Connect with us

#NNPA BlackPress

60 Years Ago: Students Launched Sit-In Movement

NNPA NEWSWIRE — Violent episodes were the exceptions and not the rule of the massively spreading Sit-in Movement. In nearly all sit-in cities, black protesters made immeasurable efforts to avoid violence at all cost since the movement and training centered on non-violent demonstrations in confronting inequality.

Published

on

Students from Norfolk’s Booker T. Washington High School stage set in at Granby Street’s Woolworth’s lunch counter. Photo: New Journal and Guide Archives

Dr. Kelton Edmonds is a Professor of History at California University of Pennsylvania. His primary research is on Black Student Activism in the United States. He is a native of Portsmouth, VA and graduated from I.C. Norcom High school in 1993.

Dr. Kelton Edmonds is a Professor of History at California University of Pennsylvania. His primary research is on Black Student Activism in the United States. He is a native of Portsmouth, VA and graduated from I.C. Norcom High school in 1993.

By Dr. Kelton Edmonds, Special to The New Journal and Guide

February 1, 2020 marks the 60th anniversary of the launch of the historic Sit-in Movement, when four African-American freshmen from North Carolina A&T State College (now University) in Greensboro, NC sparked the non-violent and student-led wave of protests that ultimately resulted in the desegregation of F.W. Woolworth and other racially discriminatory stores.

The brave freshmen from NCA&T, who would later be adorned with the iconic label of the “Greensboro Four”, consisted of David Richmond, Franklin McCain, Joseph McNeil, and Ezell Blair Jr. (Jibreel Khazan). On February 1, 1960, the Greensboro Four bought items at Woolworth’s, then sat at the ‘whites-only’ lunch counter and refused to leave until they were served. Although waitresses refused to serve them, in accordance with the store’s racist policies, the four would continue their protest and in the following days and weeks would be joined by more students from NCA&T, the nearby all-women’s HBCU Bennett College and students from other nearby colleges and high schools.

In a 2003 interview, Khazan (formerly Blair, Jr.) reflected on the daily threats of violence and verbal assaults from white antagonists, as one caller reached him on the dorm hall phone and bellowed, “…executioners are going to kill you niggers if you come back down here tomorrow, you and your crazy friends.”

Students from Norfolk’s Booker T. Washington High School stage set in at Granby Street’s Woolworth’s lunch counter. Photo: New Journal and Guide Archives

Students from Norfolk’s Booker T. Washington High School stage set in at Granby Street’s Woolworth’s lunch counter. Photo: New Journal and Guide Archives

White student allies who protested alongside black students were not immune from death threats either, as Khazan recalled a white student protester explaining that their college president was threatened by an anonymous caller saying, “…if those nigger loving bitches come downtown again and sit with those niggers, we going to kill them and burn your school down.”

The Greensboro students persisted nevertheless, and soon, the protests that flooded the lunch counters of the segregated store would spread to other cities throughout the South beginning in North Carolina cities such as Elizabeth City, Charlotte and Winston-Salem, in addition to cities in Virginia.

In Virginia

Virginia played a primary role in the Sit-in Movement, as Hampton, Virginia became the first community outside of North Carolina to experience sit-ins on February 10th.

Initially, three students from Hampton Institute sat-in at the downtown Woolworth’s lunch counter in Hampton and were refused service. As a testament to the veracity of the movement, within two weeks, over 600 students in Hampton were sitting-in.

On February 12th, sit-in protests spread to Norfolk, as 38 black protesters staged a sit-in at the Woolworth lunch counters on Granby and Freemason streets.

Similar demonstrations were held in Portsmouth, in the mid-city shopping center at lunch counters in Rose’s Department store on February 12th and at Bradshaw-Diehl department store later that week.

Led by students from I.C. Norcom High school, the Portsmouth sit-ins would be one of the few cities that experienced violence, albeit initiated by white anti-protesters armed with chains, hammers, and pipes and resulting in retaliation from the black students after being attacked.

