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FILM REVIEW: Tyler Perry’s A Madea Family Funeral

NNPA NEWSWIRE — “Perry’s script relies on infidelity, rivalries, bawdy language, lust and the usual dollop of betrayal. In other circumstances, the turmoil would be funny and engaging. Not so much here…”

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By Dwight Brown NNPA, Newswire Film Critic

[Editors note: Warning. Spoilers ahead!]

Madea’s loyal fans have two choices. They can say goodbye to their eccentric Aunty by attending her touring play or wish her adieu at a movie theater. Judging by what’s on screen in this anemic family comedy, the live performance is a better bet. It’s more thoughtful and a hell of a lot funnier.

Before the grande dame makes her final entrance, her folks are gathered at a posh Atlanta house to celebrate the 40th wedding anniversary of a matriarch Vianne (Jen Harper) and her husband Anthony (Derek Morgan). The home is aflutter with relatives: Vianne’s daughter Sylvia (Ciera Payton) and her husband Will (David Otunga) are the hosts. Sylvia’s handsome little brother Jessie (Rome Flynn), who has just announced his engagement to his fiancée Gina (Aeriél Miranda), is there. Sylvia’s other bro AJ (Courtney Burrell) is on his way, though his wife Carol (KJ Smith) is already on premises. The odd person out is a family friend named Renee (Quin Walters) who is also late.

Madea’s crew (Greek chorus) is about to make the three-hour trek to the festivities. At the wheel of the car is the very academic and debonair Brian (Perry). The backseats are filled with her frisky older brother Joe (Perry), Aunt Bam (Cassi Davis) and the very wacky Hattie (Patrice Lovely, Boo! A Madea Halloween). That’s a whole lot of characters to keep track of, but over time differentiating them becomes easier.

Perry’s script relies on infidelity, rivalries, bawdy language, lust and the usual dollop of betrayal. In other circumstances, the turmoil would be funny and engaging. Not so much here. Too many scenes (especially in the house) are long-winded and stagnant. It’s as if the script didn’t know what to do with the bevy of characters and the director didn’t know how to choregraph their placements or movements. This is a movie, not a play, yet Perry is relying on boring theater staging, and it doesn’t work. The lack of exterior shots adds to the visual boredom.

Sometimes the sheer amount of humor enlivens the pace of Perry’s movies. But, considering that this is a comedy, the dearth of physical pranks is puzzling and a huge misstep. The one interesting running joke is about a dead man and his appendage that still reaches for the sky, even though he’s in a casket.

It’s the editor’s duty to cut scenes to the nub and move things along, even if he has to override the director to get the job done. Either editor Larry Sexton was asleep at the wheel or someone didn’t let him do his job effectively. What’s on-screen never has the makings of a great comedy, but finetuning the pacing and shortening sequences would have helped.

The production design (Paul Wonsek) and costumes (Crystal Hayslett) are decent and don’t get in the way, which is the kindest thing that can be said for a film that looks like a TV show. Philip White’s musical score is played very delicately in all the wrong places and sounds cheap.

None of the new actors stand out. It’s as if they answered a casting call for extras for a film’s Atlanta crowd scene. Even though this is a feeble movie, an ambitious and talented thespian would take this opportunity to steal scenes. None do. Davis and Lovely are up to the same banter and antics that worked much better for them in Boo! A Madea Halloween. Perry plays four characters (add in an amputee named Heathrow), which spreads his talent way too thin. He looks like he’s having fun, but that doesn’t translate into any real belly laughs or solid comic acting.

There are a lot of people who think Perry’s characters, like Bam and Hattie, are nothing more than buffoons or minstrels. They get that reputation because they spend so much time trying to make big laughs out of little shallow scripts. Their failings are more acute and obvious on TV and movie screens. But somehow onstage the over-the-top antics and broad humor play much better. The actors get a chance to connect with the audience and play off of them. It’s a better experience.

Boo! A Madea Halloween is hands down the best film in the Madea filmography. It was funny, kinetic and had lots of action and exterior shots that made it feel more like a well-developed horror/comedy; something in the realm of Abbott and Costello Meet Frankenstein. Though A Madea Family Funeral delves into the culture surrounding black funerals and the sometimes overwrought mechanics, the jesting is not biting enough to be hilarious satire. The jokes and shtick are overly repetitive. The constant stream of infidelities and upheavals grows old fast.

Perry is a very rich and successful entrepreneur and filmmaker. If you had a wish for him, it might be to slow down, maybe partner with a co-writer and spend more time on each project until they are well-developed entities.

Too much of this film looks like a 15-minute SNL sketch stretched into a 1hr 49min movie — warts and all. This had the potential of being the best Madea outing ever. Instead it’s just another middling entry.

The best way to say goodbye to Madea is to go see her and her family live—on a stage.

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78

NNPA NEWSWIRE — Born on September 4, 1945, in Los Angeles, California, activist Ramona Edelin’s early years were marked by a commitment to education and social justice. According to her HistoryMakers biography, after graduating from Fisk University with a Bachelor’s degree in 1967, she pursued further studies at the University of East Anglia in England. She earned her master’s degree before completing her Ph.D. at Boston University in 1981.
The post IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78 first appeared on BlackPressUSA.

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Once upon a time, Black Americans were simply known as colored people, or Negroes. That is until Ramona Edelin came along. The activist, renowned for her pivotal roles in advancing civil rights, education reform, and community empowerment, died at her D.C. residence last month at the age of 78. Her death, finally confirmed this week by Barnaby Towns, a communications strategist who collaborated with Dr. Edelin, was attributed to cancer.

Born on September 4, 1945, in Los Angeles, California, Edelin’s early years were marked by a commitment to education and social justice. According to her HistoryMakers biography, after graduating from Fisk University with a Bachelor’s degree in 1967, she pursued further studies at the University of East Anglia in England. She earned her master’s degree before completing her Ph.D. at Boston University in 1981.

