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New Orleans: Dining & Touring Around 2019 New Orleans Jazz & Heritage Festival

NNPA NEWSWIRE — Plan a late April or early May vacation to New Orleans around the annual New Orleans Jazz & Heritage Festival, and your opportunities for enriching yourself with NOLA’s wonderful culture grow exponentially.

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By Dwight Brown, NNPA Newswire Contributor

Plan a late April or early May vacation to New Orleans around the annual New Orleans Jazz & Heritage Festival, and your opportunities for enriching yourself with NOLA’s wonderful culture grow exponentially.

When you’re not at the Fair Grounds listening to your favorite artists, you get to explore the city. Concerts begin around 12pm and end by 7pm, so you can tour by day and dine out at night.

Get around town, and you’ll find that people on the streets often say hello. The neighborhoods (French Quarter, Garden District, Tremé, City Park) are either lively or calm and often shrouded with stately oversized oak, cypress and magnolia trees. Greek revival, Colonial and Victorian houses are so beautiful you’ll be tempted to buy one. And bars stay open to the wee hours—some all night—so If you’re looking for a good time, you will find it.

Eat like a king or queen.

 

Commander's Palace Shrimp & Tasso Henican by Dwight Brown

Commander’s Palace Shrimp & Tasso Henican by Dwight Brown

Commander’s Palace — This James Beard Foundation Award-winning Haute Creole restaurant is easily one of NOLA’s most famous. Dating back to 1893, it was remodeled in 1969, adding large windows so customers could enjoy the view. How good are the chefs at Commander’s? This is the place that launched famed Chef Emeril Lagasse’s career. Come here on a night when you feel like an elegant meal with impeccable service. The dining rooms are just formal enough to make you feel like royalty, but friendly enough for you to have a good time. Located in the tony Garden District, a trip here will give you a chance to experience a neighborhood other than the famed French Quarter.

TIPS:

  • It’s hard to choose appetizers but go with either the Shrimp & Tasso Henican (set in 5 pepper jelly and Crystal hot sauce beurre blanc), or the adventurous Chili and Lemongrass Glazed Alligator.
  • Pecan Roasted Gulf Fish is hearty and light, as is the flavorful Black Skillet Roasted Halibut entrees.
  • Throw caution out the door for dessert. Feast on the Creole Cream Cheese Cheesecake or Pecan Pie à la Mode.

 

 

oBou Restaurant Interior by Dwight Brown

oBou Restaurant Interior by Dwight Brown

SoBou – Set on picturesque Rue Chartres in the French Quarter, and attached to the W Hotel (free parking!), this contemporary Creole restaurant is away from heavy foot traffic on Bourbon Street. It has a low-key and refined atmosphere that attracts sophisticated adults. Floor-to-ceiling windows open up to the streets. People flock here for the food, drinks and ambiance. The signature cocktail is the Taylor Bird Sazerac, which is the rage of NOLA: Rye, brandy, bitters, Steen’s cane syrup and Herbsaint rinse. It’s a nice way to set yourself up for a swank dinner and memorable evening.

 

TIPS:

  • How does Wild Shrimp Crawfish Boil Beignets sound for an appetizer?
  • For dinner, their NOLA Style BBQ Shrimp “Shortcake” is served with a buttermilk biscuit and the Rustic Griddle Seared Gulf Fish is topped with a brandy flambeed brown butter.
  • You’ve probably never heard of a Bread Pudding Lollipop. But now you have. Taste the Toulouse Red Absinthe Soaked Strawberries, too.

 

 

Brennan's Rhubarb Glazed Lamb by Dwight Brown

Brennan’s Rhubarb Glazed Lamb by Dwight Brown

Brennan’s – That very attractive pink Vieux Carre building (circa 1795) at 417 Royal Street in the French Quarter is the home of the iconic establishment Brennan’s. This is the restaurant that launched the Brennan culinary dynasty back in 1946. The old-world charm and setting with modern NOLA cooking and precision service are the hallmarks of this classic dining experience. It’s best known for its nearly daylong and elaborate brunches, but dinner here is an equal treasure. After dinner or brunch, take a tour of the restaurant that invented the flaming dessert Bananas Foster. It’s steeped in history.

TIPS:

  • For starters, the Chicken Fried Sweetbreads with a Bacon-sherry Jus is as delicate as the Louisiana Seafood Filé Gumbo is hearty.
  • There is something so tasty about the Rhubarb Glazed Lamb with its Piri Piri Spiced Lamb Rib Pithivier and Spring Vegetables, or the Raviolo of Chevre & Sheep Feta.
  • Bananas Foster is an obvious choice and the Seasonal Sorbet is refreshing.

 

Palace Cafe Jay-Ray and Gee Singers by Dwight Brown

Palace Cafe Jay-Ray and Gee Singers by Dwight Brown

Palace Café — If you’re staying downtown in a hotel on Canal Street, that makes the Palace Café at 605 Canal a convenient excursion. The two-story restaurant looks like a French bistro, with a dazzling and dramatic central, spiral staircase that adds to the room’s allure. If you’re lucky, at some point during your meal, the lively Jay-Ray & Gee acapella singers will weave through the brasserie taking requests and singing in perfect harmony. Ask them to sing the classic soul song “Up on the Roof” and they will do it with special verve. It’s easy to take the warmth of the Palace with you when you leave.