Violent episodes were the exceptions and not the rule of the massively spreading Sit-in Movement. In nearly all sit-in cities, black protesters made immeasurable efforts to avoid violence at all cost since the movement and training centered on non-violent demonstrations in confronting inequality.

Edward Rodman, high school activist in Portsmouth, admitted they were initially unorganized and untrained in passive resistance, which played a role in their reactions to the violent anti-protesters. The Congress for Racial Equality (CORE) connected with the Portsmouth student protesters and over the next few days conducted intense and successful non-violent workshops with the young people. Soon after, the Portsmouth students reignited their movement without incidents of retaliation toward violent antagonists.

North of Hampton Roads, Richmond, Virginia experienced sit-ins as well as Baltimore, MD, and dozens of other cities by the end of February. By mid-April, sit-in protests reached all southern states involving thousands of black student activists and sympathizers.

The coordinated demonstrations of thousands of black student protesters and sympathizers put insurmountable pressure on Woolworth’s, as it became nearly impossible for regular customers to purchase items, eat at the lunch counters and even enter the store in many instances.

On May 25th, the sit-in movement received a major victory as lunch counters at Woolworth’s in Winston Salem, NC desegregated. Soon after, Woolworth’s in Nashville, TN and San Antonio, TX also integrated. Finally, on July 25, ground zero, Woolworth’s in Greensboro integrated its lunch counter. With the possibility of facing bankruptcy, F.W. Woolworth totally acquiesced and desegregated all of its lunch counters throughout the nation by the end of the summer of 1960.

The Legacies And Larger Significance Of The 1960 Sit-in Movement, Sparked In Greensboro

Similar to the successful 1955 Montgomery Bus Boycott, the students’ triumphant coordinated protests in 1960 further demonstrated how mass economic boycotts could lead to desegregationist social victories, particularly when targeting businesses that relied heavily on black patronage. The Greensboro Four only set out to challenge and change the discriminatory practices of the local Woolworth’s, yet their movement expanded exponentially to ultimately bring about the desegregation of all Woolworth’s lunch counters in the country.

Unidentified sit-in demonstration. Photo: New Journal and Guide Archives

Unidentified sit-in demonstration. Photo: New Journal and Guide Archives

The students of the Civil Rights era suddenly possessed a new weapon, the mass sit-in, which would continue to be used in Greensboro and around the country in various forms. The sit-ins combined with the freedom rides led to black students establishing their unique value and niche to the larger Civil Rights Movement. Black students understood their unique, collective power and desired to harness their efforts under a national apparatus. Consequently, another major legacy of the student movement that emerged in Greensboro was it also directly led to the birth of the Student Non-Violent Coordinating Committee (SNCC) in April of 1960 in nearby Raleigh, NC on the campus of Shaw University.

SNCC would soon emerge as one of the most formidable organizations of the decade, elevating students to the forefront of the Civil Rights Movement.

After marveling at the magnitude and effectiveness of the student protesters during the sit-ins, major Civil Rights organizations such as the NAACP, SCLC and CORE pressured the students to collapse their meteoric movement into the youth wing of one of their institutions under their supervision.

The students however, decided to remain autonomous and formulate their own student-led organization, while still adhering to non-violent principles. The students’ decision to remain student-led received noteworthy support from several key adult Civil Rights leaders in Greensboro in addition to Ella Baker from SCLC.

SNCC would prove to be an indispensible organization that not only championed directly confronting Jim Crow racism on numerous levels through organized protests and massive voter registration drives, but SNCC also further popularized the concept of participatory democracy and was the first major Civil Rights organization to evolve toward seriously embracing principles of black power ideology under Stokely Carmichael’s (Kwame Ture) leadership in 1966.

Another legacy of the 1960 sit-in movement was that it offered the inspiration and blueprint for the second and more colossal wave of mass student protest in Greensboro in 1963. The 1963 student demonstrations in Greensboro would be even more locally successful than their predecessor as they desegregated all remaining businesses in downtown Greensboro and the student leader of the second wave of sit-ins, Jesse Jackson, would parlay his leadership in the student protests onto the national Civil Rights stage throughout the 20th century. Similar to Greensboro, other cities throughout the South would experience a second and even third wave of similar protests to successfully desegregate other remaining businesses throughout the decade.

