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New Orleans: Dining & Touring Around 2019 New Orleans Jazz & Heritage Festival

NNPA NEWSWIRE — Plan a late April or early May vacation to New Orleans around the annual New Orleans Jazz & Heritage Festival, and your opportunities for enriching yourself with NOLA’s wonderful culture grow exponentially.

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By Dwight Brown, NNPA Newswire Contributor

Plan a late April or early May vacation to New Orleans around the annual New Orleans Jazz & Heritage Festival, and your opportunities for enriching yourself with NOLA’s wonderful culture grow exponentially.

When you’re not at the Fair Grounds listening to your favorite artists, you get to explore the city. Concerts begin around 12pm and end by 7pm, so you can tour by day and dine out at night.

Get around town, and you’ll find that people on the streets often say hello. The neighborhoods (French Quarter, Garden District, Tremé, City Park) are either lively or calm and often shrouded with stately oversized oak, cypress and magnolia trees. Greek revival, Colonial and Victorian houses are so beautiful you’ll be tempted to buy one. And bars stay open to the wee hours—some all night—so If you’re looking for a good time, you will find it.

Eat like a king or queen.

 

Commander's Palace Shrimp & Tasso Henican by Dwight Brown

Commander’s Palace Shrimp & Tasso Henican by Dwight Brown

Commander’s Palace — This James Beard Foundation Award-winning Haute Creole restaurant is easily one of NOLA’s most famous. Dating back to 1893, it was remodeled in 1969, adding large windows so customers could enjoy the view. How good are the chefs at Commander’s? This is the place that launched famed Chef Emeril Lagasse’s career. Come here on a night when you feel like an elegant meal with impeccable service. The dining rooms are just formal enough to make you feel like royalty, but friendly enough for you to have a good time. Located in the tony Garden District, a trip here will give you a chance to experience a neighborhood other than the famed French Quarter.

TIPS:

  • It’s hard to choose appetizers but go with either the Shrimp & Tasso Henican (set in 5 pepper jelly and Crystal hot sauce beurre blanc), or the adventurous Chili and Lemongrass Glazed Alligator.
  • Pecan Roasted Gulf Fish is hearty and light, as is the flavorful Black Skillet Roasted Halibut entrees.
  • Throw caution out the door for dessert. Feast on the Creole Cream Cheese Cheesecake or Pecan Pie à la Mode.

 

 

oBou Restaurant Interior by Dwight Brown

oBou Restaurant Interior by Dwight Brown

SoBou – Set on picturesque Rue Chartres in the French Quarter, and attached to the W Hotel (free parking!), this contemporary Creole restaurant is away from heavy foot traffic on Bourbon Street. It has a low-key and refined atmosphere that attracts sophisticated adults. Floor-to-ceiling windows open up to the streets. People flock here for the food, drinks and ambiance. The signature cocktail is the Taylor Bird Sazerac, which is the rage of NOLA: Rye, brandy, bitters, Steen’s cane syrup and Herbsaint rinse. It’s a nice way to set yourself up for a swank dinner and memorable evening.

 

TIPS:

  • How does Wild Shrimp Crawfish Boil Beignets sound for an appetizer?
  • For dinner, their NOLA Style BBQ Shrimp “Shortcake” is served with a buttermilk biscuit and the Rustic Griddle Seared Gulf Fish is topped with a brandy flambeed brown butter.
  • You’ve probably never heard of a Bread Pudding Lollipop. But now you have. Taste the Toulouse Red Absinthe Soaked Strawberries, too.

 

 

Brennan's Rhubarb Glazed Lamb by Dwight Brown

Brennan’s Rhubarb Glazed Lamb by Dwight Brown

Brennan’s – That very attractive pink Vieux Carre building (circa 1795) at 417 Royal Street in the French Quarter is the home of the iconic establishment Brennan’s. This is the restaurant that launched the Brennan culinary dynasty back in 1946. The old-world charm and setting with modern NOLA cooking and precision service are the hallmarks of this classic dining experience. It’s best known for its nearly daylong and elaborate brunches, but dinner here is an equal treasure. After dinner or brunch, take a tour of the restaurant that invented the flaming dessert Bananas Foster. It’s steeped in history.

