Arts and Culture
Airbnb Adds Black Adventures to Travel Platform
Photo Caption: Panelists of Airbnb’s “The Evolution of Black Travel” at MoAD, Museum of the African Diaspora in San Francisco. (left to right) Janaye Ingram, Airbnb National Director of Partnerships, Laura Murphy, President of Laura Murphy and Associates – Senior Advisor to Airbnb, Derrick Johnson, National President of the NAACP, Evita Robinsion, CEO Nomadness Travel Tribe.
Airbnb hosted, “The Evolution of Black Travel,” a panel discussion at the Museum of the African Diaspora last month to disucssion the history and impact of Black travelers. Moderated by Airbnb’s National Director of Partnerships, Janaye Ingram, the discussion sought to share a rare snapshot of the history of Black travelers in the United States. Speakers included Derrick Jackson, National President of the NAACP, Laura Murphy, President of Laura Murphy & Associates, Senior Advisor to Airbnb, and Nomadness Travel Tribe’s CEO,Evita Robinson.
Panelists discussed the fact that during the Jim Crow and Civil Rights eras, Black people used the Green Book, a travel guide that provided safe places and areas to avoid, due to racism and discrimination. The book cited “Sundown Towns,” which implied Black people were not welcome beyond the sunset and could be a target if met with violence and even death at the hands of white citizens, mobs, and police, with no recourse. “Through the generations travel options for Black has changed dramatically from being restricted due to historical racism and now being able to fly all over the world with options such as Airbnb,” said Murphy.
Panelist Evita Robinson, CEO of Nomadness, shared her travel platform and new partnership with Airbnb. Robinson spoke of how her interests in traveling the world had now grown into a movement that the global travel industry now has to recognize. “Millennial are traveling the world and exploring in new ways, this new generation of travelers are a force to be reckoned with,” she said.
In the coming months, in partnership with the Museum of the African Diaspora and Nomadness Travel Tribe, Airbnb will launch a series of new Experiences, which will shine a light on Black communities and become a source of economic empowerment for hosts and their local communities around the world. The Nomadness Experiences will span Los Angeles, New York, Washington D.C., San Francisco, Mexico City, and London.
“Our goal at Nomadness is to show the world that your ability to travel should never be limited by your race, gender, religious, or economic background. Airbnb is helping us make this dream a reality — and we couldn’t be more excited for the Experiences we’re building together,” said Robinson.
The Airbnb Experienced at the MOAD will allow guests to make art with the guidance of local San Francisco artists representing the African Diaspora. “We’re so excited to be working with Airbnb to help build a deeper understanding of the African Diaspora through our Airbnb Experience — which will combine contemporary art, programs, and events to show how interconnected all of our personal histories really are,” said Mark Sabb, Director and Marketing and Communications for MoAD Sabb.
Airbnb’s National Director of Partnerships, Janaye Ingram, is equally excited about the new program. “Nomadness and the Museum of the African Diaspora explore and embrace Blackness across continents and connect the stories of Black people from around the world,” said Ingram. “I’m more excited every day about the Experiences they are bringing to our platform that will share their unique narratives and culture with others.”
New Airbnb platform Experiences, organized and led by Black hosts include learning how to DJ and mix music with DJ Lamont in San Francisco, a cultural brunch in Los Angeles, and a postcard scavenger hunt in Oakland. On the east coast, a shopping excursion with a fashion anthropologist in Harlem and a poetry workshop in the home of Langston Hughes in New York are also new travel adventures on the platform.
Arts and Culture
Kedrick Armstrong: New Music Director for the Oakland Symphony
The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director. In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.
By Post Staff
The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director.
In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.
Armstrong is the successor to previous music director and Conductor Michael Morgan, who passed away in 2021 after a 30-year tenure at the Symphony.
Armstrong will open the Oakland Symphony 2024-2025 season on October 18.
Armstrong, who is 29 and hails from Georgetown, South Carolina, is currently the creative partner and principal conductor of the Knox-Galesburg Symphony.
The Chicago Tribune has praised Armstrong for his ability to “simply let the score speak for itself.” He enjoys a wide range of repertoire, spanning early music to premiering new works, using his joy and curiosity for all music to cultivate understanding and collaboration within diverse communities.
“I am deeply honored and grateful for the opportunity to serve as the new music director of the Oakland Symphony,” Armstrong said. “As a Black conductor, I find it humbling to stand on the shoulders of both Michael Morgan and Calvin Simmons,” the most recent and the first African American music directors of the Symphony, respectively.
Armstrong led three programs at the Symphony between 2022 and early 2024, which showcased his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.