Ultimately, all mass student protests of the 1960s and thereafter owe their viability to the student-led Greensboro protests of 1960, including student black power activists and anti-war activists of the late 60s and 70s. Although its origins predate 1960, even one of the largest and most noteworthy national student organizations, Students for a Democratic Society (SDS), owe its resurgence and major elements of its effectiveness to the spark ignited by the Greensboro Four on February 1, 1960.

Even recent episodes of student activism exhibited in the Ferguson, Missouri protests of 2014-15, as well as the student protests led by black students at the University of Missouri in 2015, which ultimately led to the resignation of the chancellor, have attributes that correlate to the 1960 student movement. The student movement of 1960, ignited by the Greensboro Four, provided a blueprint for future students to build upon, perfect, and utilize in a variety of ways for a plethora of circumstances.

Most importantly, what happened in 1960 showed young people the power they possessed to address their grievances and ultimately bring about change on both local and national levels if they organized themselves and remained committed.

Unique Weapons for Non-violent Students

In addition to the typical traits that come along with youthfulness such as idealism and impatience, student success during the 1960 sit-ins and thereafter was directly affixed to two distinct assets possessed by students juxtaposed to their older adult activist counterparts. The first asset is condense demographics, as student-body populations were primarily located on campuses and/or nearby the colleges.

The fact that hundreds to thousands of students in a college town lived within a square mile of each other led to the expeditious mobilization of large numbers of people and efficient dissemination of information and strategy.

Although black churches proved to be invaluable throughout the Black Freedom Struggle from Reconstruction to the Civil Rights Movement, there was still no equivalent amongst the older black generation to the college campus’ effectiveness as both a meeting place and as a domicile for housing and dispersing the shock troops of the movement.

The second major asset specific to students would be the relation between arrest and reprisal. At some of their demonstrations prior to 1960, older black activists strategically triggered their arrests for charges such as trespassing or loitering as a way to dramatize unjust treatment via media coverage and to pressure white officials to change discriminatory laws.

Once mobilized per the sit-ins however, student activists were able to invite and withstand incarceration for far longer periods of time and in extremely larger numbers. Students vastly elevated this critical strategy of the overall movement. During 1960 and beyond, the enormous numbers unleashed by black student activists put unyielding pressure on local law enforcement, political officials and jail facilities. In many cities like Greensboro, there were not enough jail cells for all of the students arrested, particularly since the students refused bail and chose to remain incarcerated.

This action severely drained local municipalities of money and resources, forcing local governmental, business and law officials to dramatically adjust policies and sometimes change discriminatory laws. Student activists were able to perfect this strategy because they could endure prolonged imprisonment without fear of major job or housing reprisal.

Comparably, many older activists, whose families depended on their incomes, could not sacrifice prolonged periods of incarceration, as it would threaten their livelihood. Furthermore, angry employers or landlords, who disapproved of their protest activities, could threaten to fire them or abruptly remove them from property they were renting.

Students were not confronted with the same ramifications of these economic, employment and housing reprisals, as the majority of them lived on campuses and perhaps had part-time, albeit replaceable, minimum wage jobs, often with no dependents.

Drawing the contrast between student activists versus the older activists is not synonymous with drawing divisions, as the older activists understood the assets that students solely possessed to further the movement along. In fact, many of the older activists encouraged the younger activists and actively supported them in numerous ways.

For example, when Bennett College students, who were the heroines on the 1963 Greensboro protests, were arrested and refused bail during the 1963 sit-ins in Greensboro, their professors came to the jail facilities and gave them their classroom and homework assignments every week. This scenario personifies the symbiotic relationship between both generations in the fight against racism, as the professors showed their appreciation for the young people’s unique and valiant position for the benefit of the entire race and future generations, yet not removing the students from their responsibilities and academic requirements.

