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New Season Of “Unsung” Kicks Off TV One’s Black Music Month With Otis Redding, Xscape

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via TV One
Special to the NNPA from The Atlanta Daily World

 

 

TV One’s award-winning series Unsung returns with an all-new season of hit-makers and game changers starting Wednesday, June 3rd at 8 p.m. ET. This season is filled with trailblazing artists who dominated the charts, pushed the boundaries of their genre, and inspired legions of fans with their legendary sound. Viewers will be able to reflect on the lives of innovative, soul-stirring singers of the ’60s and ’70s, including Ike Turner, Otis Redding, and the Godfather of Go-Go, Chuck Brown, as well as return to hip-hop’s golden age with Kid ‘n Play, DJ Quik, and Xscape. In a special episode, Unsung Revisited, viewers will receive an update on artists, including Full Force, Zapp & Roger, Sylvester, and Miki Howard, who following their features on the series, have experienced profound changes to their lives and legacy.

Wednesday, June 3, 8PM ET – Ike Turner

Ike Turner was the controversial musical genius credited with recording the first rock and roll song, as well as the creation of the Ike and Tina Turner Revue, a show like no other. They catapulted to fame with hits like “A Fool in Love,” “It’s Gonna Work Out Fine,” and their classic re-creation of “Proud Mary,” all while showcasing Tina Turner’s astonishing stage presence and unique tone. However, Ike was haunted by emotional traumas from his childhood, and his obsession to control ultimately destroyed his band, his marriage, his reputation, and his life.

Wednesday, June 10, 8PM ET – Otis Redding

From Georgia farm boy to singing legend, Otis Redding changed the face of soul music and left the world with one of the most popular songs in modern music, “Sittin’ on the Dock of the Bay.” Before that, he recorded and co-wrote over twenty top ten hits, including “I’ve Been Loving You Too Long,” “Can’t Turn You Loose,” and the anthem that ultimately became Aretha Franklin’s own signature song, “Respect.” His electrifying performances altered the entire trajectory of ’60s music. Then at the age of 26, Otis died in a plane crash while en route to a performance.

Wednesday, June 17, 8PM ET – DJ Quik

DJ Quik became one of hip-hop’s most legendary rapper/producers of the ’90s, with classics like “Tonite” and “Born and Raised in Compton,” which continue to get airplay today. This prolific producer has crafted hits for artists as varied as Janet Jackson, Whitney Houston, Shaquille O’Neal, andTony!Toni!Tone!. DJ Quik rose to great success despite surviving a life filled with hardships, including his days growing up in the notorious streets of Compton, to battling depression, serving jail time, and even putting his equipment on sale to retire from the hip-hop game. Today, the self-proclaimed “Americaz Most Complete Artist” continues to thrive on and off the stage.

Wednesday, June 24, 8PM ET – Chuck Brown and the Story of Go-Go

The undisputed Godfather of Go-Go music is the renowned Chuck Brown. Growing up in the impoverished nation’s capital, Brown found himself in prison for eight years after a murder conviction. He turned his life around and emerged as a guitarist and singer who helped craft a genre that blended the sounds of funk, blues, salsa, gospel, and soul into “the beat,” which is now known as Go-Go. Early pioneers like The Young Senators, Black Heat, and Trouble Funk developed a signature style that reflected Washington, D.C.’s African-American culture, while inspiring second generation bands like The Junk Yard Band, Rare Essence, and Experience Unlimited (aka E.U.).

Wednesday, July 1, 8PM ET – Unsung Revisited

In this unique episode, Unsung revisits four artists – Full Force, Zapp & Roger, Sylvester, and Miki Howard – to uncover how their lives have been affected by the award-winning series. The story of Sylvester, the legendary singer who died in 1988, was resurrected on Broadway thanks to a producer – alongside Sheryl Lee Ralph – who was moved by his Unsung profile. The Troutman family reveals how their dynamic changed after discussing the tragic deaths of Roger and Larry Troutman. Miki Howard depicts her new life as a jazz and R&B singer after her career was revitalized by her episode. And theGeorge brothers, Lou, B-Fine, and Paul Anthony, discuss the latest chapter in Paul’s courageous fight against the disease that nearly cost him his life, and the joyful album it inspired.

