Entertainment

Lawyer for Singers: ‘Blurred Lines’ Copyright Fight Not Over

Published

11 years ago

July 15, 2015

In this Sunday, June 28, 2015 file photo, Robin Thicke performs during a tribute to Smokey Robinson at the BET Awards at the Microsoft Theater in Los Angeles. A federal judge in Los Angeles on Tuesday, July 14, 2015, trimmed a copyright infringement verdict against Thicke and Pharrell Williams over their 2013 hit “Blurred Lines” from nearly $7.4 million to $5.3 million. The ruling also gives Marvin Gaye’s family, which sued the singers over the song, an ongoing shared of royalties from “Blurred Lines.” (Photo by Chris Pizzello/Invision/AP, File)

ANTHONY McCARTNEY, AP Entertainment Writer

LOS ANGELES (AP) — A ruling upholding a copyright infringement verdict against Pharrell Williams, Robin Thicke and rapper T.I. over their hit song “Blurred Lines” will be appealed, a lawyer for the entertainers said.

Attorney Howard King wrote in a statement late Tuesday that the musicians independently created “Blurred Lines,” which was 2013’s biggest hit song. The men had been sued by Marvin Gaye’s children over the song, claiming it copied their father’s 1977 hit, “Got to Give It Up.”

A jury agreed in March and awarded the family nearly $7.4 million, but U.S. District Judge John Kronstadt trimmed the verdict to $5.3 million on Tuesday. He also ruled that Gaye’s family should receive future royalties from “Blurred Lines.”

Jurors found that T.I., who received songwriting credit and a share of the royalties, did not commit copyright infringement, but Kronstadt ruled Tuesday that other elements of the jury’s verdict mean the rapper must be included in the judgment.

“Pharrell, Robin and T.I. independently created every note and lyric of ‘Blurred Lines,'” King wrote. “We look forward to ultimately obtaining appellate confirmation that no one can own a genre or a groove and that composers can be free to be inspired by the works of those creators that came before them.”

Williams is a 10-time Grammy Award winner whose songs that he’s either performed or produced have sold more than 100 million copies worldwide. His hit “Happy” has helped make him a household name, as has his work as a judge on NBC’s singing competition show, “The Voice.”

Williams contended during the trial that he was only trying to mimic the “feel” of Gaye’s late 1970s music and insisted he did not use elements of his idol’s work.

“Mr. Thicke and Williams, and their legal team, among others, went on a public relations campaign after the jury’s verdict criticizing the verdict and saying the evidence did not support the finding of copyright infringement, and did not believe the decision on liability would therefore stand,” the Gaye family’s attorney, Richard Busch, wrote in a statement after Tuesday’s ruling. “The judge who actually heard all of the evidence disagreed. I am thrilled for the Gaye family, and the thoughtful members of the jury, who had to listen to all of that while remaining silent.”

Busch said he and his team were reviewing the ruling and would discuss options for how the reduction in the verdict would be handled.

___

Anthony McCartney can be reached at http://twitter.com/mccartneyAP

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Oakland Post: Week of September 30 – October 6, 2026

The printed Weekly Edition of the Oakland Post: Week of September 30 – October 6, 2026

Published

7 days ago

October 4, 2026

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From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

Published

2 weeks ago

September 27, 2026

Post News Group

Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

By Carla Thomas

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum.

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”