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60 Years Ago: Students Launched Sit-In Movement

NNPA NEWSWIRE — Violent episodes were the exceptions and not the rule of the massively spreading Sit-in Movement. In nearly all sit-in cities, black protesters made immeasurable efforts to avoid violence at all cost since the movement and training centered on non-violent demonstrations in confronting inequality.

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Students from Norfolk’s Booker T. Washington High School stage set in at Granby Street’s Woolworth’s lunch counter. Photo: New Journal and Guide Archives

Dr. Kelton Edmonds is a Professor of History at California University of Pennsylvania. His primary research is on Black Student Activism in the United States. He is a native of Portsmouth, VA and graduated from I.C. Norcom High school in 1993.

Dr. Kelton Edmonds is a Professor of History at California University of Pennsylvania. His primary research is on Black Student Activism in the United States. He is a native of Portsmouth, VA and graduated from I.C. Norcom High school in 1993.

By Dr. Kelton Edmonds, Special to The New Journal and Guide

February 1, 2020 marks the 60th anniversary of the launch of the historic Sit-in Movement, when four African-American freshmen from North Carolina A&T State College (now University) in Greensboro, NC sparked the non-violent and student-led wave of protests that ultimately resulted in the desegregation of F.W. Woolworth and other racially discriminatory stores.

The brave freshmen from NCA&T, who would later be adorned with the iconic label of the “Greensboro Four”, consisted of David Richmond, Franklin McCain, Joseph McNeil, and Ezell Blair Jr. (Jibreel Khazan). On February 1, 1960, the Greensboro Four bought items at Woolworth’s, then sat at the ‘whites-only’ lunch counter and refused to leave until they were served. Although waitresses refused to serve them, in accordance with the store’s racist policies, the four would continue their protest and in the following days and weeks would be joined by more students from NCA&T, the nearby all-women’s HBCU Bennett College and students from other nearby colleges and high schools.

In a 2003 interview, Khazan (formerly Blair, Jr.) reflected on the daily threats of violence and verbal assaults from white antagonists, as one caller reached him on the dorm hall phone and bellowed, “…executioners are going to kill you niggers if you come back down here tomorrow, you and your crazy friends.”

Students from Norfolk’s Booker T. Washington High School stage set in at Granby Street’s Woolworth’s lunch counter. Photo: New Journal and Guide Archives

Students from Norfolk’s Booker T. Washington High School stage set in at Granby Street’s Woolworth’s lunch counter. Photo: New Journal and Guide Archives

White student allies who protested alongside black students were not immune from death threats either, as Khazan recalled a white student protester explaining that their college president was threatened by an anonymous caller saying, “…if those nigger loving bitches come downtown again and sit with those niggers, we going to kill them and burn your school down.”

The Greensboro students persisted nevertheless, and soon, the protests that flooded the lunch counters of the segregated store would spread to other cities throughout the South beginning in North Carolina cities such as Elizabeth City, Charlotte and Winston-Salem, in addition to cities in Virginia.

In Virginia

Virginia played a primary role in the Sit-in Movement, as Hampton, Virginia became the first community outside of North Carolina to experience sit-ins on February 10th.

Initially, three students from Hampton Institute sat-in at the downtown Woolworth’s lunch counter in Hampton and were refused service. As a testament to the veracity of the movement, within two weeks, over 600 students in Hampton were sitting-in.

On February 12th, sit-in protests spread to Norfolk, as 38 black protesters staged a sit-in at the Woolworth lunch counters on Granby and Freemason streets.

Similar demonstrations were held in Portsmouth, in the mid-city shopping center at lunch counters in Rose’s Department store on February 12th and at Bradshaw-Diehl department store later that week.

Led by students from I.C. Norcom High school, the Portsmouth sit-ins would be one of the few cities that experienced violence, albeit initiated by white anti-protesters armed with chains, hammers, and pipes and resulting in retaliation from the black students after being attacked.

Violent episodes were the exceptions and not the rule of the massively spreading Sit-in Movement. In nearly all sit-in cities, black protesters made immeasurable efforts to avoid violence at all cost since the movement and training centered on non-violent demonstrations in confronting inequality.

Edward Rodman, high school activist in Portsmouth, admitted they were initially unorganized and untrained in passive resistance, which played a role in their reactions to the violent anti-protesters. The Congress for Racial Equality (CORE) connected with the Portsmouth student protesters and over the next few days conducted intense and successful non-violent workshops with the young people. Soon after, the Portsmouth students reignited their movement without incidents of retaliation toward violent antagonists.