Wednesday, July 8, 8PM ET – Xscape

In 1993, Xscape rose to the top of the charts with three platinum albums that included number one hits “Just Kickin’ It,” “Understanding,” and “Who Can I Run To?” Composed of sisters LaTocha and Tamika Scott and classmates Kandi Burruss and Tameka “Tiny” Cottle, they formed a sisterhood as strong as their sound. As a group, Xscape frequently struggled for respect, as their raw talent took a backseat to the music industry’s emphasis on looks and glamour. By their third album, their sisterhood had imploded. Since their breakup in 1998, attempts to reunite the group have failed, with lingering bitterness and deep seeded anger playing out on public forums.

Wednesday, July 15, 8PM ET – Kid ‘n Play

Kid ‘n Play exploded on the rap scene in the late ’80s and redefined the game with their fun-loving party anthems like “2 Hype” and “Rolling with Kid ‘n Play.” Additionally, they established a look and style that crossed age and color lines. After starring in the cult classic hit film House Party, they became media sensations, appearing in TV commercials and their own Saturday morning cartoon. When their squeaky clean image lost favor to emerging hard-core rap artists, they found themselves on the outside of the business. The rise and fall of fame carried a sobering cost for their personal lives as well. Recently, the lifelong friends decided to reunite and bring the fun back to the party.

Unsung is narrated by actor Gary Anthony Williams and is executive produced by Arthur Smith,Kent Weed, and Frank Sinton of A. Smith & Co. Productions for TV One. Mark Rowland is Co-Executive Producer. Lamar Chase is Producer and Jubba Seyyid is Executive in Charge of Production for TV One. D’Angela Proctor is Head of Original Programming and Production for the network.

 

ABOUT TV ONE:

Launched in January 2004, TV One (www.tvone.tv) serves 57 million households, offering a broad range of real-life and entertainment-focused original programming, classic series, movies and music designed to entertain and inform a diverse audience of adult Black viewers. The network is the exclusive home ofNews One Now, the only live daily news program targeting Black viewers. In December 2008, the company launched TV One High Def, which now serves 14 million households. TV One is solely owned by Radio One [NASDAQ: ROIA and ROIAK, www.radio-one.com], the largest radio company that primarily targets Black and urban listeners.

More information about current and past seasons of Unsung is at TV One.

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Activism

Oakland Post: Week of July 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of July 1 – 7, 2026

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Arts and Culture

Prescott Circus Theatre Presents Free Summer Performance Series

Now in its 41st year, the Prescott Circus Theatre is a nationally recognized performing arts education program for Oakland youth. The circus offers safe environments that challenge Oakland youth, through circus arts training, to develop the skills and confidence to thrive on stage, in school, and in life.

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Prescott Circus showcase pathways pyramid. Photo courtesy of Prescott Circus.
Prescott Circus showcase pathways pyramid. Photo courtesy of Prescott Circus.

By Post Staff

The Prescott Circus, Oakland’s longest-running youth circus, is returning this summer with its free shows. Join the Prescott Circus’s young stars as they share their joys and talents through stilt-dancing, tumbling, juggling, and more.

At the heart of this one-hour show, which demonstrates teamwork, pride, and joy, are Oakland Unified School District students ages 8 – 17 from more than 10 different schools

Now in its 41st year, the Prescott Circus Theatre is a nationally recognized performing arts education program for Oakland youth. The circus offers safe environments that challenge Oakland youth, through circus arts training, to develop the skills and confidence to thrive on stage, in school, and in life.

This is accomplished through no-cost school and community programs for more than 300 Oakland youth each year. Performing company members from Prescott, where the program began, perform and make appearances at as many as 40 Bay Area events each year.