Altogether, students endured countless hardships that included incarceration, verbal assaults and physical violence. Sometimes, attacks from white antagonists were compounded by disproportionate responses from law enforcement, as Portsmouth activist, Edward Rodman explained, “…the fire department, all of the police force and police dogs were mobilized. The police turned the dogs loose on the Negroes-but not all the whites.”

Students also understood that they could pay the ultimate price for protesting against the status quo of racial inequality, as numerous activists were murdered throughout the Civil Rights era. Nevertheless, over 50,000 black students and sympathizers participated in the sit-ins of 1960. As historian Clayborne Carson highlighted, “Nonviolent tactics, particularly when accompanied by rationale based on Christian principles, offered black students…a sense of moral superiority, an emotional release through militancy, and a possibility of achieving desegregation.”

A movement within a movement was born on February 1, 1960 and that movement evolved into its own distinct force by the middle of the decade. Soon after the sit-ins began, students realized their collective prowess, as student activism consistently helped define the decade of the 60s in forcing monumental political, legal and social changes throughout the nation.

Finally, the black student activists of the 1960 sit-ins did three important things, albeit unintentional: they helped lay the foundation for all collective student activism in the 60s and beyond, they played a legendary role in the larger African-American Freedom Movement that began as early as Africans’ arrival to colonial America, and they cemented a valuable place in one of America’s most significant traditions, the protest tradition, which has continuously defined and propelled our country since its inception.

Our society, and all post-1960 social movements, have undeniably benefited from the audacity of those four brave freshmen and their actions on February 1, 1960.

Dr. Kelton Edmonds is a Professor of History at California University of Pennsylvania. His primary research is on Black Student Activism in the United States. He is a native of Portsmouth, VA and graduated from I.C. Norcom High school in 1993. He holds B.A. and M.A. degrees in Secondary Education-History from North Carolina A&T State University. He earned his Ph.D. in 20th Century US History from the University of Missouri-Columbia.

#NNPA BlackPress

Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit. 

Published

on

By

By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM).  “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.

Continue Reading

#NNPA BlackPress

Grief, Advocacy, and Education: A Counselor Reflects on Black Maternal Health

SAN DIEGO VOICE & VIEWPOINT — Last month healthcare leaders, birth workers, and community members gathered to honor the legacy of Charleston native Dr. Janell Green Smith, a nurse-midwife and doctor of nursing practice who died in January from childbirth complications. She had participated in more than 300 births and specialized in helping Black women give birth safely.  

Published

on

By

By Jennifer Porter Gore | Word-In-Black | San Diego Voice and Viewpoint

In 2024, the number of U.S. mothers who died as a result of pregnancy or childbirth dropped compared to 2023. But while slightly fewer Black mothers died that year, they still had three times the mortality rate of white women.

South Carolina’s rates of maternal deaths outpaced even the national rates. In fact, the state’s overall rate of maternal deaths between 2019 and 2023 was higher than all but eight states and the District of Columbia.

Last month healthcare leaders, birth workers, and community members gathered to honor the legacy of Charleston native Dr. Janell Green Smith, a nurse-midwife and doctor of nursing practice who died in January from childbirth complications. She had participated in more than 300 births and specialized in helping Black women give birth safely.

Her death shocked the community and her colleagues who are determined to address concerns about Black maternal health. The event also covered the importance of protecting mental health during grief and of men’s role in solving the maternal health crisis.

As both a therapist and a father, Lawrence Lovell, a licensed professional counselor and founder of Breakthrough Solutions, discussed ways the event’s attendees could process their grief over Green Smith’s death. He also shared ways male partners can advocate for women’s maternal health during pregnancy and childbirth.

Lovell spoke not just as a therapist but also as a father whose own family had briefly crossed paths with Green Smith. The event, he said, emerged organically from a moment of collective mourning.

Despite the grief, “it was still, like, a really beautiful event, a much-needed event, and it almost felt like we were all giving each other a collective family hug,” says Lovell.

His connection to Green Smith, Lovell says, was brief but meaningful during his wife’s pregnancy with their second child. Green Smith was practicing at the same birthing center where they had their child. She began practicing in Greenville a short time later.Even that short connection carried significance for Lovell, given the small number of Black maternal health professionals.