TIPS:

  • The signature starter is the light and fluffy Crabmeat Cheesecake, which is something like a quiche, only soft and more flavorful.
  • The Andouille Crusted Fish entrée is covered with Andouille breadcrumbs, roasted and comes with a chive aioli.
  • You won’t go wrong with the Vanilla Bean Crème Brûlée or White Chocolate Bread Pudding.

 

Dooky Chase's Restaurant Buffet Line by Dwight Brown

Dooky Chase’s Restaurant Buffet Line by Dwight Brown

Dooky Chase’s Restaurant — This classic soul food restaurant dates back to 1941, when it was a sandwich shop in the Tremé district. Over the years, restaurateur

Leah Chase has turned it into NOLA’s must-dine restaurant. History lurks in every corner, as back in the ’60s, upstairs at Dooky’s was a meeting place for Thurgood Marshall, Dr. Martin Luther King and other social activists who would strategize their fight for civil rights. James Baldwin, Sarah Vaughn, Quincy Jones and President Barack Obama have all dined at this landmark. Dooky’s is to NOLA what Sylvia’s is to NYC; it’s a community treasure where local politicians gather along with locals and tourists.

TIPS:

  • The restaurant is opened daily for a lunch buffet or a la carte orders and serves dinner on Friday nights. Plan accordingly.
  • Crispy fried chicken, red beans and rice, Shrimp Clemenceau and lima beans are staples.
  • The Peach Cobbler with a scoop of ice cream is a nice way to put a smile on your face.

Things to Do

 

City Park Pepsi Tennis Center Corey Clarke Teaching Pro by Dwight Brown

City Park Pepsi Tennis Center Corey Clarke Teaching Pro by Dwight Brown

City Park/Pepsi Tennis Center — Tennis pro Corey Clarke has been a coach at this well-run and friendly tennis center for decades. Take a lesson with him, or the other pros, and you can play on any of the 26 lighted courts, which include 16 hard courts, 10 clay courts and also a practice court with two backboards. The complex is part of the 1,300-acre City Park, which is just a 15-minute drive from downtown. Tennis in City Park dates back to 1922. The 3700 sq. ft Clubhouse dates back to 2011. Tennis has come a long way in NOLA and playing here is a nice way to meet locals.

TIPS:

  • If you don’t have anyone to play with there’s always the Monday Night: Tennis “Drop In” Doubles ($8).
  • Tuesday Night: Advanced Adult Tennis Clinic 6:30 – 9 pm ($25).
  • Wednesday Night: Beginner Adult Tennis Clinic 6:30 – 8 pm ($25) and Intermediate Adult Tennis Clinic 8 – 9:30 pm ($25).

 

New Orleans Museum of Art by Dwight Brown

New Orleans Museum of Art by Dwight Brown

New Orleans Museum of Art – NOMA is just down the road from the Pepsi Tennis Center in City Park. New Orleans’ largest museum was built in 1911. These days the vast gallery is filled with a permanent collection of over 40,000 artifacts. Next to paintings by Renoir, Degas and Picasso are works by local artists from the city and state. Exhibitions of paintings, sculptures, glass, furniture, ceramics and crafts are augmented by a strong collection of over 12,000 photographs. You can walk around and gaze on your own, or take a guided tour to get the inside scoop on the artists and their work. Recent exhibitions include Bondye: Between and Beyond (12 sequined prayer flags inspired by the religious Haitian rituals of Vodou) and Timothy Duffy: Blue Muse (tintype portraits of American musicians, some of them are black blues musicians.)

TIPS:

  • Stroll around the foot paths at the five-acre Sydney and Walda Besthoff Sculpture Garden.
  • The Gold Log Cabin exhibit glistens and has eye-catching textures. You have to take a photo (no flash).
  • In 2018, Ndubuisi C. Ezeluomba, PhD. became the Françoise Billion Richardson Curator of African Art. The fruits of his labor can be found on the 3rd floor in the museum’s permanent Africa Art collection.

Topnotch cuisine. Tennis in a multi-purpose park. African Art in a city that celebrates its African connections. And a whole lot of music too!

It’s guaranteed, if you come to NOLA for the New Orleans Jazz & Heritage Festival, or any other time of the year, you’ll have a great time. And if you come back again, you will feel like you’re returning home.

Visit travel writer Dwight Brown at DwightBrownInk.com and at BlackPressUSA.com

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Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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Venus Williams Calls a Sabalenka Exit a Tragedy

ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words

By David Kesiena | Rolling Out

When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.

Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.

The collapse that triggered the comment

Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.

Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.

In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.

What Venus Williams said about Sabalenka

Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.

Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.

Sabalenka walks it back

The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.

It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.

For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.

Originally published by Rolling Out — https://rollingout.com

The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue

THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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By Judaea Ingram | Special to The Carolinian

RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.

At the center of the event stood a simple but powerful reminder:

“You Matter.”

For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.

Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.

The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.

The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.

While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.

Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.

The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.

Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.

Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.

For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.

“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”

He said one of the hardest battles became overcoming the mental barriers created during incarceration.

“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.

Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.

“Things were looking bad,” he said. “Could not get a job. The struggle was real.”

Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.

Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.

Community members who attend the organization’s events often describe them as emotionally transformative.

Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.

“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.

By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.

Not through silence.

But through healing, honesty, connection, and joy.

Originally published by The Carolinian — https://caro.news

The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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