The Magnes out into the schools,” Fass says. “When my son (Charles) was in second grade, he brought me and my family menorah in to (class for me to) explain what it meant in my life. Kids are fascinated with objects. When I passed it around, they were rapt.

“Holding it and hearing the personal stories and seeing the artifacts opened these kids’ eyes. I believe we can reach out and work with others at local museums. I’d like to see a joint effort with the Oakland Museum, say for Black History Month, because there are black Jews.”

John Hickey

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Arts and Culture

Richmond Preps for Full Weekend of Cinco de Mayo Festivities

Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival. The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.

Published

5 hours ago

May 4, 2024

Oakland Post

Scene from the 2023 Cinco de Mayo parade from Richmond to San Pablo. Photo courtesy The Richmond Standard.

By Mike Kinney

The Richmond Standard

Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival.

The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.

The parade’s Grand Marshall this year will be community organizer Diego Garcia, owner of Leftside Printing.

The festivities continue Sunday with the Cinco de Mayo Festival along 23rd Street, which last year drew over 100,000 people, according to the 23rd Street Merchants Association. This year’s festival will again run from 10 a.m. to 5 p.m. between the intersections of Rheem Avenue and Clinton Avenue. It will feature two entertainment stages, one sponsored by La Raza 93.3 FM at 23rd and Rheem, and another sponsored by Radio Lazer FM at 23rd and Clinton.

Both events are important for the city and the region’s Latino community.

San Pablo Mayor Genoveva Calloway, who co-chairs the parade alongside John Marquez, president of the Contra Costa Community College District Board of Trustees, says Saturday’s festivities are about bringing the Richmond and San Pablo communities together in unity.

“This truly connects the spectators and people in the parade as one,” Calloway said. “The parade showcases the real communities of Richmond and San Pablo – our nonprofits, schools, horse riders, classic cars and trucks, our local businesses. All of these people represent the heartbeat of our community.”

Rigo Mendoza, vice president of the 23rd Street Merchants Association, said that at its heart, Richmond’s Cinco de Mayo Festival celebrates the date the Mexican army’s victory over France at the Battle of Puebla on May 5, 1862.

But John Marquez started up the popular festival to bring the community together and also to exhibit the community’s businesses and culture to visitors, Mendoza said. The gathering was also a way to promote peace in the community.

Oakland Post

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Art

Mario Van Peebles’ ‘Outlaw Posse’ Screened at Oakland’s Grand Lake Theatre

Published

7 hours ago

May 4, 2024

Oakland Post

Film director Mario Van Peebles, who also stars in “Outlaw Posse,” appeared at a press conference held at RBA Creative on MacArthur Boulevard hosted by the Oakland International Film Festival. Photo By Carla Thomas.

By Carla Thomas

The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago. Filmmaker Van Peebles shared his passion for independent artistry and producing projects with his son, Mandela, who also starred in the film, along with Whoopi Goldberg and Cedric the Entertainer. Next week, The Post will publish an in-depth interview featuring Peebles’ reflections on his work, future projects, and continuing his father’s legacy and Rhodes on her grandfather, a real-life cowboy.

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Arts and Culture

Kedrick Armstrong: New Music Director for the Oakland Symphony

The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director. In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.

Published

2 weeks ago

April 20, 2024

Oakland Post

Kedrick Armstrong is the new music director for the Oakland Symphony. Photo credit Scott Chernis.

By Post Staff

The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director.
In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.

Armstrong is the successor to previous music director and Conductor Michael Morgan, who passed away in 2021 after a 30-year tenure at the Symphony.

Armstrong will open the Oakland Symphony 2024-2025 season on October 18.

Armstrong, who is 29 and hails from Georgetown, South Carolina, is currently the creative partner and principal conductor of the Knox-Galesburg Symphony.

The Chicago Tribune has praised Armstrong for his ability to “simply let the score speak for itself.” He enjoys a wide range of repertoire, spanning early music to premiering new works, using his joy and curiosity for all music to cultivate understanding and collaboration within diverse communities.
“I am deeply honored and grateful for the opportunity to serve as the new music director of the Oakland Symphony,” Armstrong said. “As a Black conductor, I find it humbling to stand on the shoulders of both Michael Morgan and Calvin Simmons,” the most recent and the first African American music directors of the Symphony, respectively.

Armstrong led three programs at the Symphony between 2022 and early 2024, which showcased his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.
On his Oakland Symphony subscription debut on Feb. 16, Armstrong led the world premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.

Armstrong was selected unanimously by the Oakland Symphony’s board of directors and musicians after an extensive two-year search. “The search committee was overwhelmed by Kedrick’s scholarship and curiosity about all kinds of music, from classical and jazz to gospel and hip-hop,” said. Dr. Mieko Hatano, executive director of the Oakland Symphony. “We are thrilled to have him join us at the Oakland Symphony.”