Edelin’s contributions to academia and activism were manifold. She was pivotal in popularizing the term “African American” alongside Rev. Jesse L. Jackson in the late 1980s.

Jackson had announced the preference for “African American,” speaking for summit organizers that included Dr. Edelin. “Just as we were called Colored, but were not that, and then Negro, but not that, to be called Black is just as baseless,” he said, adding that “African American” “has cultural integrity” and “puts us in our proper historical context.”

Later, Edelin told Ebony magazine, “Calling ourselves African Americans is the first step in the cultural offensive,” while linking the name change to a “cultural renaissance” in which Black Americans reconnected with their history and heritage.

“Who are we if we don’t acknowledge our motherland?” she asked later. “When a child in a ghetto calls himself African American, immediately he’s international. You’ve taken him from the ghetto and put him on the globe.”

The HistoryMakers bio noted that Edelin’s academic pursuits led her to found and chair the Department of African American Studies at Northeastern University, where she established herself as a leading voice.

Transitioning from academia to advocacy, Edelin joined the National Urban Coalition in 1977, eventually ascending to president and CEO. During her tenure, she spearheaded initiatives such as the “Say Yes to a Youngster’s Future” program, which provided crucial support in math, science, and technology to youth and teachers of color in urban areas. Her biography noted that Edelin’s efforts extended nationwide through partnerships with organizations like the National Science Foundation and the United States Department of Education.

President Bill Clinton recognized Edelin’s expertise by appointing her to the Presidential Board on Historically Black Colleges and Universities in 1998. She also co-founded and served as treasurer of the Black Leadership Forum, solidifying her standing as a respected leader in African American communities.

Beyond her professional achievements, Edelin dedicated herself to numerous boards and committees, including chairing the District of Columbia Educational Goals 2000 Panel and contributing to the Federal Advisory Committee for the Black Community Crusade for Children.

Throughout her life, Edelin received widespread recognition for her contributions. Ebony magazine honored her as one of the 100 Most Influential Black Americans, and she received prestigious awards such as the Southern Christian Leadership Award for Progressive Leadership and the IBM Community Executive Program Award.

The post IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78 first appeared on BlackPressUSA.

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Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues

NNPA NEWSWIRE — Recent legislative actions in Tennessee, such as repealing police reform measures enacted after the killing of Tyre Nichols, underscore a troubling trend of undermining local control and perpetuating racist agendas. The new law preventing local governments from restricting police officers’ authority disregards community efforts to address systemic issues of police violence and racial profiling.
The post Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues first appeared on BlackPressUSA.

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Tennessee State University (TSU), the state’s only public historically Black college and university (HBCU), faces a tumultuous future as Gov. Bill Lee dissolved its board, a move supported by racist conservatives and MAGA Republicans in the Tennessee General Assembly, who follow the lead of the twice-impeached, four-times indicted, alleged sexual predator former President Donald Trump. Educators and others have denounced the move as an attack on diversity, equity, and inclusion (DE&I) and a grave setback for higher education.

Critics argue that TSU’s purported financial mismanagement is a manufactured crisis rooted in decades of underinvestment by the state government. They’ve noted that it continues a trend by conservatives and the racist MAGA movement to eliminate opportunities for Blacks in education, corporate America, and the public sector.

Gevin Reynolds, a former speechwriter for Vice President Kamala Harris, emphasizes in an op-ed that TSU’s financial difficulties are not the result of university leadership because a recent audit found no evidence of fraud or malfeasance.

Reynolds noted that the disbanding of TSU’s board is not an isolated incident but part of a broader assault on DE&I initiatives nationwide. Ten states, including Tennessee, have enacted laws banning DE&I policies on college campuses, while governors appointing MAGA loyalists to university trustee positions further undermine efforts to promote inclusivity and equality.

Moreover, recent legislative actions in Tennessee, such as repealing police reform measures enacted after the killing of Tyre Nichols, underscore a troubling trend of undermining local control and perpetuating racist agendas. The new law preventing local governments from restricting police officers’ authority disregards community efforts to address systemic issues of police violence and racial profiling.

The actions echo historical efforts to suppress Black progress, reminiscent of the violent backlash against gains made during the Reconstruction era. President Joe Biden warned during an appearance in New York last month that Trump desires to bring the nation back to the 18th and 19th centuries – in other words, to see, among other things, African Americans back in the chains of slavery, women subservient to men without any say over their bodies, and all voting rights restricted to white men.

The parallels are stark, with white supremacist ideologies used to justify attacks on Black institutions and disenfranchise marginalized communities, Reynolds argued.

In response to these challenges, advocates stress the urgency of collective action to defend democracy and combat systemic racism. Understanding that attacks on institutions like TSU are symptomatic of broader threats to democratic norms, they call for increased civic engagement and voting at all levels of government.

The actions of people dedicated to upholding the principles of inclusivity, equity, and justice for all will determine the outcome of the ongoing fight for democracy, Reynolds noted. “We are in a war for our democracy, one whose outcome will be determined by every line on every ballot at every precinct,” he stated.

The post Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues first appeared on BlackPressUSA.

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Braxton Haulcy and the Expansion of Walker|West Music Academy

May 24, 2023 – Walker West Music Academy gets an early start on expansion. Join us for a Wednesday episode of The …
The post Braxton Haulcy and the Expansion of Walker|West Music Academy first appeared on BlackPressUSA.

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May 24, 2023 – Walker West Music Academy gets an early start on expansion. Join us for a Wednesday episode of The …

The post Braxton Haulcy and the Expansion of Walker|West Music Academy first appeared on BlackPressUSA.

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