On his Oakland Symphony subscription debut on Feb. 16, Armstrong led the world premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.
Armstrong was selected unanimously by the Oakland Symphony’s board of directors and musicians after an extensive two-year search. “The search committee was overwhelmed by Kedrick’s scholarship and curiosity about all kinds of music, from classical and jazz to gospel and hip-hop,” said. Dr. Mieko Hatano, executive director of the Oakland Symphony. “We are thrilled to have him join us at the Oakland Symphony.”
Arts and Culture
Faces Around the Bay Dr. Carl Blake, Pianist
Born in Liberty, Missouri, Carl Blake, a virtuoso and respected pianist, made his most recent migration to the East Bay in 1999. One might have seen him performing recently at Noontime Concerts in San Francisco, or at the Piedmont Center for the Arts in Oakland. He is Director of Music at The Church for the Fellowship of All Peoples in San Francisco. He was also co-organizer and collaborative pianist at Herbst Theater for The Majesty of the Spirituals concert in 2022 and has held several church positions in the Bay Area.
By Barbara Fluhrer
Born in Liberty, Missouri, Carl Blake, a virtuoso and respected pianist, made his most recent migration to the East Bay in 1999.
One might have seen him performing recently at Noontime Concerts in San Francisco, or at the Piedmont Center for the Arts in Oakland. He is Director of Music at The Church for the Fellowship of All Peoples in San Francisco. He was also co-organizer and collaborative pianist at Herbst Theater for The Majesty of the Spirituals concert in 2022 and has held several church positions in the Bay Area.
Blake obtained a Bachelor of Music from Boston University and continued post-baccalaureate studies in Jamaica before earning a Master of Arts in Music at San Jose State University. He was the recipient of two Fulbright residencies in Honduras and completed a third residency at the University of St. Petersburg in Russia. He has a Doctor of Musical Arts from Cornell University.
At age 19, Blake, then an undergraduate piano major at Boston University, was “discovered” by Impresario Dr. W. Hazaiah Williams, who is the Founder and Director of Today’s Artists/Four Seasons Arts.
Williams honored Blake by awarding him the first Marian Anderson Young Artist Award. Anderson personally presented the award at the Masonic Auditorium in S.F. Subsequently, Blake was presented by Dr. Williams in his San Francisco debut at The Herbst Theatre. Williams subsidized a year of study abroad for Blake at the Paris Conservatory of Music. Additionally, Williams sponsored Blake’s New York Weill Hall debut, where he has performed twice since. Blake performed several times at the Yachats Music Festival in Oregon.
Blake continues to perform nationally and abroad. His hobbies are reading, baking and travel. He says, “I’m still pumping ivories, as Belgian pianist Jeanne Stark described the disciplined practice of concert piano.”
Arts and Culture
Oakland Jazz Great Offers Master Class as City Declares “John Handy Day”
World-renowned jazz master saxophonist John Handy, a McClymond’s High School graduate, was presented with a Mayor of Oakland Proclamation declaring Feb. 12, as John Handy Day in the city. Handy is most notably known as the featured saxophonist for Charles Mingus on “Goodbye Pork Pie Hat” from the album “Mingus Ah Um” (1959) and on “Hard Work” from his own album “Hard Work” (1976).
By Conway Jones
World-renowned jazz master saxophonist John Handy, a McClymond’s High School graduate, was presented with a Mayor of Oakland Proclamation declaring Feb. 12, as John Handy Day in the city.
Handy is most notably known as the featured saxophonist for Charles Mingus on “Goodbye Pork Pie Hat” from the album “Mingus Ah Um” (1959) and on “Hard Work” from his own album “Hard Work” (1976).
“John Handy is a jazz icon and an inspiration to musicians everywhere,” said Ayo Brame, a 16-year-old Oakland tenor saxophone player who is enrolled at the Oakland School for the Arts.
In celebration of this day, the reception in downtown Oakland at Geoffrey’s Inner Circle was a gathering of artists, young and old, coming together in his honor and celebrating his 91st birthday.
Handy presented a Saxophone Colossus free masterclass for musicians. This class afforded a rare opportunity to learn about the saxophone from an aficionado. The class was free and open to all – saxophonists, vocalists, aficionados, students, and casual listeners.
“As a longtime friend for over 60 years, and fellow musician who has had numerous opportunities to share the stage with John, it has always been a pleasure performing with him and hearing his creative interpretations of the music and his gift of ease inspiring the next generation of jazz musicians,” said Roger Glenn, a multi-instrumentalist.
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