TIPS:

  • For starters, the Chicken Fried Sweetbreads with a Bacon-sherry Jus is as delicate as the Louisiana Seafood Filé Gumbo is hearty.
  • There is something so tasty about the Rhubarb Glazed Lamb with its Piri Piri Spiced Lamb Rib Pithivier and Spring Vegetables, or the Raviolo of Chevre & Sheep Feta.
  • Bananas Foster is an obvious choice and the Seasonal Sorbet is refreshing.

 

Palace Cafe Jay-Ray and Gee Singers by Dwight Brown

Palace Cafe Jay-Ray and Gee Singers by Dwight Brown

Palace Café — If you’re staying downtown in a hotel on Canal Street, that makes the Palace Café at 605 Canal a convenient excursion. The two-story restaurant looks like a French bistro, with a dazzling and dramatic central, spiral staircase that adds to the room’s allure. If you’re lucky, at some point during your meal, the lively Jay-Ray & Gee acapella singers will weave through the brasserie taking requests and singing in perfect harmony. Ask them to sing the classic soul song “Up on the Roof” and they will do it with special verve. It’s easy to take the warmth of the Palace with you when you leave.

TIPS:

  • The signature starter is the light and fluffy Crabmeat Cheesecake, which is something like a quiche, only soft and more flavorful.
  • The Andouille Crusted Fish entrée is covered with Andouille breadcrumbs, roasted and comes with a chive aioli.
  • You won’t go wrong with the Vanilla Bean Crème Brûlée or White Chocolate Bread Pudding.

 

Dooky Chase's Restaurant Buffet Line by Dwight Brown

Dooky Chase’s Restaurant Buffet Line by Dwight Brown

Dooky Chase’s Restaurant — This classic soul food restaurant dates back to 1941, when it was a sandwich shop in the Tremé district. Over the years, restaurateur

Leah Chase has turned it into NOLA’s must-dine restaurant. History lurks in every corner, as back in the ’60s, upstairs at Dooky’s was a meeting place for Thurgood Marshall, Dr. Martin Luther King and other social activists who would strategize their fight for civil rights. James Baldwin, Sarah Vaughn, Quincy Jones and President Barack Obama have all dined at this landmark. Dooky’s is to NOLA what Sylvia’s is to NYC; it’s a community treasure where local politicians gather along with locals and tourists.

TIPS:

  • The restaurant is opened daily for a lunch buffet or a la carte orders and serves dinner on Friday nights. Plan accordingly.
  • Crispy fried chicken, red beans and rice, Shrimp Clemenceau and lima beans are staples.
  • The Peach Cobbler with a scoop of ice cream is a nice way to put a smile on your face.

Things to Do

 

City Park Pepsi Tennis Center Corey Clarke Teaching Pro by Dwight Brown

City Park Pepsi Tennis Center Corey Clarke Teaching Pro by Dwight Brown

City Park/Pepsi Tennis Center — Tennis pro Corey Clarke has been a coach at this well-run and friendly tennis center for decades. Take a lesson with him, or the other pros, and you can play on any of the 26 lighted courts, which include 16 hard courts, 10 clay courts and also a practice court with two backboards. The complex is part of the 1,300-acre City Park, which is just a 15-minute drive from downtown. Tennis in City Park dates back to 1922. The 3700 sq. ft Clubhouse dates back to 2011. Tennis has come a long way in NOLA and playing here is a nice way to meet locals.

TIPS:

  • If you don’t have anyone to play with there’s always the Monday Night: Tennis “Drop In” Doubles ($8).
  • Tuesday Night: Advanced Adult Tennis Clinic 6:30 – 9 pm ($25).
  • Wednesday Night: Beginner Adult Tennis Clinic 6:30 – 8 pm ($25) and Intermediate Adult Tennis Clinic 8 – 9:30 pm ($25).

 

New Orleans Museum of Art by Dwight Brown

New Orleans Museum of Art by Dwight Brown

New Orleans Museum of Art – NOMA is just down the road from the Pepsi Tennis Center in City Park. New Orleans’ largest museum was built in 1911. These days the vast gallery is filled with a permanent collection of over 40,000 artifacts. Next to paintings by Renoir, Degas and Picasso are works by local artists from the city and state. Exhibitions of paintings, sculptures, glass, furniture, ceramics and crafts are augmented by a strong collection of over 12,000 photographs. You can walk around and gaze on your own, or take a guided tour to get the inside scoop on the artists and their work. Recent exhibitions include Bondye: Between and Beyond (12 sequined prayer flags inspired by the religious Haitian rituals of Vodou) and Timothy Duffy: Blue Muse (tintype portraits of American musicians, some of them are black blues musicians.)