Lovell did not initially plan to become a mental health practitioner; he chose the career path after graduating from college, when someone suggested he consider psychology. His interest deepened when he noticed how few Black men work in mental health.

“Being Black man and playing football in college, there weren’t a lot of people that look like me talking about mental health,” says Lovell. “[I wanted] to give people that look like me an opportunity to work with someone that looks like them.”

Working with Expectant and New Parents

Lovell often counsels couples preparing for parenthood by, helping partners understand what a successful pregnancy, childbirth, and postpartum recovery look like. That often means helping women manage postpartum depression.

As a man, Lovell says, it’s “humbling” that a woman “just trusts me enough to work with me through their pregnancy or their postpartum recovery.”

In his work, Lovell has noticed how few men understand pregnancy before they experience it with their partner. Because early pregnancy symptoms are often invisible, he says, men may underestimate how much support a mom-to-be actually needs.

“Sometimes they may not realize they don’t know much about pregnancy and what to expect in those three trimesters,” Lovell says. “I tell a lot of the men that just because you can’t see [she’s pregnant] doesn’t mean that she won’t appreciate your intense support in that first trimester.”

Education about pregnancy and postpartum recovery, he says, can change how men support their partners.

Teaching Advocacy in the Delivery Room

Another major focus of Lovell’s counseling is preparing men to advocate for mothers during labor.

“Helping men understand what pregnancy looks like: what delivery is going to look like, and what are the realistic expectations that I should have of myself in postpartum,” he says.

Lovell encourages partners to be honest about their expectations for what will happen during delivery. He helps them prepare for the big day by discussing the birth plan and knowing how to quickly recognize problems. Clear communication, he says, prevents misunderstandings.

He regularly trains men to ask their partners detailed questions about their expectations during and after pregnancy. Advocacy in medical settings can be especially important and requires attention to details the mother may not be able to address.

“It’s always important to fine-tune things and truly understand what helps your partner feel most supported,” Lovell says. “Instead of guessing, you should ask.”

Lovell recalls a moment during the birth of his first child when he had to take that role.

During the delivery, “I felt like something wasn’t as sanitary as I’d like it to be,” he says. “I asked, ‘Hey, can you switch those out? Can you change your gloves?’”

Lovell has a succinct but powerful message he regularly shares with clients’ families, and he shared it with attendees at last month’s event.

“Just to believe women,” he says. “I’ve worked with different couples, and sometimes I’m not really sure that there’s enough empathy from the men.”

That includes how women express pain.

“If a woman says, ‘my pain is at a nine,’ just because how you would express yourself at a nine is different than how she’s expressing herself at [that level] doesn’t mean you shouldn’t believe her,” he says.

Empathy, he says, can change outcomes far beyond the delivery room.

“We’ve got to believe women when they’re talking about their experiences and their feelings and their pain,” he says. “I think there’s a lot that we can prevent if we empathize better.”

Continue Reading

#NNPA BlackPress

Future of Florida’s Black History Museum in Limbo

JACKSONVILLE FREE PRESS — A proposal sponsored by Tom Leek, a Republican from Ormond Beach, has now passed the Senate in back-to-back legislative sessions. But the House version, filed by Kiyan Michael, a Jacksonville Republican, did not receive final approval in either year, effectively stalling the effort.

Published

on

By

Jacksonville Free Press

Plans to establish a long-awaited Black history museum in Florida are once again on hold after legislation needed to advance the project failed to clear the state House for a second consecutive year, despite repeated approval in the Senate.

A proposal sponsored by Tom Leek, a Republican from Ormond Beach, has now passed the Senate in back-to-back legislative sessions. But the House version, filed by Kiyan Michael, a Jacksonville Republican, did not receive final approval in either year, effectively stalling the effort.

Under Florida law, identical or similar bills must pass both chambers before heading to the governor’s desk. Without House approval, the legislation has been unable to move forward, leaving the project in limbo. Long journey, contested location.