The summer program is funded in part by Oakland Fund for Children and Youth, California Arts Council, Port of Oakland, and the West Davis & Bergard Foundation.

Performances will be held Tuesday, July 14, 11 a.m. and 1:30 p.m. (ASL interpreted) and Wednesday, July 15, 11 a.m., at the Malonga Casquelourd Center for the Arts, 1428 Alice St., Oakland. For free reservations go to

https://PrescottCircusSummerShows.eventbrite.com

For group reservations for camps, childcare centers, senior centers, go to www.prescottcircus.org

A community show will be held Saturday, July 18, 2 p.m. to 3 p.m., at DeFremery Park,1651 Adeline St., Oakland.

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Activism

50 Years Later, ‘Wake Up Everybody!’ Still Resonates During Black Music

The words of the song, “Wake Up Everybody,” debuted by Harold Melvin & The Blue Notes in 1975, still resonate today as those words are just as relevant more than a half century later.

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iStockphoto.
iStockphoto.

By Hazel Trice Edney, Special to The Post

Hazel Trice Edney

Hazel Trice Edney

“Wake up, everybody, No more sleepin’ in bed

No more backward thinkin’. Time for thinkin’ ahead

The world has changed so very much from what it used to be.

There is so much hatred, war, and poverty. 

The world won’t get no better If we just let it be. 

Naw, naw, naw, naw, naw, naw, naw.

The world won’t get no betterWe gotta change it, yeah– just you and me.”

The words of the song, “Wake Up Everybody,” debuted by Harold Melvin & The Blue Notes in 1975, still resonate today as those words are just as relevant more than a half century later.

In a rare, nearly somber moment, the group’s celebrated lead singer, Teddy Pendergrass, introduced the song on Soul Train, the weekly dance and live performance TV show that aired roughly between 1971 and 2006. Pendergrass told the attentive live audience and thousands watching by television that Wake Up Everybody, the title tune of their most recent album, was intended to inspire people to take action with a goal to change America for the better.

“I’m sure that you will all agree that there are things that need to be done in this country today,” he said. “So, what I’d like for you to do is listen very carefully to see what you can do to lend a hand.”

The song’s appeal worked.

“I played that song over and over and over again because it was a constant warning to keep ourselves prepared for the society that we were living in,” says A. Peter Bailey, then a 37-year-old former aide to Malcolm X.

When “Wake Up Everybody” hit the airwaves, Bailey was working as an associate editor of Ebony Magazine. “It was a call to be aware of what we were dealing with in the country that we lived in, the world we lived in, the neighborhood we lived in, the cities that we lived in,” Bailey said in an interview with the Trice Edney News Wire.

He concluded that during Black Music Month 2026, such songs should be recalled and celebrated as a key to changes for the good across America; especially because such songs successfully encouraged people to deal with the issues that might otherwise denigrate the promises of America, including the promise that “All men are created equal,”as stated in the Declaration of Independence.

“The rhythms and blues expressed our joys, our sorrows and our fears,” Bailey recalls. “It was those songs and the singing of those songs by our people that attracted us to the campaigns for justice.”

With his life inspired by that song and others, Bailey, now 88, went on to establish and teach a Black Press class at Virginia Commonwealth University. Also, he has since written three books, including a memoir, “Witnessing Brother Malcolm X, the Master Teacher,” in which he expounded upon successful principles of social justice, some of which are reflected in “Wake Up Everybody.”

Long before the term “woke” became associated with campaigns for justice, Pendergrass led the song that reverberated across America and still holds deep meaning.

The ‘wake up’ call exhorts teachers to ‘teach a new way,’ doctors to heal elders, and builders to ‘build a new land… we can do it if we all lend a hand.”

The song concludes:

“The world won’t get no better if we just let it be. Naw, naw, naw, naw, naw, naw, naw. The world won’t get no better. We gotta change it, yeah – just you and me.”

Hazel Trice Edney wrote this story as part of a four-part series powered by AARP in commemoration of Black Music Month, June 2026.

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