TIPS:

  • Stroll around the foot paths at the five-acre Sydney and Walda Besthoff Sculpture Garden.
  • The Gold Log Cabin exhibit glistens and has eye-catching textures. You have to take a photo (no flash).
  • In 2018, Ndubuisi C. Ezeluomba, PhD. became the Françoise Billion Richardson Curator of African Art. The fruits of his labor can be found on the 3rd floor in the museum’s permanent Africa Art collection.

Topnotch cuisine. Tennis in a multi-purpose park. African Art in a city that celebrates its African connections. And a whole lot of music too!

It’s guaranteed, if you come to NOLA for the New Orleans Jazz & Heritage Festival, or any other time of the year, you’ll have a great time. And if you come back again, you will feel like you’re returning home.

Visit travel writer Dwight Brown at DwightBrownInk.com and at BlackPressUSA.com

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Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87

NNPA NEWSWIRE — Louis Gossett Jr., the groundbreaking actor whose career spanned over five decades and who became the first Black actor to win an Academy Award as Best Supporting Actor for his memorable role in “An Officer and a Gentleman,” has died. Gossett, who was born on May 27, 1936, in Brooklyn, N.Y., was 87. Recognized early on for his resilience and nearly unmatched determination, Gossett arrived in Los Angeles in 1967 after a stint on Broadway.
The post Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87 first appeared on BlackPressUSA.

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By Stacy M. Brown
NNPA Newswire Senior National Correspondent

@StacyBrownMedia

Louis Gossett Jr., the groundbreaking actor whose career spanned over five decades and who became the first Black actor to win an Academy Award as Best Supporting Actor for his memorable role in “An Officer and a Gentleman,” has died. Gossett, who was born on May 27, 1936, in Brooklyn, N.Y., was 87. Recognized early on for his resilience and nearly unmatched determination, Gossett arrived in Los Angeles in 1967 after a stint on Broadway.

He sometimes spoke of being pulled over by law enforcement en route to Beverly Hills, once being handcuffed to a tree, which he remembered as a jarring introduction to the racial tensions of Hollywood. In his memoir “An Actor and a Gentleman,” Gossett recounted the ordeal, noting the challenges faced by Black artists in the industry. Despite the hurdles, Gossett’s talent shone brightly, earning him acclaim in groundbreaking productions such as “A Raisin in the Sun” alongside Sidney Poitier. His Emmy-winning portrayal of Fiddler in “Roots” solidified his status as a trailblazer, navigating a landscape fraught with racial prejudice.

According to the HistoryMakers, which interviewed him in 2005, Gossett’s journey into the limelight began during his formative years at PS 135 and Mark Twain Junior High School, where he demonstrated early leadership as the student body president. His passion for the arts blossomed when he starred in a “You Can’t Take It With You” production at Abraham Lincoln High School, catching the attention of talent scouts who propelled him onto Broadway’s stage in “Take A Giant Step.” His stellar performance earned him the prestigious Donaldson Award for Best Newcomer to Theatre in 1952. Though initially drawn to sports, Gossett’s towering 6’4” frame and athletic prowess led him to receive a basketball scholarship at New York University. Despite being drafted by the New York Knicks in 1958, Gossett pursued his love for acting, honing his craft at The Actors Studio under the tutelage of luminaries like John Sticks and Peggy Fury.

In 1961, Gossett’s talent caught the eye of Broadway directors, leading to roles in acclaimed productions such as “Raisin in the Sun” and “The Blacks,” alongside legends like James Earl Jones, Cicely Tyson, Roscoe Lee Brown, and Maya Angelou. Transitioning seamlessly to television, Gossett graced small screens with appearances in notable shows like “The Bush Baby” and “Companions in Nightmare.” Gossett’s silver screen breakthrough came with his role in “The Landlord,” paving the way for a prolific filmography that spanned over 50 movies and hundreds of television shows. From “Skin Game” to “Lackawanna Blues,” Gossett captivated audiences with his commanding presence and versatile performances.

However, his portrayal of “Fiddler” in Alex Haley’s groundbreaking miniseries “Roots” earned Gossett critical acclaim, including an Emmy Award. The HistoryMakers noted that his golden touch extended to the big screen, where his role as Sergeant Emil Foley in “An Officer and a Gentleman” earned him an Academy Award for Best Supporting Actor, making him a trailblazer in Hollywood history.

