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Chris Brown, Nicki Minaj, Beyonce Win Big at BET Awards

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Kendrick Lamar performs at the BET Awards at the Microsoft Theater on Sunday, June 28, 2015, in Los Angeles. (Photo by Chris Pizzello/Invision/AP)

Kendrick Lamar performs at the BET Awards at the Microsoft Theater on Sunday, June 28, 2015, in Los Angeles. (Photo by Chris Pizzello/Invision/AP)

By Mesfin Fekadu, ASSOCIATED PRESS
Photos by Chris Pizzello, INVISION, ASSOCIATED PRESS

 

LOS ANGELES (AP) — Though she was absent, Beyonce won three BET Awards, including video of the year for “7/11,” while Chris Brown and Nicki Minaj also won multiple awards at the all-star show Sunday night.

But the show was less about the awards — video of the year didn’t even make the live broadcast — as performances stole the night.

As Janet Jackson entered the stage at the Microsoft Theater in Los Angeles, Brown screamed loudly, Minaj whipped out her phone to record the moment and Laverne Cox was teary-eyed. The pop star was honored with the Ultimate Icon: Music Dance Visual Award as she made one of her first public performances in sometime as she readies a new album and tour this fall.

Janet Jackson

“It’s been a very long moment to this journey … my heart is so full,” Jackson said to the audience, which included her mother and father. “To my beautiful mother, to my beautiful father, and to my entire family, your love is unbreakable.”

An impressive Ciara, Jason Derulo and Tinashe paid tribute to the 49-year-old veteran by mimicking her signature dance moves.

Ciara

“Twenty five years ago we created ‘Rhythm Nation,’ hoping the world would be a better place, but today there’s even more to be done,” Jackson said.

Jackson wasn’t the only show stopper Sunday: Diddy dropped it like it’s hot at the awards show — figuratively and literally.

The entertainer fell during an exciting performance that celebrated Bad Boy Records’ 20th year anniversary, one of the night’s highlights. Lil Kim, Mase, Faith Evans, 112 and The Lox joined Diddy as they performed a medley of past hits. A video montage of rap king Notorious B.I.G. appeared in the background as his verse from “Mo Money Mo Problems” played.

Sean Combs, Ma$e

Brown performed multiple times, and won best male R&B/pop artist and the fandemonium award.

“A lot has changed in my life, a lot of mistakes, a lot of lessons learned. The best thing I’m most thankful for is my daughter,” he said onstage. “I’m so thankful and happy to have the loyal fans … and everybody here that knows me, to know me is to love me.”

Chris Brown

The show Sunday brought a mix of funny and serious moments. Rapping on top of a police car with a large American flag waving behind him, hip-hop prince Kendrick Lamar kicked off the BET Awards with a dose of seriousness, but also brought a fiery energy thanks to his charisma and beat of his song, “Alright.”

He later won best male hip-hop artist.

“This is for Compton, this is for Watts,” the Los Angeles-born rapper said.

Kendrick Lamar

Janelle Monae and Jidenna also brought a serious vibe to the stage when they performed “Classic Man”: The singers and their background dancers wore large “I’m a Classic Man” signs around their necks, a reference to the historic “I Am a Man” civil rights era protest signs.

Janelle Monae

And as Anthony Hamilton and Gary Clark Jr. performed while photos of celebrities who died appeared on screen, a montage of the nine people who were gunned down at a church in Charleston earlier this month closed the performance.

“Black-ish” actors Anthony Anderson and Tracee Ellis Ross won over the crowd with back-to-back jokes, including one about Rachel Dolezal, the former president of the Spokane chapter of the NAACP.

“Is white really the new black,” Anderson sang as two photos of Dolezal — one old, the other recent — appeared on screen.

Anderson also dressed as British singer Sam Smith, who won best new artist but didn’t attend the awards show.

“Sam Smith isn’t here tonight because he’s white and he didn’t think he would win at the BET Awards,” Anderson said as the audience burst into laughter.

“This award is going to stay with me for you not showing up to BET,” Anderson sang, referencing Smith’s ubiquitous hit, “Stay With Me.”

Anthony Anderson

Rihanna, who debuted a 1-minute clip of her new music video for “B—- Better Have My Money,” was among the A-listers who sat in the audience, and she sang along during Omarion and Brown’s performance of the pop hit, “Post to Be.” Alicia Keys surprised the crowd when she joined The Weeknd to sing his hit, “Earned It.”

Smokey Robinson received the Lifetime Achievement Award, performed a medley of his hits and earned a standing ovation from the audience when he spoke about Hollywood and humility. Ne-Yo, Robin Thicke and rising singer Tori Kelly paid tribute to the icon.

And Patti LaBelle was a fan favorite too, hitting high notes alongside Tamar Braxton and K. Michelle.

Patti LaBelle

Minaj, who won the fan-voted viewer’s choice award, brought her mom onstage when she collected her sixth consecutive best female hip-hop artist award.

Carol Maraj, Nicki Minaj

“Momma, I want to thank you from the bottom of my heart for everything you’ve done for me. I love you so much,” said Minaj, who performed her with rapper-boyfriend Meek Mill later in the show.

Beyonce’s wins included best female R&B/pop artist and video director of the year.

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Online: http://www.bet.com
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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