The proposed museum, formally known as the Florida Museum of Black History, has been years in the making, with lawmakers and community leaders framing it as a long-overdue institution to preserve and showcase the state’s African American heritage .A central point of contention has been the museum’s location. St. Augustine — widely recognized as the nation’s oldest city and a site deeply tied to both slavery and early Black history — emerged as the leading contender. Supporters argue the city’s historical significance makes it a natural home for the museum. However, competing interests and regional considerations have fueled debate, slowing consensus among lawmakers.

While the Senate-backed measure has consistently advanced, the lack of alignment in the House has underscored ongoing divisions about how and where the project should take shape.

The holdup in the Florida House appears to be less about opposition to the museum itself and more about a combination of procedural bottlenecks, unresolved structural issues, and lingering disagreements over how the project should be formalized and governed.

Despite the legislative setbacks, Republican Gov. Ron DeSantis has publicly voiced support for the museum. Speaking last month during the unveiling of a statue of abolitionist Frederick Douglass in St. Augustine, DeSantis said the project would move forward “one way or another,” signaling an intent to see the museum built regardless of legislative hurdles.

The anticipated museum has already cleared several hurdles. St. Johns County signed an agreement last year with Florida Memorial University to use the land that once housed its campus last year’s legislative session netted $1 million in funding for St. Johns County to work on planning and design for the museum. However, its anticipated that a million $3 million is needed.

Still, without statutory approval to finalize key components — including governance, funding mechanisms and site selection — the project remains largely conceptual.
With the House bill failing again, the timeline for the museum’s development is unclear. Lawmakers could revisit the proposal in the next legislative session, but any further delays risk pushing the project back several more years. Advocates warn that continued inaction could stall momentum for a museum many see as critical to telling a fuller, more accurate story of Florida’s past. For now, the effort remains paused — caught between political support at the top and legislative gridlock within the Capitol.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

#NNPA BlackPress1 month ago

Reflecting on Black History Milestones in Birmingham AL

Bay Area1 month ago

CITY OF SAN LEANDRO STATE OF CALIFORNIA PUBLIC WORKS DEPARTMENT ENGINEERING DIVISION NOTICE TO BIDDERS FOR ANNUAL STREET OVERLAY/REHABILITATION 2019-21 – PHASE III

Activism1 month ago

Oakland Post: Week of February 18 – 24, 2026

Activism1 month ago

Oakland Post: Week of February 25 – March 3, 2026

#NNPA BlackPress1 month ago

PRESS ROOM: NBA Hall of Fame Nominee Terry Cummings Joins 100 Black Men of DeKalb County to Launch Victory & Values Initiative

#NNPA BlackPress1 month ago

Trump’s MAGA Allies are Creating Executive Order Plan to Steal the 2026 Midterms

#NNPA BlackPress1 month ago

U.S. manufacturing rebounds – how foundry services are adapting to rising demand

Activism4 weeks ago

Oakland Post: Week of March 4 – 10, 2026

Bay Area entrepreneurs attend the Alley-Oop Accelerator, a small business incubation program at Chase Oakland Community Center. Photo by Carla Thomas.
Activism1 month ago

Chase Oakland Community Center Hosts Alley-Oop Accelerator Building Community and Opportunity for Bay Area Entrepreneurs

#NNPA BlackPress1 month ago

Poll Shows Support for Policies That Help Families Afford Child Care

#NNPA BlackPress1 month ago

OP-ED: One Hundred Years of Black Workers Telling the Truth

#NNPA BlackPress1 month ago

Advancements in solar technology that are changing the way we power the world

#NNPA BlackPress4 weeks ago

Woman’s Search for Family’s Roots Leads to Ancestor John T. Ward – A Successful Entrepreneur and Conductor on the Underground Railroad

#NNPA BlackPress1 month ago

PRESS ROOM: Civil Rights TV Launches in Selma as the World’s First 24/7 Civil Rights Television Network

#NNPA BlackPress4 weeks ago

COMMENTARY: Women of Color Shape Our Past and Future

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.