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FILM REVIEW: Captain Marvel

NNPA NEWSWIRE — Brie Larson, an excellent dramatic actress, injects humanity, doubt and imperfection into her Vers. It’s just enough to make what could have been a cliché character somewhat intriguing. Not much more. Jackson as Fury buddy’s up to the lead and adds comic relief. Jude Law is miscast and too British and reserved for his mentor role. Mendelsohn fares slightly better as the green monster Talos. Other supporting actors don’t get enough screen time to show their real talent: Gemma Chan, Algenis Perez Soto and Djimon Hounsou.

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By Dwight Brown, NNPA News Wire Film Critic

Marvel Studios' CAPTAIN MARVEL..Captain Marvel (Brie Larson) ..Photo: Film Frame..©Marvel Studios 2019

Marvel Studios’ CAPTAIN MARVEL..Captain Marvel (Brie Larson) ..Photo: Film Frame..©Marvel Studios 2019

It’s hard to launch an action hero franchise based on a comic book character when you can’t deliver dazzling special effects, innovative super powers, imaginative action scenes, uncanny makeup, vibrant costumes or a consistently affecting storyline. Those essential elements are missing in this feeble origin tale about a superhero who deserves better.

Far off in another galaxy opening scenes depict Yon-Rogg (Jude Law), commander of the Kree civilization’s militia called Starforce. He’s training a soldier named Vers (Brie Larson, Oscar-winner for Room) in martial arts combat. The characters/actors don’t seem particularly convincing. The Kree are at war with the Skrulls, led by Talos (Ben Mendelsohn, Bloodline); they’re green shape-shifters with elf ears who can turn themselves into anyone they see. It’s hard to spot the Skrulls; they’re difficult to track and can sneak up on you quicker than a heart attack.

The battle between the Kree and the Skrulls shifts to the 1990s on earth, aka Planet C-53. Vers’ trip to the planet triggers memories. Was she there before?  Did she have a pivotal role in a crucial event? Why do people call her Carol? Her voyage of self-discovery may be more fascinating than her mission.

Marvel Studios' CAPTAIN MARVEL..Nick Fury (Samuel L. Jackson) ..Photo: Film Frame..©Marvel Studios 2019

Marvel Studios’ CAPTAIN MARVEL..Nick Fury (Samuel L. Jackson) ..Photo: Film Frame..©Marvel Studios 2019

First views of the footage are disappointing. The costumes (Sanja Milkovic Hays) are dull and lack eye-catching colors and designs (Oscar-winner Ruth Carter’s clothes in Black Panther made a statement as important as any aspect of that film). The makeup (Erica Akin) is uninspired; especially on the Skrulls who look like they’re wearing green Halloween masks from Toys R Us. Set decoration (Lauri Gaffin), art direction (Elena Albanese), production design (Andy Nicholson) and cinematography (Ben Davis) all look rehashed from other nondescript action hero/sci-fi movies. Add in the dullest of special effects (once you’ve seen Larson shoot power waves out her fists, it loses its shimmer) and visually everything is humdrum.

With nothing to look at, attention gets focused on the story, direction, pacing and acting:  One civilization fighting another civilization is not exactly an earth-shattering premise. When the oh-too-conventional script by writers/directors Anna Boden and Ryan Fleck (Half Nelson) and co-writer Geneva Robertson-Dworet concentrates on fighting green plastic looking beings, it shoots blanks. A subplot that centers on Vers’ personal hurdles and discovering her previous life hits its target.

Marvel Studios' CAPTAIN MARVEL..L to R: Maria Rambeau (Lashana Lynch) and Captain Marvel (Brie Larson) ..Photo: Film Frame..©Marvel Studios 2019

Marvel Studios’ CAPTAIN MARVEL..L to R: Maria Rambeau (Lashana Lynch) and Captain Marvel (Brie Larson) ..Photo: Film Frame..©Marvel Studios 2019

Adding in funny moments about the ineptitude of ‘90s technology, compared with today’s high tech causes several smirks (remember floppy discs and pay phone booths?). Plus, the characters on earth, like the smart-mouthed Nick Fury (Samuel L. Jackson), who works with an organization called S.H.I.E.L.D, fellow pilot friend Maria (Lashana Lynch) and the enigmatic Supreme Intelligence being (Annette Bening) provide needed diversions.