North of Hampton Roads, Richmond, Virginia experienced sit-ins as well as Baltimore, MD, and dozens of other cities by the end of February. By mid-April, sit-in protests reached all southern states involving thousands of black student activists and sympathizers.

The coordinated demonstrations of thousands of black student protesters and sympathizers put insurmountable pressure on Woolworth’s, as it became nearly impossible for regular customers to purchase items, eat at the lunch counters and even enter the store in many instances.

On May 25th, the sit-in movement received a major victory as lunch counters at Woolworth’s in Winston Salem, NC desegregated. Soon after, Woolworth’s in Nashville, TN and San Antonio, TX also integrated. Finally, on July 25, ground zero, Woolworth’s in Greensboro integrated its lunch counter. With the possibility of facing bankruptcy, F.W. Woolworth totally acquiesced and desegregated all of its lunch counters throughout the nation by the end of the summer of 1960.

The Legacies And Larger Significance Of The 1960 Sit-in Movement, Sparked In Greensboro

Similar to the successful 1955 Montgomery Bus Boycott, the students’ triumphant coordinated protests in 1960 further demonstrated how mass economic boycotts could lead to desegregationist social victories, particularly when targeting businesses that relied heavily on black patronage. The Greensboro Four only set out to challenge and change the discriminatory practices of the local Woolworth’s, yet their movement expanded exponentially to ultimately bring about the desegregation of all Woolworth’s lunch counters in the country.

Unidentified sit-in demonstration. Photo: New Journal and Guide Archives

Unidentified sit-in demonstration. Photo: New Journal and Guide Archives

The students of the Civil Rights era suddenly possessed a new weapon, the mass sit-in, which would continue to be used in Greensboro and around the country in various forms. The sit-ins combined with the freedom rides led to black students establishing their unique value and niche to the larger Civil Rights Movement. Black students understood their unique, collective power and desired to harness their efforts under a national apparatus. Consequently, another major legacy of the student movement that emerged in Greensboro was it also directly led to the birth of the Student Non-Violent Coordinating Committee (SNCC) in April of 1960 in nearby Raleigh, NC on the campus of Shaw University.

SNCC would soon emerge as one of the most formidable organizations of the decade, elevating students to the forefront of the Civil Rights Movement.

After marveling at the magnitude and effectiveness of the student protesters during the sit-ins, major Civil Rights organizations such as the NAACP, SCLC and CORE pressured the students to collapse their meteoric movement into the youth wing of one of their institutions under their supervision.

The students however, decided to remain autonomous and formulate their own student-led organization, while still adhering to non-violent principles. The students’ decision to remain student-led received noteworthy support from several key adult Civil Rights leaders in Greensboro in addition to Ella Baker from SCLC.

SNCC would prove to be an indispensible organization that not only championed directly confronting Jim Crow racism on numerous levels through organized protests and massive voter registration drives, but SNCC also further popularized the concept of participatory democracy and was the first major Civil Rights organization to evolve toward seriously embracing principles of black power ideology under Stokely Carmichael’s (Kwame Ture) leadership in 1966.

Another legacy of the 1960 sit-in movement was that it offered the inspiration and blueprint for the second and more colossal wave of mass student protest in Greensboro in 1963. The 1963 student demonstrations in Greensboro would be even more locally successful than their predecessor as they desegregated all remaining businesses in downtown Greensboro and the student leader of the second wave of sit-ins, Jesse Jackson, would parlay his leadership in the student protests onto the national Civil Rights stage throughout the 20th century. Similar to Greensboro, other cities throughout the South would experience a second and even third wave of similar protests to successfully desegregate other remaining businesses throughout the decade.

Ultimately, all mass student protests of the 1960s and thereafter owe their viability to the student-led Greensboro protests of 1960, including student black power activists and anti-war activists of the late 60s and 70s. Although its origins predate 1960, even one of the largest and most noteworthy national student organizations, Students for a Democratic Society (SDS), owe its resurgence and major elements of its effectiveness to the spark ignited by the Greensboro Four on February 1, 1960.

Even recent episodes of student activism exhibited in the Ferguson, Missouri protests of 2014-15, as well as the student protests led by black students at the University of Missouri in 2015, which ultimately led to the resignation of the chancellor, have attributes that correlate to the 1960 student movement. The student movement of 1960, ignited by the Greensboro Four, provided a blueprint for future students to build upon, perfect, and utilize in a variety of ways for a plethora of circumstances.

Most importantly, what happened in 1960 showed young people the power they possessed to address their grievances and ultimately bring about change on both local and national levels if they organized themselves and remained committed.