Beyond the glitz and glamour of Hollywood, Gossett was deeply committed to community activism. In 1964, he co-founded a theater group for troubled youth alongside James Earl Jones and Paul Sorvino, setting the stage for his lifelong dedication to mentoring and inspiring the next generation. Gossett’s tireless advocacy for racial equality culminated in the establishment of Eracism, a nonprofit organization dedicated to combating racism both domestically and abroad. Throughout his illustrious career, Gossett remained a beacon of strength and resilience, using his platform to uplift marginalized voices and champion social change. Gossett is survived by his children, Satie and Sharron.

The post Beloved Actor and Activist Louis Cameron Gossett Jr. Dies at 87 first appeared on BlackPressUSA.

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COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration

WASHINGTON INFORMER — The D.C. crime bill and so many others like it are reminiscent of the ‘94 crime bill, which produced new and harsher criminal sentences, helped deploy thousands of police and surveilling methods in Black and brown communities, and incentivized more states to build prisons through a massive infusion of federal funding. While it is not at the root of mass incarceration, it significantly accelerated it, forcing a generation of Black and brown families into a never-ending cycle of state-sanctioned violence and incarceration.
The post COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration first appeared on BlackPressUSA.

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By Kaili Moss and Jillian Burford | Washington Informer

Mayor Bowser has signed the “Secure DC” omnibus bill passed by the D.C. Council last month. But we already know that this bill will be disastrous for all of D.C., especially for Black and brown residents.

While proponents claim that this legislation “will make D.C. residents safer and more secure,” it actually does nothing to address the root of the harm in the first place and instead maintains a cycle of violence, poverty, and broken community ties. The omnibus bill calls for increased surveillance, drug-free zones, and will expand pre-trial detention that will incarcerate people at a significantly higher rate and for an indeterminate amount of time before they are even tried. This bill will roll back decades of nationwide policy reform efforts and initiatives to keep our communities safe and whole, which is completely contradictory to what the “Secure” D.C. bill claims it will do.

What is unfolding in Washington, D.C., is part of a dangerous national trend. We have seen a resurrection of bad crime bills in several jurisdictions across the country — a phenomenon policy experts have named “zombie laws,” which are ineffective, costly, dangerous for communities of color and, most importantly, will not create public safety. Throwing more money into policing while failing to fund preventative measures does not keep us safe.

The D.C. crime bill and so many others like it are reminiscent of the ‘94 crime bill, which produced new and harsher criminal sentences, helped deploy thousands of police and surveilling methods in Black and brown communities, and incentivized more states to build prisons through a massive infusion of federal funding. While it is not at the root of mass incarceration, it significantly accelerated it, forcing a generation of Black and brown families into a never-ending cycle of state-sanctioned violence and incarceration. Thirty years later, despite spending billions each year to enforce these policies with many of these provisions remaining in effect, it has done very little to create long-term preventative solutions. Instead, it placed a permanent moving target on the backs of Black people, and the D.C. crime bill will do the same.

The bill calls for more pretrial detention. When our loved ones are held on pretrial detention, they are held on the presumption of guilt for an indeterminate amount of time before ever seeing a judge, which can destabilize people and their families. According to experts at the Malcolm Weimer Center for Social Policy at Harvard University, just one day in jail can have “devastating consequences.” On any given day, approximately 750,000 people are held in jails across the nation — a number that beats our nation’s capital population by about 100,000. Once detained, people run the risk of losing wages, jobs, housing, mental and health treatments, and time with their families. Studies show that pretrial detention of even a couple of days makes it more likely for that person to be rearrested.

The bill also endangers people by continuing a misguided and dangerous War on Drugs, which will not get drugs off the street, nor will it deter drug use and subsequent substance use disorders (SUDs). Drug policies are a matter of public health and should be treated as such. Many states such as Alabama, Iowa and Wisconsin are treating the current fentanyl crisis as “Crack 2.0,” reintroducing a litany of failed policies that have sent millions to jails and prisons instead of prioritizing harm reduction. Instead, we propose a simple solution: listen to members of the affected communities. Through the Decrim Poverty D.C. Coalition, community members, policy experts and other stakeholders formed a campaign to decriminalize drugs and propose comprehensive legislation to do so.