Hopefully, if Boden and Fleck go on to direct more Marvel films, they’ll keep these standards in mind: Rivalries between warring factions have to be vicious, not polite. Fight scenes should be thrilling. Battles in space need to be spectacular. Airplane chases should be riveting. Fistfights have to be imaginatively staged and choreographed. Chase scenes where heroes run after enemies must be an adrenaline rush. If you can’t hit those marks, why bother?

Editors Debbie Berman and Elliot Graham do the best they can with the footage they were given.  What’s on view has a rhythm. It’s not like you’re squirming in your seat for 2h and 4m. Boredom is not the overwhelming takeaway. Neither is excitement.

Marvel Studios’ CAPTAIN MARVEL..Captain Marvel (Brie Larson)..Photo: Chuck Zlotnick..©Marvel Studios 2019

Brie Larson, an excellent dramatic actress, injects humanity, doubt and imperfection into her Vers. It’s just enough to make what could have been a cliché character somewhat intriguing. Not much more. Jackson as Fury buddy’s up to the lead and adds comic relief. Jude Law is miscast and too British and reserved for his mentor role. Mendelsohn fares slightly better as the green monster Talos. Other supporting actors don’t get enough screen time to show their real talent: Gemma Chan, Algenis Perez Soto and Djimon Hounsou.

The perfectly written, directed, acted and produced Wonder Woman should have been nominated for an Oscar. It paved the way for Captain Marvel to succeed as an art form, at the box office and with a female protagonist in a predominantly male genre. WW casts a shadow so big that any similar film that follows will have to bring its A game to equal it and an A+ game to beat it. Captain Marvel rates a C.

In the least, thanks to this prequel, audiences will know how Captain Marvel got her ultra-powerful mojo and how the S.H.I.E.L.D. got its start. Many will wish that the film aimed higher than that.

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78

NNPA NEWSWIRE — Born on September 4, 1945, in Los Angeles, California, activist Ramona Edelin’s early years were marked by a commitment to education and social justice. According to her HistoryMakers biography, after graduating from Fisk University with a Bachelor’s degree in 1967, she pursued further studies at the University of East Anglia in England. She earned her master’s degree before completing her Ph.D. at Boston University in 1981.
The post IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78 first appeared on BlackPressUSA.

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Once upon a time, Black Americans were simply known as colored people, or Negroes. That is until Ramona Edelin came along. The activist, renowned for her pivotal roles in advancing civil rights, education reform, and community empowerment, died at her D.C. residence last month at the age of 78. Her death, finally confirmed this week by Barnaby Towns, a communications strategist who collaborated with Dr. Edelin, was attributed to cancer.

Born on September 4, 1945, in Los Angeles, California, Edelin’s early years were marked by a commitment to education and social justice. According to her HistoryMakers biography, after graduating from Fisk University with a Bachelor’s degree in 1967, she pursued further studies at the University of East Anglia in England. She earned her master’s degree before completing her Ph.D. at Boston University in 1981.

Edelin’s contributions to academia and activism were manifold. She was pivotal in popularizing the term “African American” alongside Rev. Jesse L. Jackson in the late 1980s.

Jackson had announced the preference for “African American,” speaking for summit organizers that included Dr. Edelin. “Just as we were called Colored, but were not that, and then Negro, but not that, to be called Black is just as baseless,” he said, adding that “African American” “has cultural integrity” and “puts us in our proper historical context.”

Later, Edelin told Ebony magazine, “Calling ourselves African Americans is the first step in the cultural offensive,” while linking the name change to a “cultural renaissance” in which Black Americans reconnected with their history and heritage.

“Who are we if we don’t acknowledge our motherland?” she asked later. “When a child in a ghetto calls himself African American, immediately he’s international. You’ve taken him from the ghetto and put him on the globe.”

The HistoryMakers bio noted that Edelin’s academic pursuits led her to found and chair the Department of African American Studies at Northeastern University, where she established herself as a leading voice.

Transitioning from academia to advocacy, Edelin joined the National Urban Coalition in 1977, eventually ascending to president and CEO. During her tenure, she spearheaded initiatives such as the “Say Yes to a Youngster’s Future” program, which provided crucial support in math, science, and technology to youth and teachers of color in urban areas. Her biography noted that Edelin’s efforts extended nationwide through partnerships with organizations like the National Science Foundation and the United States Department of Education.