Unique Weapons for Non-violent Students

In addition to the typical traits that come along with youthfulness such as idealism and impatience, student success during the 1960 sit-ins and thereafter was directly affixed to two distinct assets possessed by students juxtaposed to their older adult activist counterparts. The first asset is condense demographics, as student-body populations were primarily located on campuses and/or nearby the colleges.

The fact that hundreds to thousands of students in a college town lived within a square mile of each other led to the expeditious mobilization of large numbers of people and efficient dissemination of information and strategy.

Although black churches proved to be invaluable throughout the Black Freedom Struggle from Reconstruction to the Civil Rights Movement, there was still no equivalent amongst the older black generation to the college campus’ effectiveness as both a meeting place and as a domicile for housing and dispersing the shock troops of the movement.

The second major asset specific to students would be the relation between arrest and reprisal. At some of their demonstrations prior to 1960, older black activists strategically triggered their arrests for charges such as trespassing or loitering as a way to dramatize unjust treatment via media coverage and to pressure white officials to change discriminatory laws.

Once mobilized per the sit-ins however, student activists were able to invite and withstand incarceration for far longer periods of time and in extremely larger numbers. Students vastly elevated this critical strategy of the overall movement. During 1960 and beyond, the enormous numbers unleashed by black student activists put unyielding pressure on local law enforcement, political officials and jail facilities. In many cities like Greensboro, there were not enough jail cells for all of the students arrested, particularly since the students refused bail and chose to remain incarcerated.

This action severely drained local municipalities of money and resources, forcing local governmental, business and law officials to dramatically adjust policies and sometimes change discriminatory laws. Student activists were able to perfect this strategy because they could endure prolonged imprisonment without fear of major job or housing reprisal.

Comparably, many older activists, whose families depended on their incomes, could not sacrifice prolonged periods of incarceration, as it would threaten their livelihood. Furthermore, angry employers or landlords, who disapproved of their protest activities, could threaten to fire them or abruptly remove them from property they were renting.

Students were not confronted with the same ramifications of these economic, employment and housing reprisals, as the majority of them lived on campuses and perhaps had part-time, albeit replaceable, minimum wage jobs, often with no dependents.

Drawing the contrast between student activists versus the older activists is not synonymous with drawing divisions, as the older activists understood the assets that students solely possessed to further the movement along. In fact, many of the older activists encouraged the younger activists and actively supported them in numerous ways.

For example, when Bennett College students, who were the heroines on the 1963 Greensboro protests, were arrested and refused bail during the 1963 sit-ins in Greensboro, their professors came to the jail facilities and gave them their classroom and homework assignments every week. This scenario personifies the symbiotic relationship between both generations in the fight against racism, as the professors showed their appreciation for the young people’s unique and valiant position for the benefit of the entire race and future generations, yet not removing the students from their responsibilities and academic requirements.

Altogether, students endured countless hardships that included incarceration, verbal assaults and physical violence. Sometimes, attacks from white antagonists were compounded by disproportionate responses from law enforcement, as Portsmouth activist, Edward Rodman explained, “…the fire department, all of the police force and police dogs were mobilized. The police turned the dogs loose on the Negroes-but not all the whites.”

Students also understood that they could pay the ultimate price for protesting against the status quo of racial inequality, as numerous activists were murdered throughout the Civil Rights era. Nevertheless, over 50,000 black students and sympathizers participated in the sit-ins of 1960. As historian Clayborne Carson highlighted, “Nonviolent tactics, particularly when accompanied by rationale based on Christian principles, offered black students…a sense of moral superiority, an emotional release through militancy, and a possibility of achieving desegregation.”

A movement within a movement was born on February 1, 1960 and that movement evolved into its own distinct force by the middle of the decade. Soon after the sit-ins began, students realized their collective prowess, as student activism consistently helped define the decade of the 60s in forcing monumental political, legal and social changes throughout the nation.

Finally, the black student activists of the 1960 sit-ins did three important things, albeit unintentional: they helped lay the foundation for all collective student activism in the 60s and beyond, they played a legendary role in the larger African-American Freedom Movement that began as early as Africans’ arrival to colonial America, and they cemented a valuable place in one of America’s most significant traditions, the protest tradition, which has continuously defined and propelled our country since its inception.

Our society, and all post-1960 social movements, have undeniably benefited from the audacity of those four brave freshmen and their actions on February 1, 1960.

Dr. Kelton Edmonds is a Professor of History at California University of Pennsylvania. His primary research is on Black Student Activism in the United States. He is a native of Portsmouth, VA and graduated from I.C. Norcom High school in 1993. He holds B.A. and M.A. degrees in Secondary Education-History from North Carolina A&T State University. He earned his Ph.D. in 20th Century US History from the University of Missouri-Columbia.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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