While there are many concerning provisions within the omnibus bill, car chases pose a direct physical threat to our community members. In July 2023, NBC4 reported that the D.C. Council approved emergency legislation that gave MPD officers the ability to engage in vehicular pursuits with so-called “limited circumstances.” Sgt. Val Barnes, the head of MPD’s carjacking task force, even expressed concern months before the decision, saying, “The department has a pretty strict no-chase policy, and obviously for an urban setting and a major metropolitan city, that’s understandable. If our law enforcement officers themselves are operating with more concern than our elected officials, what does it say about the omnibus bill’s purported intention to keep us safe?

And what does it mean when the risk of bodily harm is posed by the pursuit itself? On Saturday, Feb. 10, an Eckington resident had a near-miss as a stolen car barreled towards her and her dog on the sidewalk with an MPD officer in pursuit. What responsibility does the city hold if this bystander was hit? What does restitution look like? Why are our elected officials pushing for MPD officers to contradict their own policies?

Just a few summers ago during the uprisings of 2020, we saw a shift in public perspectives on policing and led to legislation aimed at limiting police power after the highly-publicized murders of loved ones Breonna Taylor and George Floyd — both victims of War on Drugs policing and the powers gained from the ’94 crime bill. And yet here we are. These measures do not keep us safe and further endanger the health of our communities.  Studies show that communities that focus on harm reduction and improving material conditions have a greater impact on public safety and community health. What’s missing in mainstream conversations about violent crime is the violence that stems from state institutions and structures that perpetuate racial and class inequality. The people of D.C. deserve to feel safe, and that includes feeling safe from the harms enacted by the police.

Kaili Moss is a staff attorney at Advancement Project, a national racial justice and legal organization, and Jillian Burford is a policy organizer at Harriet’s Wildest Dreams.

The post COMMENTARY: D.C. Crime Bill Fails to Address Root Causes of Violence and Incarceration first appeared on BlackPressUSA.

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Mayor, City Council President React to May 31 Closing of Birmingham-Southern College

THE BIRMINGHAM TIMES — “This is a tragic day for the college, our students, our employees, and our alumni, and an outcome so many have worked tirelessly to prevent,” Rev. Keith Thompson, chairman of the BSC Board of Trustees said in an announcement to alumni. “We understand the devastating impact this has on each of you, and we will now direct our efforts toward ensuring the smoothest possible transition for everyone involved.”
The post Mayor, City Council President React to May 31 Closing of Birmingham-Southern College first appeared on BlackPressUSA.

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By Barnett Wright | The Birmingham Times

Birmingham-Southern College will close on May 31, after more than a century as one of the city’s most respected institutions.

“This is a tragic day for the college, our students, our employees, and our alumni, and an outcome so many have worked tirelessly to prevent,” Rev. Keith Thompson, chairman of the BSC Board of Trustees said in an announcement to alumni. “We understand the devastating impact this has on each of you, and we will now direct our efforts toward ensuring the smoothest possible transition for everyone involved.”

There are approximately 700 students enrolled at BSC this semester.

“Word of the decision to close Birmingham Southern College is disappointing and heartbreaking to all of us who recognize it as a stalwart of our community,” Birmingham Mayor Randall Woodfin said in a statement. “I’ve stood alongside members of our City Council to protect this institution and its proud legacy of shaping leaders. It’s frustrating that those values were not shared by lawmakers in Montgomery.”

Birmingham City Council President Darrell O’Quinn said news of the closing was “devastating” on multiple levels.

“This is devastating for the students, faculty members, families and everyone affiliated with this historic institution of higher learning,” he said. “It’s also profoundly distressing for the surrounding community, who will now be living in close proximity to an empty college campus. As we’ve seen with other institutions that have shuttered their doors, we will be entering a difficult chapter following this unfortunate development …   We’re approaching this with resilience and a sense of hope that something positive can eventually come from this troubling chapter.”

The school first started as the merger of Southern University and Birmingham College in 1918.

The announcement comes over a year after BSC officials admitted the institution was $38 million in debt. Looking to the Alabama Legislature for help, BSC did not receive any assistance.

This past legislative session, Sen. Jabo Waggoner sponsored a bill to extend a loan to BSC. However, the bill subsequently died on the floor.

Notable BSC alumni include former New York Times editor-in-chief Howell Raines, former U.S. Sen. Howell Heflin and former Alabama Supreme Court Chief Justice Perry O. Hooper Sr.

This story will be updated.

The post Mayor, City Council President React to May 31 Closing of Birmingham-Southern College first appeared on BlackPressUSA.

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