President Bill Clinton recognized Edelin’s expertise by appointing her to the Presidential Board on Historically Black Colleges and Universities in 1998. She also co-founded and served as treasurer of the Black Leadership Forum, solidifying her standing as a respected leader in African American communities.

Beyond her professional achievements, Edelin dedicated herself to numerous boards and committees, including chairing the District of Columbia Educational Goals 2000 Panel and contributing to the Federal Advisory Committee for the Black Community Crusade for Children.

Throughout her life, Edelin received widespread recognition for her contributions. Ebony magazine honored her as one of the 100 Most Influential Black Americans, and she received prestigious awards such as the Southern Christian Leadership Award for Progressive Leadership and the IBM Community Executive Program Award.

The post IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78 first appeared on BlackPressUSA.

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Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues

NNPA NEWSWIRE — Recent legislative actions in Tennessee, such as repealing police reform measures enacted after the killing of Tyre Nichols, underscore a troubling trend of undermining local control and perpetuating racist agendas. The new law preventing local governments from restricting police officers’ authority disregards community efforts to address systemic issues of police violence and racial profiling.
The post Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues first appeared on BlackPressUSA.

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Tennessee State University (TSU), the state’s only public historically Black college and university (HBCU), faces a tumultuous future as Gov. Bill Lee dissolved its board, a move supported by racist conservatives and MAGA Republicans in the Tennessee General Assembly, who follow the lead of the twice-impeached, four-times indicted, alleged sexual predator former President Donald Trump. Educators and others have denounced the move as an attack on diversity, equity, and inclusion (DE&I) and a grave setback for higher education.

Critics argue that TSU’s purported financial mismanagement is a manufactured crisis rooted in decades of underinvestment by the state government. They’ve noted that it continues a trend by conservatives and the racist MAGA movement to eliminate opportunities for Blacks in education, corporate America, and the public sector.

Gevin Reynolds, a former speechwriter for Vice President Kamala Harris, emphasizes in an op-ed that TSU’s financial difficulties are not the result of university leadership because a recent audit found no evidence of fraud or malfeasance.

Reynolds noted that the disbanding of TSU’s board is not an isolated incident but part of a broader assault on DE&I initiatives nationwide. Ten states, including Tennessee, have enacted laws banning DE&I policies on college campuses, while governors appointing MAGA loyalists to university trustee positions further undermine efforts to promote inclusivity and equality.

Moreover, recent legislative actions in Tennessee, such as repealing police reform measures enacted after the killing of Tyre Nichols, underscore a troubling trend of undermining local control and perpetuating racist agendas. The new law preventing local governments from restricting police officers’ authority disregards community efforts to address systemic issues of police violence and racial profiling.

The actions echo historical efforts to suppress Black progress, reminiscent of the violent backlash against gains made during the Reconstruction era. President Joe Biden warned during an appearance in New York last month that Trump desires to bring the nation back to the 18th and 19th centuries – in other words, to see, among other things, African Americans back in the chains of slavery, women subservient to men without any say over their bodies, and all voting rights restricted to white men.

The parallels are stark, with white supremacist ideologies used to justify attacks on Black institutions and disenfranchise marginalized communities, Reynolds argued.

In response to these challenges, advocates stress the urgency of collective action to defend democracy and combat systemic racism. Understanding that attacks on institutions like TSU are symptomatic of broader threats to democratic norms, they call for increased civic engagement and voting at all levels of government.

The actions of people dedicated to upholding the principles of inclusivity, equity, and justice for all will determine the outcome of the ongoing fight for democracy, Reynolds noted. “We are in a war for our democracy, one whose outcome will be determined by every line on every ballot at every precinct,” he stated.

The post Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues first appeared on BlackPressUSA.

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Braxton Haulcy and the Expansion of Walker|West Music Academy

May 24, 2023 – Walker West Music Academy gets an early start on expansion. Join us for a Wednesday episode of The …
The post Braxton Haulcy and the Expansion of Walker|West Music Academy first appeared on BlackPressUSA.

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May 24, 2023 – Walker West Music Academy gets an early start on expansion. Join us for a Wednesday episode of The …

The post Braxton Haulcy and the Expansion of Walker|West Music Academy first appeared on BlackPressUSA.

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