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Violence Wanes in Chicago, but Fear Looms Over Mayor’s Race

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In this Oct. 15, 2013 file photo, Cleopatra Pendleton, the mother of slain teen Hayida Pendelton, speaks at a news conference about gun violence in Chicago. Looking on from left are Chicago Mayor Rahm Emanuel, Police Superintendent Garry McCarthy and Cook County State's Attorney Anita Alvarez. Fifteen-year-old Hadiya Pendleton was shot and killed Jan. 29, 2013 in a park during a gang dispute she had nothing to do with. Mayor Emanuel has spent nearly $200 million over the last two years to flood the city's streets with police working overtime to help quell the violence. Since then, overall violence has declined, but the number of slayings in some minority neighborhoods actually jumped. Emanuel is facing opponent Cook County Commissioner Jesus Garcia in a April 7, 2015 runoff election. (AP Photo/M. Spencer Green, File)

In this Oct. 15, 2013 file photo, Cleopatra Pendleton, the mother of slain teen Hayida Pendelton, speaks at a news conference about gun violence in Chicago. Looking on from left are Chicago Mayor Rahm Emanuel, Police Superintendent Garry McCarthy and Cook County State’s Attorney Anita Alvarez. Fifteen-year-old Hadiya Pendleton was shot and killed Jan. 29, 2013 in a park during a gang dispute she had nothing to do with. (AP Photo/M. Spencer Green, File)

DON BABWIN, Associated Press

CHICAGO (AP) — A few years ago, violence on Chicago streets thrust a recently elected mayor into the national spotlight as shootouts in some of the city’s most troubled neighborhoods fueled nearly constant bloodshed.

Rahm Emanuel spent nearly $200 million over two years to flood those streets with police working overtime. His police department also collected a trove of information about individual gang members and set up meetings between gang members and the parents of homicide victims to illustrate the high human cost of gunfire.

Since then, the city’s overall violence has declined, but the number of slayings in some minority neighborhoods actually jumped. And while police boast of historic drops in the homicide rate, many frustrated families in those areas say their communities have seen little to no improvement or have actually deteriorated.

“It’s worse,” said Anthony Jackson, a 62-year-old retired maintenance man as he made his way to his home in the heart of a neighborhood that last year saw a dramatic spike in homicides — to about half the number of the entire city of Washington, D.C. “We’re just out here on our own.”

The stubborn violence contributes to the mayor’s overall challenge in his bid for a second term and puts him in the somewhat awkward position of simultaneously touting his success against crime while acknowledging that much more needs to be done.

“The truth is that as much progress as we’ve made over the past four years, we simply have to do better,” Emanuel said in a speech.

The total number of homicides in Chicago fell from more than 500 in 2012 to just over 400 last year, the lowest level in a half-century. But the number of shootings climbed 12 percent, from 1,866 to 2,084, during the same period.

The discontent goes beyond the bullets. Despite Emanuel’s success in attracting companies to the thriving Loop district, the only businesses that seem to survive in many minority neighborhoods are dusty markets, fast-food restaurants and dollar stores.

The result was that Emanuel did not receive enough votes last month to avoid an April runoff with Cook County Commissioner Jesus “Chuy” Garcia. Much of the support the mayor had from black voters four years ago vanished in the primary. Though Emanuel was the clear winner in every majority-black ward, he received fewer than half the votes in them. Four years ago, he received more than half the votes in every single one.

A Chicago Tribune poll published Tuesday shows that Emanuel has opened a 28 percentage point lead over Garcia — largely by making gains among white voters. There was little change among black voters for Emanuel or Garcia and, while Garcia has the support of 52 percent of Hispanic voters, Emanuel has 36 percent. The poll has an error margin of 3.7 percentage points.

Jackson said he voted for Emanuel in 2011, but he doesn’t know who he will support in the April 7 election.

In the Harrison police district, where Jackson lives, the number of homicides climbed from 35 in 2013 to 51 last year, and the number of shootings climbed at more than double the citywide rate. Police have not offered a definitive reason other than to point to what Superintendent Garry McCarthy calls “severe gang conflicts.”

And Emanuel’s decision to close dozens of schools added more boarded-up buildings to streets already littered with them, with residents complaining that the schools became larger versions of the abandoned houses that are magnets for gangs and drug dealers.

“What people see is these parts of the city have been abandoned, and the investment has gone elsewhere,” said Marshall Hatch, a prominent minister on the city’s West Side, standing near the shuttered Goldblatt Elementary School.

Statistically, there is plenty of evidence that the city’s crime-fighting strategies are paying off. Since 2012, reports of every major crime have dropped, some significantly.

The 504 homicides that caught the attention of the nation in 2012 have fallen to a level not seen since the mid-1960s. It’s the same story with robbery, aggravated battery, burglary and motor-vehicle theft. There were fewer reports — sometimes hundreds fewer — of those crimes than two years ago, including in Jackson’s community and other largely black neighborhoods.

For example, in the Grand Crossing district on the South Side, 2014 ended with 18 homicides — less than half the 42 recorded in 2012.

Still, even in that area and in other nearby communities, Emanuel did not receive nearly the percentage of votes that he did in 2011.

In his campaign, the mayor has addressed the fears stirred up by the death of an 11-year-old girl who was killed by a bullet that pierced a wall while she made s’mores during a sleepover. And he acknowledged the slaying of Hadiya Pendleton, a 15-year-old honor student killed shortly after returning from President Barack Obama’s inauguration.

“Too many families still have their kids off the porch when it gets dark. Too many families … do not let their kids go outside because they’re scared,” the mayor told the audience after an introduction by Hadiya’s mother, who praised Emanuel as someone who feels the pain of those who have lost loved ones to gun violence.

Garcia has pledged to hire 1,000 police officers. Without the added police presence, he said, the city “will never be able to end the heartbreaking violence that has taken the lives of so many of our children.”

Emanuel also finds himself courting black votes in the wake of a study by the American Civil Liberties Union of Illinois, which found that the police department’s “stop and frisk” practice disproportionately targeted blacks.

Hatch said he fully expects Garcia to cite the report as another example of Emanuel’s failure to help the black community.

“Everybody holds the mayor accountable because, like we say in the black church, he’s got all the power in his hands,” he said.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of April 8 – 14, 2026

The printed Weekly Edition of the Oakland Post: Week of April 8 – 14, 2026

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Oakland Post: Week of April 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of April 1 – 7, 2026

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Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit. 

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By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM).  “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.

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